THE HAT.

"Of course," said the lady of the house, "you can turn yourself into a

hermit if you like. We'll build you a little cell, and----"

"What?" I said. "A real hermit, in a long robe like a bath-gown? With a

real cell, and a dish of herbs on a plain deal table, and some rocks to

sleep on, and a folio volume always open at the same place? May I really

be like that?"

"Yes," she said, "that's what you're coming to. And there'll be a notice

stuck up on a tree--'This way to the Hermit,' with a painted hand."

"I know the sort," I said. "A hand with only one finger."

"Yes, one finger pointing in the direction of the cell. And all the

village children will follow you when you go out, and you'll threaten

them with a gnarled stick, and you'll be indicted as a nuisance."

"But not for a long time," I said. "I shall have lots of good hermiting

before that happens. I shall have my breakfasts quite alone and nobody

will ask me to go to Mrs. Latimer's musical afternoon in London, 4 to

7."

"Well, you're not a hermit yet, so you'll have to come to Mrs. Latimer's

with me. You know you'll enjoy it when you get there."

"I won't."

"And you'll meet plenty of your friends."

"But I don't want to meet my friends," I said. "Friends are people yon

go on being friends with without meeting them. That's the essence of

true friendship, you know. Absence doesn't alter it. You keep on

thinking of dear old Jack and what fun you used to have together at

Cambridge; and then some day a funny old gentleman comes up to you in

the street and says you don't remember him, and you pretend you know him

quite well, and it's Jack all the time, and you wonder how he's got so

old while you yourself have kept on being as young as ever. That's

friendship."

"This," she said, "is not an Essay Club."

"What should a woman know of friendship?" I said bitterly. "Besides, I

shall have to get a new top-hat."

"Well," she said, "there's nothing so very awful in that. But what's the

matter with the old one?"

"The old one," I said, "is a blacked sepulchre, and even the black part

of it is not very good. The lining is of the sort that makes it

necessary to place it on a table with the opening down. Fortunate woman,

your hats require no lining and you don't take them off. You cannot

sympathise with my feelings. Such a top-hat as mine is good enough for a

Board meeting, but it cannot go to Mrs. Latimer's musical afternoon. Her

footman would despise me."

"Very well," she said, "get your new hat and have it ready for this day

fortnight."

The upshot of this conversation was that on the following day I went to

London, wearing my old top-hat, and called at Messrs. Hutchfield's, the

famous hatters. It is not a very large shop, but it is very high, and

something like a million white hat-boxes, each presumably containing a

hat, are stacked in gleaming tiers from floor to ceiling. The higher

ones are fetched down by means of a long pole provided at one end with a

sort of inverted hook. It is a most dexterous and pleasing trick, only

to be attempted by an old hand. An inexperienced practitioner would

certainly bring down an avalanche of hat-boxes on the heads of the

customers. On one side of the room there is a patent stove in which

several irons were heating, not for torture, but for the improvement of

hats. Several aproned attendants were bustling about, and one or two

customers with bare heads were eyeing one another with an exaggerated

air of haughty nonchalance, as who should say, "Observe, we do not wear

white aprons. We do not _belong_ to the shop. We are genuine customers.

We are waiting for our hats."

"Good morning," I said.

"Good morning, Sir," said one of the attendants; "what would you be

requiring to-day?"

"I think," I said, "it was a hat. Yes, I'm sure it was. A top-hat, you

know--one of your best."

"Pardon me, Sir." With a graceful and airy movement he whisked off my

old hat and took its measure in length and breadth.

"You mustn't draw any inference from the lining," I said. "I'm not

really as poor as all that. I've meant to have it re-lined several

times, but somehow I never brought it off. Still, it's been a good hat."

"Yes, Sir," he said.

"Could it be----"

"Oh, yes, Sir, we could re-line it for you and make it look almost as

good as new."

"Splendid!" I cried. "Then I shan't want a new one, shall I?"

"Well, Sir, it would take some little time. You would want to wear

something to go on with till it's finished."

"There is," I said, "some force in that. Put the machine on me at once."

"The what, Sir?"

"The machine," I said. "The beautifully contrived, apparatus made of

ever so many wooden keys like the inside of a piano--only those are set

in circles. It fits close to the head and you can make it looser or

tighter, and when you've got it on you look like a Siamese king in his

crown. And when you take it off you tear out a piece of paper and that

gives you the exact measure to a hair's-breadth. Come, I'm ready."

His face relaxed into a serious kind of smile.

"Certainly," he said, "you shall have it on, Sir, if you like. But I

thought, being an old customer and your measure being known, it might

not be necessary."

"Very well," I said, "I'll give up the machine, but I don't see how I

can take any further pleasure in this purchase. Still, if you know me so

well----"

"We don't forget customers of thirty years' standing," he said proudly.

"That settles it," I said. "I will now buy four hats--a top-hat, a

bowler, a soft felt and a straw hat."

"Yes, Sir," he said, and from an upper tier he extracted a hat-box out

of which he shortly produced a top-hat and placed it on my head. It did

not fit at first, but fire soon reduced it to obedience.

"The others must be similarly treated," I said as I left the shop.

Unfortunately in the interval it had begun to rain and every taxi seemed

to be taken. You know what a new top-hat looks like after that. However,

with two hats to choose from, I am now ready to face Mrs. Latimer's

footman.

Punch, or the London Charivari, Vol. 146, March 18, 1914 · 第 7 / 33 题