CHAPTER XIX

KAISER BILL MIXES IN

"Isn't it just too wonderful for anything?" said Hinpoha in an awed

tone. Then she burst out triumphantly, "I _told_ her there was a

light-haired man coming into her life--and he did! Did you ever _hear_

of anything so romantic as this, anyway? He said she was a dream of his

come to life! When he first saw her in the train that day he thought she

wasn't _real_! And then finding my locket on the floor that way and

seeing her picture in it and thinking it was _her_ locket, and wearing

it all this time! I never _heard_ of anything so wonderful. It's better

than anything I ever read in a book. Such a nice-sounding name he has,

too--Robert Allison; it's so--unanimous."

"Don't you mean 'euphonious'?" asked Migwan with a smile.

"Well, 'euphonious,' then," amended Hinpoha. Wrapped up as she was in

this marvel of romance that had happened in the placid, everyday lives

of the Winnebagos, she was not bothering about any carping correctness

of words. She sat at the foot of Oh-Pshaw's bed, where Oh-Pshaw lay with

her knee propped up on a pillow, and went over the details of Sahwah's

case for the twentieth time with Agony and Migwan and Gladys, all of

them foregathered in Oh-Pshaw's room to keep her company.

"It was just like a book!" Hinpoha went on impressively. "Sahwah passed

by the door of his room over there last night after the doctors had

gone, and it was open, and nobody was in the room with him because your

grandmother had gone downstairs for something, and she saw that the

curtain was blowing out of the window. She went in to pull it back and

while she was in the room he opened his eyes and said, 'Is it really

you?' He thought he was _dreaming_ and she wasn't real at all. Then he

told her all about his dream girl, and about seeing her in the train

that day, and finding the locket, and everything. He said the locket had

brought him good luck wherever he went, for half a dozen times he had

escaped as by a miracle from being killed in accidents to his plane. And

to think that the last time it was she herself who saved his life!" The

utter romance of the thing struck Hinpoha momentarily speechless.

Then she thought of something else, and broke out afresh.

"Don't you remember, when I was telling her fortune there in the train,

I told her that the light-haired man had already come into her life, and

she made fun of me and said it must have been the Swede brakeman? Well,

what I told her was true, because Lieutenant Allison had already seen

her then! _Now_, will you say there isn't any truth in fortunes?"

The Winnebagos could only gasp at the workings of fate!

"But what about the other man you said you saw in her fortune, the

light-haired man who was going to turn dark after a while?" asked

Migwan.

"I don't know," replied Hinpoha. Then she added, "Give him time! He

hasn't shown up yet, but he will, you see if he doesn't."

And in view of the success of her former prophecy the Winnebagos could

not very well have any doubts.

"Wasn't it a miracle that Sahwah happened to be in the woods when the

plane came down?" said Agony in a hushed voice.

"Yes, but she wouldn't have been there if we hadn't lost the contest,"

said Migwan musingly. "Isn't it queer the way things work out sometimes?

Here, we wanted to win that contest so badly, and were disappointed when

we didn't, and yet if we _had_ won it Lieutenant Allison would have been

killed!"

The rest looked at each other in silent awe at _this_ marvelous working

of fate! In a dim, groping way they all felt the touch of an unseen,

mighty hand in their affairs, guiding them this way or that as it chose,

regardless of their own plans or intentions.

"It was really Oh-Pshaw that saved his life," said Gladys, "because she

made the mistake that made us lose."

"And I was so hateful about it, and said such mean things!" said Agony

contritely. "I take it all back, Oh-Pshaw. It was the luckiest thing you

ever did to get rattled then."

Oh-Pshaw smiled forgivingly and all was serene between the twins once

more.

While the Winnebago tongues were wagging busily in Oh-Pshaw's room and

Lieutenant Allison was lying quite comfortable in bed in the big square

bedroom of the Wing home, where he had been carried when brought in from

the woods the night before with a ragged cut in his left temple and a

fractured arm, Sahwah, breathless with wonder at the strange new thing

that had come into her life, fled from the chattering girls and went

wandering by herself in the silence of the woods, where she could think

and dream undisturbed.

So preoccupied was she that she had passed out of the gate of Carver

House without even noticing Kaiser Bill, who had broken out of his

confines and was pulling the honeysuckle vine off the fence. The Kaiser

stopped pulling for a moment as she came out and eyed her warily, on

guard for a well-aimed stone, but she passed by unheeding. It betokened

deep abstraction indeed when Sahwah ignored the depredations of Kaiser

Bill. The Kaiser executed a defiant caper under her very nose and then

returned blandly to his vine pulling, sending a suspicious look after

her from time to time as she passed down the hill.

Through the troubles that had overtaken Carver House, Kaiser Bill had

gained a temporary reprieve. In the excitement over Nyoda's going away

he had been forgotten entirely for a whole week, and of course nothing

would be done about his execution until she returned. Kaiser Bill was

making the most of his reprieve by breaking bounds every day and

damaging property to his heart's content.

But not even Kaiser Bill in mischief could hold Sahwah's attention now.

She walked on in the golden afternoon sunshine, her heart attuned to the

song of the wild thrush that came pouring out of the stillness of the

woods. She sought her own favorite haunt, a mossy seat beside the little

singing stream, where she loved to sit and watch the water tumble and

foam over the rocks, but when she got there she found the place already

occupied. Eugene Prince, the artist, sat there, his head tilted back

against the trunk of a tree, sound asleep, with his sketching portfolio

beside him on the ground and his hat on the other side. Sahwah scowled

at the sleeping man and passed swiftly on. She had no desire to sit

near him, even if he _was_ asleep. She found another place, far

downstream, where there was a rocky seat close to the water, and,

curling herself down in it, she watched the water tumble and foam, and

gave herself over to pondering on the delightful mystery of life and

fate.

Upstream, in Sahwah's own private nook, the invader reclined at ease,

steeped in the sound slumber of a drowsy midsummer afternoon. Upon this

peaceful scene there appeared a sinister and menacing apparition, a

shaggy body mounted on slender, adventurous legs, and terminating in a

mischievous-shaped head with evilly glittering eyes and wicked-looking

horns. It was none other than Kaiser Bill, on whom the taste of

honeysuckle had palled, wandering far afield in search of something to

tickle his discriminating palate. He stood still and surveyed the scene,

eyeing the various articles spread out before him with an appraising

eye, like a man in a Thompson's restaurant looking over the articles on

the counter and trying to make up his mind what he will have. He looked

at the pencil, he looked at the sketch pad; he sniffed experimentally at

the hat and then at the portfolio. The portfolio went to the spot; it

was made of leather with brass corners. He had not had such a treat in

many a day. He licked his chops; the water of anticipation began to

gather in his mouth. With a greedy movement he sank his teeth into the

portfolio and began his feast In his sportive delight he played with his

prize, tossing it to the ground and attacking it from all sides, while

his eyes glittered maliciously at the sleeping artist. Then he; moved on

down the wood path, dragging the portfolio with him until he found a

place which struck him as a suitable banquet Chamber, and there he stood

still and began chewing.

Sahwah, sitting on the rock beside the water, gazing off into space with

her chin in her hand, suddenly became aware of a champing sound directly

in her ear, accompanied by the noise of tearing. She raised her head,

and there was Kaiser Bill right beside her tearing something to pieces.

She put out her hand and snatched the thing away so quickly that it was

gone before Kaiser Bill knew what had happened; then, realizing that to

stay in the neighborhood after such a daring act was decidedly perilous,

Sahwah sprang up into the branches of a great old willow tree that

leaned invitingly near, drew herself up out of his reach and from her

safe vantage point made triumphant grimaces down at him. Kaiser Bill,

baffled, dashed his head against the tree several times in fury, then

rushed into the woods.

Left to herself, Sahwah examined the thing she had rescued, and then it

was that she recognized the artist's sketching portfolio. Her first

feeling was regret that she hadn't let Kaiser Bill go on eating it Then

she felt ashamed of such vicious thoughts and began looking over the

portfolio to see how badly it was damaged. It was a sorry wreck, she

decided, after a moment's inspection. Most of the seams were burst open

and the soft leather which lined the stiffer outside was torn away in a

dozen places. It was empty of sketches, these having been scattered

along the path in the progress of Kaiser Bill's capers. Sahwah fingered

the torn lining and wondered if the artist would make them pay for the

damage. While she was wondering her fingers found something under the

lining, and she drew out several sheets of paper, written over in a

close hand. Under these were dozens of other sheets, thin as tissue, but

very tough and strong, covered with lines and angles and circles and

letters in complicated designs. She rummaged still further under the

lining and drew out a black ribbon about an inch wide. On it in gold

letters was stamped _S.M.S. Eitel Friederich_. After that out came a

narrow envelope of exceedingly heavy correspondence paper addressed in a

beautifully shaded handwriting to "Lieutenant Waldemar von Oldenbach,

_S.M.S. Eitel Friederich_." Sahwah turned it over in her hands. It was

sealed on the other side with a wafer of gold wax, the seal being a

coronet The envelope was open at the top, disclosing a letter inside.

Sahwah looked at it curiously, but did not open it. It was the

superscription on the envelope and the gold letters on the black ribbon

that were holding her attention. Sahwah knew from reading the papers

that the _S.M.S. Eitel Friederich_ was one of the German warships caught

in American ports at the outbreak of the war and interned. The ribbon

had evidently come from the ship, but what was it doing here under the

lining of Eugene Prince's portfolio? Why was he carrying around a ship's

ribbon from an interned German vessel? Who was Waldemar von Oldenbach?

Evidently a lieutenant on the _Eitel Friederich_, from the address on

the letter. But what was a letter addressed to such a person doing in

the possession of the artist? A letter from a woman, it undoubtedly was.

Something heavy was in the envelope beside the letter; it fell out into

Sahwah's lap as she handled the letter. It was a little Maltese cross

made of gray metal, with letters stamped in the ends of the crosspieces.

Sahwah held it in her hand and spelled out the letters, and then all at

once she knew what it was. She had seen a picture of such a thing in a

magazine only a few days before. It was an Iron Cross of the First

Class. She stared at it, fascinated, for a moment, then shuddered and

dropped it back into the envelope.

She looked over the thin sheets of paper, but could make nothing of

them; she then turned back to the first letter that had come to light.

The sheets were open and she felt no hesitancy about reading them.

What Sahwah read sent her heart wildly pounding against her throat.

"Atterbury?" "Strikes?"--and signed by Prince Karl Augustus of

Hohenburg? This must be the very letter that was stolen from Mr. Wing's

desk--the letter they accused Veronica of taking! Eugene Prince, the

artist, had taken it and hidden it under the lining of his sketch book.

But no one had ever thought of suspecting him! He had been so sure that

Veronica was an enemy agent, and here he was one himself! She had been

right after all, Veronica was innocent, and her faith in her had not

been betrayed. For a moment that one great dazzling fact blotted out all

other facts. It was not too late yet to save Veronica from internment.

She must get to Mr. Wing as fast as she could with her great discovery.

She must----Here Sahwah looked down, and directly into the face of

Eugene Prince, standing on the ground beside the tree, his eye on the

portfolio and the articles spread out in her lap. For a moment "they

looked at each other, tense, speechless, then the artist sprang into the

tree, snatched the portfolio and the letter away from her and darted

away into the woods. Stunned by surprise Sahwah slid limply to the

ground, vainly looking around to see where the artist had gone. The

woods had swallowed him. At Sahwah's feet lay the gilt-lettered ship's

ribbon, the letter addressed to Waldemar von Oldenbach and the thin

sheets of paper, and in her hand she still clutched the bottom half of

one of the pages of the stolen letter, the half that bore the prince's

signature and the name of Atterbury in one of the lines."

The Camp Fire Girls Do Their Bit; Or, Over the Top with the Winnebagos · 第 19 / 21 章