CHAPTER LVII.

ROME--THE CATHOLIC CAPITAL.

The dominant feature of Rome is the religious feature, and it

is fitting that it should be so, for here the soil was stained

with the blood of those who first hearkened to the voice of the

Nazarene--here a cruel Nero lighted his garden with human torches,

little thinking that the religion of those whom he burned would in

time illumine the earth.

The fact that the city is the capital of the Catholic world is

apparent everywhere. All interest is centered in the Vatican and

St. Peter's. The civil government of Italy extends to the nation's

borders, but the papal authority of Rome reaches to the remotest

corners of the earth. I was anxious to see the man upon whom such

vast responsibility rests, and whose words so profoundly influence

millions of the human race. Lord Denbigh, of England, had given

me a letter of introduction to Cardinal Merry del Val, the papal

secretary of state, and armed with this I visited the Vatican.

Cardinal del Val is an exceedingly interesting man. He was born of

Spanish parents, but one of his grandparents was English, and he

is connected by ties of blood with several families of the English

nobility. He was educated in England, and speaks that language

fluently and without an accent, as he does French, German, Italian

and Spanish. His linguistic accomplishments are almost as great as

those of the famous Cardinal Mezzofanti. Cardinal del Val is an

unusually young man to occupy such an important post--he is not yet

forty. He impresses one as a man of rare ability and he possesses

extraordinary versatility and a diplomatic training that will make

him eminently useful to His Holiness. The papal secretary of state

is a tall, slender, distinguished-looking man. His intellectual face

is thin and oval; his eyes are large, dark and brilliant, showing

his Spanish birth. He received us in his private apartments in the

Vatican. They are among the most interesting of the 1,200 rooms

in that great building and were once occupied by that famous pope

who was a Borgia. The ceilings and walls down to the floor are

painted magnificently, the decoration having been done by the hand

of a master artist of Borgia's reign. For centuries the suite now

occupied by Cardinal del Val had been part of the Vatican library.

The beautiful walls were once hidden by a coat of rude whitewash,

but the paintings were discovered not long ago and restored once

more to view.

Before visiting the Vatican I called upon Monsignor Kennedy, the

rector of the American college. Monsignor Kennedy is a learned and

an exceedingly agreeable American and under his efficient management

the number of students in the college has been doubled within a few

years. He enabled me to meet Pope Pius' Maestro di Camera. By the

good offices of Cardinal del Val and the Maestro di Camera, it was

arranged that I should have a private audience with the Holy Father

the following day, Monsignor Kennedy acting as interpreter.

[Illustration: COLISEUM, ROME.]

Pope Pius received us in his private room adjoining the public

audience chamber, where distinguished Catholics from all over the

world were collected and ready to be presented and receive the papal

blessing. The private audience room is a rather small apartment,

simply, but beautifully furnished and decorated. A throne bearing

the papal crown occupied one side of the room. His Holiness greeted

us very courteously and cordially. He wore a long white cassock,

with a girdle at the waist; the fisherman's ring was on his finger

and he wore a small, closely fitting skull-cap of white. I had an

opportunity to study his face. It is a round, strong face, full of

kindliness and benevolence, but there are not lacking indications

that its possessor has a purpose and will of his own. The face is

ruddy and the nose rather long--it is straight and not arched. His

eyes are large, blue and friendly. The scant hair visible below the

skull-cap is white. In stature the Holy Father is about five feet

nine or ten inches and his figure is sturdy, but not too heavy. His

step is light and gives an impression of strength and good health.

[Illustration: POPE PIUS X.]

His Holiness has already gained a reputation as a democratic pontiff

and enjoys a large and growing popularity with the people. He is an

orator and often on Sunday goes into one of the many court yards of

the Vatican and preaches to the crowds that gather quite informally.

His gestures are said to be graceful and his voice melodious. His

manner is earnest and his thoughts are expressed in clear and

emphatic language. There is a feeling in Rome that Pius X. is going

to be known in history as a reformer--not as a reformer of doctrine,

but as one who will popularize the church's doctrine with a view to

increasing the heartiness and zeal of the masses in the application

of religious truth to everyday life.

I assured his Holiness that I appreciated the opportunity that

was his to give impetus to the moral forces of the world, and he

replied: "I hope my efforts in that direction will be such as

to merit commendation." Answering my statement that I called to

present the good will of many Catholic friends as well as to pay my

respects, His Holiness asked me to carry his benediction back to

them.

If I may venture an opinion upon such brief observation, it is that

heart characteristics will dominate the present pontiff's course. He

is not so renowned a scholar and diplomat as was his predecessor,

nor is he so skilled in statecraft, but he is a virile, energetic,

practical religious teacher, charitable, abounding in good works

and full of brotherly love. I am confident that he will play an

important part in the world-wide conflict between man and mammon.

The world has made and is making great progress in education and

in industry. The percentage of illiteracy is everywhere steadily

decreasing. The standards of art and taste are rising and the

forces of nature are being harnessed to do the work of man. Steam,

madly escaping from its prison walls, turns myriad wheels and drags

our commerce over land and sea, while electricity, more fleet of

foot than Mercury, has become the message-bearer of millions.

Even the waves of the air are now obedient to the command of man

and intelligence is flashed across the ocean without the aid

of wires. With this dominion over nature man has been able to

advance his physical well-being, as well as to enlarge his mental

horizon, but has the moral development of the people kept pace

with material prosperity? The growing antagonism between capital

and labor, the lack of sympathy often manifest between those of

the same race and even of the same religion, when enjoying incomes

quite unequal--these things would seem to indicate that the heart

has lagged behind the head and the purse. The restoration of the

equilibrium and the infusing of a feeling of brotherhood that

will establish justice and good will must be the aim of those who

are sincerely interested in the progress of the race. This is

pre-eminently the work of our religious teachers, although it is a

work in which the laity as well as the clergy must take part.

[Illustration: NAPLES]

After meeting Pius X., late the beloved patriarch of Venice, I feel

assured that he is peculiarly fitted to lead his portion of the

Christian church in this great endeavor.

The Vatican, which serves as the home and executive offices of the

supreme pontiff of the Catholic church, is an enormous building, or

rather collection of buildings, for it bears evidence of additions

and annexes. One might be easily lost in its maze of corridors.

The ceilings of the chief apartments are high and, like the walls

of the spacious rooms and halls, are covered with frescoes of

priceless value. The Vatican adjoins St. Peter's cathedral--or

basilica as it is called--a description of whose beauties would

fill a volume. The basilica is so harmoniously proportioned that

one does not appreciate its vastness from a distance, but once

within its walls it is easy to credit the statement that fifty

thousand persons can be crowded into it. In a crypt just beneath

the great dome is the tomb of St. Peter, about which myriad lamps

are kept constantly burning. Near the tomb is a crucifix suspended

under a canopy supported by four spiral columns that are replicas

of a column elsewhere in the cathedral that is said to have been

part of Solomon's temple. Not far from the crucifix is the famous

bronze statue of St. Peter, made from a pagan statue of Jupiter. It

is mounted upon a pedestal about five feet high and the large toe

of the right foot, which projects over the pedestal has been worn

smooth by the lips of devout visitors to the basilica.

To me the most remarkable of the splendors of the cathedral were

the mosaic pictures, of which there are many of heroic size. These

mosaics depict Bible scenes and characters and are done with such

marvelous skill that a little way off one can hardly doubt that they

are the product of the brush of some great master. The colors, tints

and shades are so perfect that it is difficult to believe that the

pictures are formed by the piecing together of tiny bits of colored

marbles and other stones. The Vatican maintains a staff of artists

in mosaic, some of whose work may be purchased by the public. I was

shown the masterpiece of Michael Angelo in the cathedral of St.

Peter in Vinculo--a statue of Moses, seated. In the right knee there

is a slight crack visible and it is tradition that, when the great

sculptor had finished his work, he struck the knee with his mallet

in a burst of enthusiasm and exclaimed, "Now, speak." St. Paul's

cathedral, which stands outside the ancient wall of the city, is of

modern construction and is therefore less interesting to the visitor

than the great basilica of St. Peter's.

Next to the Vatican and the cathedrals in interest are the ruins

of ancient Rome. In England and France I had seen buildings many

centuries old; in Rome one walks at the foot of walls that for

nearly two thousand years have defied the ravages of time. The best

preserved and most stupendous of the relics of "The Eternal City"

is the Colosseum. It is built upon a scale that gives some idea

of the largeness of Roman conceptions and of the prodigality with

which the emperors expended the money and labor of the people. The

arena in which the gladiators fought with their fellows and with

wild beasts--the arena in which many of the Christian martyrs met

their death--is slightly oval in form, the longest diameter being

about 250 feet. The arena was so arranged that it could be flooded

with water and used for aquatic tournaments. The spectators looked

down upon the contests from galleries that rose in four tiers to a

height of 150 feet. At one end of the arena was the tribune occupied

by the emperor and his suite; at the other end the vestal virgins

occupied another tribune and it was their privilege to confer either

life or death upon the vanquished gladiators by turning the thumb

up or down--turned up it meant life, turned down, death. The Roman

populace gained access to the galleries by 160 doors and stairways.

The seating capacity of the Colosseum is estimated to have been

fifty thousand.

[Illustration: GRAND CANAL--VENICE]

The Forum is even richer than the Colosseum in historic interest

and recent excavations have brought to light what are supposed

to be the tomb of Cæsar and the tomb of Romulus. The tribune is

pointed out from which the Roman orators addressed the multitude.

Here Cicero hurled his invectives at Cataline and Mark Antony is

by Shakespeare made to plead here for fallen Cæsar. The triumphal

arch of Constantine stands at one end of the Forum and is in an

excellent state of preservation. Among the carvings lately exhumed

are some (especially attractive to an agriculturist) showing the

forms of the bull, the sheep and the hog. They are so like the best

breeds of these animals to-day that one can scarcely believe they

were chiseled from stone nearly twenty centuries ago. In Rome,

as in Paris, there is a Pantheon in the familiar style of Greek

architecture. In the Roman Pantheon is the tomb of Raphael. Cardinal

Bembo, in recognition of Raphael's genius, caused to be placed upon

his tomb a Latin epitaph which Hope has translated:

"Living, great nature feared he might outvie

Her works, and dying fears herself to die."

To those who are familiar with Roman history the river Tiber is

an object of interest, but here, as is often the case, one feels

disappointed in finding that the thing pictured was larger than

the reality. The Tiber, yellow as the Missouri, flows through the

very heart of Rome and is kept within its channel by a high stone

embankment. In and near Rome are many ancient palaces, some of

them falling into decay, and some well preserved. One of the most

modern of the palaces of the Italian nobles was built by American

money, the wife being a member of a wealthy New York family. Part

of this palace is now occupied by the American ambassador, Mr.

Myer, to whom I am indebted for courtesies extended in Rome. Art

galleries and museums are numerous in Rome and in the other cities

of Italy, and contain many of the works of the great Italian artists

like Raphael, Angelo, Titian and others. The palace of King Victor

Emmanuel and the public buildings of Rome are imposing, but do not

compare in size or magnificence with the ancient palaces of England

and France. The journey from Rome to Venice carried us through a

very fertile part of Italy. The land is carefully cultivated; the

thrifty farmers in some places have set out mulberry trees for the

cultivation of the silk worm and have trained grape vines upon the

trees.

[Illustration: ST. PETER'S AT ROME]

We passed through the edge of Venice and saw the gondoliers on

the Grand Canal waiting to carry passengers into the city. A very

intelligent Italian newspaper correspondent whom I met in Rome

informed me that the northern provinces of Italy were much further

advanced in education than the southern provinces, but that the

people of the south were mentally very alert and with the addition

of instruction would soon reach the intellectual level of the north.

[Illustration: MADONNA.]

My stay in Italy was all too brief and I left with much reluctance

this nursery of early civilization--this seat of government of the

world's greatest religious organization.

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