A DIALOGUE.

Amyntor.

Alexis! ah Alexis! can it be,

Though so much wet and drie

Doth drowne our eye,

Thou keep'st thy winged voice from me?

Alexis.

Amyntor, a profounder sea, I feare,

Hath swallow'd me, where now

My armes do row,

I floate i'th' ocean of a teare.

Lucasta weepes, lest I look back and tread

Your Watry land againe.

Amyn. I'd through the raine;

Such showrs are quickly over-spread.

Conceive how joy, after this short divorce,

Will circle her with beames,

When, like your streames,

You shall rowle back with kinder force,

And call the helping winds to vent your thought.

Alex. Amyntor! Chloris! where

Or in what sphere

Say, may that glorious fair be sought?

Amyn. She's now the center of these armes e're blest,

Whence may she never move,

Till Time and Love

Haste to their everlasting rest.

Alex. Ah subtile swaine! doth not my flame rise high

As yours, and burne as hot?

Am not I shot

With the selfe same artillery?

And can I breath without her air?--Amyn.

Why, then,

From thy tempestuous earth,

Where blood and dearth

Raigne 'stead of kings, agen

Wafte thy selfe over, and lest storms from far

Arise, bring in our sight

The seas delight,

Lucasta, that bright northerne star.

Alex. But as we cut the rugged deepe, I feare

The green god stops his fell

Chariot of shell,

And smooths the maine to ravish her.

Amyn. Oh no, the prince of waters' fires are done;

He as his empire's old,

And rivers, cold;

His queen now runs abed to th' sun;

But all his treasure he shall ope' that day:

Tritons shall sound: his fleete

In silver meete,

And to her their rich offrings pay.

Alex. We flye, Amyntor, not amaz'd how sent

By water, earth, or aire:

Or if with her

By fire: ev'n there

I move in mine owne element.

<31.1> Endymion Porter?

<31.2> Lovelace himself.

CALLING LUCASTA FROM HER RETIREMENT.

ODE.

I.

From the dire monument of thy black roome,

Wher now that vestal flame thou dost intombe,

As in the inmost cell of all earths wombe.

II.

Sacred Lucasta, like the pow'rfull ray

Of heavenly truth, passe this Cimmerian way,

Whilst all the standards of your beames display.

III.

Arise and climbe our whitest, highest hill;

There your sad thoughts with joy and wonder fill,

And see seas calme<32.1> as earth, earth as your will.

IV.

Behold! how lightning like a taper flyes,

And guilds your chari't, but ashamed dyes,

Seeing it selfe out-gloried by your eyes.

V.

Threatning and boystrous tempests gently bow,

And to your steps part in soft paths, when now

There no where hangs a cloud, but on your brow.

VI.

No showrs but 'twixt your lids, nor gelid snow,

But what your whiter, chaster brest doth ow,<32.2>

Whilst winds in chains colder for<32.3> sorrow blow.

VII.

Shrill trumpets doe only sound to eate,

Artillery hath loaden ev'ry dish with meate,

And drums at ev'ry health alarmes beate.

VIII.

All things Lucasta, but Lucasta, call,

Trees borrow tongues, waters in accents fall,

The aire doth sing, and fire is<32.4> musicall.

IX.

Awake from the dead vault in which you dwell,

All's loyall here, except your thoughts rebell

Which, so let loose, often their gen'rall quell.

X.

See! she obeys! By all obeyed thus,

No storms, heats, colds, no soules contentious,

Nor civill war is found; I meane, to us.

XI.

Lovers and angels, though in heav'n they show,

And see the woes and discords here below,

What they not feele, must not be said to know.

<32.1> Original has COLME.

<32.2> i.e. own.

<32.3> Original reads YOUR.

<32.4> Original has FIRE'S, but FIRE IS is required by the metre,

and it is probably what the poet wrote.

AMARANTHA.

A PASTORALL.<33.1>

Up with the jolly bird of light

Who sounds his third retreat to night;

Faire Amarantha from her bed

Ashamed starts, and rises red

As the carnation-mantled morne,

Who now the blushing robe doth spurne,

And puts on angry gray, whilst she,

The envy of a deity,

Arayes her limbes, too rich indeed

To be inshrin'd in such a weed;

Yet lovely 'twas and strait, but fit;

Not made for her, but she to it:

By nature it sate close and free,

As the just bark unto the tree:

Unlike Love's martyrs of the towne,

All day imprison'd in a gown,

Who, rackt in silke 'stead of a dresse,

Are cloathed in a frame or presse,

And with that liberty and room,

The dead expatiate in a tombe.

No cabinets with curious washes,

Bladders and perfumed plashes;

No venome-temper'd water's here,

Mercury is banished this sphere:

Her payle's all this, in which wet glasse

She both doth cleanse and view her face.

Far hence, all Iberian smells,

Hot amulets, Pomander spells,

Fragrant gales, cool ay'r, the fresh

And naturall odour of her flesh,

Proclaim her sweet from th' wombe as morne.

Those colour'd things were made, not borne.

Which, fixt within their narrow straits,

Do looke like their own counterfeyts.

So like the Provance rose she walkt,

Flowerd with blush, with verdure stalkt;

Th' officious wind her loose hayre curles,

The dewe her happy linnen purles,

But wets a tresse, which instantly

Sol with a crisping beame doth dry.

Into the garden is she come,

Love and delight's Elisium;

If ever earth show'd all her store,

View her discolourd budding floore;

Here her glad eye she largely feedes,

And stands 'mongst them, as they 'mong weeds;

The flowers in their best aray

As to their queen their tribute pay,

And freely to her lap proscribe

A daughter out of ev'ry tribe.

Thus as she moves, they all bequeath

At once the incense of their breath.

The noble Heliotropian

Now turnes to her, and knowes no sun.

And as her glorious face doth vary,

So opens loyall golden Mary<33.2>

Who, if but glanced from her sight,

Straight shuts again, as it were night.

The violet (else lost ith' heap)

Doth spread fresh purple for each step,

With whose humility possest,

Sh' inthrones the Poore Girle<33.3> in her breast:

The July-flow'r<33.4> that hereto thriv'd,

Knowing her self no longer-liv'd,

But for one look of her upheaves,

Then 'stead of teares straight sheds her leaves.

Now the rich robed Tulip who,

Clad all in tissue close, doth woe

Her (sweet to th' eye but smelling sower),

She gathers to adorn her bower.

But the proud Hony-suckle spreads

Like a pavilion her heads,

Contemnes the wanting commonalty,

That but to two ends usefull be,

And to her lips thus aptly plac't,

With smell and hue presents her tast.

So all their due obedience pay,

Each thronging to be in her way:

Faire Amarantha with her eye

Thanks those that live, which else would dye:

The rest, in silken fetters bound,

By crowning her are crown and crown'd.<33.5>

And now the sun doth higher rise,

Our Flora to the meadow hies:

The poore distressed heifers low,

And as sh' approacheth gently bow,

Begging her charitable leasure

To strip them of their milkie treasure.

Out of the yeomanry oth' heard,

With grave aspect, and feet prepar'd,

A rev'rend lady-cow drawes neare,

Bids Amarantha welcome here;

And from her privy purse lets fall

A pearle or two, which seeme[s] to call

This adorn'd adored fayry

To the banquet of her dayry.

Soft Amarantha weeps to see

'Mongst men such inhumanitie,

That those, who do receive in hay,

And pay in silver<33.6> twice a day,

Should by their cruell barb'rous theft

Be both of that and life bereft.

But 'tis decreed, when ere this dies,

That she shall fall a sacrifice

Unto the gods, since those, that trace

Her stemme, show 'tis a god-like race,

Descending in an even line

From heifers and from steeres divine,

Making the honour'd extract full

In Io and Europa's bull.

She was the largest goodliest beast,

That ever mead or altar blest;

Round [w]as her udder, and more white

Then is the Milkie Way in night;

Her full broad eye did sparkle fire;

Her breath was sweet as kind desire,

And in her beauteous crescent shone,

Bright as the argent-horned moone.

But see! this whiteness is obscure,

Cynthia spotted, she impure;

Her body writheld,<33.7> and her eyes

Departing lights at obsequies:

Her lowing hot to the fresh gale,

Her breath perfumes the field withall;

To those two suns that ever shine,

To those plump parts she doth inshrine,

To th' hovering snow of either hand,

That love and cruelty command.

After the breakfast on her teat,

She takes her leave oth' mournfull neat

Who, by her toucht, now prizeth her<33.8> life,

Worthy alone the hollowed knife.

Into the neighbring wood she's gone,

Whose roofe defies the tell-tale Sunne,

And locks out ev'ry prying beame;

Close by the lips of a cleare streame,

She sits and entertaines her eye

With the moist chrystall and the frye<33.9>

With burnisht-silver mal'd, whose oares<33.10>

Amazed still make to the shoares;

What need she other bait or charm,

What hook<33.11> or angle, but her arm?

The happy captive, gladly ta'n,

Sues ever to be slave in vaine,

Who instantly (confirm'd in's feares)

Hasts to his element of teares.

From hence her various windings roave

To a well-orderd stately grove;

This is the pallace of the wood

And court oth' Royall Oake, where stood

The whole nobility: the Pine,

Strait Ash, tall Firre, and wanton Vine;

The proper Cedar, and the rest.

Here she her deeper senses blest;

Admires great Nature in this pile,

Floor'd with greene-velvet Camomile,

Garnisht with gems of unset fruit,

Supply'd still with a self recruit;

Her bosom wrought with pretty eyes

Of never-planted Strawberries;

Where th' winged musick of the ayre

Do richly feast, and for their fare,

Each evening in a silent shade,

Bestow a gratefull serenade.

Thus ev'n tyerd with delight,

Sated in soul and appetite;

Full of the purple Plumme and Peare,

The golden Apple, with the faire

Grape that mirth fain would have taught her,

And nuts, which squirrells cracking brought her;

She softly layes her weary limbs,

Whilst gentle slumber now beginnes

To draw the curtaines of her eye;

When straight awakend with a crie

And bitter groan, again reposes,

Again a deep sigh interposes.

And now she heares a trembling voyce:

Ah! can there ought on earth rejoyce!

Why weares she this gay livery,

Not black as her dark entrails be?

Can trees be green, and to the ay'r

Thus prostitute their flowing hayr?

Why do they sprout, not witherd dy?

Must each thing live, save wretched I?

Can dayes triumph in blew and red,

When both their light and life is fled?

Fly Joy on wings of Popinjayes

To courts of fools, where<33.12> as your playes

Dye laught at and forgot; whilst all

That's good mourns at this funerall.

Weep, all ye Graces, and you sweet

Quire, that at the hill inspir'd meet:

Love, put thy tapers out, that we

And th' world may seem as blind as thee;

And be, since she is lost (ah wound!)

Not Heav'n it self by any found.

Now as a prisoner new cast,<33.13>

Who sleepes in chaines that night, his last,

Next morn is wak't with a repreeve,

And from his trance, not dream bid live,

Wonders (his sence not having scope)

Who speaks, his friend or his false hope.

So Amarantha heard, but feare

Dares not yet trust her tempting care;

And as againe her arms oth' ground

Spread pillows for her head, a sound

More dismall makes a swift divorce,

And starts her thus:----Rage, rapine, force!

Ye blew-flam'd daughters oth' abysse,

Bring all your snakes, here let them hisse;

Let not a leaf its freshnesse keep;

Blast all their roots, and as you creepe,

And leave behind your deadly slime,

Poyson the budding branch in's prime:

Wast the proud bowers of this grove,

That fiends may dwell in it, and move

As in their proper hell, whilst she

Above laments this tragedy:

Yet pities not our fate; oh faire

Vow-breaker, now betroth'd to th' ay'r!

Why by those lawes did we not die,

As live but one, Lucasta! why----

As he Lucasta nam'd, a groan

Strangles the fainting passing tone;

But as she heard, Lucasta smiles,

Posses<33.14> her round; she's slipt mean whiles

Behind the blind of a thick bush,

When, each word temp'ring with a blush,

She gently thus bespake; Sad swaine,

If mates in woe do ease our pain,

Here's one full of that antick grief,

Which stifled would for ever live,

But told, expires; pray then, reveale

(To show our wound is half to heale),

What mortall nymph or deity

Bewail you thus? Who ere you be,

The shepheard sigh't,<33.15> my woes I crave

Smotherd in me, me<33.16> in my grave;

Yet be in show or truth a saint,

Or fiend, breath anthemes, heare my plaint,

For her and thy breath's symphony,

Which now makes full the harmony

Above, and to whose voice the spheres

Listen, and call her musick theirs;

This was I blest on earth with, so

As Druids amorous did grow,

Jealous of both: for as one day

This star, as yet but set in clay,

By an imbracing river lay,

They steept her in the hollowed brooke,

Which from her humane nature tooke,

And straight to heaven with winged feare,<33.17>

Thus, ravisht with her, ravish her.

The nymph reply'd: This holy rape

Became the gods, whose obscure shape

They cloth'd with light, whilst ill you grieve

Your better life should ever live,

And weep that she, to whom you wish

What heav'n could give, has all its blisse.

Calling her angell here, yet be

Sad at this true divinity:

She's for the altar, not the skies,

Whom first you crowne, then sacrifice.

Fond man thus to a precipice

Aspires, till at the top his eyes

Have lost the safety of the plain,

Then begs of Fate the vales againe.

The now confounded shepheard cries:

Ye all-confounding destines!

How did you make that voice so sweet

Without that glorious form to it?

Thou sacred spirit of my deare,

Where e're thou hoverst o're us, hear!

Imbark thee in the lawrell tree,

And a new Phebus follows thee,

Who, 'stead of all his burning rayes,

Will strive to catch thee with his layes;

Or, if within the Orient Vine,

Thou art both deity and wine;

But if thou takest the mirtle grove,

That Paphos is, thou, Queene of Love,

And I, thy swain who (else) must die,

By no beasts, but thy cruelty:

But you are rougher than the winde.

Are souls on earth then heav'n<33.18> more kind?

Imprisoned in mortality

Lucasta would have answered me.

Lucasta, Amarantha said,

Is she that virgin-star? a maid,

Except her prouder livery,

In beauty poore, and cheap as I;

Whose glory like a meteor shone,

Or aery apparition,

Admir'd a while, but slighted known.

Fierce, as the chafed lyon hies,

He rowses him, and to her flies,

Thinking to answer with his speare----

Now, as in warre intestine where,

Ith' mist of a black battell, each

Layes at his next, then makes a breach

Through th' entrayles of another, whom

He sees nor knows whence he did come,

Guided alone by rage and th' drumme,

But stripping and impatient wild,

He finds too soon his onely child.

So our expiring desp'rate lover

Far'd when, amaz'd, he did discover

Lucasta in this nymph; his sinne

Darts the accursed javelin

'Gainst his own breast, which she puts by

With a soft lip and gentle eye,

Then closes with him on the ground

And now her smiles have heal'd his wound.

Alexis too again is found;

But not untill those heavy crimes

She hath kis'd off a thousand times,

Who not contented with this pain,

Doth threaten to offend again.

And now they gaze, and sigh, and weep,

Whilst each cheek doth the other's steep,

Whilst tongues, as exorcis'd, are calm;

Onely the rhet'rick of the palm

Prevailing pleads, untill at last

They[re] chain'd in one another fast.

Lucasta to him doth relate

Her various chance and diffring fate:

How chac'd by Hydraphil, and tract

The num'rous foe to Philanact,

Who whilst they for the same things fight,

As Bards decrees and Druids rite,

For safeguard of their proper joyes

And shepheards freedome, each destroyes

The glory of this Sicilie;

Since seeking thus the remedie,

They fancy (building on false ground)

The means must them and it confound,

Yet are resolved to stand or fall,

And win a little, or lose all.

From this sad storm of fire and blood

She fled to this yet living wood;

Where she 'mongst savage beasts doth find

Her self more safe then humane<33.19> kind.

Then she relates, how Caelia--<33.20>

The lady--here strippes her array,

And girdles her in home-spunne bayes

Then makes her conversant in layes

Of birds, and swaines more innocent,

That kenne not guile [n]or courtship ment.

Now walks she to her bow'r to dine

Under a shade of Eglantine,

Upon a dish of Natures cheere

Which both grew, drest and serv'd up there:

That done, she feasts her smell with po'ses

Pluckt from the damask cloath of Roses.

Which there continually doth stay,

And onely frost can take away;

Then wagers which hath most content

Her eye, eare, hand, her gust or sent.

Intranc't Alexis sees and heares,

As walking above all the spheres:

Knows and adores this, and is wilde,<33.21>

Untill with her he live thus milde.<33.22>

So that, which to his thoughts he meant

For losse of her a punishment,

His armes hung up and his sword broke,

His ensignes folded, he betook

Himself unto the humble crook.

And for a full reward of all,

She now doth him her shepheard call,

And in a see of flow'rs install:

Then gives her faith immediately,

Which he returns religiously;

Both vowing in her peacefull cave

To make their bridall-bed and grave.

But the true joy this pair conceiv'd,

Each from the other first bereav'd,

And then found, after such alarmes,

Fast-pinion'd in each other's armes,

Ye panting virgins, that do meet

Your loves within their winding sheet,

Breathing and constant still ev'n there;

Or souls their bodies in yon' sphere,

Or angels, men return'd from hell

And separated mindes--can tell.

<33.1> The punctuation of this piece is in the original edition

singularly corrupt. I have found it necessary to amend it

throughout.

<33.2> The marigold.

<33.3> A flower so called.

<33.4> More commonly known as THE GILLIFLOWER.

<33.5> i.e. the lady gathers the flowers, and binds them in her

hair with a silken fillet, making of them a kind of chaplet

or crown.

<33.6> i.e. silvery or white milk.

<33.7> An uncommon word, signifying WRINKLED. Bishop Hall seems

to be, with the exception of Lovelace, almost the only writer who

used it. Compare, however, the following passage:--

"Like to a WRITHEL'D Carion I have seen

(Instead of fifty, write her down fifteen)

Wearing her bought complexion in a box,

And ev'ry morn her closet-face unlocks."

PLANTAGENET'S TRAGICALL STORY, by T. W. 1649, p. 105.

<33.8> Original has PRIZE THEIR.

<33.9> The fish with their silvery scales.

<33.10> Fins.

<33.11> Original reads BUT LOOK.

<33.12> Original has THERE.

<33.13> i.e. condemned.

<33.14> This word does not appear to have any very exact meaning.

See Halliwell's DICTIONARY OF ARCHAIC WORDS, art. POSSE, and

Worcester's Dict. IBID, &c. The context here requires TO TURN

SHARPLY OR QUICKLY.

<33.15> Original has SIGHT.

<33.16> Original reads I. The meaning seems to be, "I crave

that my woes may be smothered in me, and I may be smothered

in my grave."

<33.17> Reverence.

<33.18> i.e. in heaven.

<33.19> i.e. than among human kind.

<33.20> It may be presumed that LUCASTA had adopted the name

of CAELIA during her sylvan retreat.

<33.21> Impatient.

<33.22> Tranquil or secluded.

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