Page

_William Hamilton Gibson_ _Frontispiece_

_Initial. The Studio Door_ 3

_The Rose-bush Episode_ 9

_A Corner of My Table_ 12

_An Animated Brush_ 14

_A Specimen in Three Stages_ 16

_The Studio Table_ 18

_Initial_ 23

_The European Cuckoo_ 24

_The Yellow-billed Cuckoo_ 26

_Browsing Kine_ 29

_A Greedy Foster-child_ 34

_The Yellow Warbler_ 44

_A Blighted Home_ 46

_The Normal Nest of the Yellow Warbler_ 47

_The Yellow Warbler at Home_ 49

_A Suspicious Nest of the Yellow Warbler_ 50

_The Nest Separated_ 52

_Initial_ 57

_The Door-step Arena, with its Pitfalls_ 60

_Fishing for Tigers_ 65

_Tiger-beetle_ 68

_The Spider Victim_ 70

_Filling the Spider's Grave_ 71

_Black Digger-wasp_ 73

_Black Digger-wasp and His Victim, Showing the Egg of the

Wasp Attached_ 75

_Protecting the Burrow while Searching for Prey_ 79

_The "Cow-spit" Mystery Disclosed_ 81

_The Tiger's Head, from the Victim's Stand-point_ 84

_Initial. Branch of the Bittersweet_ 87

_A Bittersweet Covey_ 90

_Flushing the Game_ 92

_Specimen Twig_ 94

_Building Froth-tent_ 100

_Butterflies and Flowers_ 105

_A Row of Stamens_ 106

_The Parts of a Flower_ 109

_Historical Series, Showing the Progress of Discovery of

Flower Fertilization_ 110

_The Garden Sage_ 120

_Cross-fertilization of the Sage_ 121

_Elastic Stamens. Anthers Inserted in their Pockets_ 124

_Elastic Stamens of Mountain-laurel_ 125

_Andromeda Ligustrina_ 127

_Fertilisation of Andromeda_ 128

_The Laurel_ 130

_Cross-fertilization of the Blue-flag_ 131

_Blue-flag_ 132

_Pogonia and Devil's-bit_ 133

_Devil's-bit_ 134

_Horse-balm. Collinsonia_ 135

_Cross-fertilization of the Horse-balm--Flowers in Various

Stages, and in the Order of their Visitation by the Bee_ 136

_The Cone-flower_ 137

_Cone-flower, Showing Numerous Florets, Some in Pollen,

Others in Stigmatic Stage_ 139

_Cross-fertilization of Cone-flower_ 140

_The Fertilization of the English Arum, 1st Stage_ 141

_The Fertilization of the English Arum. 2d, 3d, 4th,

and 5th Stages_ 142

_Pogonia_ 145

_Cross-fertilization_ 146

_A Pine Branch_ 151

_Initial_ 151

_The Picnic_ 159

_Tail-piece_ 167

_Habenaria Orbiculata_ 171

_Arethusa Bulbosa_ 177

_The Botanical Distribution of an Ordinary Flower and of

the Orchid_ 182

_The "Column" in Various Orchids_ 183

_The Result of the Bee's Visit_ 184

_Cross-fertilization of Arethusa_ 188

_Habenaria Orbiculata. A Single Flower Enlarged_ 190

_Orchis Spectabilis_ 191

_Cross-fertilization of H. Orbiculata (Sphinx-moth)_ 193

_The Flower and Column of Orchis Spectabilis, Enlarged_ 195

_Orchis Spectabilis_ 195

_Position of Pollen of Orchis Spectabilis Withdrawn on Pencil_ 197

_The Cross-fertilization of Orchis Spectabilis_ 197

_The Purple-fringed Orchid_ 199

_The Ragged Orchid (Front Section)_ 200

_The Ragged Orchid (Profile Section)_ 202

_The Ragged Orchid (H. Lacera) and the Butterfly's

Tongue. Cross-fertilization_ 203

_The Yellow Orchid (H. Flava)_ 204

_The Ragged Orchid (H. Lacera)_ 205

_Cypripedium Acaule_ 207

_Moccasin-flower (C. Acaule)_ 208

_The Bee Imprisoned in the Lips of Cypripedium_ 210

_Moccasin-flower. Bee Sipping Nectar_ 211

_The Bee Passing Beneath the Stigma_ 213

_A Bee Receiving Pollen-plaster on His Thorax_ 214

_Rattlesnake-Plantain--the Young and the Old_ 215

_Cross-fertilization of the Rattlesnake-Plantain.

Side Sections_ 216

_Cross-fertilisation of the Rattlesnake-Plantain. Front View_ 217

_The Tongue of a Bumblebee_ 218

_Goodyera, or Periamium Pubescens_ 221

_Milkweed Captives_ 231

_The Pollen Masses and the Fissure_ 232

_The Tragedy of the Bees_ 235

_A Moth Caught by the Tongue in Dogbane_ 237

_A FAMILIAR GUEST_

[Illustration]

Solitude! Where under trees and sky shall you find it? The more solitary

the recluse and the more confirmed and grounded his seclusion, the wider

and more familiar becomes the circle of his social environment, until at

length, like a very dryad of old, the birds build and sing in his

branches and the "wee wild beasties" nest in his pockets. If he fails to

be aware of the fact, more's the pity. His desolation is within, not

without, in spite of, not because of, his surroundings.

Here in my country studio--not a hermitage, 'tis true, but secluded

among trees, some distance isolated from my own home and out of sight of

any other--what company! What occasional "tumultuous privacy" is mine! I

have frequently been obliged to step out upon the porch and request a

modulation of hilarity and a more courteous respect for my hospitality.

But this is evidently entirely a matter of point of view, and, judging

from the effects of my protests at such times, my assumed superior air

of condescension is apparently construed as a huge joke. If the

resultant rejoinder of wild volapük and expressive pantomime has any

significance, it is plain that I am desired to understand that my exact

status is that of a squatter on contested territory.

There are those snickering squirrels, for instance! At this moment two

of them are having a rollicking game of tag on the shingled roof--a

pandemonium of scrambling, scratching, squealing, and growling--ever and

anon clambering down at the eaves to the top of a blind and peeping in

at the window to see how I like it.

A woodchuck is perambulating my porch--he was a moment ago--presumably

in renewed quest of that favorite pabulum more delectable than rowen

clover, the splintered cribbings from the legs of a certain pine bench,

which, up to date, he has lowered about three inches--a process in which

he has considered average rather than symmetry, or the comfort of the

too trusting visitor who happens to be unaware of his carpentry.

The drone of bees and the carol of birds are naturally an incessant

accompaniment to my toil--at least, in these spring and summer months.

The tall, straight flue of the chimney, like the deep diapason of an

organ, is softly murmurous with the flurry of the swifts in their

afternoon or vesper flight. There is a robin's nest close by one window,

a vireo's nest on a forked dogwood within touch of the porch, and

continual reminders of similar snuggeries of indigo-bird, chat, and

oriole within close limits, to say nothing of an ants' nest not far off,

whose proximity is soon manifest as you sit in the grass--and

immediately get up again.

Fancy a wild fox for a daily entertainment! For several days in

succession last year I spent a half-hour observing his frisky gambols

on the hillside across the dingle below my porch, as he jumped

apparently for mice in the sloping rowen-field. How quickly he

responded to my slightest interruption of voice or footfall, running to

the cover of the alders!

The little red-headed chippy, the most familiar and sociable of our

birds, of course pays me his frequent visit, hopping in at the door and

picking up I don't know what upon the floor. A barn-swallow occasionally

darts in through the open window and out again at the door, as though

for very sport, only a few days since skimming beneath my nose, while

its wings fairly tipped the pen with which I was writing. The chipmonk

has long made himself at home, and his scratching footsteps on my

door-sill, or even in my closet, is a not uncommon episode. Now and then

through the day I hear a soft pat-pat on the hard-wood floor, at

intervals of a few seconds, and realize that my pet toad, which has

voluntarily taken up its abode in an old bowl on the closet floor, is

taking his afternoon outing, and with his always seemingly inconsistent

lightning tongue is picking up his casual flies at three inches sight

around the base-board.

A mouse, I see, has heaped a neat little pile of seeds upon the top of

the wainscot near by--cherry pits, polygonum, and ragweed seeds, and

others, including some small oak-galls, which I find have been

abstracted from a box of specimens which I had stored in the closet for

safe-keeping. I wonder if it is the same little fellow that built its

nest in an old shoe in the same closet last year, and, among other

mischief, removed the white grub in a similar lot of specimen galls

which I also missed, and subsequently found in the shoe and scattered on

the closet floor?

I have mentioned the murmur of the bees, but the incessant buzzing of

flies and wasps is an equally prominent sound. Then there is the

occasional sortie of the dragon-fly, making his gauzy, skimming circuit

about the room, or suggestively bobbing around against wall or ceiling;

and that occasional audible episode of the stifled, expiring buzz of a

fly, which is too plainly in the toils of Arachne up yonder! For in one

corner of my room I boast of a prize dusty "cobweb," as yet spared from

the household broom, a gossamer arena of two years' standing, which

makes a dense span of a length of about two feet from a clump of dried

hydrangea blossoms to the sill of a transom-window, and which, of

course, somewhere in its dusty spread, tapers off into a dark tunnel,

where lurks the eight-eyed schemer, "o'erlooking all his waving snares

around."

Sooner or later, it would seem, every too constant buzzing visitor

encroaches on its domain, and is drawn to its silken vortex, and is

eventually shed below as a clean dried specimen; for this is an

_agalena_ spider, which dispenses with the winding-sheet of the field

species--_epeira_ and _argiope_. Last week a big bumble-bee-like fly

paid me a visit and suddenly disappeared. To-day I find him dried and

ready for the insect-pin and the cabinet on the window-sill beneath the

web, which affords at all times its liberal entomological

assortment--Coleoptera, Hymenoptera, Diptera, and Lepidoptera. Many are

the rare specimens which I have picked from these charnel remnants of my

spider net.

Ah, hark! The talking "robber-fly" (_Asilus_), with his nasal, twangy

buzz! "_Waiow!_ Wha-a-ar are ye?" he seems to say, and with a suggestive

onslaught against the window-pane, which betokens his satisfied quest,

is out again at the window with a bluebottle-fly in the clutch of his

powerful legs, or perhaps impaled on his horny beak.

Solitude! Not here. Amid such continual distraction and entertainment

concentration on the immediate task in hand is not always of easy

accomplishment.

[Illustration]

Last week, after a somewhat distracted morning with some queer beguiling

little harlequins on the bittersweet-vine about my porch, of which I

have previously written, I had finally settled down to my work, and was

engaged in putting the finishing touches upon a long-delayed drawing,

when a new visitor claimed my attention--a small hornet, which alights

upon the window-sill within half a yard from my face. To be sure, she

was no stranger here at my studio--even now there are two of her yonder

beneath the spider-nest--and was, moreover, an old friend, whose ways

were perfectly familiar to me; but this time the insect engaged my

particular attention because it was not alone, being accompanied by a

green caterpillar bigger than herself, which she held beneath her body

as she travelled along on the window-sill so near my face. "So, so! my

little wren-wasp, you have found a satisfactory cranny at last, and have

made yourself at home. I have seen you prying about here for a week and

wondered where you would take up your abode."

The insect now reaches the edge of the sill, and, taking a fresh grip on

her burden, starts off in a bee-line across my drawing-board and towards

the open door, and disappears. Wondering what her whimsical destination

might be, my eye involuntarily began to wander about the room in quest

of nail-holes or other available similar crannies, but without reward,

and I had fairly settled back to my work and forgotten the incident,

when the same visitor, or another just like her, again appeared, this

time clearing the window-sill in her flight, and landing directly upon

my drawing-board, across which she sped, half creeping, half in flight,

and tugging her green caterpillar as before--longer than herself--which

she held beneath her body.

"This time I shall learn your secret," I thought. "Two such challenges

as this are not to be ignored." So I concluded this time to observe her

progress carefully. In a moment she had reached the right-hand edge of

my easel-board, from which she made a short flight, and settled upon a

large table in the centre of the room, littered with its characteristic

chaos of professional paraphernalia--brushes, paints, dishes, bottles,

color-boxes, and cloths--among which she disappeared. It was a hopeless

task to disclose her, so I waited patiently to observe the spot from

which she would emerge, assuming that this, like the window-sill and my

easel, was a mere way-station on her homeward travels. But she failed to

appear, while I busied my wits in trying to recall which particular item

in the collection had a _hole_ in it. Yes, there _was_ a spool among

other odds and ends in a Japanese boat-basket. That must be it! But on

examination the paper still covered both ends, and I was again at a

loss. What, then, can be the attraction on my table? My wondering

curiosity was immediately satisfied, for as I turned back to the board

and resumed my work I soon discovered another wasp, with its caterpillar

freight, on the drawing-board. After a moment's pause she made a quiet

short flight towards the table, and what was my astonishment to observe

her alight directly upon the tip of the very brush which I held in my

hand, which, I now noted for the first time, had a hole in its end! In

another moment she disappeared within the cavity, tugging the

caterpillar after her!

[Illustration]

My bamboo brushes! I had not thought of them! By mere chance a few

years since I happened upon some of these bamboo brushes in a Japanese

shop--large, long-handled brushes, with pure white hair nicely stiffened

to a tapering point, which was neatly protected with a sheathing cover

of bamboo. A number of them were at my elbow, a few inches distant, in a

glass of water, and on the table by the vase beyond were a dozen or so

in a scattered bundle.

Normally each of these brushes is closed at the end by the natural pith

of the bamboo. I now find them _all_ either open or otherwise tampered

with, and the surrounding surface of the table littered with tiny balls,

apparently of sawdust. I picked up one of the nearest brushes, and upon

inverting it and giving it a slight tap, a tiny green worm fell out of

the opening. From the next one I managed to shake out seven of the

caterpillars, while the third had passed beyond this stage, the aperture

having been carefully plugged with a mud cork, which was even now moist.

Two or three others were in the same plugged condition, and

investigation showed that no single brush had escaped similar tampering

to a greater or less extent. One brush had apparently not given entire

satisfaction, for the plug had been removed, and the caterpillars, eight

or ten in number, were scattered about the opening. But the

dissatisfaction probably lay with one of these caterpillars rather than

with the maternal wasp, who had apparently failed in the full dose of

anæsthetic, for one of her victims which I observed was quite lively,

and had probably forced out the soft plug, and in his squirming had

ousted his luckless companions.

[Illustration]

The caterpillars were all of the same kind, though varying in size,

their length being from one-half to three-quarters of an inch. To all

appearances they were dead, but more careful observation revealed signs

of slight vitality. Recognizing the species as one which I had long

known, from its larva to its moth, it was not difficult to understand

how my brushes might thus have been expeditiously packed with them. Not

far from my studio door is a small thicket of wild rose, which should

alone be sufficient to account for all those victimized caterpillars.

This species is a regular dependent on the rose, dwelling within its

cocoon-like canopy of leaves, which are drawn together with a few silken

webs, and in which it is commonly concealed by day. A little persuasion

upon either end of its leafy case, however, soon brings the little

tenant to view as he wriggles out, backward or forward, as the case may

be, and in a twinkling, spider-like, hangs suspended by a web, which

never fails him even in the most sudden emergency.

I can readily fancy the tiny hornet making a commotion at one end of

this leafy domicile and the next instant catching the evicted

caterpillar "on a fly" at the other. Grasping her prey with her legs and

jaws, in another moment the wriggling body is passive in her grasp,

subdued by the potent anæsthetic of her sting--a hypodermic injection

which instantly produces the semblance of death in its insect victim,

reducing all the vital functions to the point of dissolution, and then

holds them suspended--literally prolongs life, it would sometimes seem,

even beyond its normal duration--by a process which I might call ductile

equation. This chemical resource is common to all the hornets, whether

their victims be grasshoppers, spiders, cicadæ, or caterpillars. In a

condition of helpless stupor they are lugged off to the respective dens

provided for them, and then, hermetically sealed on storage, are

preserved as fresh living food for the young hornet larva, which is left

in charge of them, and has a place waiting for them all. The

developments within my brush-handles may serve as a commentary on the

ways and transformations of the average hornet.

[Illustration]

One after another of the little green caterpillars is packed into the

bamboo cell, which is about an inch deep, and plugged with mud at the

base. From seven to ten of the victims are thus stored, after which the

little wasp deposits an egg among them, and seals the doorway with a

pellet of mud. The young larva, which soon hatches from this egg, finds

itself in a land of plenty, surrounded with living food, and, being

born hungry, he loses no time in making a meal from the nearest victim.

One after another of the caterpillars is devoured, until his larder,

nicely calculated to carry him to his full growth, is exhausted. Thus

the first stage is passed. The second stage is entered into within a few

hours, and is passed within a silken cocoon, with which the white grub

now surrounds itself, and with which, transformed to a pupa, it bides

its time for about three weeks, as I now recall, when--third stage--out

pops the mud cork, and the perfect wasp appears at the opening of the

cell. I have shown sections of one of my brushes in the three stages.

This interesting little hornet is a common summer species, known as the

solitary hornet--one of them--_Odynerus flavipes_. The insect is about a

half-inch in length, and to the careless observer might suggest a

yellow-jacket, though the yellow is here confined to two triangular

spots on the front of the thorax and three bands upon the abdomen.

Like the wren among birds, it is fond of building in holes, and will

generally obtain them ready-made if possible. Burroughs has said of the

wren that it "will build in anything that has a hole in it, from an old

boot to a bombshell." In similar whim our little solitary hornet has

been known to favor nail-holes, hollow reeds, straws, the barrels of a

pistol, holes in kegs, worm-holes in wood, and spools, to which we may

now add bamboo brushes.

[Illustration]

Ovid declared and the ancient Greeks believed that hornets were the

direct progeny of the snorting war-horse. The phrase "mad as a hornet"

has become a proverb. Think, then, of a brush loaded and tipped with

this martial spirit of Vespa, this cavorting afflatus, this testy

animus! There is more than one pessimistic "goose-quill," of course,

"mightier than the sword," which, it occurs to me in my now charitable

mood, might have been thus surreptitiously voudooed by the war-like

hornet, and the plug never removed.

My Studio Neighbors · 第 6 / 12 题