XVII.

In one of the few remaining streets of Rome which the vandal hand of

the modern builder and restorer has not meddled with, stands the "Casa

D'Angeli", a sixteenth-century building fronted with wonderfully carved

and widely projecting balconies--each balcony more or less different in

design, yet forming altogether in their entirety the effect of complete

sculptural harmony. The central one looks more like a cathedral shrine

than the embrasure of a window, for above it angels' heads look out

from the enfolding curves of their own tall wings, and a huge shield

which might serve as a copy of that which Elaine kept bright for

Lancelot, is poised between, bearing a lily, a cross, and a heart

engraven in its quarterings. Here, leaning far forward to watch the

intense gold of the Roman moon strike brightness and shadow out of the

dark uplifted pinions of her winged stone guardians, stood Sylvie

Hermenstein, who, in her delicate white attire, with the moonbeams

resting like a halo on her soft hair, might have easily passed for some

favoured saint whom the sculptured angels were protecting. And yet she

was only one whom the world called "a frivolous woman of society, who

lived on the admiration of men". So little did they know her,--so

little indeed does the world know about any of us. It was true that

Sylvie, rich, lovely, independent, and therefore indifferent to

opinions, lived her own life very much according to her own ideas,--but

then those ideas were far more simple and unworldly than anybody gave

her credit for. She to whom all the courts of Europe were open,

preferred to wander in the woods alone, reading some favourite book, to

almost any other pleasure,--and as for the admiration which she won by

a look or turn of her head wherever she went, nothing in all the world

so utterly bored her as this influence of her own charm. For she had

tried men and found them wanting. With all the pent-up passion of her

woman's soul she longed to be loved,--but what she understood by love

was a much purer and more exalted emotion than is common among men and

women. She was suffering just now from an intense and overpowering

ennui. Rome was beautiful, she averred, but dull. Stretching her fair

white arms out over the impervious stone-angels she said this, and more

than this, to someone within the room, who answered her in one of the

most delightfully toned voices in the world--a voice that charmed the

ear by its first cadences, and left the listener fascinated into

believing that its music was the expression of a perfectly harmonious

mind.

"You seem very discontented," said the voice, speaking in English, "But

really your pathway is one of roses!"

"You think so?" and Sylvie turned her head quickly round and looked at

her companion, a handsome little man of some thirty-five years of age,

who stretching himself lazily full length in an arm-chair was toying

with the silky ears of an exceedingly minute Japanese spaniel, Sylvie's

great pet and constant companion. "Oh, mon Dieu! You, artist and

idealist though you are--or shall I say as you are supposed to be," and

she laughed a little, "you are like all the rest of your sex! Just

because you see a woman able to smile and make herself agreeable to her

friends, and wear pretty clothes, and exchange all the bon mots of

badinage and every-day flirtation, you imagine it impossible for her to

have any sorrow!"

"There is only one sorrow possible to a woman," replied the gentleman,

who was no other than Florian Varillo, the ideal of Angela Sovrani's

life, smiling as he spoke with a look in his eyes which conveyed an

almost amorous meaning.

Sylvie left the balcony abruptly, and swept back into the room, looking

a charming figure of sylph-like slenderness and elegance in her

clinging gown of soft white satin showered over with lace and pearls.

"Only one sorrow!" she echoed, "And that is--?"

"Inability to win love, or to awaken desire!" replied Varillo, still

smiling.

The pretty Comtesse raised her golden head a little more proudly, with

the air of a lily lifting itself to the light on its stem--her deep

blue eyes flashed.

"I certainly cannot complain on that score!" she said, with a touch of

malice as well as coldness--"But the fact that men lose their heads

about me does not make me in the least happy."

"It should do so!" and Varillo set the little Japanese dog carefully

down on the floor, whereupon it ran straight to its mistress, uttering

tiny cries of joy, "There is no sweeter triumph for a woman than to see

men subjugated by her smile, and intimidated by her frown;--to watch

them burning themselves like moths in her clear flame, and dying at her

feet for love of her! The woman who can do these things is gifted with

the charm which makes or ruins life,--few can resist her,--she draws

sensitive souls as a magnet draws the needle,--and the odd part of it

all is that she need not have any heart herself--she need not feel one

pulse of the passion with which she inspires others--indeed it is

better that she should not. The less she is moved herself, the greater

is her fascination. Love clamours far more incessantly and passionately

at a closed gate than an open one!"

Sylvie was silent for a minute or two looking at him with something of

doubt and disdain. The room they were in was one of those wide and

lofty apartments which in old days might have been used for a prince's

audience chamber, or a dining hall for the revelry of the golden youth

of Imperial Rome. The ceiling, supported by eight slender marble

columns, was richly frescoed with scenes from Ariosto's poems, some of

the figures being still warm with colour and instinct with life--and on

the walls were the fading remains of other pictures, the freshest among

them being a laughing Cupid poised on a knot of honeysuckle, and

shooting his arrow at random into the sky. Ordinarily speaking, the

huge room was bare and comfortless to a degree,--but the Comtesse

Sylvie's wealth, combined with her good taste, had filled it with

things that made it homelike as well as beautiful. The thickest velvet

pile carpets laid over the thickest of folded mattings, covered the

marble floors, and deprived them of their usual chill,--great logs of

wood burned cheerfully in the wide chimney, and flowers, in every sort

of quaint vase or bowl, made bright with colour and blossom all dark

and gloomy corners, and softened every touch of melancholy away. A

grand piano stood open,--a mandoline tied with bright ribbons, lay on a

little table near a cluster of roses and violets,--books, music,

drawings, bits of old drapery and lace were so disposed as to hide all

sharp corners and forbidding angles,--and where the frescoes on the

wall were too damaged to be worth showing even in outline, some fine

old Flemish tapestry covered the defect. Sylvie herself, in the

exquisite clothing which she always made it her business to wear, was

the brilliant completion of the general picturesqueness,--and Florian

Varillo seemed to think so as he looked at her with the practised

underglance of admiration which is a trick common to Italians, and

which some women accept as a compliment and others resent as an insult.

"Do you not agree with me?" he said persuasively, with a smile which

showed his fine and even teeth to perfection, "When the chase is over

the hunters go home tired! What a man cannot have, that very thing is

what he tries most to obtain!"

"You speak from experience, I suppose," said Sylvie, moving slowly

across the room towards the fire, and caressing her little dog which

she held nestled under her rounded chin like a ball of silk, "And yet

you, more than most men, have everything you can want in this

world--but I suppose you are not satisfied--not even with Angela!"

"Angela is a dear little woman!" said Florian, with an air of emotional

condescension, "The dearest little woman in the world! And she is

really clever."

"Clever!" echoed Sylvie, "Is that all?"

"Cara Contessa, is not that enough?"

"Angela is a genius," averred Sylvie, with warmth and energy, "a true

genius!--a great,--a sublime artist!"

"Che Che!" and Varillo smiled, "How delightful it is to hear one woman

praise another! Women are so often like cats spitting and hissing at

each other, tearing at each other's clothes and reputations,--clothes

even more than reputations,--that it is really quite beautiful to me to

hear you admire my Angela! It is very generous of you!"

"Generous of me!" and the Comtesse Hermenstein looked him full in the

eyes, "Why I think it an honour to know her--a privilege to touch her

hand! All Europe admires her--she is one of the world's greatest

artists."

"She paints wonderfully well,--for a woman," said Varillo lazily, "But

there is so much in that phrase, cara Contessa, 'for a woman'. Your

charming sex often succeeds in doing very clever and pretty things; but

in a man they would not be considered surprising. You fairy creatures

are not made for fame--but for love!"

The Comtesse glanced him up and down for a moment, then laughed

musically.

"And for desertion, and neglect as well!" she said, "And sometimes for

bestowing upon YOUR charming sex every fortune and every good blessing,

and getting kicked for our pains! And sometimes it happens that we are

permitted the amazing honour of toiling to keep you in food and

clothing, while you jest at your clubs about the uselessness of woman's

work in the world! Yes, I know! Have you seen Angela's great picture?"

Again Florian smiled.

"Great? No! I know that the dear little girl has fixed an enormous

canvas up in her studio, and that she actually gets on a ladder to

paint something upon it;--but it is always covered,--she does not wish

me to see it till it is finished. She is like a child in some things,

and I always humour her. I have not the least desire to look at her

work till she herself is willing to show it to me. But in myself I am

convinced she is trying to do too much--it is altogether too large an

attempt."

"What are YOU doing?" asked Sylvie abruptly.

"Merely delicate trifles,--little mosaics of art!" said Varillo with

languid satisfaction, "They may possibly please a connoisseur,--but

they are quite small studies."

"You have the same model you had last year?" queried Sylvie.

Their eyes met, and Varillo shifted uneasily in his chair.

"The same," he replied curtly.

Again Sylvie laughed.

"Immaculate creature!" she murmured, "The noblest of her sex, of

course! Men always call the women who pander to their vices 'noble'."

Varillo flushed an angry red.

"You are pleased to be sarcastic, fair lady." he said carelessly, "I do

not understand--"

"No? You are not usually so dense with me, though to those who do not

know you as well as I do, you sometimes appear to be the very stupidest

of men! Now be frank!--tell me, is not Pon-Pon one of the 'noble'

women?"

"She is a very good creature," averred Varillo gently, and with an air

that was almost pious,--"She supports her family entirely on her

earnings."

"How charming of her!" laughed Sylvie, "And so exceptional a thing to

do, is it not? My dressmaker does the same thing,--she 'supports' her

family; but respectably! And just think!--if ever your right hand loses

its cunning as a painter, Angela will be able to 'support' YOU!"

"Always Angela!" muttered Varillo, beginning to sulk, "Cannot you talk

of something else?"

"No,--not for the moment! She is an interesting subject,--to ME! She

will arrive in Rome to-morrow night, and her uncle Cardinal Bonpre,

will be with her, and they will all stay at the Sovrani Palace, which

seems to me like a bit of the Vatican and an old torture-chamber rolled

into one! And, talking of this same excellent Cardinal, they have

almost canonized him at the Vatican,--almost, but not quite."

"For what reason?"

"Oh, have you not heard? It appears he performed a miracle in Rouen,

curing a child who had been a cripple ever since babyhood, and making

him run about as well and strong as possible. One prayer did it, so it

is said,--the news reached the Vatican some days ago; our charming

Monsignor Gherardi told me of it. The secretary of the Archbishop of

Rouen brought the news personally to the Holy Father."

"I do not believe it," said Varillo indifferently, "The days of

miracles are past. And from what I know, and from what Angela has told

me of her uncle, Cardinal Bonpre, he would never lend himself to such

nonsense."

"Well, I only tell you what is just now the talk at the Vatican," said

Sylvie, "Your worthy uncle-in-law that is to be, may be Pope yet! Have

you heard from Angela?"

"Every day. But she has said nothing about this miracle."

"Perhaps she does not know,"--and Sylvie began to yawn, and stretch her

white arms above her head lazily, "Oh, DIO MIO! How terribly dull is

Rome!"

"How long have you been here, Contessa?"

"Nearly a week! If I am not more amused I shall go away home to

Budapest."

"But how is one to amuse you?" asked Varillo, sitting down beside her

and endeavouring to take her hand. She drew it quickly from him.

"Not in that way!" she said scornfully, "Is it possible that you can be

so conceited! A woman says she is dull and bored, and straightway the

nearest man imagines his uncouth caresses will amuse her! TIENS TIENS!

When will you understand that all women are not like Pon-Pon?"

Varillo drew back, chafed and sullen. His AMOUR PROPRE was wounded, and

he began to feel exceedingly cross. The pretty laugh of Sylvie rang out

like a little peal of bells.

"Suppose Angela knew that you wished to 'amuse' me in that particularly

unamusing way?" she went on, "You--who, to her, are CHEVALIER SANS PEUR

ET SANS REPROCHE!"

"Angela is different to all other women," said Varillo quickly, with a

kind of nervous irritation in his manner as he spoke, "and she has to

be humoured accordingly. She is extremely fantastic--full of strange

ideas and unnatural conceptions of life. Her temperament is studious

and dreamy--self-absorbed too at times--and she is absolutely

passionless. That is why she will make a model wife."

The Comtesse drew her breath quickly,--her blood began to tingle and

her heart to beat--but she repressed these feelings and said,

"You mean that her passionless nature will be her safety in all

temptation?"

"Exactly!" and Varillo, smiling, became good natured again--"For Angela

to be untrue would be a grotesque impossibility! She has no idea of the

stronger sentiment of love which strikes the heart like a lightning

flash and consumes it. Her powers of affection are intellectually and

evenly balanced,--and she could not be otherwise than faithful because

her whole nature is opposed to infidelity. But it is not a nature

which, being tempted, overcomes--inasmuch as there is no temptation

which is attractive to her!"

"You think so?" and a sparkle of satire danced in Sylvie's bright eyes,

"Really? And because she is self-respecting and proud, you would almost

make her out to be sexless?--not a woman at all,--without

heart?--without passion? Then you do not love her!"

"She is the dearest creature to me in all the world!" declared Florian,

with emotional ardour, "There is no one at all like her! Even her

beauty, which comes and goes with her mood, is to an artist's eye like

mine, exquisite,--and more dazzling to the senses than the stereotyped

calm of admitted perfection in form and feature. But, CARA CONTESSA, I

am something of an analyst in character--and I know that the delicacy

of Angela's charm lies in that extraordinary tranquillity of soul,

which, (YOU suggested the word!) may indeed be almost termed sexless.

She is purer than snow--and very much colder."

"You are fortunate to be the only man selected to melt that coldness,"

said Sylvie with a touch of disdain, "Myself, I think you make a great

mistake in calling Angela passionless. She is all passion--and

ardour--but it is kept down,--held firmly within bounds, and devoutly

consecrated to you. Pardon me, if I say that you should be more

grateful for the love and trust she gives you. You are not without

rivals in the field."

Florian Varillo raised his eyebrows smilingly.

"Rivals? VERAMENTE! I am not aware of them!"

"No, I should say you had too good an opinion of yourself to imagine

any rival possible!" said the Comtesse, "But such a person may exist!"

Varillo yawned, and flicked a grain of dust off his waistcoat with a

fastidious thumb and finger.

"Impossible! No one could possibly fall in love with Angela now! She is

an icicle,--no man save myself has the ghost of a chance with her!"

"Of course not," said Sylvie impatiently, "Because she is betrothed to

you. But if things were not as they are--"

"It would make no difference, I assure you," laughed Varillo gaily,

"Angela does not like men as a rule. She is fondest of romance--of

dreams--of visions, out of which come the ideas for her pictures--"

"And she is quite passionless with all this, you think?" said Sylvie,

"The 'stronger sentiment which strikes the heart like a flash of

lightning, and consumes it', as you so poetically describe it--could

never possibly disturb her peace?"

"I think not," replied Varillo, with a meditative air, "Angela and I

glided into love like two children wandering by chance into a meadow

full of flowers,--no storm struck us--no sudden danger signal flashed

from our eyes--no trembling hurry of the blood bade us rush into each

other's arms and cling!--nothing of this marvel touched us!--we loved

with all the calm--but without the glory!"

His voice,--the most fascinating quality attached to his

personality,--rose and fell in this little speech with an exquisite

cadence, half sad, half sweet,--and Sylvie, impressionable creature as

she was, with her innate love of romance and poetry, was unconsciously

moved by it to a faint sigh. There was nothing to sigh for, really,--it

was just a mere melodious noise of words, in the making of which

Florian Varillo was an adept. He had not an atom of serious thought in

his remark, any more than in the dainty verses he was wont to append to

his pictures--verses which he turned out with the lightest and swiftest

ease, and which read like his spoken sentences, as if there were a

meaning in them, when truly there was none. But Sylvie was just then in

a curious state of mind, and slight things easily impressed her. She

was in love--and yet she was not in love. The handsome face and figure

of the Marquis Fontenelle, together with many of his undoubted good and

even fine qualities, attracted her and held her in thrall, much more

than the consciousness of his admiration and pursuit of her,--but--and

this was a very interfering "but" indeed,--she was reluctantly

compelled to admit to herself that there was no glozing over the fact

that he was an incorrigibly "fast", otherwise bad man. His life was a

long record of LIAISONS with women,--an exact counterpart of the life

of the famous actor Miraudin. And though there is a saying that a

reformed rake makes the best husband, Sylvie was scarcely sure of being

willing to try this test,--besides, the Marquis had not offered himself

in that capacity, but only as a lover. In Paris,--within reach of him,

surrounded by his gracious and graceful courtesies everywhere, the

pretty and sensitive Comtesse had sometimes felt her courage oozing out

at her finger's ends,--and the longing to be loved became so strong and

overwhelming in her soul that she had felt she must perforce one day

yield to her persistent admirer's amorous solicitations, come what

would of it in the end. Her safety had been in flight; and here in

Rome, she had found herself, like a long-tossed little ship, suddenly

brought up to firm anchorage. The vast peace and melancholy grandeur of

the slowly dying "Mother of Nations", enveloped her as with a

sheltering cloak from the tempest of her own heart and senses, and

being of an exquisitely refined and dainty nature in herself, she had,

while employing her time in beautifying, furnishing and arranging her

apartments in the casa D'Angeli, righted her mind, so to speak, and

cleared it from the mists of illusion which had begun to envelop it, so

that she could now think of Fontenelle quietly and with something of a

tender compassion,--she could pray for him and wish him all things

good,--but she could not be quite sure that she loved him. And this was

well. For we should all be very sure indeed that we do love, before we

crucify ourselves to the cross of sacrifice. Inasmuch as if the love in

us be truly Love, we shall not feel the nails, we shall be unconscious

of the blood that flows, and the thorns that prick and sting,--we shall

but see the great light of Resurrection springing glorious out of

death! But if we only THINK we love,--when our feeling is the mere

attraction of the senses and the lighter impulses--then our crucifixion

is in vain, and our death is death indeed. Some such thoughts as these

had given Sylvie a new charm of manner since her arrival in Rome--she

was less mirthful, but more sympathetic--less RIANTE, but infinitely

prettier and more fascinating. Florian Varillo studied her

appreciatively in this regard after he had uttered his little

meaningless melody of sentiment, and thought within himself--"A week or

two and I could completely conquer that woman!" He was mistaken--men

who think these sort of things often are. But the thought satisfied

him, and gave bold lustre to his eyes and brightness to his smile when

he rose to take his leave. He had been one of the guests at a small and

early dinner-party given by the Comtesse that evening,--and with the

privilege of an old acquaintance, he had lingered thus long after all

the others had gone to their respective homes.

"I will bid you now the felicissima notte, cara e bella contessa!" he

said caressingly, raising her small white hand to his lips, and kissing

it with a lingering pressure of what he considered a peculiarly

becoming moustache--"When Angela arrives to-morrow night I shall be

often at the Palazzo Sovrani--shall I see you there?"

"Of course you will see me there," replied Sylvie, a little

impatiently, "Am I not one of Angela's closest friends?"

"True! And for the sake of la mia dolcezza, you will also be a friend

to me?"

"'la mia dolcezza'", repeated Sylvie, "Is that what you call her?"

"Yes--but I fear it is not original!" said Varillo smiling, "One

Ariosto called his lady thus."

"Yes?" and Sylvie's eyes darkened and grew humid with a sudden

tenderness of thought, "It is a pretty phrase!"

"It should be used to YOU always, by every man who has my present

privilege!" said Varillo, gallantly, kissing her hand once more, "You

will be my friend?"

Sylvie disengaged her hand from his.

"You must not depend upon me, Signor," she said with sudden coldness,

"To be perfectly frank with you I am not sure that I like you. You are

very charming and very clever--but I doubt your sincerity."

"Ah, che sono infelice!" murmured varillo softly, "you are right,

bellissima madama! I am not myself with many people--but with you--you

are one of the few who understand me . . . I am the very soul of

candour!"

He fixed his eyes full upon her with an open and straight regard,

adding, "Can you doubt me?" in a touching tone of wounded feeling.

The Comtesse laughed, and her face flushed.

"Well, I do not know!" she said, with a light gesture of her hands as

though she threw something unpleasant away from her, "I shall fudge of

you by the happiness--or sorrow--of Angela!"

A slight frown contracted his brows--but it passed quickly, and the

candid smile illumined his mobile face once more.

"Ebben! Buona notte, bela capricciosa!" and bowing low he turned

towards the door, "Thank you a thousand times for a very happy evening!

Even when you are unkind to me you are still charming! Addio!"

She murmured an "addio" in response, and when he had gone, and the echo

of his footfall down the great marble stairs had completely died away,

she went out once more to the balcony and leaned among the sculptured

angels, a dainty, slender, white figure, with her soft flower-like face

turned up to the solemn sky, where the large moon marched like an

Amazon through space, attended by her legions and battalions of stars.

So slight, so fragile and sweet a woman!--with a precious world of love

pent up in her heart . . . yet alone--quite alone on this night of

splendid luminousness and majestic suggestions of infinity,--an

infinity so monstrous and solitary to the one delicate creature, whose

whole soul craved for a perfect love. Alas, for this "perfect love," of

which all the dearest women dream! Where shall they find it?--and how

shall they win it? Too often it comes when they may not have it; the

cup of nectar is offered to lips that are forbidden to drink of it,

because the world's convention stands between and turns the honey to

gall. One of the many vague problems of a future life, offered for our

consideration, is the one concerning the righteous satisfaction of

love. Will not those who have been bound fast as prisoners in the bonds

of matrimony without love, find those whose spirits are naturally one

with theirs, but whom they have somehow missed in this life? For

Byron's fine lines are eternally true,--

"Few--none--find what they love or could have loved,--

Though accident, blind contact, and the strong

Necessity of loving, have removed

Antipathies--but to recur ere long

Envenom'd with irrevocable wrong."

And the "blind contact" is the worst of all influences brought to bear

upon the mind and heart,--the most pernicious, and the most deeply

weighted with responsibility. In this regard, Sylvie Hermenstein had

acted wisely by removing herself from association, or "blind contact"

with her would-be lover,--and yet, though she was aware that her doing

so had caused a certain dispersal of the atmosphere which almost veered

towards complete disillusion, she found nevertheless, that Rome as she

had said, was "dull"; her heart was empty, and longing for she knew not

what. And that deep longing she felt could not have been completely

gratified by the brief ardours of Fontenelle. And so she sat thinking

wearily,--wondering what was to become of her life. She had riches in

plenty, a fine estate and castle in Hungary,--servants at her beck and

call--and yet with all her wealth and beauty and brilliancy, she felt

that she was only loved by two persons in the world, her old butler,

and Madame Bozier, who had been her first governess, and who now lived

with her, as a sort of dame d'honneur surrounded with every comfort and

luxury, and who certainly served her former pupil with a faithful

worship that would not have changed, even if the direst poverty instead

of riches had been the portion of her beloved patroness. This elderly

lady it was who entered now with a soft and hesitating step, and

raising her glasses to her eyes, peered anxiously through the lighted

room towards the dark balcony where Sylvie stood, like a fairy fallen

out of the moon, and who presently ventured to advance and call softly,

"Sylvie!"

The pretty Comtesse turned and smiled.

"Is it you, Katrine? Will you come out here? It is not cold, and there

is a lace wrap on the chair,--put it round your dear old head and come

and be romantic with me!" and she laughed as the worthy Bozier obeyed

her, and came cautiously out among the angels' sculptured wings. "Ah,

dear Katrine! The happy days are gone when a dark-eyed Roman lover

would come strolling down a street like this to strike the chords of

his mandoline, and sing the dear old song,

"'Ti voglio bene assai, E tu non pensi a me!'"

Without thinking about it, she sang this refrain suddenly in her sweet

mezzo-soprano, every note ringing clear on the silence of the night,

and as she did so a man of slim figure and medium height, stepped out

of the dark shadows and looked up. His half laughing eyes, piercing in

their regard, met the dreamy soft ones of the pretty woman sitting

among the angels' heads above him--and pausing a moment he

hesitated--then lifted his hat. His face was excessively delicate in

outline and very pale, but a half mischievous smile softened and

sweetened the firm lines of his mouth and chin, and as the moonbeams

played caressingly on his close curling crop of fair hair, he looked

different enough to most of the men in Rome to be considered singular

as well as handsome. Sylvie, hidden as she was among the shadows,

blushed and drew back, a little vexed with herself,--the worthy Madame

Bozier was very properly scandalised.

"My dear child!" she murmured, "Remember--we are in Rome. People judge

things so strangely! What an unfortunate error!--"

But Sylvie became suddenly unmanageable. Her love of coquetry and

mischief got the better of her, and she thrust out her pretty head over

the balcony once more.

"Be quiet, Katrine!" she whispered, "I was longing for a romance, and

here is one!" And detaching a rose from her dress she tossed it lightly

to the stranger below. He caught it--then looked up once more.

"Till we meet," he said softly in English,--and moving on among the

shadows, disappeared.

"Now, who do you suppose HE was?" enquired Sylvie, leaning back against

the edge of the balcony, with an arch glance at her gouvernante, "It

was someone unlike anyone else here, I am sure! It was somebody with

very bright eyes,--laughing eyes,--audacious eyes, because they laughed

at me! They sparkled at me like stars on a frosty night! Katrine, have

you ever been for a sleigh-ride in America? No, I did not take you

there,--I forgot! You would have had the rheumatism, poor dear! Well,

when you are in America during the winter, you go for rides over the

snow in a big sleigh, with tinkling bells fastened to the horses, and

you see the stars flash as you pass--like the eyes of that interesting

gentleman just now. His face was like a cameo--I wonder who he is! I

shall find out! I must do something desperate for Rome is so terribly

dull! But I feel better now! I like that man's eyes. They are SUCH a

contrast to the sleepy tiger eyes of the Marquis Fontenelle!"

"My dear Sylvie!" remonstrated Madame Bozier, "How can you run on in

this way? Do you want to break any more hearts? You are like a lamp for

unfortunate moths to burn themselves in!"

"Oh no, not I," said Sylvie, shaking her head with a touch of half

melancholy scorn, "I am not a 'professional' beauty! The Prince of

Wales does not select me for his admiration,--hence it follows that I

cannot possibly be an attraction in Europe. I have not the large frame,

the large hands, and the still larger feet of the beautiful English

ladies, who rule royal hearts and millionaires' pockets! Men scarcely

notice me till they come to know me--and then, pouf!--away go their

brains!--and they grovel at my small feet instead of the large ones of

the English ladies!" She laughed. "Now how is that, Katrine?"

"C'est du charme--toujurs du charme!" murmured Madame Bozier, studying

with a wistful affection the dainty lines of Sylvie's slight figure,

"And that is an even more fatal gift than beauty, chere petite!"

"Du charme! You think that is it? Yes?--and so the men grow stupid and

wild!--some want me, and some want my fortune--and some do not know

what they want!--but one thing is certain, that they all quarrel

together about me, and bore me to extinction!--Even the stranger with

the bright stars of an American winter for eyes, might possibly bore me

if I knew him!"

She gave a short sigh of complete dissatisfaction.

"To be loved, Katrine--really loved! What a delicious thing that would

be! Have you ever felt it?"

The poor lady trembled a little, and gave a somewhat mournful smile.

"No, you dear romantic child! I cannot say with truth that I have! I

married when I was very young, and my husband was many years older than

myself. He was afflicted with chronic rheumatism and gout, and to be

quite honest, I could never flatter myself that he thought of me more

than the gout. There! I knew that would amuse you!"--this, as Sylvie's

pretty tender laugh rippled out again on the air, "And though it sounds

as if it were a jest, it is perfectly true. Poor Monsieur Bozier! He

was the drawing master at the school where I was assistant

governess,--and he was very lonely; he wanted someone to attend to him

when the gouty paroxysms came on, and he thought I should do as well,

perhaps better than anyone else. And I--I had no time to think about

myself at all, or to fall in love--I was very glad to be free of the

school, and to have a home of my own. So I married him, and did my best

to be a good nurse to him,--but he did not live long, poor man--you see

he always would eat things that did not agree with him, and if he could

not get them at home he went out and bought them on the sly. There was

no romance there, my dear! And of course he died. And he left me

nothing at all,--even our little home was sold up to pay our debts.

Then I had to work again for my living,--and it was by answering an

advertisement in the Times, which applied for an English governess to

go to a family in Budapest, that I first came to know you."

"And that is all your history!" said Sylvie, "Poor dear Bozier! How

uneventful!"

"Yes, it is," and the worthy lady sighed also, but hers, was a sigh of

placid arid philosophical comfort. "Still, my dear, I am not at all

sorry to be uninteresting! I have rather a terror of lives that arrange

themselves into grand dramas, with terrible love affairs as the central

motives."

"Have you? I have not!" said Sylvie thoughtfully,--"With all my heart I

admire a 'grande passion.' Sometimes I think it is the only thing that

makes history. One does not hear nearly so much of the feuds in which

Dante was concerned, as of his love for Beatrice. It is always so, only

few people are capable of the strength and patience and devotion needed

for this great consummation of life. Now I--"

Madame Bozier smiled, and with tender fingers arranged one of the stray

knots of pearls with which Sylvie's white gown was adorned.

"You dear child! You were made for sweetness and caresses,--not

suffering . . ."

"You mistake!" said Sylvie, with sudden decision, "You, in your

fondness for me, and because you have seen me grow up from childhood,

sometimes still view me as a child, and think that I am best amused

with frivolities, and have not the soul in me that would endure

disaster. But for love's sake I would do anything--yes!

. . . anything!"

"My child!"

"Yes," repeated Sylvie, her eyes darkening and lightening quickly in

their own fascinating way, "I would consent to shock the stupid old

world!--though one can scarcely ever shock it nowadays, because it has

itself become so shocking! But then the man for whom I would sacrifice

myself, must love ME as ardently as I would love HIM! That is the

difficulty, Katrine. For men do not love--they only desire."

She raised her face to the sky, and the moonbeams shed a golden halo

round her.

"That," she said slowly, "is the reason why I have come here to avoid

the Marquis Fontenelle. He does not love me!"

"He is a villain!" said Madame Bozier with asperity.

"Helas! There are so many villains!" sighed Sylvie, still looking up at

the brilliant heavens, "And sometimes if a villain really loves anybody

he half redeems his villainy. But the Marquis loves himself best of

anyone in the world . . . and I--I do not intend to be second in

anyone's affections! So . . ." she paused, "Do you see that star,

Katrine? It is as bright as if it were shining on a frosty night in

America. And do you not notice the resemblance to the eyes of the

stranger who has my rose? I daresay he will put it under his pillow

to-night, and dream!" She laughed,--"Let us go in!"

Madame Bozier followed her as she stepped back into the lighted salon,

where she was suddenly met by her little Arab page, carrying a large

cluster of exquisite red and white roses. A card was attached to the

flowers, bearing the words, "These many unworthy blossoms in return for

one beyond all worth."

The Comtesse read and passed it in silence to Madame Bozier. A smile

was on her face, and a light in her eyes.

"I think Rome is not so dull after all!" she said, as she set the

flowers carefully in a tall vase of Etruscan ware, "Do you know, I am

beginning to find it interesting!"

The Master-Christian · 第 25 / 56 题