THE QUICKSAND

I

AS Mrs. Quentin's victoria, driving homeward, turned from the Park into

Fifth Avenue, she divined her son's tall figure walking ahead of her in

the twilight. His long stride covered the ground more rapidly than

usual, and she had a premonition that, if he were going home at that

hour, it was because he wanted to see her.

Mrs. Quentin, though not a fanciful woman, was sometimes aware of a

sixth sense enabling her to detect the faintest vibrations of her son's

impulses. She was too shrewd to fancy herself the one mother in

possession of this faculty, but she permitted herself to think that few

could exercise it more discreetly. If she could not help overhearing

Alan's thoughts, she had the courage to keep her discoveries to

herself, the tact to take for granted nothing that lay below the

surface of their spoken intercourse: she knew that most people would

rather have their letters read than their thoughts. For this

superfeminine discretion Alan repaid her by--being Alan. There could

have been no completer reward. He was the key to the meaning of life,

the justification of what must have seemed as incomprehensible as it

was odious, had it not all-sufficingly ended in himself. He was a

perfect son, and Mrs. Quentin had always hungered for perfection.

Her house, in a minor way, bore witness to the craving. One felt it to

be the result of a series of eliminations: there was nothing fortuitous

in its blending of line and color. The almost morbid finish of every

material detail of her life suggested the possibility that a diversity

of energies had, by some pressure of circumstance, been forced into the

channel of a narrow dilettanteism. Mrs. Quentin's fastidiousness had,

indeed, the flaw of being too one-sided. Her friends were not always

worthy of the chairs they sat in, and she overlooked in her associates

defects she would not have tolerated in her bric-a-brac. Her house was,

in fact, never so distinguished as when it was empty; and it was at its

best in the warm fire-lit silence that now received her.

Her son, who had overtaken her on the door-step, followed her into the

drawing-room, and threw himself into an armchair near the fire, while

she laid off her furs and busied herself about the tea table. For a

while neither spoke; but glancing at him across the kettle, his mother

noticed that he sat staring at the embers with a look she had never

seen on his face, though its arrogant young outline was as familiar to

her as her own thoughts. The look extended itself to his negligent

attitude, to the droop of his long fine hands, the dejected tilt of his

head against the cushions. It was like the moral equivalent of physical

fatigue: he looked, as he himself would have phrased it, dead-beat,

played out. Such an air was so foreign to his usual bright

indomitableness that Mrs. Quentin had the sense of an unfamiliar

presence, in which she must observe herself, must raise hurried

barriers against an alien approach. It was one of the drawbacks of

their excessive intimacy that any break in it seemed a chasm.

She was accustomed to let his thoughts circle about her before they

settled into speech, and she now sat in motionless expectancy, as

though a sound might frighten them away.

At length, without turning his eyes from the fire, he said: "I'm so

glad you're a nice old-fashioned intuitive woman. It's painful to see

them think."

Her apprehension had already preceded him. "Hope Fenno--?" she faltered.

He nodded. "She's been thinking--hard. It was very painful--to me, at

least; and I don't believe she enjoyed it: she said she didn't." He

stretched his feet to the fire. "The result of her cogitations is that

she won't have me. She arrived at this by pure ratiocination--it's not

a question of feeling, you understand. I'm the only man she's ever

loved--but she won't have me. What novels did you read when you were

young, dear? I'm convinced it all turns on that. If she'd been brought

up on Trollope and Whyte-Melville, instead of Tolstoi and Mrs. Ward, we

should have now been vulgarly sitting on a sofa, trying on the

engagement-ring."

Mrs. Quentin at first was kept silent by the mother's instinctive anger

that the girl she has not wanted for her son should have dared to

refuse him. Then she said, "Tell me, dear."

"My good woman, she has scruples."

"Scruples?"

"Against the paper. She objects to me in my official capacity as owner

of the _Radiator_."

His mother did not echo his laugh.

"She had found a solution, of course--she overflows with expedients. I

was to chuck the paper, and we were to live happily ever afterward on

canned food and virtue. She even had an alternative ready--women are so

full of resources! I was to turn the _Radiator_ into an independent

organ, and run it at a loss to show the public what a model newspaper

ought to be. On the whole, I think she fancied this plan more than the

other--it commended itself to her as being more uncomfortable and

aggressive. It's not the fashion nowadays to be good by stealth."

Mrs. Quentin said to herself, "I didn't know how much he cared!" Aloud

she murmured, "You must give her time."

"Time?"

"To move out the old prejudices and make room for new ones."

"My dear mother, those she has are brand-new; that's the trouble with

them. She's tremendously up-to-date. She takes in all the moral

fashion-papers, and wears the newest thing in ethics."

Her resentment lost its way in the intricacies of his metaphor. "Is she

so very religious?"

"You dear archaic woman! She's hopelessly irreligious; that's the

difficulty. You can make a religious woman believe almost anything:

there's the habit of credulity to work on. But when a girl's faith in

the Deluge has been shaken, it's very hard to inspire her with

confidence. She makes you feel that, before believing in you, it's her

duty as a conscientious agnostic to find out whether you're not

obsolete, or whether the text isn't corrupt, or somebody hasn't proved

conclusively that you never existed, anyhow."

Mrs. Quentin was again silent. The two moved in that atmosphere of

implications and assumptions where the lightest word may shake down the

dust of countless stored impressions; and speech was sometimes more

difficult between them than had their union been less close.

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