THREE WARS

War! In France, to men of my generation, men who have passed their

fiftieth year, this terrible word awakens three special memories, the

memory of the Crimean expedition, of the campaign in Italy, and of our

disasters in 1870. What victories, what defeats, and what a lesson!

Assuredly, war is accursed. It is a horrible thing that nations should

cut each other’s throats. According to our progressive humanitarian

ideas, war must disappear on the day when nations come to exchange

a kiss of peace. There are exalted minds which, beyond their native

country, behold humanity, and prophesy universal concord. But how these

theories fall to pieces on the day when the country is threatened! The

philosophers themselves snatch a gun and shoot. All declarations of

fraternity are over; and only a cry for extermination rises from the

breast of the whole nation. For war is a dark necessity, like death. It

may be that we must have something of a dungheap to keep civilisation

in flower. It is necessary that death should affirm life; and war is

like those cataclysms of the antediluvian world which prepared the

world of man.

We have grown tender; we make moan over every existence that passes

away. And yet, do we know how many existences, more or less, are

needed to balance the life of the earth? We yield to the idea that

an existence is sacred. Perhaps the fatalism of the ancients, which

could behold the massacres of old without leaping to a Utopia of

universal brotherhood, had a truer greatness. To keep ourselves manly,

to accept the dark work wrought by death in that night wherein none

of us can read, to tell ourselves that, after all, people die, and

that there are merely hours in which they die more--this, when all is

said, is the wise man’s attitude. Those who are angry with war should

be angry with all human infirmities. The soft-hearted philosophers

who have been loudest in their curses of war, have been obliged to

perceive that war will be the weapon of progress until the day when,

ideal civilisation being attained, all nations join in the festival of

universal peace. But that ideal civilisation lies so remote in the blue

future, that there will assuredly be fighting for centuries yet. It is

the fashionable thing, just now, to consider war as an old remnant of

barbarism, from which the Republic will one day set us free. To declaim

against war is one way of setting up as a progressive person. But let a

single cry of alarm arise upon the frontier, let a trumpet sound in the

street, and we shall all be shouting for arms. War is in the blood of

man.

Victor Hugo wrote that only kings desired war, that nations desired

only to exchange marks of affection. Alas! that was but a poetic

aspiration. The poet has been the high-priest of that dream-peace of

which I spoke; he celebrated the _United States_ of Europe, he put

forward the brotherhood of nations, and prophesied the new golden age.

Nothing could be sweeter or larger. But to be brothers is a trifle; the

first thing is to love one another, and the nations do not love one

another at all. A falsehood is bad, merely in that it is a falsehood.

Undoubtedly, a sovereign, when he sees himself in danger, may try the

fortune of war against a neighbour, in the hope of consolidating his

throne by victory. But after the first victory, or the first defeat,

the nation makes the war its own, and fights for itself. If it were

not fighting for itself, it would not go on fighting. And what shall

we say of really national wars? Let us suppose that France and Germany

some day again find themselves face to face. Republic, empire, or

kingdom, the Government will count for nothing; it will be the whole

nation which will rise. A great thrill will run from end to end of the

land. The bugles will sound of themselves to call the people together.

There has been war germinating in our midst, in spite of ourselves,

these twenty years, and if ever the hour strikes, it will rise, an

overflowing harvest, in every furrow.

Three times in my life, I repeat, have I felt the passage of war over

France; and never shall I forget the particular sound made by her

wings. First of all comes a far-off murmur, heralding the approach of

a great wind. The murmur grows, the tumult bursts, every heart beats:

a dizzy enthusiasm, a need of killing and conquering takes hold of the

nation. Then, when the men are gone and the noise has sunk, an anxious

silence reigns, and every ear is on the stretch for the first cry from

the army. Will it be a cry of triumph or of defeat? It is a terrible

moment. Contradictory news comes; every tiniest indication is seized,

every word is pondered and discussed until the hour when the truth is

known. And what an hour that is, of delirious joy or horrible despair!

The Attack on the Mill, and Other Sketches of War · 第 23 / 35 题