IV

India holds sacred, and counts as places of pilgrimage, all spots

which display a special beauty or splendour of nature. These had no

original attraction on account of any special fitness for cultivation

or settlement. Here, man is free, not to look upon Nature as a source

of supply of his necessities, but to realise his soul beyond himself.

The Himalayas of India are sacred and the Vindhya Hills. Her majestic

rivers are sacred. Lake Manasa and the confluence of the Ganges and

the Jamuna are sacred. India has saturated with her love and worship

the great Nature with which her children are surrounded, whose light

fills their eyes with gladness, and whose water cleanses them, whose

food gives them life, and from whose majestic mystery comes forth the

constant revelation of the infinite in music, scent, and colour, which

brings its awakening to the soul of man. India gains the world through

worship, through spiritual communion; and the idea of freedom to which

she aspired was based upon the realisation of her spiritual unity.

When, in my recent voyage to Europe, our ship left Aden and sailed

along the sea which lay between the two continents, we passed by the

red and barren rocks of Arabia on our right side and the gleaming

sands of Egypt on our left. They seemed to me like two giant brothers

exchanging with each other burning glances of hatred, kept apart by

the tearful entreaty of the sea from whose womb they had their birth.

There was an immense stretch of silence on the left shore as well as

on the right, but the two shores spoke to me of the two different

historical dramas enacted. The civilisation which found its growth in

Egypt was continued across long centuries, elaborately rich with

sentiments and expressions of life, with pictures, sculptures,

temples, and ceremonials. This was a country whose guardian-spirit was

a noble river, which spread the festivities of life on its banks

across the heart of the land. There man never raised the barrier of

alienation between himself and the rest of the world.

On the opposite shore of the Red Sea the civilisation which grew up in

the inhospitable soil of Arabia had a contrary character to that of

Egypt. There man felt himself isolated in his hostile and bare

surroundings. His idea of God became that of a jealous God. His mind

naturally dwelt upon the principle of separateness. It roused in him

the spirit of fight, and this spirit was a force that drove him far

and wide. These two civilisations represented two fundamental

divisions of human nature. The one contained in it the spirit of

conquest and the other the spirit of harmony. And both of these have

their truth and purpose in human existence.

The characters of two eminent sages have been described in our

mythology. One was Vashishtha and another Vishvamitra. Both of them

were great, but they represented two different types of wisdom; and

there was conflict between them. Vishvamitra sought to achieve power

and was proud of it; Vashishtha was rudely smitten by that power. But

his hurt and his loss could not touch the illumination of his soul;

for he rose above them and could forgive. Ramachandra, the great hero

of our epic, had his initiation to the spiritual life from Vashishtha,

the life of inner peace and perfection. But he had his initiation to

war from Vishvamitra, who called him to kill the demons and gave him

weapons that were irresistible.

Those two sages symbolise in themselves the two guiding spirits of

civilisation. Can it be true that they shall never be reconciled? If

so, can ever the age of peace and co-operation dawn upon the human

world? Creation is the harmony of contrary forces--the forces of

attraction and repulsion. When they join hands, all the fire and fight

are changed into the smile of flowers and the songs of birds. When

there is only one of them triumphant and the other defeated, then

either there is the death of cold rigidity or that of suicidal

explosion.

Humanity, for ages, has been busy with the one great creation of

spiritual life. Its best wisdom, its discipline, its literature and

art, all the teachings and self-sacrifice of its noblest teachers,

have been for this. But the harmony of contrary forces, which give

their rhythm to all creation, has not yet been perfected by man in his

civilisation, and the Creator in him is baffled over and over again.

He comes back to his work, however, and makes himself busy, building

his world in the midst of desolation and ruins. His history is the

history of his aspiration interrupted and renewed. And one truth of

which he must be reminded, therefore, is that the power which

accomplishes the miracle of creation, by bringing conflicting forces

into the harmony of the One, is no passion, but a love which accepts

the bonds of self-control from the joy of its own immensity--a love

whose sacrifice is the manifestation of its endless wealth within

itself.

Creative Unity · 第 33 / 52 题