VIII.

"A strange lad!" said Abbe Vergniaud, abruptly.

"Strange? In what way do you find him so?" asked the Cardinal with a

touch of anxiety.

The Abbe knitted his brows perplexedly, and took a short turn up and

down the room. Then he laughed.

"Upon my word, I cannot tell you!" he declared, with one of those

inimitable gestures common to Frenchmen, a gesture which may mean

anything or nothing,--"But he speaks too well, and, surely, thinks too

much for his years. Is there nothing further to tell of him save what

you have already said? Nothing that you know of him, beyond the plain

bare fact of having found him weeping alone outside the doors of the

Cathedral?"

"Nothing indeed!" replied the Cardinal bewildered. "What else should

there be?"

The Abbe hesitated a moment, and when he spoke again it was in a softer

and graver tone. "Forgive me! Of course there could be nothing else

with you. You are so different to all other Churchmen I have ever

known. Still, the story of your foundling is exceptional;--you will own

that it is somewhat out of the common course of things, for a Cardinal

to suddenly constitute himself the protector and guardian of a small

tramp--for this boy is nothing else. Now, if it were any other

Cardinal-Archbishop than yourself, I should at once say that His

Eminence knew exactly where to find the mother of his protege!"

"Vergniaud!" exclaimed the Cardinal.

"Forgive me! I said 'forgive me' as a prelude to my remarks," resumed

Vergniaud, "I am talking profanely, sceptically, and cynically,--I am

talking precisely as the world talks, and as it always will talk."

"The world may talk itself out of existence, before it can hinder me

from doing what I conceive to be my duty," said Felix Bonpre, calmly,

"The lad is alone and absolutely friendless,--it is but fitting and

right that I should do what I can for him."

Abbe Vergniaud sat down, and for a moment appeared absorbed in thought.

"You are a curious man;" he at length observed, "And a more than

curious priest! Here you are, assuming the guardianship of a boy

concerning whom you know nothing,--when you might as well have handed

him over to one of the orphanages for the poor, or have paid for his

care and education with some of the monastic brethren established near

Rouen,--but no!--you being eccentric, feel as if you were personally

responsible to God for the child, simply because you found him lost and

alone, and therefore you have him with you. It is very good of you,--we

will call it great of you--but it is not usual. People will say you

have a private motive;--you must remember that the world never gives

you credit for doing a good action simply for the pure sake of doing

it,--'There must be something behind it all,' they say. When the worst

cocotte of the age begins to lose her beauty, the prospect is so

alarming that she thinks there may be a possible hell, after all, and

she straightway becomes charitable and renowned for good

works;--precisely in the same way as our famous stage 'stars', knowing

their lives to be less clean than the lives of their horses and their

dogs, give subscriptions and altar-cloths and organs to the clergy. It

is all very amusing!--I assure you I have often laughed at it. It is as

if they took Heaven by its private ear in confidence, and said, 'See

now, I want to put things straight with you if I can!--and if a few

church-ornaments, and candlesticks will pacify you, why, take them and

hold your tongue!'"

He paused, but the Cardinal was silent.

"I know," went on the Abbe, "that you think I am indulging in the worst

kind of levity to talk in this way. It sounds horrible to you. And you

perhaps think I cannot be serious. My dear Saint Felix, there never was

a more serious man than I. I would give worlds--universes--to believe

as you do! I have written books of religious discussion,--not because I

wanted the notice of the world for them,--for that I do not care

about,--but for the sake of wrestling out the subject for myself, and

making my pen my confidant. I tell you I envy the woman who can say her

rosary with the simple belief that the Virgin Mary hears and takes

delight in all those repetitions. Nothing would have given me greater

pleasure than to have composed a volume of prayers,--a 'Garland of

Flowers'--such as an innocent girl could hold in her hands, and bend

her sweet eyes over. It would have been a taste of the

sensual-spiritual, or the spiritual-sensual,--which is the most

exquisite of all human sensations."

"There is no taint of sensuality in the purely spiritual," said the

Cardinal reprovingly.

"Not for your nature,--no! You have made your body like a transparent

scabbard through which the glitter of the soul-sword is almost visible.

But I am different. I am so much of a materialist that I like to pull

down Heaven to the warm bosom of Earth and make them mingle. You would

lift up Earth to Heaven! Ah, that is difficult! Even Christ came down!

It is the chief thing I admire in Him, that He 'descended from Heaven

and was made Man'. TRES CHER Felix, I shall bewilder you to death with

my specious and frivolous reasoning,--and after all, I had much better

come to the main fact of what I intended to tell you,--a sort of

confession out of church. You know I have already told you I am going

to die soon, and that I am a bad man confessedly and hopelessly,--but

among other things is this, (and if you can give me any advice upon it

I will take it,) that for the last four or five years I have been

dodging about to escape being murdered,--not because I particularly

mind being murdered, because I probably deserve it,--and one way of

exit is as good as another,--but because I want to save the would-be

murderer from committing his crime. Is not that a good motive?"

Cardinal Bonpre gazed at him in astonishment. Vergniaud appeared to him

in an entirely new light. He had always known him as a careless,

cynical-tempered man;--a close thinker,--a clever writer, and a

brilliant talker,--and he had been inclined to consider him as a

"society" priest,--one of those amiable yet hypocritical personages,

who, by the most jesuitical flatteries and studied delicacies of

manner, succeed in influencing weak-minded persons of wealth,

(especially women) to the end of securing vast sums of money to the

Church,--obtaining by these means such rank and favour for themselves

as would otherwise never have been granted to them. But now the Abbe's

frank admission of his own sins and failings seemed a proof of his

inherent sincerity,--and sincerity, whether found in orthodoxy or

heterodoxy, always commanded the Cardinal's respect.

"Are you speaking in parables or in grave earnest?" he asked. "Do you

really mean that you are shadowed by some would-be assassin? An

assassin, too, whom you actually wish to protect?"

"Exactly!" And Vergniaud smiled with the air of one who admits the

position to be curious but by no means alarming. "I want to save him

from the guillotine; and if he murders me I cannot! It is a question of

natural instinct merely. The would-be assassin is my son!"

Cardinal Bonpre raised his clear blue eyes and fixed them full on the

Abbe.

"This is a very serious matter," he said gently, "Surely it is best to

treat it seriously?"

"Oh, I am serious enough, God knows!" returned Vergniaud, with a heavy

but impatient sigh, "I suppose there is, there must be, some terribly

exact Mathematician concerned in the working of things, else a man's

past sins and failings being done with and over, would not turn up any

more. But they DO turn up,--the unseen Mathematician counts every

figure;--and of course trouble ensues. My story is simply this;--Some

twenty-five years ago I was in Touraine;--I was a priest as I am

now--Oh, yes!--the sin is as black as the Church can make it!--and one

mid-summer evening I strolled into a certain quaint old church of a

certain quaint old town,--I need not name it--and saw there a girl, as

sweet as an apple blossom, kneeling in front of the altar. I watched

her,--I see her now!--the late sunlight through the stained glass

window fell like a glory on her pretty hair, and on the little white

kerchief folded so daintily across her bosom, and on her small hands

and the brown rosary that was twisted round her fingers. She was

praying, so she told me afterwards, to her guardian angel,--I wonder

what that personage was about just then, Bonpre! Anyhow, to her

petition came no answer but a devil,--a devil personified in me,--I

made her love me,--I tempted her by ever subtle and hellish persuasion

I could think of,--I can never even now think of that time without

wondering where all the eloquent evil of my tongue came

from--and--well!--she never was able to ask the guardian angel any more

favours! And I?--I think I loved her for a while,--but no, I am not

sure;--I believe there is no such good thing as absolute love in my

composition. Anyway, I soon left Touraine, and had almost forgotten her

when she wrote to tell me of the birth of her child--a son. I gave her

no reply, and then she wrote again,--such a letter!--such words! At the

moment they burnt me,--stabbed me--positively hurt me,--and I was not

then easily hurt. She swore she would bring the boy up to curse his

father,--and, to put it quite briefly,--she did. She died when he was

twenty, and it now appears the lad took an oath by her death-bed that

he would never rest till he had killed the man who had dishonoured his

mother, and broken her heart, and brought him into the world with a

stigma on his name. No filial respect, you see!" And Vergniaud tried to

force a smile. "To do the boy justice, he apparently means to keep his

oath,--he has not rested; he has been at infinite pains to discover me;

he has even been at the trouble to write me a warning letter, and is

now in Paris watching me. I, in my turn, take care to protect

myself;--I am followed by detectives, and am at enormous pains to guard

my life; not for my own sake but for his. An odd complication of

circumstances, is it not? I cannot have him arrested because he would

at once relate his history, and my name would be ruined. And that would

be quite as good a vengeance for him as the other thing. You will admit

that it is a very dramatic situation!"

"It is a retribution!" said the Cardinal in a low voice, "And a

terrible one!"

"Yes, I suppose it is. I imagined you would consider it in that light,"

and Vergniaud half closed his eyes, leaning back in his chair

languidly, "But here I am, willing to set things as straight as I can,

and it really seems impossible to arrange matters. I am to die soon,

according to the doctors;--and so I have made my willleaving everything

I possess to this ridiculous boy who wishes to kill me; and it is more

than probable that he,--considering how he has been brought up and

educated--will cast all the money into the dirt, and kick at my grave.

But what can I do?"

"Nothing," said the Cardinal, "You can do nothing, Vergniaud! That is

the worst of having inflicted a wrong upon the innocent,--you can never

by any means retrieve it. You can repent,--and it is probable that your

very repentance ensures your forgiveness at a higher tribunal than that

of earth's judgment,--but the results of wrong cannot be wiped out or

done away with in this life;--they continue to exist, and alas!--often

multiply. Even the harsh or unjust word cannot be recalled, and however

much we may regret having uttered it, somehow it is never forgotten.

But--" here leaning forward, he laid one hand gently on Vergniaud's

arm, "My dear friend--my dear brother--you have told me of your

sin;--it is a great sin,--but God forbid that I should presume to judge

you harshly when our Lord Himself declared that 'He came not to call

the righteous but sinners to repentance'. It may be that I can find a

way to help you. Arrange for me to see this misguided son of

yours,--and I will endeavour to find a means of restitution to him and

to the memory of his mother before you pass away from us,--if indeed

you are to pass away so soon. Under the levity you assume I perceive

you have deep feeling on this matter;--you shall not die with a wrong

on your soul, Vergniaud!--you shall not if I can prevent it! For there

undoubtedly is another life; you must go into it as purely as prayer

and penitence can make you."

"I thought," said the Abbe, speaking somewhat unsteadily, "that you

might when you heard all, hurl some of Rome's thunderous denunciations

upon me . . ."

"What am I, and what is Rome, compared with the Master's own word?"

said the Cardinal gently. "If our brothers sin against us seventy times

seven we are still to forgive, and they are still our brothers!

Denunciations, judgments and condemnations of one another are not any

part of our Lord's commands."

Vergniaud rose up and held out his hand.

"Will you take it," he said, "as a pledge that I will faithfully do

whatever you may see fitting and right to retrieve the past?--and to

clear my son's soul from the thirst of vengeance which is consuming it?"

Cardinal Bonpre clasped the extended hand warmly.

"There is your answer!" he said, with a smile which irradiated his fine

countenance with an almost supernatural beauty and tenderness, "You

have sinned against Heaven, and you have sinned against the Church and

your own calling,--but the greatest sinner can do no more than repent

and strive to make amends. For I see you fully know and comprehend the

extent of your sin."

"Yes, I know it," and Vergniaud's eyes were clouded and his brows

knitted, "I know it only too well! Greater than any fault of

Church-discipline is a wrong to human life,--and I wronged and betrayed

an innocent woman who loved me! Her soul was as sweet as the honey-cup

of a flower,--I poisoned it. That was as bad as poisoning the

Sacrament! I should have kept it sweet and pure; I should have let the

Church go, and been honest! I should have seen to it that the child of

my love grew up to honour his father,--not to merely live for the

murder of him! Yes!--I know what I should have done--I know what I have

not done--and I am afraid I shall always know! Unless I can do

something to atone I have a strange feeling that I shall pass from this

world to the next--and that the first thing I shall see will be her

face! Her face as I saw it when the sunshine made a halo round her

hair, and she prayed to her guardian angel."

He shuddered slightly, and his voice died away in a half whisper. The

Cardinal pressed his hand again warmly and tenderly.

"Courage, courage!" he said. "It is true we cannot do away with our

memories,--but we can try and make them sweet. And who knows how much

God may help us in the task? Never forget the words that tell us how

'the angels rejoice more over one sinner that repenteth than over

ninety and nine just persons.'"

"Ah!" and the Abbe smiled, recovering somewhat of his usual manner,

"And that is so faithfully enforced upon us, is it not? The Churches

are all so lenient? And Society is so kind?--so gentle in its estimate

of its friends? Our Church, for example, has never persecuted a

sinner?--has never tortured an unbeliever? It has been so patient, and

so unwearying in searching for stray sheep and bringing them back with

love and tenderness and pity to the fold? And Churchmen never say

anything which is slanderous or cruel? And we all follow Christ's

teaching so accurately? Yes!--Ah well--I wonder! I wonder what will be

the end! I wonder why we came into life at all--I wonder why we go!

Fortunately for me, by and by, there will be an end of all wondering,

and you can write above my tomb, 'Implora pace'! The idea of commencing

a new life is to me, horrible,--I prefer 'Nirvana' or nothingness.

Never have I read truer words than those of Byron,

'Count o'er the joys thine hours have seen,

Count o'er thy days from anguish free,

And know whatever thou hast been,

'Tis something better not to be.'"

"I cannot think that is either true or good philosophy," said the

Cardinal, "It is merely the utterance of a disappointed man in a

misanthropic mood. There is no 'not to be' in creation. Each morning

that lights the world is an expression of 'to be'! And however much we

may regret the fact, my dear Vergniaud, we find ourselves in a state of

BEING and we must make the best of it,--not the worst. Is that not so?"

His look was gentle and commanding,--his voice soft yet firm,--and the

worldly Abbe felt somewhat like a chidden child as he met the gaze of

those clear true eyes that were undarkened by any furtive hypocrisies

or specious meanings.

"I suppose it is, but unfortunately I have made the worst of it," he

answered, "and having made the worst I see no best. Who is that

singing?"

He lifted his hand with a gesture of attention as a rich mezzo-soprano

rang out towards them,--

"Per carita

Mostrami il cielo;

Tulto e un velo,

E non si sa

Dove e il cielo.

Se si sta

Cosi cola,

Non si sa

Se non si va

Ahi me lontano!

Tulto e in vano!

Prendimi in mano

Per carita!"

"It is Angela," said the Cardinal, "She has a wonderfully sweet voice."

"Prendimi in mano,

Per carita!"

murmured Abbe Vergniaud, still listening, "It is like the cry of a lost

soul!"

"Or a strayed one," interposed the Cardinal gently, and rising, he took

Vergniaud's arm, and leaned upon it with a kindly and familiar grace,

an action which implied much more than the mere outward expression of

confidence,--"Nothing is utterly lost, my dear friend. 'The very hairs

of our head are numbered,'--not a drop of dew escapes to waste,--how

much more precious than a drop of dew is the spirit of a man!"

"It is not so unsullied," declared Vergniaud, who loved

controversy,--"Personally, I think the dew is more valuable than the

soul, because so absolutely clean!"

"You must not bring every line of discussion to a pin's point," said

Bonpre smiling, as he walked slowly across the room still leaning on

the Abbe's arm. "We can reduce our very selves to the bodiless

condition of a dream if we take sufficient pains first to advance a

theory, and then to wear it threadbare. Nothing is so deceptive as

human reasoning,--nothing so slippery and reversible as what we have

decided to call 'logic.' The truest compass of life is spiritual

instinct."

"And what of those who have no spiritual instinct?" demanded Vergniaud.

"I do not think there are any such. To us it certainly often seems as

if there were masses of human beings whose sole idea of living is to

gratify their bodily needs,--but I fancy it is only because we do not

know them sufficiently that we judge them thus. Few, if any, are so

utterly materialistic as never to have had some fleeting intuition of

the Higher existence. They may lack the force to comprehend it, or to

follow its teaching,--but in my opinion, the Divine is revealed to all

men once at least in their lives."

They had by this time passed out of the drawing-room, and now,

ascending three steps, they went through a curtained recess into Angela

Sovrani's studio,--a large and lofty apartment made beautiful by the

picturesque disorder and charm common to a great artist's surroundings.

Here, at a grand piano sat Angela herself, her song finished, her white

hands straying idly over the keys,--and near her stood the gentleman

whom the Abbe Vergniaud had called "a terrible reformer and Socialist"

and who was generally admitted to be something of a remarkable

character in Europe. Tall and fair, with very bright flashing eyes, and

a wonderfully high bred air of concentrated pride and resolution,

united to a grace and courtesy which exhaled from him, so to speak,

with his every movement and gesture, he was not a man to pass by

without comment, even in a crowd. A peculiar distinctiveness marked

him,--out of a marching regiment one would have naturally selected him

as the commanding officer, and in any crisis of particular social

importance or interest his very appearance would have distinguished him

as the leading spirit of the whole. On perceiving the Cardinal he

advanced at once to be presented, and as Angela performed the ceremony

of introduction he slightly bent one knee, and bowed over the venerable

prelate's extended hand with a reverence which had in it something of

tenderness. His greeting of Abbe Vergniaud was, while perfectly

courteous, not quite so marked by the grace of a strong man's

submission.

"Ah, Mr. Leigh! So you have not left Paris as soon as you determined?"

queried the Abbe with a smile, "I thought you were bound for Florence

in haste?"

"I go to Florence to-morrow," answered Leigh briefly.

"So soon! I am indeed glad not to have missed you," said Cardinal

Bonpre cordially. "Angela, my child, let me see what you have been

doing. All your canvases are covered, or turned with their faces to the

wall;--are we not permitted to look at any of them?"

Angela immediately rose from the piano, and wheeled a large oaken chair

with a carved and gilded canopy, into the centre of the studio.

"Well, if you want to see my sketches--and they are only sketches," she

said,--"you must come and sit here. Now," as her uncle obeyed her, "you

look enthroned in state,--that canopy is just fitted for you, and you

are a picture in yourself!--Yes, you are, dearest uncle! And not all

the artists in the world could ever do you justice I Monsieur l'Abbe,

will you sit just where you please?--And Mr. Leigh, you have seen

everything, so it does not matter."

"It matters very much," said Leigh with a smile, "For I want to see

everything again. If I may, I will stand here."

And he took up his position close to the Cardinal's chair.

"But where is the boy?" asked Vergniaud, "Where is the foundling of the

Cathedral?"

"He left us some minutes ago," said Angela, "He went to your room,

uncle."

"Was he pleased with the music?" asked the Cardinal.

"I think he enjoyed every note of it," said Leigh, "A thoughtful lad!

He was very silent while I played,--but silence is often the most

eloquent appreciation."

"Are we to be silent then over the work of Donna Sovrani?" enquired the

Abbe gaily. "Must we not express our admiration?"

"If you have any admiration to express," said Angela carelessly,

setting, as she spoke, an easel facing the Cardinal; "but I am afraid

you will greatly disapprove of me and condemn all my work this year. I

should explain to you first that I am composing a very large

picture,--I began it in Rome some three years ago, and it is in my

studio there,--but I require a few French types of countenance in order

to quite complete it. The sketches I have made here are French types

only. They will all be reproduced in the larger canvas--but they are

roughly done just now. This is the first of them. I call it 'A Servant

of Christ, at the Madeleine, Paris.'"

And she placed the canvas she held on the easel and stood aside, while

all three men looked at it with very different eyes,--one with poignant

regret and pain,--the other with a sense of shame,--and the third with

a thrill of strong delight in the power of the work, and of triumph in

the lesson it gave.

The Master-Christian · 第 15 / 56 题