CHAPTER IV

THE FESTIVAL OF THE ‘HASANEYN’ AND THE STORY OF THE PRINCESS ZOHRA

The promise I had made to my acquaintances in the Khan Khalil, to come

again, was soon fulfilled. This great bazaar attracts me most when

the season in the modern quarters of Cairo is over or not begun. I

have painted so many of its shops and corners, that I and my faithful

servant must be as familiar to the stall-holders as they are to us.

An opportunity occurred to see it by night, for, except on the great

festival of the ‘Hasaneyn,’ the gates of the Khan are closed before the

evening prayer.

The mosque of Hoseyn stands opposite the east entrance, and it is the

one most used by the shopkeepers of these bazaars.

It is a spacious building, but of little interest from an architectural

point of view. Its great popularity is one cause of this, for money

could always be found to restore it, and unhappily a great wave of

enthusiasm for the shrine of the martyred sons of Ali obtained during a

late period of debased Saracenic architecture, during which the mosque

was almost entirely rebuilt.

Before the Napoleonic invasion of Egypt no Christian or Jew dared pass

down the street in which it stands, and even at the present day, when

foreigners may visit the other mosques of Cairo, while the services

are not being held, the actual shrine where the head of Hoseyn lies may

only be entered by the faithful.

On the night in question it was possible to see as much as I wanted,

as the doors stood wide open, and the interior was lighted with

thousands of lamps. The whole street was roofed over with particoloured

tent-cloth, which caught the light of the torches of the dervishes who

filed in at the central doorway.

The noise of the cymbals, drums, and hautboys of the musicians mingled

with the babel of voices which came from the mosque. Many inside were

performing the _zikr_, and others were marching round and reciting the

Fáthah, or a form of blessing on the prophet.

Every house was profusely decorated with flags, lamps, and festoons of

coloured glass globes. The cafés were overflowing with customers, and

high benches on the pavements outside were all occupied with listeners

to the professional story-tellers who related the deeds of Hasan and

Hoseyn.

It seemed strange to hear the names of these two brothers from the

lips of so many orthodox Moslems, for at a previous festival in their

honour, which I witnessed, only such as were under police protection

dared shout ‘Hasan, Hoseyn.’ It was when the heretic Sheeas, mostly

Persians, paraded the streets of Cairo--a gruesome sight it was--but

at present we will confine ourselves to the doings of the orthodox

Sunnees, to which sect the bulk of the Egyptians belong.

[Illustration: THE KHAN KHALIL, CAIRO]

‘Though those dogs of Sheeas,’ an Egyptian will tell you, ‘almost make

gods of Hoseyn and also of his father Ali, is that a reason why we

should fail to honour his birthday? Was he not, after all, a grandson

of the Prophet?’ It is fortunate, however, that both sects do not keep

the festival on the same day, or it would be more than the police could

do to prevent them coming to blows.

How different the Khan looked, lighted up as it then was by hundreds

of lamps in and around the shops! In places brilliantly coloured

tent-cloths stretched across the lanes, and on every _mastaba_ the

store-keeper was entertaining his friends. The dark intervals were the

shops kept by Christians or Jews, which were carefully shuttered up for

the night.

The silk merchant, Mustâpha, and his opposite neighbour Seleem were

both here, and I was not sorry to accept the former’s kindly invitation

to sit down. Being unused to smoking the _nargeeleh_ or the almost

obsolete _shibook_ which were offered me, he procured some cigarettes

and clapped his hands to summon the boy from the coffee-stall. He

regretted that the _mooled_ of the Hasaneyn was not now as in former

days, when hardly a shop in the whole Khan was not lighted up like as

his and Seleem’s. ‘Jews, Nazarenes, Parsees, and what not else, were

invading the stalls held by the faithful,’ he said, pointing to the

shutters of those unenlightened people.

‘Allahu! Allahu!’ from the street outside was clearly heard during the

pauses in the conversation.

‘Was it possible now for a Nazarene to enter the mosque and see the

tomb where Hoseyn’s head lay buried?’ I asked, and also showed him the

ticket I had, allowing me to paint in the mosques of Cairo. He read

the instructions, and pointed out a line which made an exception for

that particular shrine as well as for two others. The talk then drifted

to an instance when one of my countrymen, disguised as a Moslem, was

accidentally discovered near the tomb while the _mooled_ was being

held; of how he was nearly killed by the infuriated mob and saved by

the intervention of the princess Zohra.

The story is so full of dramatic interest that, instead of giving the

garbled versions which obtain in the bazaars, I will try to tell it as

Max Eyth tells it in ‘_Hinter Pflug und Schraubstock_.’ Eyth was in

Egypt during the lifetime of the princess and heard all the details

from a former member of her household.

Zohra was the youngest living daughter of Mohammed Ali, Egypt’s first

viceroy. She was the idol of her father and partook of his character

more than did any of her numerous brothers and sisters. Her childhood

was spent in the same hareem as that of her nephew Abbas, who was the

same age as herself. Self-willed children as they both were, quarrels

were of frequent occurrence. When Abbas would taunt her that she

was only a little girl, she would remind him that she was the great

Ali’s daughter, whereas he was only the son of her brother Tussûn.

Words ending in blows one day, Abbas was packed off to a school and a

governess was found for the young princess.

Wishing to have her taught both English and French, they engaged the

services of a young Irish lady, a Miss O’Donald, who had been brought

up in Paris and spoke French as well as her own language.

Western ladies had hitherto been little seen in Egyptian hareems; the

Mohammedan ladies disapproved of the greater liberty enjoyed by the

newcomer and soon grew jealous of the great influence the governess

held over her pupil.

As Zohra grew older, Miss O’Donald became more of a companion than a

teacher, and she remained in the viceroy’s service for eight years.

Abbas had in the meantime left his school and had a hareem of his own

in his grandfather’s palace. He never forgave Zohra for having been the

cause of his banishment, and awaited his time to wreak his vengeance.

Mohammed Ali had not yet found a husband for his daughter; he aspired

to marrying her to a Sultan or to a son of the Khalif himself. It

therefore happened that at the age of sixteen Zohra still remained

single.

It was at a festival of the Hasaneyn that she met her fate. Accompanied

by Miss O’Donald and two of the eunuchs, she went to visit the tomb of

Hoseyn, for women at all times, says the narrator, are more attracted

to the shrines of heroes than to even that of the Prophet himself. The

mosque was so crowded with people that the dervishes could hardly find

room in which to perform the _zikr_.

The eunuchs managed to force a way through the crowd so as to allow the

princess to approach the tomb, and while she was saying her prayers

at the shrine of the hero, she was disturbed by an uproar which arose

not far off. Shouts of ‘a Christian’ resounded through the building.

Sticks were raised and knives unsheathed by an infuriated mob, who

surrounded a tall, fair-haired man who, with his back to the wall, was

hitting out right and left to keep his assailants at bay. His turban

had fallen off, and his fair and unshaven head showed only too clearly

that he was not a Moslem.

‘It’s my brother,’ called out the governess, and appealed to those near

her to go to his rescue. Zohra, who had now reached her side, first saw

the blood-stained and handsome face of the young Irishman, and uttering

a piercing scream, she ordered the assailants to desist. Seeing from

her attendants that she belonged to the viceregal household, there was

a slight pause, and those near her made way for her to reach the one

they had been attacking. She took the young man by the hand and led

him, through the murmuring crowd, into the street.

As they disappeared, loud cries of ‘Allahu! Allahu!’ resounded

throughout the mosque. The princess threw her arms in the air and

victoriously repeated the cry: ‘Allahu! Allahu!’--Such was their first

meeting.

Two young mamelukes of the household of Abbas also happened to have

witnessed the scene, and repeated every detail of it to their master.

The narrator goes on to say that ‘Abbas was silent, like a serpent who

coils itself in readiness for a spring.’

Spies were sent forth to find out who this man in truth might be. His

name was O’Donald, and there was no doubt that he was the governess’s

brother. He had first come to Egypt in 1840, when, after the siege

of Beirut, Napier’s troops lay outside Alexandria. Fortune had then

forsaken Mohammed Ali. He could not prevent his enemies from drinking

Nile water as much as they pleased, and as the Arabs say: ‘He who has

drunk Nile water will sooner or later return to the Nile.’

After the British troops had quitted Egypt, O’Donald resigned his

commission and returned to Alexandria, where he had got a situation

as manager to the overland route from that port to Suez. His sister

had doubtless described his pupil to him, and had also entertained the

princess with tales of his gallant deeds while serving in the army.

Business matters had taken him to Cairo at the time of this festival,

and his love of adventure had led to his disguising himself and

entering a mosque forbidden to all save the believers.

Zohra, whose affections had so far been disengaged, was all too ready

to fall in love with this handsome Irishman, whose praises she had so

often heard from the lips of his sister. Beholding him for the first

time bravely repelling the attack of the infuriated mob, he personified

in her imagination the heroism of those who first spread the Mohammedan

faith. To use the words of the narrator: ‘She was taken as in a

whirlwind. Love consumed her as a fire. She wept through the whole of

that hot night. She implored one of her sisters to help her to meet her

lover, and on her refusal she bit her in the cheek.’

Miss O’Donald was alarmed at the state of her pupil and also for the

safety of her brother. She wrote and warned him to keep away from

Cairo, and if possible to get away from Egypt. Unfortunately the

eyes of the young princess confirmed the glowing descriptions of her

beauty which his sister had given, and the young Irishman seems to have

been consumed with the same fire as that of his lady-love. Instead of

keeping away from Cairo, he contrived to get his company to give him a

post in that city.

On the third night of Bairam, when rich and poor, old and young, repair

to the cemeteries to pray at the graves of their belongings, the

young lovers seized on this opportunity to see each other once more.

Zohra went with the women of her hareem to that great wilderness of

tombs on the south-eastern outskirts of the city. She was not slow in

recognising her lover in the apparently devout Moslem who came to pray

at the tomb where she sat. The wailing of the women and the howling

of the dervishes, performing the _zikr_, were a sufficient noise to

prevent the words the two interchanged from being heard by Zohra’s

attendants, and before they parted a future means of meeting had been

arranged.

‘I believe,’ goes on the story-teller, ‘that she loved him as the

heroes of our faith in the olden times loved the beautiful women whom

Allah had given them as a foretaste of Paradise. He also must have

loved her as one bereft of his senses, for he must have known that he

moved amidst naked daggers or even worse.’

On the night previous to the ‘Yóm Gebr el-Bahr,’ which signifies

‘the Breaking of the River’ (and when the dam is cut to enable the

Nile to replenish the canal which used to flow through Cairo), great

festivities take place. Tents are erected on each bank of the canal

and also on the edge of the island of Rodah, which faces the canal’s

entrance. The river is crowded with boats lit up with numerous

lanterns; fireworks are let off and guns are fired; yet they fail to

drown the noise of the musical instruments and the eternal refrain of

the singers. Cairo makes a night of it.

From the farther side of the island of Rodah our princess stepped on

to her _dahabieh_ which was moored at the river edge of the palace

gardens. She was accompanied by the hareem, and she gave orders to let

the barge drift down the river and to drop the anchor where the crowd

of boats was not so great.

The ladies of the hareem, including Miss O’Donald, remained on the

deck, from whence they obtained a good view of the fireworks and of the

festivities taking place on the Nile. Zohra retired to her cabin, and

might by the light of her candle have been seen by many of the folks

outside, were these not too much occupied in merry-making. The candle

was moved to and fro for a few seconds and then extinguished.

From the shadow of a clump of trees overhanging the edge of the river

an English-built skiff issued into the main stream, then shot along the

side of the _dahabieh_ and came to a standstill. The lovers had met

once again.

Skilfully as this had been managed, it had not been unobserved by Miss

O’Donald, who, in a fever of anxiety, paced up and down the deck. The

skiff could be seen by the lights of some boats which had drifted that

far down the stream. The governess also suspected that Abbas had spies

amongst the women of the hareem; but she dared not breathe a word of

warning to her brother below for fear of attracting attention.

Not only had he been seen, but from a neighbouring cabin an assignation

had been overheard and in due time reported to Abbas. They were to meet

the following night in the garden of the palace at Rodah. Zohra felt

sure of the silence of the eunuchs and also of her female attendants;

she had not, however, bribed some of the crew as highly as Abbas had

done.

O’Donald, the next night, fastened his boat under the trees which

project over the garden wall and picked his way along the edge of the

river to the steps at the Nile entrance. He found the gates unlocked,

and walked in. Instead of his lady-love four armed mamelukes issued

from the shrubbery and rushed to attack him. The Irishman dropped two

with his revolver, and the other two turned and bolted.

Abbas was awaiting events at the garden door of the hareem, which he

had locked from outside. When he heard the firing and the howls of his

mamelukes, he felt sure that events had not turned out quite as he had

intended. Miserable creature as he was, Abbas was no coward, and his

agents having failed him, he rushed down himself to attack the enemy.

A kick on his shin sent him sprawling into a flower-bed, and O’Donald

made off to his skiff. He had, however, recognised whom it was that he

had knocked over. But before he could take safety in flight he felt

bound to send a warning to Zohra and also to get his sister away.

The story-teller goes on to say: ‘In such moments one’s reasoning

becomes confused. Allah alone can help one. But why should Allah

stretch forth a helping hand to the unbeliever whose audacious conduct

well merited punishment?’

A French Jewess, known as Madame Ricochette, resided in Cairo at that

time. She used to visit all the principal hareems to trade in Paris

jewellery and bonbons. O’Donald went to see her early on the following

morning, and with promises and flattery induced her to take a note to

the princess and to bring back an answer. He was to meet Zohra in the

garden for the last time, his sister was to come away with him in his

boat, and they were to leave Cairo at once.

They never saw each other alive again. He was shot on the threshold of

the hareem in Zohra’s garden. Abbas had intercepted the letters and

had apprised Mohammed Ali of the affair. Six Arnauts--good, dependable

shots--were sent and were placed behind some bushes which the ill-fated

man would pass on the way to his love. Six bullets ended his earthly

career.

Abbas was a clever organiser. A mule was kept in readiness to carry

the body away, and two of the Arnauts placed it on the beast while the

others remained with the prince. The hareem door was thrown open and,

as Zohra approached, Abbas laughingly welcomed her to her lover.

‘Such women,’ goes on the narrator, ‘do not go off in a faint, as do

yours in the West. She flew, as one possessed, to the corpse of her

beloved, and steeped her hands in his blood. She had to be dragged

away and carried back to the hareem. When she had recovered from her

stupefaction, she ordered two servants to see Miss O’Donald off to

Alexandria, where friends would see her safely on board the first

home-going steamer; the princess also provided her handsomely with the

means to get back to her country.’

Worse is still to follow. The devil in Abbas had become more potent

than ever. He had the body of the Irishman taken to Shubra and buried

in an outlying field--upright, with the head below and the feet

sticking out of the ground. Then spoke Abbas: ‘Allah, do thou with him

as thou wilt; but the dogs shall devour the feet which kicked me.’

The field was guarded during a week; no one dared enter by day, and at

night the jackals and dogs did their work. There in that field, to this

day, stands with head downwards a footless corpse!

The O’Donalds, we are told, had no influential relations to get this

matter investigated, and the English company to which O’Donald belonged

knew more than enough to keep them silent. The young Irishman had

placed his life in the balance with his love and had lost.

‘Alláhu! Alláhu! Alláh, láh, láh, láh,’ came the ever-increasing cries

from the mosque outside the Khan. The dervishes were working themselves

up into a state of frenzy; and had my permit to work in the mosques not

made an exception of the Hasaneyn, it would have taken a bolder man

than myself to have entered then. I bade my kindly host good night and

found my way back to the European quarter.

An Artist in Egypt · 第 4 / 23 章