THE ART OF THUGGEE.
Say this for England: a Residency is a place where any one is safe,
no matter who he is nor why he has taken refuge. Since '57, when they
held the Lucknow Residency against as long odds as were ever laid
against a garrison, it has become a part of India's superstition that
a Residency is inviolable.
The upper classes recognize it as an embassy or legation, with all
that implies; the lower classes don't reason about it, but even the
criminals respect it as a sanctuary, where life at any rate is safe
until the law determines otherwise. No violence in Residency grounds.
"Quorn," said Blake as they left the palace, "I'm going to take you up
behind me on my horse and ride you to the Residency. I've a notion you
may have been followed here, and they may be on the lookout for you. I
will talk with you--unofficially--after we reach my quarters."
Blake's whaler mare behaved abominably, not being used to the weight
of two men, and Quorn was no horseman. They clattered on the stones
beneath the guardhouse gate: they plunged and lunged along the street
outside, shying at every shadow; and they made so much noise that all
Narada might have heard and seen and recognized them.
However, nothing happened, and Blake's servant, running alongside,
reported that, as far as he knew, they were not being followed--until
they left the zone of partially lighted streets and plunged into the
pitch-dark lane between high walls that led toward the Residency
compound. There the servant fell and smashed his lantern.
Blake reined in, and Quorn jumped down to help the man. He could hear
him sobbing. He groped for him in total darkness, finding him--feeling
him just as the sobbing ceased. He could feel two men. They were both
dead.
"Got a match, sir?"
Blake passed him a box of matches. Blake's Moslem servant, Abdul, lay
dead of a knife wound. He was lying prone on another man, who lay face
upward and who seemed to have been dead for quite a little while before
Abdul tripped and fell belly downward on the long, razor-edged knife
whose hilt was in the dead man's hand.
"But there's another, smaller blade below the hilt, sir," Quorn
reported, striking match after match. "It's one o' them there weapons
that can be used as sword and dagger. The shorter blade is stuck into
the dead guy's stomach; that's what held the knife upright.
"Yes, sir, Abdul is stone dead. The long blade passed clean through
him--there's three inches of it sticking out of his back. If you should
ask me, he couldn't fall that hard. I'd say not. There's something
tricky about the way the lamp was smashed--as if it was knocked out of
his hand on purpose. Would you care to look, sir, if I hold the horse?
It looks to me as if some one jumped on Abdul's back and forced him
down on the knife."
"Are you positive he's dead?" asked Blake.
"As dead as mutton."
"Well, the thing to do is to get his body to the Residency. Which shall
it be? Will you run on and bring back any of my servants you can find?
Or will you wait here while I gallop and get them?"
"Go ahead, sir. That's the quickest. Do you pack a gat, sir?"
"Do I do what?"
"Carry an automatic?"
"No, confound it. Here, are you sure both men are dead? Get up behind
me then and we'll both go. That's safer."
"No, sir, I'll be all right. I'll stay here. You hurry."
It was Blake's off night. No human being ever lived who did not make
a murderous mistake at one time or another. Blake rammed in his spurs
and thundered down the dark lane like a whole troop of cavalry. He made
enough noise to drown the shouts of ten men, and his own shouts, to his
servants, as he neared the Residency, were enough to deafen them to
any noises Quorn made--not that Quorn made any.
* * * * *
He hardly knew what struck him. He felt a stinging blow from behind and
smelled the misty stench of a burlap gag that was thrust into his mouth
and wrapped around his head.
He struck out blindly with his fists, but hardly felt his wrists seized
and pinioned, hardly felt his ankles being tied before he became
unconscious from the blow--or perhaps from some drug with which the
gag was soaked; it tasted beastly. He had seen nobody; he had heard no
sound; he could not even swear that a cry had escaped his own lips.
He recovered consciousness within a dark room and lay listening to
voices that, for a long time, seemed to be inside his own head. It
seemed to him he was home in Philadelphia. His taxicab had been in
some sort of smash-up--his first. He felt ashamed, and afraid for his
license. After awhile he shook off that feeling, but the voices seemed
to come from another world--inhuman, without emotion, hollow.
At last, though, he was able to recognize a few words in the local
native tongue, but it was a long time before he could make any sense of
what was being said. There was an argument--hot on one side, ice cold
on the other. One man was urging action, to which the other appeared
insolently indifferent.
"If you don't kill him now--"
"I know my business."
"He is probably listening!"
"Let him."
"Can't you understand that the Englishman, Blake, will raise such a hue
and cry that--"
"I have understanding. I am not in need of advice from you."
"By Jinendra's nose, I am not giving you advice! I order you!"
"Order somebody who will obey you--some priest, for instance. I am no
temple rat."
"Too much success has made you insolent."
"No. I was always insolent."
"Suppose we should turn against you?"
"That is not hard to imagine. You are sure to do it sooner or later. I
am not afraid of you. You know why. Cease talking. You annoy me. It is
not safe to annoy me."
Some one took a cover off a lamp. The light hurt Quorn's eyes; he shut
them for a moment. When he opened them again a man was squatting beside
him, gazing at him. He was a man with a big head, crowned with a shock
of shaggy hair that seemed to have been bleached to the color of new
manila rope.
He had dark eyebrows and a shaggy, dark beard and mustache that half
hid and yet exaggerated the coarseness of a big mouth, around whose
corners a sort of humor lurked. His nose was coarse and honeycombed
with pock-marks. His big, full, deep-set eyes had humor of a sort too,
but it was cruel humor; they would have been splendid eyes if they had
had more color, but they were so light--gray, blue, green perhaps--as
to look hardly human.
"Why do you not go to the United States?"
It was the bored voice that had pleaded insolence. Quorn lay still,
trying whether he could move his wrists and ankles, wondering whether
he could break the man's neck if he had his arms free. He felt an
impulse to kill.
Quorn was a man who had almost never raised his hand in violence;
certainly he had never contemplated doing murder; he would have been
willing to bet all his money, at any time, that he never would commit
murder, and would never wish to do it. Yet he felt now he would almost
rather kill that man who gazed at him than go on living. There was
nothing to argue about, he just wanted to kill him.
"Do you wish ever to see the United States again?" the man asked him,
in the same cold, incurious voice.
Quorn did not trust himself even to try to speak. He was working hard
to regain possession of his senses, which recognized, in the man who
was talking to him, something vaguely suggestive of his own peculiar
influence over animals.
Nevertheless, he had never pretended to understand that influence; and
this man's was not quite the same, it seemed reversed, although to save
his life Quorn could not have explained the difference. Black magic
was the thought that came into his mind. His head felt woozy, and he
knew that was only partly due to the blow, only partly due to the drug
he still tasted; there was still something else that he felt he could
fight and overcome.
"Understand me," said the man, and he spoke English with only a trace
of accent, "you are physically at my mercy--absolutely. I can kill you
slowly or quickly, however I please, in my own time, in my own way, for
my own pleasure. Sit up. I will show you something else."
* * * * *
He seized Quorn's shoulders and raised him until he sat with his
back propped in the corner of a wall. His strength appeared to be
prodigious; it produced in its victim a sense of helplessness that had
nothing to do with the cords around wrists and ankles. It was like the
strength of machinery.
"There is a fool here," he said, "who has wearied me."
Quorn discovered it was painful to turn his head; however, he managed
it, and decided he had not been badly hurt. He was in a small
square room with whitewashed walls. The only furniture was heaps
of gunnysacks, that looked rat eaten, and a small glass lamp on an
upturned packing case. Another man sat on a heap of sacks, whom Quorn
recognized at the first glance as the individual used by the temple
Brahmins as go-between, whenever they had business with persons with
whom their caste forbade them to associate--a man in a long yellow robe
with a variation from the Brahmin caste-mark on his forehead--a sort of
bastard Brahmin, a metaphysical eunuch, authorized to touch defilement
in the name of holiness without infecting his masters.
"You shall watch him die."
As if he had been shot out of a catapult the other man made headlong
for the door. But the door was locked.
"You would escape from Maraj? In what way are you more clever than all
those others? Come here."
His panic-stricken effort having failed, the man seemed paralyzed by
fear. He turned ashen gray, trembled, unable to speak. The man who had
called himself Maraj reached out with his right hand, seized him by the
ankle, twisted it, drew him forward, changed his hold to the shoulder
and hurled him back on the heap of sacking--all with one hand and
without much noticeable effort.
"I will not kill him. He shall kill himself."
At those words the man found speech at last. He jabbered, stuttered,
threatened, pleaded--until his voice died to a meaningless mumble and
his jaw fell.
Then Quorn spoke for the first time:
"Out with the light, you idiot!"
The advice came too late. The Brahmin did make a move toward the lamp,
but the other man seized his ankle and twisted it again until he
screamed and struggled like a landed fish. Maraj then put the lamp up
on a beam; he had to stand on the box to do it.
"It is time to die now," said Maraj. "Which way do you prefer?
Painless, of course. They all seek painless ways, as if that made any
difference! Die! Do you hear me? Kill yourself!"
He turned to Quorn: "The poor fool threatened me. He had the impudence
to order me. He said he would betray me unless I slew you out of hand.
He could do it, too; he could have betrayed me easily if I had let him.
But he hasn't much intelligence. Let us see which way he chooses."
He sat down close to Quorn and waited, watching his victim, who seemed
several times as if going to speak--and as if then the uselessness of
speech occurred to him. He even seemed to try to summon dignity, but
found none.
"What will you do?" Maraj asked. "You have no knife--no rope. How will
you kill yourself?"
Quorn spoke again, surprised by the impersonal aloofness of his own
voice, that sounded as if it belonged to some one else.
"Why not have a crack at killing _him_, you idiot!" he heard himself
say to the terrified prisoner, "I'll help you if you'll loose me some
way."
Maraj chuckled. "Why not?" he suggested. "Would that not be suicide?
Try killing me!"
The man found speech again. Quorn's voice seemed to have stirred lees
of manhood in him. He spoke in the native tongue cold-calmly, every
word a concentrated curse.
"You offspring of all the dogs that ever lay in filth! You soul of
stinks! You carcass of--"
* * * * *
He rushed him suddenly--and died that instant. He who had called
himself Maraj stepped sidewise with the skill of a toreador in the
arena. No eye could have followed the speed of the silken handkerchief
that licked across the man's neck and killed him infinitely more neatly
than a hangman's rope.
It left no mark on him. It severed him from life; and was out of sight
again before the knees could yield under his weight and let him begin
falling to the floor; and yet he fell as if there never had been life
in him nor any bones to keep him straight.
"That is the art of Thuggee, so-called," said Maraj. "Isn't it
brilliant? In a world where so many forms of death are messy, what do
you candidly think of a so-called government that tries to stamp out
and abolish such a mystery as that? Mind you, it is a mystery. It is
more than an art.
"You couldn't learn it--not in fifty years--not even though I should be
fool enough to try to teach you."
He rolled the body over with his foot, then sat by Quorn again. For a
moment or two he paused as if turning over matters of importance in his
mind. Then:
"Don't you think they ought to make me public executioner? It would
make me so happy. It would save them so much trouble. Often I make a
victim really kill himself, but that fool's fear was of the sort that
is not easy to control. He was not sentimental. You are. Where have you
hidden your elephant?"
"He ain't mine," Quorn answered.
"Liar--or else imbecile! You have no bill of sale for him; therefore
he is not yours, eh? Show me a bill of sale then for the death you
will presently die! Will it not be your death? Ownership! Where is the
elephant?"
"He belongs to the Ranee. Ask her."
"You mistake me, I think, for a worse fool than she is. Your Ranee's
hours are numbered. I said hours, I should almost have said minutes.
These pretty ones--young ones--they taste sweeter on the teeth of death
than carrion like that thing." He kicked at the corpse on the floor.
"Does she love life? Will she cling to it? Ah, then what a sacrifice
to death! Mn-n-n--what an offering! You love her, don't you? And that
elephant loves you? Ah! You shall kill her. Then you shall see me kill
the elephant. Then I will kill you. Perfect! Look at me."
He peered into Quorn's eyes, leaning over him. If he was human he
hardly seemed so. Mania, as if it were a monstrous spirit from another
plane of consciousness, had entire possession of him--a monster to whom
death was life and cruelty was beauty.
[Illustration: _Maraj glared at him--a monster to whom death was life
and cruelty was beauty._]
Not for nothing had Quorn handled elephants in all their moods; he
recognized the likeness of the thing that seized Asoka now and then.
Only this was more developed--had more intelligence. He had thought
of it, when Asoka threw his tantrums, as the spirit of one of nature's
cataclysms, weary of blind energy and seeking a sensual outlet. But
this man seemed to have the spirit of all evil in him.
"Death is a devourer--hungry. One must feed death daily, if he wants to
live. Keep death fed full--and live forever! Hah! Feed life--and die
forever! But you are too silly to understand that. I understand it,
that is the point. You shall obey me!"
* * * * *
Quorn lay still. He was thinking elephant. How did he manage Asoka
when the fits of frenzy seized him? Let him run--offer him no
opposition--hang on and wait and pretend to be one with him, seeking
the same goal with the same wrath. Pretend to encourage him. Get him to
use his strength against some obstacle that did not matter. Get him to
exhaust himself, and at the first chance get him to believe he had done
all his havoc by request. It had worked all right; the tantrums were
fewer nowadays. Something of the same sort might work now--maybe--a
bare chance--worth trying.
"Hell!" said Quorn. "What's all the yawp about? Do you kid yourself
you're tough because you kill a few poor suckers? Yah! You don't know
what tough is! You should see 'em where I come from."
"You mistake me," said Maraj. "I have been where you come from.
Toughness has nothing to do with it. The tough ones die the easiest.
They love life and they dread death, though they think they don't. They
dread passion; therefore they are its slaves. I love passion; therefore
it is my slave, even as a woman who is properly loved is the slave of a
man."
"Aw, hell! That's talk. I've heard 'em on a soapbox handing out a
better line o' yawp than that--bolshevists and such like. Show me.
Talk don't mean nothing. I can't teach a guy to drive an automobile by
singing songs to him. I got to show him. Show me. I won't believe a
word of it until you show me."
All the East asserts that there is no such thing as luck, yet Quorn had
stumbled on something that the men of science labored for a century to
find--and doubted then. To save his soul he could not have analyzed
it or have put it into plain words. What he knew, by the change in
the maniac's eyes, was that he had touched off something that might
presently give him the upper hand. He had gained time. He had flattered
cunning. Cunning proposed to magnify itself before it had its climax.
"Why not show you? Knowledge increases suffering. Suffering is cruel.
Cruelty is the delicious essence of all nature. It is essence that I
seek. I find it daily. Do you understand me? Essence."
"Hell," Quorn answered, "any fool could understand that. Essence? Huh!"
"You are ignorant, but I will teach you. Ignorant men don't suffer
much, not even in this world, under torture--although I know tortures
that are exquisite, and I will show you several. Suffering increases as
the square of knowledge. Do you know what that means? The suffering of
this world is as nothing to the infinite agony provided in the next.
Those who suffer genuinely here take with them an increased ability
to suffer. They add to the hell--to the hell--to the hell! Do you
understand me? Spiritual, mental, infinite, eternal hell! Ah-h-h! So I
shall show you, I will teach you. You shall not go forth in ignorance.
You shall be a delicious morsel for the spiritual fiends of torment.
What does this life matter when you have eternity in which to revel in
the blistering, nervous dissonance of death?"
"It don't matter a damn--not a damn," Quorn answered. "That's an easy
one."
"Where is your elephant?"
"I can find him for you any time. Say, all you've said is talk so
far--lower grade stuff. You've got me interested, but you haven't
proved a thing. I saw you kill that sucker, but, hell--that weren't
much; I could have killed him myself with half a brick. You show me
something A-1--genuine magic. I'll name the stunt--you do it. If you
win, I join your gang. How'd that be?"
"You will be my disciple? You will yield your soul to me? You will try
to learn what I shall teach? Hee-ee! That would be amusing. You will go
mad, but never mind. What do you wish me to do?"
"I'll set you an easy test. Put one over on them temple Brahmins. Put
it over on 'em good, mind. Trick 'em--trap 'em--show 'em up--bring
shame on 'em--reduce 'em to a common joke. Then set yourself in
place of 'em--me under you. I'm game if you are. The folks say I'm
Gunga _sahib_ come to life; that ought to make it easy if you have
imagination. Maybe you haven't--you haven't showed me any yet. How
about it?"
* * * * *
There was a long pause. Maniac imagination thrilled itself with
ecstasies of vision--Brahminism going the way of all things mortal,
only in an agony more awful than any sane man could invent. Watching
the maniac eyes, Quorn played his trump:
"'Fore I'd reckon you worth learning from, I'd have to see you out
from under them temple Brahmins' influence. Hell, they've been giving
you orders. They've been claiming they protect you. Yah! I'm not the
thousandth o' what you are, yet I wouldn't let that gang claim they was
protecting me. I'd show 'em different. You show 'em where they get off,
and I'll join you, elephant and all."
Maraj looked keenly at him. Quorn's face was as innocent as any
actor's. The blind spot that is in the brain of every maniac, however
supernormal his intelligence may be, permitted vanity to smother
cunning.
"You'd better let me go and get my elephant," said Quorn. "Come with me
if you like," he added, noticing a sudden constriction of the irises of
the madman's eyes. "Then you make all the plans, remember. This ain't
my problem, it's yours. I'm yours if you work it out right. Anything
you say, I'll do, barring that I don't have to kill nobody until the
temple Brahmins quit, and fire a lee gun, and haul their flag down. Get
me? After that I'll kill as many as you say."
"Tell me," Maraj leaned over him again. "Do your wrists hurt? Does the
cord cut your ankles?"
If the East is right and there is no such thing as luck, perhaps luck
is a form of genius. Again Quorn stumbled on the key to freedom, though
he paid a high price.
"Yeah, it hurts fine. I like it," he answered.
"Hee-ee! You do? You like it? Try this. Is it exquisite now?"
He knew where to touch the nerves that carry torture to the brain.
Quorn writhed, but the lamp threw shadow on him. Maraj had rolled him
over on his face. Quorn's quivering and grunting might be masochistic
ecstasy.
"You will do, you will do for a pupil," said Maraj. He cut the cords;
Quorn almost sobbed with the relief. "That is not a bad beginning. I
can teach you. You shall learn that pain is the only pleasure. Go now.
Go and find your elephant."
"Are you coming with me?" Quorn asked.
Sudden fury seized the maniac. "You witless idiot!" he shouted. "Who
are you to dare to question me, your master? Do you think I need to
watch a fool like you? Can you escape me? Try it! Go before I--"
He made a gesture as if to produce the handkerchief with which he could
kill with such consummate art. Quorn staggered to the door, in torture
from his rope-raw ankles. It was locked. His wit deserted him; he could
not imagine what to do. He glanced at the glass lamp on the beam. With
his ankles in that shape could he jump up from the box and smash the
lamp, and take a chance in darkness? He decided he would try.
He had gathered his strength for the spring when he heard voices.
Something on the outside struck the door. He heard the hinges give.
He saw Maraj spring, swinging for a moment like a monkey on the
beam--spring like a monkey again and break an opening, feet first,
through the thatched roof. Blake burst in then--Blake and half a dozen
servants. It was like a dream.
"Here you are, eh? Hurt much? Had a hard time finding you. Hello--who's
dead? Well, I'll be damned--another murder, eh? Oh, look out
there--catch Quorn, or he'll tumble. Lay him on that sacking."