II

Left alone with the Bishop, Mrs. Fetherel sought the nearest refuge

from conversation by offering him a cup of tea. The Bishop accepted

with the preoccupied air of a man to whom, for the moment, tea is but a

subordinate incident. Mrs. Fetherel's nervousness increased; and

knowing that the surest way of distracting attention from one's own

affairs is to affect an interest in those of one's companion, she

hastily asked if her uncle had come to town on business.

"On business--yes--" said the Bishop in an impressive tone. "I had to

see my publisher, who has been behaving rather unsatisfactorily in

regard to my last book."

"Ah--your last book?" faltered Mrs. Fetherel, with a sickening sense of

her inability to recall the name or nature of the work in question, and

a mental vow never again to be caught in such ignorance of a

colleague's productions.

"'Through a Glass Brightly,'" the Bishop explained, with an emphasis

which revealed his detection of her predicament. "You may remember that

I sent you a copy last Christmas?"

"Of course I do!" Mrs. Fetherel brightened. "It was that delightful

story of the poor consumptive girl who had no money, and two little

brothers to support--"

"Sisters--idiot sisters--" the Bishop gloomily corrected.

"I mean sisters; and who managed to collect money enough to put up a

beautiful memorial window to her--her grandfather, whom she had never

seen--"

"But whose sermons had been her chief consolation and support during

her long struggle with poverty and disease." The Bishop gave the

satisfied sigh of the workman who reviews his completed task. "A

touching subject, surely; and I believe I did it justice; at least, so

my friends assured me."

"Why, yes--I remember there was a splendid review of it in the

'Reredos'!" cried Mrs. Fetherel, moved by the incipient instinct of

reciprocity.

"Yes--by my dear friend Mrs. Gollinger, whose husband, the late Dean

Gollinger, was under very particular obligations to me. Mrs. Gollinger

is a woman of rare literary acumen, and her praise of my book was

unqualified; but the public wants more highly seasoned fare, and the

approval of a thoughtful churchwoman carries less weight than the

sensational comments of an illiterate journalist." The Bishop lent a

meditative eye on his spotless gaiters. "At the risk of horrifying you,

my dear," he added, with a slight laugh, "I will confide to you that my

best chance of a popular success would be to have my book denounced by

the press."

"Denounced?" gasped Mrs. Fetherel. "On what ground?"

"On the ground of immorality." The Bishop evaded her startled gaze.

"Such a thing is inconceivable to you, of course; but I am only

repeating what my publisher tells me. If, for instance, a critic could

be induced--I mean, if a critic were to be found, who called in

question the morality of my heroine in sacrificing her own health and

that of her idiot sisters in order to put up a memorial window to her

grandfather, it would probably raise a general controversy in the

newspapers, and I might count on a sale of ten or fifteen thousand

within the next year. If he described her as morbid or decadent, it

might even run to twenty thousand; but that is more than I permit

myself to hope. In fact, I should be satisfied with any general charge

of immorality." The Bishop sighed again. "I need hardly tell you that I

am actuated by no mere literary ambition. Those whose opinion I most

value have assured me that the book is not without merit; but, though

it does not become me to dispute their verdict, I can truly say that my

vanity as an author is not at stake. I have, however, a special reason

for wishing to increase the circulation of 'Through a Glass Brightly';

it was written for a purpose--a purpose I have greatly at heart--"

"I know," cried his niece sympathetically. "The chantry window--?"

"Is still empty, alas! and I had great hopes that, under Providence, my

little book might be the means of filling it. All our wealthy

parishioners have given lavishly to the cathedral, and it was for this

reason that, in writing 'Through a Glass,' I addressed my appeal more

especially to the less well-endowed, hoping by the example of my

heroine to stimulate the collection of small sums throughout the entire

diocese, and perhaps beyond it. I am sure," the Bishop feelingly

concluded, "the book would have a wide-spread influence if people could

only be induced to read it!"

His conclusion touched a fresh thread of association in Mrs. Fetherel's

vibrating nerve-centers. "I never thought of that!" she cried.

The Bishop looked at her inquiringly.

"That one's books may not be read at all! How dreadful!" she exclaimed.

He smiled faintly. "I had not forgotten that I was addressing an

authoress," he said. "Indeed, I should not have dared to inflict my

troubles on any one not of the craft."

Mrs. Fetherel was quivering with the consciousness of her involuntary

self-betrayal. "Oh, uncle!" she murmured.

"In fact," the Bishop continued, with a gesture which seemed to brush

away her scruples, "I came here partly to speak to you about your

novel. 'Fast and Loose,' I think you call it?"

Mrs. Fetherel blushed assentingly.

"And is it out yet?" the Bishop continued.

"It came out about a week ago. But you haven't touched your tea, and it

must be quite cold. Let me give you another cup..."

"My reason for asking," the Bishop went on, with the bland

inexorableness with which, in his younger days, he had been known to

continue a sermon after the senior warden had looked four times at his

watch--"my reason for asking is, that I hoped I might not be too late

to induce you to change the title."

Mrs. Fetherel set down the cup she had filled. "The title?" she

faltered.

The Bishop raised a reassuring hand. "Don't misunderstand me, dear

child; don't for a moment imagine that I take it to be in anyway

indicative of the contents of the book. I know you too well for that.

My first idea was that it had probably been forced on you by an

unscrupulous publisher--I know too well to what ignoble compromises one

may be driven in such cases!..." He paused, as though to give her the

opportunity of confirming this conjecture, but she preserved an

apprehensive silence, and he went on, as though taking up the second

point in his sermon--"Or, again, the name may have taken your fancy

without your realizing all that it implies to minds more alive than

yours to offensive innuendoes. It is--ahem--excessively suggestive, and

I hope I am not too late to warn you of the false impression it is

likely to produce on the very readers whose approbation you would most

value. My friend Mrs. Gollinger, for instance--"

Mrs. Fetherel, as the publication of her novel testified, was in theory

a woman of independent views; and if in practise she sometimes failed

to live up to her standard, it was rather from an irresistible tendency

to adapt herself to her environment than from any conscious lack of

moral courage. The Bishop's exordium had excited in her that sense of

opposition which such admonitions are apt to provoke; but as he went on

she felt herself gradually enclosed in an atmosphere in which her

theories vainly gasped for breath. The Bishop had the immense

dialectical advantage of invalidating any conclusions at variance with

his own by always assuming that his premises were among the necessary

laws of thought. This method, combined with the habit of ignoring any

classifications but his own, created an element in which the first

condition of existence was the immediate adoption of his standpoint; so

that his niece, as she listened, seemed to feel Mrs. Gollinger's

Mechlin cap spreading its conventual shadow over her rebellious brow

and the "Revue de Paris" at her elbow turning into a copy of the

"Reredos." She had meant to assure her uncle that she was quite aware

of the significance of the title she had chosen, that it had been

deliberately selected as indicating the subject of her novel, and that

the book itself had been written indirect defiance of the class of

readers for whose susceptibilities she was alarmed. The words were

almost on her lips when the irresistible suggestion conveyed by the

Bishop's tone and language deflected them into the apologetic murmur,

"Oh, uncle, you mustn't think--I never meant--" How much farther this

current of reaction might have carried her, the historian is unable to

computer, for at this point the door opened and her husband entered the

room.

"The first review of your book!" he cried, flourishing a yellow

envelope. "My dear Bishop, how lucky you're here!"

Though the trials of married life have been classified and catalogued

with exhaustive accuracy, there is one form of conjugal misery which

has perhaps received inadequate attention; and that is the suffering of

the versatile woman whose husband is not equally adapted to all her

moods. Every woman feels for the sister who is compelled to wear a

bonnet which does not "go" with her gown; but how much sympathy is

given to her whose husband refuses to harmonize with the pose of the

moment? Scant justice has, for instance, been done to the misunderstood

wife whose husband persists in understanding her; to the submissive

helpmate whose taskmaster shuns every opportunity of browbeating her;

and to the generous and impulsive being whose bills are paid with

philosophic calm. Mrs. Fetherel, as wives go, had been fairly exempt

from trials of this nature, for her husband, if undistinguished by

pronounced brutality or indifference, had at least the negative merit

of being her intellectual inferior. Landscape gardeners, who are aware

of the usefulness of a valley in emphasizing the height of a hill, can

form an idea of the account to which an accomplished woman may turn

such deficiencies; and it need scarcely be said that Mrs. Fetherel had

made the most of her opportunities. It was agreeably obvious to every

one, Fetherel included, that he was not the man to appreciate such a

woman; but there are no limits to man's perversity, and he did his best

to invalidate this advantage by admiring her without pretending to

understand her. What she most suffered from was this fatuous approval:

the maddening sense that, however she conducted herself, he would

always admire her. Had he belonged to the class whose conversational

supplies are drawn from the domestic circle, his wife's name would

never have been off his lips; and to Mrs. Fetherel's sensitive

perceptions his frequent silences were indicative of the fact that she

was his one topic.

It was, in part, the attempt to escape this persistent approbation that

had driven Mrs. Fetherel to authorship. She had fancied that even the

most infatuated husband might be counted onto resent, at least

negatively, an attack on the sanctity of the hearth; and her

anticipations were heightened by a sense of the unpardonableness of her

act. Mrs. Fetherel's relations with her husband were in fact

complicated by an irrepressible tendency to be fond of him; and there

was a certain pleasure in the prospect of a situation that justified

the most explicit expiation.

These hopes Fetherel's attitude had already defeated. He read the book

with enthusiasm, he pressed it on his friends, he sent a copy to his

mother; and his very soul now hung on the verdict of the reviewers. It

was perhaps this proof of his general ineptitude that made his wife

doubly alive to his special defects; so that his inopportune entrance

was aggravated by the very sound of his voice and the hopeless

aberration of his smile. Nothing, to the observant, is more indicative

of a man's character and circumstances than his way of entering a room.

The Bishop of Ossining, for instance, brought with him not only an

atmosphere of episcopal authority, but an implied opinion on the verbal

inspiration of the Scriptures, and on the attitude of the church toward

divorce; while the appearance of Mrs. Fetherel's husband produced an

immediate impression of domestic felicity. His mere aspect implied that

there was a well-filled nursery upstairs; that this wife, if she did

not sew on his buttons, at least superintended the performance of that

task; that they both went to church regularly, and that they dined with

his mother every Sunday evening punctually at seven o'clock.

All this and more was expressed in the affectionate gesture with which

he now raised the yellow envelope above Mrs. Fetherel's clutch; and

knowing the uselessness of begging him not to be silly, she said, with

a dry despair, "You're boring the Bishop horribly."

Fetherel turned a radiant eye on that dignitary. "She bores us all

horribly, doesn't she, sir?" he exulted.

"Have you read it?" said his wife, uncontrollably.

"Read it? Of course not--it's just this minute come. I say, Bishop,

you're not going--?"

"Not till I've heard this," said the Bishop, settling himself in his

chair with an indulgent smile.

His niece glanced at him despairingly. "Don't let John's nonsense

detain you," she entreated.

"Detain him? That's good," guffawed Fetherel. "It isn't as long as one

of his sermons--won't take me five minutes to read. Here, listen to

this, ladies and gentlemen: 'In this age of festering pessimism and

decadent depravity, it is no surprise to the nauseated reviewer to open

one more volume saturated with the fetid emanations of the sewer--'"

Fetherel, who was not in the habit of reading aloud, paused with a

gasp, and the Bishop glanced sharply at his niece, who kept her gaze

fixed on the tea-cup she had not yet succeeded in transferring to his

hand.--"'Of the sewer,'" her husband resumed; "'but his wonder is

proportionately great when he lights on a novel as sweetly inoffensive

as Paula Fetherel's "Fast and Loose." Mrs. Fetherel is, we believe, a

new hand at fiction, and her work reveals frequent traces of

inexperience; but these are more than atoned for by her pure, fresh

view of life and her altogether unfashionable regard for the reader's

moral susceptibilities. Let no one be induced by its distinctly

misleading title to forego the enjoyment of this pleasant picture of

domestic life, which, in spite of a total lack of force in

character-drawing and of consecutiveness in incident, may be described

as a distinctly pretty story.'"

The Descent of Man and Other Stories · 第 36 / 91 题