LUCASTA, TAKING THE WATERS AT TUNBRIDGE.<27.1>

I.

Yee happy floods! that now must passe

The sacred conduicts of her wombe,

Smooth and transparent as your face,

When you are deafe, and windes are dumbe.

II.

Be proud! and if your waters be

Foul'd with a counterfeyted teare,

Or some false sigh hath stained yee,

Haste, and be purified there.

III.

And when her rosie gates y'have trac'd,

Continue yet some Orient wet,

'Till, turn'd into a gemme, y'are plac'd

Like diamonds with rubies set.

IV.

Yee drops, that dew th' Arabian bowers,

Tell me, did you e're smell or view

On any leafe of all your flowers

Soe sweet a sent, so rich a hiew?

V.

But as through th' Organs of her breath

You trickle wantonly, beware:

Ambitious Seas in their just death

As well as Lovers, must have share.

VI.

And see! you boyle as well as I;

You, that to coole her did aspire,

Now troubled and neglected lye,

Nor can your selves quench your owne fire.

VII.

Yet still be happy in the thought,

That in so small a time as this,

Through all the Heavens you were brought

Of Vertue, Honour, Love and Blisse.

<27.1> From this it might be conjectured, though the ground for

doing so would be very slight, that LUCASTA was a native of Kent

or of one of the adjoining shires; but against this supposition

we have to set the circumstance that elsewhere this lady is called

a "northern star."

TO LUCASTA.

ODE LYRICK.

I.

Ah LUCASTA, why so bright?

Spread with early streaked light!

If still vailed from our sight,

What is't but eternall night?

II.

Ah LUCASTA, why so chaste?

With that vigour, ripenes grac't,

Not to be by Man imbrac't

Makes that Royall coyne imbace't,

And this golden Orchard waste!

III.

Ah LUCASTA, why so great,

That thy crammed coffers sweat?

Yet not owner of a seat

May shelter you from Natures heat,

And your earthly joyes compleat.

IV.

Ah Lucasta, why so good?

Blest with an unstained flood

Flowing both through soule and blood;

If it be not understood,

'Tis a Diamond in mud.

V.

LUCASTA! stay! why dost thou flye?

Thou art not bright but to the eye,

Nor chaste but in the mariage-tye,

Nor great but in this treasurie,

Nor good but in that sanctitie.

VI.

Harder then the Orient stone,

Like an apparition,

Or as a pale shadow gone,

Dumbe and deafe she hence is flowne.

VII.

Then receive this equall dombe:

Virgins, strow no teare or bloome,

No one dig the Parian wombe;

Raise her marble heart i'th' roome,

And 'tis both her coarse and tombe.

LUCASTA PAYING HER OBSEQUIES TO THE CHAST MEMORY

OF MY DEAREST COSIN MRS. BOWES BARNE[S].<28.1>

I.

See! what an undisturbed teare

She weepes for her last sleepe;

But, viewing her, straight wak'd a Star,

She weepes that she did weepe.

II.

Griefe ne're before did tyranize

On th' honour of that brow,

And at the wheeles of her brave eyes

Was captive led til now.

III.

Thus, for a saints apostacy

The unimagin'd woes

And sorrowes of the Hierarchy

None but an angel knowes.

IV.

Thus, for lost soules recovery

The clapping of all wings

And triumphs of this victory

None but an angel sings.

V.

So none but she knows to bemone

This equal virgins fate,

None but LUCASTA can her crowne

Of glory celebrate.

VI.

Then dart on me (CHAST LIGHT)<28.2> one ray,

By which I may discry

Thy joy cleare through this cloudy day

To dresse my sorrow by.

<28.1> This lady was probably the wife of a descendant of

Sir William Barnes, of Woolwich, whose only daughter and heir,

Anne, married the poet's father, and brought him the seat in Kent.

See GENTS. MAGAZINE for 1791, part ii. 1095.

<28.2> A translation of LUCASTA, or LUX CASTA, for the sake

of the metre.

UPON THE CURTAINE OF LUCASTA'S PICTURE,

IT WAS THUS WROUGHT.<29.1>

Oh, stay that covetous hand; first turn all eye,

All depth and minde; then mystically spye

Her soul's faire picture, her faire soul's, in all

So truely copied from th' originall,

That you will sweare her body by this law

Is but its shadow, as this, its;--now draw.

<29.1> Pictures used formerly to have curtains before them.

It is still done in some old houses. In WESTWARD HOE, 1607,

act ii. scene 3, there is an allusion to this practice:--

"SIR GOSLING. So draw those curtains, and let's see the

pictures under 'em."--Webster's WORKS, ed. Hazlitt, i. 133.

LUCASTA'S WORLD.

EPODE.

I.

Cold as the breath of winds that blow

To silver shot descending snow,

Lucasta sigh't;<30.1> when she did close

The world in frosty chaines!

And then a frowne to rubies frose

The blood boyl'd in our veines:

Yet cooled not the heat her sphere

Of beauties first had kindled there.

II.

Then mov'd, and with a suddaine flame

Impatient to melt all againe,

Straight from her eyes she lightning hurl'd,

And earth in ashes mournes;

The sun his blaze denies the world,

And in her luster burnes:

Yet warmed not the hearts, her nice

Disdaine had first congeal'd to ice.

III.

And now her teares nor griev'd desire

Can quench this raging, pleasing fire;

Fate but one way allowes; behold

Her smiles' divinity!

They fann'd this heat, and thaw'd that cold,

So fram'd up a new sky.

Thus earth, from flames and ice repreev'd,

E're since hath in her sun-shine liv'd.

<30.1> Original reads SIGHT.

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