THE DESCENT OF MAN

I

When Professor Linyard came back from his holiday in the Maine woods

the air of rejuvenation he brought with him was due less to the

influences of the climate than to the companionship he had enjoyed on

his travels. To Mrs. Linyard's observant eye he had appeared to set out

alone; but an invisible traveller had in fact accompanied him, and if

his heart beat high it was simply at the pitch of his adventure: for

the Professor had eloped with an idea.

No one who has not tried the experiment can divine its exhilaration.

Professor Linyard would not have changed places with any hero of

romance pledged to a flesh-and-blood abduction. The most fascinating

female is apt to be encumbered with luggage and scruples: to take up a

good deal of room in the present and overlap inconveniently into the

future; whereas an idea can accommodate itself to a single molecule of

the brain or expand to the circumference of the horizon. The

Professor's companion had to the utmost this quality of adaptability.

As the express train whirled him away from the somewhat inelastic

circle of Mrs. Linyard's affections, his idea seemed to be sitting

opposite him, and their eyes met every moment or two in a glance of

joyous complicity; yet when a friend of the family presently joined him

and began to talk about college matters, the idea slipped out of sight

in a flash, and the Professor would have had no difficulty in proving

that he was alone.

But if, from the outset, he found his idea the most agreeable of

fellow-travellers, it was only in the aromatic solitude of the woods

that he tasted the full savour of his adventure. There, during the long

cool August days, lying full length on the pine-needles and gazing up

into the sky, he would meet the eyes of his companion bending over him

like a nearer heaven. And what eyes they were!--clear yet unfathomable,

bubbling with inexhaustible laughter, yet drawing their freshness and

sparkle from the central depths of thought! To a man who for twenty

years had faced an eye reflecting the obvious with perfect accuracy,

these escapes into the inscrutable had always been peculiarly inviting;

but hitherto the Professor's mental infidelities had been restricted by

an unbroken and relentless domesticity. Now, for the first time since

his marriage, chance had given him six weeks to himself, and he was

coming home with his lungs full of liberty.

It must not be inferred that the Professor's domestic relations were

defective: they were in fact so complete that it was almost impossible

to get away from them. It is the happy husbands who are really in

bondage; the little rift within the lute is often a passage to freedom.

Marriage had given the Professor exactly what he had sought in it; a

comfortable lining to life. The impossibility of rising to sentimental

crises had made him scrupulously careful not to shirk the practical

obligations of the bond. He took as it were a sociological view of his

case, and modestly regarded himself as a brick in that foundation on

which the state is supposed to rest. Perhaps if Mrs. Linyard had cared

about entomology, or had taken sides in the war over the transmission

of acquired characteristics, he might have had a less impersonal notion

of marriage; but he was unconscious of any deficiency in their

relation, and if consulted would probably have declared that he didn't

want any woman bothering with his beetles. His real life had always

lain in the universe of thought, in that enchanted region which, to

those who have lingered there, comes to have so much more colour and

substance than the painted curtain hanging before it. The Professor's

particular veil of Maia was a narrow strip of homespun woven in a

monotonous pattern; but he had only to lift it to step into an empire.

This unseen universe was thronged with the most seductive shapes: the

Professor moved Sultan-like through a seraglio of ideas. But of all the

lovely apparitions that wove their spells about him, none had ever worn

quite so persuasive an aspect as this latest favourite. For the others

were mostly rather grave companions, serious-minded and elevating

enough to have passed muster in a Ladies' Debating Club; but this new

fancy of the Professor's was simply one embodied laugh. It was, in

other words, the smile of relaxation at the end of a long day's toil:

the flash of irony that the laborious mind projects, irresistibly, over

labour conscientiously performed. The Professor had always been a hard

worker. If he was an indulgent friend to his ideas, he was also a stern

task-master to them. For, in addition to their other duties, they had

to support his family: to pay the butcher and baker, and provide for

Jack's schooling and Millicent's dresses. The Professor's household was

a modest one, yet it tasked his ideas to keep it up to his wife's

standard. Mrs. Linyard was not an exacting wife, and she took enough

pride in her husband's attainments to pay for her honours by turning

Millicent's dresses and darning Jack's socks, and going to the College

receptions year after year in the same black silk with shiny seams. It

consoled her to see an occasional mention of Professor Linyard's

remarkable monograph on the Ethical Reactions of the Infusoria, or an

allusion to his investigations into the Unconscious Cerebration of the

Amoeba.

Still there were moments when the healthy indifference of Jack and

Millicent reacted on the maternal sympathies; when Mrs. Linyard would

have made her husband a railway-director, if by this transformation she

might have increased her boy's allowance and given her daughter a new

hat, or a set of furs such as the other girls were wearing. Of such

moments of rebellion the Professor himself was not wholly unconscious.

He could not indeed understand why any one should want a new hat; and

as to an allowance, he had had much less money at college than Jack,

and had yet managed to buy a microscope and collect a few "specimens";

while Jack was free from such expensive tastes! But the Professor did

not let his want of sympathy interfere with the discharge of his

paternal obligations. He worked hard to keep the wants of his family

gratified, and it was precisely in the endeavor to attain this end that

he at length broke down and had to cease from work altogether.

To cease from work was not to cease from thought of it; and in the

unwonted pause from effort the Professor found himself taking a general

survey of the field he had travelled. At last it was possible to lift

his nose from the loom, to step a moment in front of the tapestry he

had been weaving. From this first inspection of the pattern so long

wrought over from behind, it was natural to glance a little farther and

seek its reflection in the public eye. It was not indeed of his special

task that he thought in this connection. He was but one of the great

army of weavers at work among the threads of that cosmic woof; and what

he sought was the general impression their labour had produced.

When Professor Linyard first plied his microscope, the audience of the

man of science had been composed of a few fellow-students, sympathetic

or hostile as their habits of mind predetermined, but versed in the

jargon of the profession and familiar with the point of departure. In

the intervening quarter of a century, however, this little group had

been swallowed up in a larger public. Every one now read scientific

books and expressed an opinion on them. The ladies and the clergy had

taken them up first; now they had passed to the school-room and the

kindergarten. Daily life was regulated on scientific principles; the

daily papers had their "Scientific Jottings"; nurses passed

examinations in hygienic science, and babies were fed and dandled

according to the new psychology.

The very fact that scientific investigation still had, to some minds, a

flavour of heterodoxy, gave it a perennial interest. The mob had broken

down the walls of tradition to batten in the orchard of forbidden

knowledge. The inaccessible goddess whom the Professor had served in

his youth now offered her charms in the market-place. And yet it was

not the same goddess after all, but a pseudo-science masquerading in

the garb of the real divinity. This false goddess had her ritual and

her literature. She had her sacred books, written by false priests and

sold by millions to the faithful. In the most successful of these

works, ancient dogma and modern discovery were depicted in a close

embrace under the lime-lights of a hazy transcendentalism; and the

tableau never failed of its effect. Some of the books designed on this

popular model had lately fallen into the Professor's hands, and they

filled him with mingled rage and hilarity. The rage soon died: he came

to regard this mass of pseudo-literature as protecting the truth from

desecration. But the hilarity remained, and flowed into the form of his

idea. And the idea--the divine, incomparable idea--was simply that he

should avenge his goddess by satirizing her false interpreters. He

would write a skit on the "popular" scientific book; he would so heap

platitude on platitude, fallacy on fallacy, false analogy on false

analogy, so use his superior knowledge to abound in the sense of the

ignorant, that even the gross crowd would join in the laugh against its

augurs. And the laugh should be something more than the distension of

mental muscles; it should be the trumpet-blast bringing down the walls

of ignorance, or at least the little stone striking the giant between

the eyes.

The Descent of Man and Other Stories · 第 16 / 91 题