No doubt the most absurd thing I could have done after the departure of
Professor Keredec and his singular friend would have been to settle
myself before my canvas again with the intention of painting--and that
is what I did. At least, I resumed my camp-stool and went through some
of the motions habitually connected with the act of painting.
I remember that the first time in my juvenile reading I came upon the
phrase, "seated in a brown study," I pictured my hero in a brown chair,
beside a brown table, in a room hung with brown paper. Later, being
enlightened, I was ambitious to display the figure myself, but the uses
of ordinary correspondence allowed the occasion for it to remain
unoffered. Let me not only seize upon the present opportunity but gild
it, for the adventure of the afternoon left me in a study which was, at
its mildest, a profound purple.
The confession has been made of my curiosity concerning my
fellow-lodgers at Les Trois Pigeons; however, it had been comparatively
a torpid growth; my meeting with them served to enlarge it so suddenly
and to such proportions that I wonder it did not strangle me. In fine,
I sat there brush-paddling my failure like an automaton, and saying
over and over aloud, "What is wrong with him? What is wrong with him?"
This was the sillier inasmuch as the word "wrong" (bearing any
significance of a darkened mind) had not the slightest application to
"that other monsieur." There had been neither darkness nor dullness;
his eyes, his expression, his manner, betrayed no hint of wildness;
rather they bespoke a quick and amiable intelligence--the more amazing
that he had shown himself ignorant of things a child of ten would know.
Amedee and his fellows of Les Trois Pigeons had judged wrongly of his
nationality; his face was of the lean, right, American structure; but
they had hit the relation between the two men: Keredec was the master
and "that other monsieur" the scholar--a pupil studying boys' textbooks
and receiving instruction in matters and manners that children are
taught. And yet I could not believe him to be a simple case of arrested
development. For the matter of that, I did not like to think of him as
a "case" at all. There had been something about his bright
youthfulness--perhaps it was his quick contrition for his rudeness,
perhaps it was a certain wistful quality he had, perhaps it was his
very "singularity"--which appealed as directly to my liking as it did
urgently to my sympathy.
I came out of my vari-coloured study with a start, caused by the
discovery that I had absent-mindedly squeezed upon my palette the
entire contents of an expensive tube of cobalt violet, for which I had
no present use; and sighing (for, of necessity, I am an economical
man), I postponed both of my problems till another day, determined to
efface the one with a palette knife and a rag soaked in turpentine, and
to defer the other until I should know more of my fellow-lodgers at
Madame Brossard's.
The turpentine rag at least proved effective; I scoured away the last
tokens of my failure with it, wishing that life were like the canvas
and that men had knowledge of the right celestial turpentine. After
that I cleaned my brushes, packed and shouldered my kit, and, with a
final imprecation upon all sausage-sandwiches, took up my way once more
to Les Trois Pigeons.
Presently I came upon an intersecting path where, on my previous
excursions, I had always borne to the right; but this evening, thinking
to discover a shorter cut, I went straight ahead. Striding along at a
good gait and chanting sonorously, "On Linden when the sun was low," I
left the rougher boscages of the forest behind me and emerged, just at
sunset, upon an orderly fringe of woodland where the ground was neat
and unencumbered, and the trimmed trees stood at polite distances,
bowing slightly to one another with small, well-bred rustlings.
The light was somewhere between gold and pink when I came into this
lady's boudoir of a grove. "Isar flowing rapidly" ceased its tumult
abruptly, and Linden saw no sterner sight that evening: my voice and my
feet stopped simultaneously--for I stood upon Quesnay ground.
Before me stretched a short broad avenue of turf, leading to the
chateau gates. These stood open, a gravelled driveway climbing thence
by easy stages between kempt shrubberies to the crest of the hill,
where the gray roof and red chimney-pots of the chateau were glimpsed
among the tree-tops. The slope was terraced with strips of
flower-gardens and intervals of sward; and against the green of a
rising lawn I marked the figure of a woman, pausing to bend over some
flowering bush. The figure was too slender to be mistaken for that of
the present chatelaine of Quesnay: in Miss Elizabeth's regal amplitude
there was never any hint of fragility. The lady upon the slope, then, I
concluded, must be Madame d'Armand, the inspiration of Amedee's
"Monsieur has much to live for!"
Once more this day I indorsed that worthy man's opinion, for, though I
was too far distant to see clearly, I knew that roses trimmed Madame
d'Armand's white hat, and that she had passed me, no long time since,
in the forest.
I took off my cap.
"I have the honour to salute you," I said aloud. "I make my apologies
for misbehaving with sandwiches and camp-stools in your presence,
Madame d'Armand."
Something in my own pronunciation of her name struck me as reminiscent:
save for the prefix, it had sounded like "Harman," as a Frenchman might
pronounce it.
Foreign names involve the French in terrible difficulties. Hughes, an
English friend of mine, has lived in France some five-and-thirty years
without reconciling himself to being known as "Monsieur Ig."
"Armand" might easily be Jean Ferret's translation of "Harman." Had he
and Amedee in their admiration conferred the prefix because they
considered it a plausible accompaniment to the lady's gentle bearing?
It was not impossible; it was, I concluded, very probable.
I had come far out of my way, so I retraced my steps to the
intersection of the paths, and thence made for the inn by my accustomed
route. The light failed under the roofing of foliage long before I was
free of the woods, and I emerged upon the road to Les Trois Pigeons
when twilight had turned to dusk.
Not far along the road from where I came into it, stood an old, brown,
deep-thatched cottage--a branch of brushwood over the door prettily
beckoning travellers to the knowledge that cider was here for the
thirsty; and as I drew near I perceived that one availed himself of the
invitation. A group stood about the open door, the lamp-light from
within disclosing the head of the house filling a cup for the wayfarer;
while honest Mere Baudry and two generations of younger Baudrys
clustered to miss no word of the interchange of courtesies between Pere
Baudry and his chance patron.
It afforded me some surprise to observe that the latter was a most
mundane and elaborate wayfarer, indeed; a small young man very lightly
made, like a jockey, and point-device in khaki, puttees, pongee cap,
white-and-green stock, a knapsack on his back, and a bamboo stick under
his arm; altogether equipped to such a high point of pedestrianism that
a cynical person might have been reminded of loud calls for wine at
some hostelry in the land of opera bouffe. He was speaking fluently,
though with a detestable accent, in a rough-and-ready, pick-up dialect
of Parisian slang, evidently under the pleasant delusion that he
employed the French language, while Pere Baudry contributed his share
of the conversation in a slow patois. As both men spoke at the same
time and neither understood two consecutive words the other said, it
struck me that the dialogue might prove unproductive of any highly
important results this side of Michaelmas; therefore, discovering that
the very pedestrian gentleman was making some sort of inquiry
concerning Les Trois Pigeons, I came to a halt and proffered aid.
"Are you looking for Madame Brossard's?" I asked in English.
The traveller uttered an exclamation and faced about with a jump,
birdlike for quickness. He did not reply to my question with the same
promptness; however, his deliberation denoted scrutiny, not sloth. He
stood peering at me sharply until I repeated it. Even then he
protracted his examination of me, a favour I was unable to return with
any interest, owing to the circumstance of his back being toward the
light. Nevertheless, I got a clear enough impression of his alert,
well-poised little figure, and of a hatchety little face, and a pair of
shrewd little eyes, which (I thought) held a fine little conceit of his
whole little person. It was a type of fellow-countryman not altogether
unknown about certain "American Bars" of Paris, and usually connected
(more or less directly) with what is known to the people of France as
"le Sport."
"Say," he responded in a voice of unpleasant nasality, finally deciding
upon speech, "you're 'Nummeric'n, ain't you?"
"Yes," I returned. "I thought I heard you inquiring for--"
"Well, m' friend, you can sting me!" he interrupted with condescending
jocularity. "My style French does f'r them camels up in Paris all
right. ME at Nice, Monte Carlo, Chantilly--bow to the p'fess'r; he's
RIGHT! But down here I don't seem to be GUD enough f'r these
sheep-dogs; anyway they bark different. I'm lukkin' fer a hotel called
Les Trois Pigeons."
"I am going there," I said; "I will show you the way."
"Whur is't?" he asked, not moving.
I pointed to the lights of the inn, flickering across the fields.
"Yonder--beyond the second turn of the road," I said, and, as he showed
no signs of accompanying me, I added, "I am rather late."
"Oh, I ain't goin' there t'night. It's too dark t' see anything now,"
he remarked, to my astonishment. "Dives and the choo-choo back t'
little ole Trouville f'r mine! I on'y wanted to take a LUK at this
pigeon-house joint."
"Do you mind my inquiring," I said, "what you expected to see at Les
Trois Pigeons?"
"Why!" he exclaimed, as if astonished at the question, "I'm a tourist.
Makin' a pedestrun trip t' all the reg'ler sights." And, inspired to
eloquence, he added, as an afterthought: "As it were."
"A tourist?" I echoed, with perfect incredulity.
"That's whut I am, m' friend," he returned firmly. "You don't have to
have a red dope-book in one hand and a thoid-class choo-choo ticket in
the other to be a tourist, do you?"
"But if you will pardon me," I said, "where did you get the notion that
Les Trois Pigeons is one of the regular sights?"
"Ain't it in all the books?"
"I don't think that it is mentioned in any of the guide-books."
"NO! I didn't say it WAS, m' friend," he retorted with contemptuous
pity. "I mean them history-books. It's in all o' THEM!"
"This is strange news," said I. "I should be very much interested to
read them!"
"Lookahere," he said, taking a step nearer me; "in oinest now, on your
woid: Didn' more'n half them Jeanne d'Arc tamales live at that hotel
wunst?"
"Nobody of historical importance--or any other kind of importance, so
far as I know--ever lived there," I informed him. "The older portions
of the inn once belonged to an ancient farm-house, that is all."
"On the level," he demanded, "didn't that William the Conker nor NONE
o' them ancient gilt-edges live there?"
"No."
"Stung again!" He broke into a sudden loud cackle of laughter. "Why!
the feller tole me 'at this here Pigeon place was all three rings when
it come t' history. Yessir! Tall, thin feller he was, in a three-button
cutaway, English make, and kind of red-complected, with a sandy
MUS-tache," pursued the pedestrian, apparently fearing his narrative
might lack colour. "I met him right comin' out o' the Casino at
Trouville, yes'day aft'noon; c'udn' a' b'en more'n four o'clock--hol'
on though, yes 'twas, 'twas nearer five, about twunty minutes t' five,
say--an' this feller tells me--" He cackled with laughter as palpably
disingenuous as the corroborative details he thought necessary to
muster, then he became serious, as if marvelling at his own wondrous
verdancy. "M' friend, that feller soitn'y found me easy. But he can't
say I ain't game; he passes me the limes, but I'm jest man enough to
drink his health fer it in this sweet, sound ole-fashioned cider 'at
ain't got a headache in a barrel of it. He played me GUD, and here's TO
him!"
Despite the heartiness of the sentiment, my honest tourist's enthusiasm
seemed largely histrionic, and his quaffing of the beaker too
reminiscent of drain-the-wine-cup-free in the second row of the chorus,
for he absently allowed it to dangle from his hand before raising it to
his lips. However, not all of its contents was spilled, and he
swallowed a mouthful of the sweet, sound, old-fashioned cider--but by
mistake, I was led to suppose, from the expression of displeasure which
became so deeply marked upon his countenance as to be noticeable, even
in the feeble lamplight.
I tarried no longer, but bidding this good youth and the generations of
Baudry good-night, hastened on to my belated dinner.
"Amedee," I said, when my cigar was lighted and the usual hour of
consultation had arrived; "isn't that old lock on the chest where
Madame Brossard keeps her silver getting rather rusty?"
"Monsieur, we have no thieves here. We are out of the world."
"Yes, but Trouville is not so far away."
"Truly."
"Many strange people go to Trouville: grand-dukes, millionaires, opera
singers, princes, jockeys, gamblers--"
"Truly, truly!"
"And tourists," I finished.
"That is well known," assented Amedee, nodding.
"It follows," I continued with the impressiveness of all logicians,
"that many strange people may come from Trouville. In their excursions
to the surrounding points of interest--"
"Eh, monsieur, but that is true!" he interrupted, laying his right
forefinger across the bridge of his nose, which was his gesture when he
remembered anything suddenly. "There was a strange monsieur from
Trouville here this very day."
"What kind of person was he?"
"A foreigner, but I could not tell from what country."
"What time of day was he here?" I asked, with growing interest.
"Toward the middle of the afternoon. I was alone, except for Glouglou,
when he came. He wished to see the whole house and I showed him what I
could, except of course monsieur's pavilion, and the Grande Suite.
Monsieur the Professor and that other monsieur had gone to the forest,
but I did not feel at liberty to exhibit their rooms without Madame
Brossard's permission, and she was spending the day at Dives. Besides,"
added the good man, languidly snapping a napkin at a moth near one of
the candles, "the doors were locked."
"This person was a tourist?" I asked, after a pause during which Amedee
seemed peacefully unaware of the rather concentrated gaze I had fixed
upon him. "Of a kind. In speaking he employed many peculiar
expressions, more like a thief of a Parisian cabman than of the polite
world."
"The devil he did!" said I. "Did he tell you why he wished to see the
whole house? Did he contemplate taking rooms here?"
"No, monsieur, it appears that his interest was historical. At first I
should not have taken him for a man of learning, yet he gave me a great
piece of information; a thing quite new to me, though I have lived here
so many years. We are distinguished in history, it seems, and at one
time both William the Conqueror and that brave Jeanne d'Arc--"
I interrupted sharply, dropping my cigar and leaning across the table:
"How was this person dressed?"
"Monsieur, he was very much the pedestrian."
And so, for that evening, we had something to talk about besides "that
other monsieur"; indeed, we found our subject so absorbing that I
forgot to ask Amedee whether it was he or Jean Ferret who had prefixed
the "de" to "Armand."