CHAPTER XIV

TWO ON THE ROOF

"Come up on the roof with me, and I will tell you that thing I have been

waiting to tell you," said Ourïeda. "Aunt Mabrouka will not follow us

there, because she hates going up the narrow stairs with the high steps.

Besides, she will perhaps think I really want to show you the sunset."

Sanda had been in the Agha's house for three days, and always since the

first evening a fierce simoon had been hurling the hot sand against the

shut windows like spray from a wild golden sea. It had not been possible

to sit in the fountain court of the harem, the hidden garden of the

women, protected though it was by four high walls. Sanda and Ourïeda had

scarcely been alone together for more than a few minutes at a time, and

even if they had been, Ourïeda would not have spoken. As she said, she

had been waiting. Sanda had felt, during the three days, that she was

being watched and studied, not only by Lella Mabrouka, but by the girl.

Their eyes were always on her; and though Sanda DeLisle was very young,

and had never tried consciously to become a student of human character,

it seemed to her, in these new and strange conditions of life which

sharpened her powers of discernment, that she could dimly read what the

brains behind the eyes were thinking.

Lella Mabrouka's eyes, though old (as age is counted with Arab women)

were beady-bright and keen as a hawk's, yet she was clever enough to

veil thought by wearing the expressionless mask of an idol in the

presence of the girls. Sanda had to pierce that veil; and she felt as if

from behind it a hostile thing peered out, spying for treachery in the

new inmate of the house, hoping rather than fearing to find it, and

ready to pounce if a chance came. The stealthy watcher seemed to be

saying, "What are you here for, daughter of Christian dogs? You must

have some scheme in your head to defeat our hopes and wishes; but if you

have, I'll find out what it is, and break it--break you, too, if need

be."

No sinister thing looked out from the eyes of Ourïeda, but something

infinitely sad and wistful kept repeating: "Can I trust you? Oh, I think

so, I believe so, more and more. But it is so desperately important to

be certain. I must wait a little while yet."

Always, through the countless inquiries of Lella Mabrouka and the girl

about France and England (Ireland meant nothing to them) and Sanda's

bringing up, and the life of women in Europe, the visitor was conscious

of the real questions in their souls. But on the third day the feverish

anxiety had burnt itself out behind Ourïeda's topaz-brown eyes. They

were eager still, but clear, and her wistful smile was no longer

strained. Whatever the burden was that she hid, she had decided to beg

Sanda's help in carrying or getting rid of it. And instinctively

realizing this, Sanda ceased to feel that the Arab girl was of an

entirely different world from hers, remote as a creature of another

planet. The Agha's daughter was transformed in the eyes of her guest.

From a mere picturesque figure in a vivid fairy tale, she became

pathetically, poignantly human. Sanda began to hear the call of another

soul yearning to have her soul as its friend, and all that was warm and

impulsive in her responded. A thrill of expectation stirred in her veins

when, on the evening of the third day, after the wind had died a sudden,

swift death, Ourïeda whispered the real reason for going up to the roof.

Sanda had been looking forward to mounting those narrow stairs (with the

steep steps which Lella Mabrouka hated), because Ourïeda had several

times spoken of the view far away to the dunes, and the wonderful

colours of sunrise and sunset, when the sky flowered like a hanging

garden. Perhaps the Arab girl had been cleverly "working up" to this

moment, so that the suggestion, made instantly after the death of the

simoon, might seem natural to her aunt. In any case it was as Ourïeda

had hoped. Lella Mabrouka did not follow the girls.

When they came out on the flat white expanse of roof, Sanda gave a cry

of surprised admiration. She had known it would be beautiful up there,

to see so far over the desert, but the real picture was more wonderful

than her imagination could have painted. The sun had just dropped behind

the waving line of dunes and dragged the fierce wind with him like a

tiger in leash. All the world was magically still after the constant

purring and roaring of the new-conquered beast. The voice of the Muezzin

chanting the sunset call to prayer--the prayer of _Moghreb_--seemed only

to emphasize the vast silence. Up from the shimmering gold of the

western sky, behind the gold of the dunes, slowly moved along separate

spears of flame-bright rose, like the fingers of a gigantic Hand of

Fatma spread across the sapphire heaven to bless her father's people.

From this flaming sign in the west poured a pink radiance as of falling

rubies. The wonderful light rained over the marble whiteness of the

distant mosque--the great mosque of Djazerta--and fired the whole mass

of the piled oasis-town behind its dark line of palms. The light

showered roses over the girls' heads and dresses, stained the snow of

the roof, with its low, bubbling domes, and streaming eastward turned

flat plain and far billowing dune into a sea of flame.

Sanda's spirit worshipped the incredible beauty of the scene, and then

flew northward to the two men whom she loved. She thought of her father,

and wondered where Richard Stanton was at that moment. Then Max Doran's

face came between her and the man she had named "Sir Knight." She

remembered her dream of herself and Max in the desert, and was vexed

because she had not dreamed the same dream about Stanton instead.

"How wonderful it is here!" she half whispered, and Ourïeda answered

impatiently:

"Yes, it is wonderful; but don't let us talk of it, or even think of it

any more, because I have so much to say to you, and Aunt Mabrouka will

send to call us if my father comes. Besides, we can see this on any

night when the wind does not blow."

She had in her hand a large silk handkerchief tied in the form of a bag;

and sitting down on the low, queerly battlemented wall which protected

the flat roof, she untied and opened the bundle on her lap. It was full

of yellow grain, and she gave Sanda a handful. "That's for the doves,"

she said. "They will know somehow that we are here, and presently they

will come. If Aunt Mabrouka sends her own woman, Taous, up to listen and

spy on us she will find us feeding the doves."

"But why should Lella Mabrouka do such a thing?" Sanda ventured to ask,

taking the grain, and seating herself beside Ourïeda.

"You will understand that, and a great many other things, when I have

told you what I am going to tell," answered the "Little Rose." "From

books my father has let me read, and from things you have said, I have

seen that Roumia girls are not like us, even in their thoughts. Perhaps

you are thinking now that I am very sly; and so I am, but not because I

love slyness. It is only because I have to be subtle in self-defence

against those who are older and wiser than I am. Everything in our lives

makes us women stealthy as cats. It is not our fault. At least, it is

not mine. Some women--some girls--may enjoy the excitement, but not I.

Perhaps I am different from others, because I have the blood of Europe

in my veins. My father's mother was Sicilian. My own mother was Spanish.

And he, my father, is an enlightened man, with broader views and more

knowledge of the world than most Caids of the south. They all pride

themselves on knowing a little French in these days, he tells me, and

some have even made visits to Paris once in their lives. But you know

already what he is."

"Yes, he is a magnificent man," Sanda agreed, "even greater than I

expected from what my father said of him."

She had met the Agha only once, for a ceremonious half-hour on the

evening of her arrival at his house, when he had begged permission as of

a visiting princess to see and welcome her; yet this punctiliousness was

not neglect, but Arab courtesy; and Ben Râana had talked to her of the

world in general and Paris in particular, in French, which, though

somewhat stilted and guttural, was curiously Parisian in wording and

expression. He was one of the handsomest men she had ever seen, scarcely

darker in colour than many Frenchmen of the Midi, and marvellously

dignified, with his long black beard, his great, sad eyes whose

overhanging line of brow almost met above the eagle nose, and the

magnificent gray, silver embroidered burnous worn in the guest's honour.

He had appeared to Sanda years younger than the widowed Mabrouka; and

though she was a dark, withered likeness of him, it was not surprising

to learn that Lella Mabrouka was only a half-sister of the Agha, born of

an Arab mother.

"You know he has had but one wife, my own mother," Ourïeda said proudly.

"That is considered almost a sin in our religion, yet he could never

bring himself to look with love on any woman, after her, nor to give her

a rival, even for the sake of having a son. I adore him for that--how

could I help it, since he says I am her image?--and for letting me learn

things Arab girls of the south are seldom taught, in order that I may

have something of her cleverness that held his love, as her beauty won

it. Yet, if he had married a second wife when my mother died, and she

had given him a son, my life would be happier now."

"How can that be?" asked Sanda. "I couldn't love my father in the way I

do if he had put somebody else in my mother's place, and spoiled all the

beautiful romance."

"My father's romance with my mother was like a strange poem, for she was

the daughter of Catholic Spanish people, who had an orange plantation

near Blida, and wished her to enter a convent. But my father rode by

with some French officers and saw her on her way to church. That one

look decided their whole lives. Yes, it would have been a pity to spoil

their romance; yet, keeping its poetry is spoiling mine."

"You mean your Aunt Mabrouka. But a stepmother might be worse."

"No, it isn't only Aunt Mabrouka I am thinking of. It is her son, who is

my father's heir because he has no son of his own. My father is very

enlightened in many ways, but in others he is as narrow and hard as the

rest of our people, who hold to their old customs more firmly than they

hold to life. My father intends me for the wife of Si Tahar, who met and

brought you to our house."

Sanda could not keep back a little gasp of dismay. "Oh, no! it's not

possible!" she cried. "You're so beautiful, and so fair. He's

so--so----"

"Hideous. Don't be afraid to say the word to me. I love you for it. But

because Tahar's not deformed from birth, and the strength and beauty of

the line isn't threatened, his looks make no difference to my father. To

him it seems far more important that I should be the wife of the heir,

so that money and land need not be divided after his death, than that I

should love my husband before my marriage. You see, that can hardly

ever happen to a girl of our race and religion. If Tahar were not my

cousin I should never even have seen him, nor he me. And if I had not

seen him, it would perhaps be a little better, for there would be the

excitement and mystery of the unknown. We are brought up to expect that;

and if already I hadn't learned to dislike Tahar for his own sake and

his mother's, I should be no worse off than other girls--except for one

thing: _the great thing of my life_."

Her voice fell lower than before, and her companion on the wall had to

bend close to catch the whisper. "What is that thing?" Sanda dropped the

words into a frightened pause, while Ourïeda's glance went quickly to

the well of the staircase.

"It is what I came here to tell you about," the Arab girl answered. "I

forced myself to wait, but now I am sure of you as if you were my own

sister. We are going to open our hearts to each other. Do you know what

it is to have a man in your life--a man who is not father or brother,

and yet is of great importance to you; so great that you think of him by

day and dream of him by night?"

"Yes, there are two such men in my life," Sanda replied; and was

surprised at herself that she should have said two. More truly there was

only one man, not counting her father, who had a place in her thoughts.

"Two men!" Ourïeda echoed, looking shocked. "But how can there be two?"

Sanda felt herself blushing and ashamed before the woman of another

race. She tried to explain, though it was difficult, because she had

given the answer without stopping to think: indeed, it had almost

spoken itself. "I fancy I said that because you asked me about dreams,"

she apologized. "The man who has been my hero all my life--and always

will be, I suppose, though he doesn't care for me and thinks of me as a

child--I can't dream of, for some strange reason. He's seldom out of my

thoughts by day for very long, I believe; but the other--I hardly know

why I mentioned him!--is only a friend, and quite a new friend. He's

nothing to me at all, really, though I'm interested in him because of

the strange way we met and were thrown together. But the odd thing is, I

dream of him--often."

"The women of my people say it is the man you dream of who has touched

your soul," Ourïeda said thoughtfully.

"That's a very poetical idea, but I'm sure it isn't true!" Sanda

exclaimed. "Now tell me about yourself, because if Lella Mabrouka should

send----"

"Yes, I am, oh, so anxious to tell you! But what you said about the man

of your thoughts and the man of your dreams was very queer, and made me

forget for an instant. I am glad you love some one, for that will help

you to understand me, and by and by you will tell me more. Already I can

see that you must be almost as unhappy as I am, because you say the one

you care for doesn't care for you. That must be terrible, but you are

free, and perhaps some day you can make him care. As for me, if I am not

saved soon, I shall be married to Tahar and lost forever."

"But surely your father, who loves you so dearly, won't actually force

you to marry against your will?"

"He will expect me to obey, and I shall have to obey or--kill myself.

Rather that, only--oh, Sanda, I am a coward! At the last minute my

courage might fail. The one thing my father would promise was that I

should be left as I am till my seventeenth birthday. That very day is

fixed for the beginning of the marriage feast. We shall have a whole

week of rejoicing. Think of the horror of it for me! I had a year of

hope when he made the promise. Now I have less than six months. And in

all that time nothing has happened."

Sanda saw by the girl's look and guessed by the quiver of her voice that

she was not speaking vaguely. There was something in particular which

she had been praying for, counting upon from day to day. And that thing

had not happened.

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