In the Finnish "Ei-niin-mitä" (Just nothing), _S. ja T._ ii. 53, a man

catches a swan-maiden of great beauty. The king, so soon as he hears of

her, determines to have her for his son, and the courtiers advise him to

make the man procure--1st, "A table, on which is painted the moon and

stars;" this his wife gets her husband while he is asleep; 2nd, "he was

to go nowhere and fetch nothing." His wife again helps him, by sending

him to a house where an old woman summons all her servants (Cf. "Fairy

Elizabeth," p. 106). This time it is a frog who takes the man, and he at

length comes to a palace; and as he paces the floor at night, he mutters

to himself, "Just nothing." "Beg your pardon," says a voice; and he

finds that he has an invisible companion, who obeys all his commands,

and answers to the name of "Just Nothing." When he returns to the king,

he finds they are just celebrating the wedding of the king's son with

his own wife, who does not recognise him till he drops a ring into the

empty goblet out of which he has drunk the corn brandy the bride had

given him. By his new powers he soon upsets the bad king and his host,

and then all is joy and happiness. Cf. _Musaeus_, _Volksmärchen der

Deutschen von J. L. Klee_. _Leipzig_, 1842. "Der geraubte Schleier";

_Walachische Märchen von A. und A. Schott_. _Stuttgart_, 1845. "Der

verstossene Sohn." Weil, _Tausend und eine Nacht_, vol. iv. "Geschichte

des Prinzen Ojanschach;" _Irische Elfenmärchen, von Grimm_. _Leipzig_,

1826. "Die Flasche."

Kletke, _Märchensaal aller Völker, für Jung und Alt_. _Berlin_ 1845,

vol. iii. "Der Wundermann."

Cf. "Bondesønnen, Kongesønnen og Solens Søster," _Friis_, p. 140; where

the hero, by means of a fox, rescues the Sun's sister's sister, "Evening

Red," from the giants who had stolen her, and who were turned into

pillars of stone as soon as they caught sight of the Sun's sister, Dawn.

So soon as the king heard of her, he determined to have her for his

son's wife, and set heavy tasks for the hero to perform, which he does

by means of his wife's power.

In another tale from Tanen, "Bæive Kongens eller Sol Kongens Datter,"

_Friis_, p. 152, the hero will insist upon the king knowing that he is

going home with the Sun King's daughter, whom he has caught by stealing

her swan dress, and so gets into trouble, as the king does all he can to

get possession of the girl.

In "Gutten, som tjente hos Kongen," _Friis_, p. 167, from Tanen, the

hero is to have the king's daughter in return for faithful service but

at the last moment the king demands certain labours before he will allow

the marriage to take place. In this case it is the Gieddegæs̃ old

woman, that is, a wise or troll woman, who helps the hero.

A magic ship that can sail over land and sea is a favourite in Lapp

stories, and is often one of the tasks set. Cf. "Ruobba[12] Jætten og

Fanden," _Friis_, p. 67. Here the third son feeds axes, augurs, planes,

and all sorts of tools,[13] which come and beg for food, and by their

means builds the ship. See Finnish "Maan, meren, kulkija laiwa" ("The

Ship that can Sail on Land and Sea"), from Ilomantsi. _S. ja T._ ii. p.

22.

Somewhat similar incidents occur in the tale "Seppo Ilmarisen kosinta"

("Smith Ilmarinen's Courtship"). _S. ja T._ i. p. 1, wherein Ilmarinen

goes to woo fair Katherine, the Hiihto king's daughter. The first task

was to plough the king's snake-field--where the snakes were crawling

two yards deep--in bare feet and bare skin. Then he sang a lake full of

fishes into the courtyard. Next he went to bring a chest which had been

covered for a long time, and which the old man, Untamoinen, had. When

Ilmarinen asked for the beautiful Katherine's wedding chest the old man

replied, "If you can stand on my tongue, jump and dance, then I will

give it to you." The smith jumped on to his tongue, but the old man's

mouth was so wide he swallowed Ilmarinen. The smith did not mind that;

he made a smithy of his shirt, bellows of his trousers, used his left

knee for an anvil, and his left hand for tongs. Of the copper buckle of

his skirt he made a bird with claws of iron and bill of steel. He then

sang a song and the bird became alive, and by its means he dug his way

out of Untamoinen's stomach, got the chest, and after a great many

troubles with fair Katherine at last got home.

In the latter part of the tale one is reminded of such stories as

_Household Stories from the Land of Hofer_, "St. Peter's Three Loaves,"

p. 265; _Grimm_, vol. ii., "The Rich Man and the Poor Man," p. 1, and

Notes, p. 373; Stokes's _Indian Tales_, "Rajah Harichand's Punishment,"

p. 224.

LUCK AND BLISS. Kriza, xii.

Cf. Caballero's _Spanish Tales_, "Dame Fortune and Don Money," p. 190,

and "Fortune and Misfortune," p. 147.

_Naake_, "Wisdom and Fortune," p. 243, a Bohemian tale.

THE LAZY CAT. Kriza, xi.

This tale does not call for any special remark.

HANDSOME PAUL. Kriza, i.

_Page 25_. Old men in Hungary are always addressed as "my father," or

"my elder brother," and in turn address their juniors as "my son," or

"my younger brother." Women are also addressed as "mother," "daughter,"

"elder sister," or "younger sister." Cf. the "little father," in modern

Russian; also _Reynard the Fox in South Africa_, by Dr. Bleek, "The Lion

who took a Woman's Shape," p. 50, where the lion calls a woman "my

mother" and "my aunt," and she calls him "my uncle."

Fisk, _Myths and Myth-Makers_, pp. 166, 167, Zulu Uthlakanyana meets a

cannibal, whom he calls "uncle," and is called "child of my sister." The

Yakuts in Siberia call the bear "beloved uncle."

Tylor's _Primitive Culture_, vol. ii. p. 231.

Tylor's _Early History of Mankind_. pp. 130-49; 288-91.

Ibn Batuta, the Moorish traveller, mentions that in his time--about

1347--old men in Cansai, the modern Hangchenfu, were commonly addressed

as "Atha," _i. e._ "Father" in Turkish. Cf. _The Travels of Friar

Odoric_ (Hakluyt Soc.), iv. p. 288.

_Vide_ Giants in the Introduction to this collection.

The incident of finding the giant occurs in many stories, _e.g._ a

Finnish tale relates how some sailors sailing along the coast near

Wiborg saw a fire lighted on the shore, and, as they were nearly frozen,

landed, and found to their horror a giant laid round it with his feet

under his head (cf. Giant in "Fairy Elizabeth," p. 99 of this vol.) The

giant awakes and asks where they are from, and hearing that they were

from Wiborg, tells them he knows it well, and drinks with great gusto a

tun of tar, remarking, "Ah! that's the old Wiborg drink!" Topelius,

_Boken om vårt Land. Helsingfors_, 1875, p. 153.

See also a similar tale, "Glosheds Altare," from Bohuslän, _Hofberg_, p.

81. It is commonly reported in Bohuslän and Dal that the giants withdrew

to Dovre in Norway, or else to some uninhabited island in the North Sea,

and that they most anxiously inquired of any travellers they came across

how things were going on in their native land. They are said to have

left their homes "when modern mankind began to exist," in the Swedish

stories. They often declare it was on account of the continued ringing

that they left the land.

In "Ulfgrytstenarna," from Närike, the giant hearing the bells for the

first time tells his wife to put a stone in her garter and sling it at

the grey cow which is tinkling near Hjelmar, meaning the newly-built

church at Örebro. The giantess threw the stone thirteen miles too far.

The giant threw and missed, and the bells sounded with wondrous

clearness. The giant then seized two enormous rocks, and set off to

crush the church; on the way an old man who had set out to stop him,

showed him a pile of shoes worn out by his journey from Örebro. The

giant threw the rocks down and went home. _Hofberg_, p. 132.

See also the story about the old man and Ragnar Lodbrok, who is said to

have delivered Rome from the Norse men, by showing their worn-out iron

shoes. Also Gibeonites and Joshua; Joshua, ix. 5.

Giants sometimes built instead of destroying religious houses. See

_Afzelius, Svenska Folkets Sagohäfder_, v. p. 31, where the giant Rise

is said to have built Riseberg Monastery and given it his own name; also

"Skaluda-Jätten," a story from Vestergötland.

For a giant's appetite, _p. 26_, see "Vas Péter," a tale quoted by

Kozma, in which Glutton eats 366 fat oxen in six hours, and Drunkard

empties 366 casks of wine, each holding one hundred buckets, in the same

time.

Big Mouth, in "Hidatsa," an Indian tale, drinks enormous draughts.

_Folk-Lore Record_, vol. i. p. 140.

The horse in "Prince Mirkó," p. 65, like the giant in this tale, asks

the hero what he sees, and then tells him to shut his eyes, whilst they

go on.

_Page 27_. The king's daughter falling in love with one who acts as

servant is a common incident in Finnish and Lapp tales. Generally, the

hero is one who by wearing a cap on the pretext of having a sore head

conceals his beauty, which the king's daughter by chance happens to see

when the cap is off.

Cf. "Tuhkamo" from Sodan Kyla in North Finland, _S. ja T._ i. p. 35,

where the hero is told to fell all the trees near a bay, and is assisted

by his bride. The whip as a mode of summoning assistance is mentioned in

"Fisher Joe," _supra_, p. 16.

For difficult tasks vide "Fisher Joe," _supra_, p. 18; "The Three

Brothers," p. 153; "The King and the Devil," p. 192; "The Widower and

his Daughter," p. 208; "The Girl with the Golden Hair," p. 271.

Cf. also _Malagasy Isùlakòlona_, in _Folk-Lore Journal_, 1884, p. 130.

Also _Verhandlungen der gelehrten Estnischen Gesellschaft zu Dorpat.

Zweiter Band, drittes Heft_, p. 76. "Der dankbare Fürstensohn."

Stier, _Ungarische Märchen_, "Das kleine Zauberpferd."--Kletke,

_Märchensaal aller Völker_, "Die gläserne Hacke"; "Kojata"; "Der

Orangenbaum und die Biene."

_Polnische Volksagen und Märchen_, by Woycicki, translated by Levestam,

"Die Flucht."

Hyltén-Cavallius och Steffens. _Svenska Folksagor_. "Hafs-Firum."

_Samlade Smärre Berättelser_, af C. F. Ridderstad, _Linköping_, 1849.

"Agnete lille Dei."

Winter, _Danske Folkeventyr_: "Prindsen och Havmanden."

The reader need not be surprised to hear that the simple Magyar peasant

uses classical names like Pluto, Furuzsina (Euphrosiné); for until 1848

Latin was the official language, and many of the scientific works were

written in it, and so a great many words found their way into the vulgar

tongue, such as: penna, calamus, bugyelláris (pugillares), jus, &c.

_Page 32_. The chase after the fugitives is a well-known folk-tale

incident. See several instances in this collection. Generally the

pursuer is stopped by something thrown down by the pursued. See "The

Little Magic Pony," p. 160, and notes _infra_.

In other stories such as the present and "The King and the Devil," p.

193, the pursued change into all manner of wonderful things. Cf.

_Grimm_, vol. i. "Fundevogel," p. 202, and "The Two King's Children,"

vol. ii. p. 113.

In a Portuguese Folk-Tale, "The Daughter of the Witch," F.L.S. 1882, p.

15, the boy becomes a public road, and the girl an old man with a sack

on his back; then the boy becomes a hermitage and the girl a hermit; and

lastly, when the mother comes, who, as usual, is the keenest witted, the

lad becomes a river, and the girl an eel. The mother, as she cannot

catch the eel, pronounces the curse of forgetfulness in case any one

should kiss the hero, which one of his sisters does, while he sleeps.

See also in the same collection, "May you vanish like the wind," p. 20.

In "Fairy Helena," a story quoted by Kozma in his paper read before the

Hungarian Academy, the fairy's father blows across a wide river, and at

once it is spanned by a golden bridge. The fairy then strikes a rusty

table-fork with a _kourbash_, and it at once becomes a golden steed,

upon which the lovers flee into Italy. When they discover that they are

followed, Helena spits on the floor, the door-latch, and the hinge of

the door, and each expectoration speaks, and so deludes the king's

messengers, and allows the fugitives more time (Cf. Ralston's _Russian

Tales_, p. 142; _Grimm_, i.: "Sweetheart Roland," p. 225, where one

change of Roland is to a fiddler, who makes the witch dance till dead.)

The king following in the form of a gigantic eagle, the tips of whose

wings touch heaven and earth, reminds of such stories as the Lapp

"Jaetten og Veslegutten," from Hammerfest, _Friis_. p. 49, where the

giant is heard coming like a gust of wind; and in "Jaetten og Drengen

hans," from Tanen, _id_. p. 58, where the giant and his wife pursue the

lad, as he walks away, with his bag of silver coins.

See also Finnish "Oriiksi muntettu poika," _S. ja. T._ i. 142, and

variants there given, in which the devil follows in the form of a

storm-cloud.

Wonderful transformations of a like sort occur in Indian stories,

_e.g._, "The Phúlmati Rání's arms and legs grew into four houses, her

chest became a tank, and her head a house in the middle of the tank; her

eyes turned into two little doves; and these five houses, the tank, and

the doves, were transported to the jungle. The little doves lived in the

house that stood in the middle of the tank. The other houses stood round

the tank." Stokes' _Indian Tales_, "Phúlmati Rání," p. 5, and "The Bél

Princess," p. 148, where we read, "Then the girl took a knife in her own

hand, and cut out her two eyes; and one eye became a parrot, and the

other a _mainá_ (a kind of starling). Then she cut out her heart, and it

became a great tank. Her body became a splendid palace and garden; her

arms and legs became the pillars that supported the verandah roof; and

her head the dome on the top of the palace."

_Page 34_. For the curse of oblivion see Panch-Phul Ranee, _Old Deccan

Days_, p. 143, where the conjurors throw some powder in the rice and

fire, and no sooner did the rajah receive them than he forgot his wife,

child, and all that had ever happened to him. In "Chandra's Vengeance,"

p. 260, forgetfulness is brought about by enchanted drink. Cf. _Grimm_,

ii. "The Drummer," p. 338.

In the romance of _Ogier le Danois_, Morgue la Faye, who had kissed

Ogier at his birth, but had been forgotten by him, meets him when he is

a hundred years old, and by means of a ring restores him to youth and

beauty. When Ogier drew near to the castle of Avalon he was met by

singing fays, and a glorious crown placed on his head, whereupon he

instantly forgot all the past, and had no thought "ni de la dame

Clarice, qui tant estoit belle et noble ... ne de creature vivante." See

Keightley's _Fairy Mythology, Bohn's Library_, p. 48.

The Irish tale of "Grey Norris" from Warland, tells how a little dog

jumps up and kisses the hero, and at once he forgets the poor princess

who waits outside. _Folk-Lore Journal_, 1883, p. 323.

The Polish tale "Prince Unexpected," contains a similar incident. _Id_.

1884, p. 16.

THE TRAVELS OF TRUTH AND FALSEHOOD. Kriza, ii.

In another version three crows discuss the healing powers of the dew.

Cf. also another version communicated by Kriza in the _Szépirodalmi

Figyelö_. The tale is also found in Hungary Proper. Cf. Gaal, _Märchen

der Magyaren_, "Die dankbaren Thiere."

Cf. Cruelty of sister or others: in "Envious Sisters," p. 50, "The Three

Brothers," p. 152, and "The Girl without Hands," p. 182.

Steere's _Swahili Tales_, "Blessing or Property," p. 397.

Also Wagner's _Asgard and the Gods_, p. 113, where Holda's Quick-born

(fountain of life) restores the crippled and aged. Spanish peasants

believe in a mysterious herb, _pito-real_, invisible to men, and known

to swallows only, which restores eyesight. See _Folk-Lore Record_, p.

295. 1883.

_Page 37_. Obtaining useful knowledge in secret. Cf. _Sagas from Far

East_, xiv. "The Avaricious Brother," p. 151, in which the poor brother

obtained precious gifts, which he saw the Dakinis (female genii) use;

the rich brother when he heard of it went to see what he could get, and

was seized by the enraged spirits, and after due consultation punished,

by having his nose pulled out five ells long, and nine knots tied in it.

In _Old Deccan Days_, "The Learned Owl," p. 74, tells how the birds in

the tree tell secrets. In "The Wanderings of Vicram Maharajah," p. 121,

it is two cobras, and in "Panch-Phul Ranee," p. 139, two jackals.

See also _Stories from Mentone_, "The Charcoal Burners," p. 41.

_Folk-Lore Record_, vol. iii.; and Stokes' _Indian Tales_, "The Fair

Prince," p. 198.

Cf. Finnish "Totuus ja walhe" (Truth and falsehood), and "Riuta ja

Rauta;" under section 10 of _S. ja T._ ii. pp. 134-146, entitled "Paha

on pettäjän perintö" (The Deceiver's part is a bad one).

_Magyarische Sagen_, by Mailáth, i. "Die Brüder," p. 169.

Gerle, _Volksmärchen der Böhmen_. _Prag._ 1819. "St. Walburgisnachttraum

oder die drei Gesellen."

_Volkslieder und Sagen der Wenden_, von Haupt und Schmaler, _Grimma_

1843. "Recht bleibt immer Recht."

_Old Deccan Days_, "Truth's Triumph," p. 50.

_Serbian Folk-Lore:_ "Justice or Injustice--which is best?" p. 83. Where

the heroes are king's sons, and the just one is helped by fairies who

come to the spring to bathe.

In "The two Travellers," _Grimm_, vol. ii. p. 81, the heroes are a

sour-tempered shoemaker and a merry tailor. Two sinners hanging on the

gallows talk, and thus the sightless tailor learns many secrets. So soon

as he recovers his sight, he sets off, and arrives at the very town

where the shoemaker has gone, who persuades the king to set the tailor

terrible tasks to perform, which he does, by the aid of grateful

animals, whose lives he spared. The cobbler has his eyes picked out by

the crows that sit on the heads of the two hanged men. See notes, p.

408, and a fragmentary story of "The Men on the Gallows," p. 466, in the

same volume.

In Naake's _Slavonic Tales_, "Right and Wrong," from the Servian, the

Vilas, beings peculiar to Servia, female genii, come to the spring where

the blind brother is, and talk.

Also Dasent's _Tales from the Norse_, "True and Untrue," p. 1.

_Undvalgte Eventyr og Fortœllinger_ ved C. Molbech, _Kjöbenhavn_,

1843. "Godtro og utro, et Skaansk Folkesagn."

_Sagen, Märchen und Lieder der Herzogthümer Schleswig--Holstein and

Lauenburg_ vom R. Müllenhoff. _Kiel_, 1845. "Vom Bauernsohn der König

ward."

_Portuguese Stories_. "Unless the Lord build the house, they labour in

vain who build it." _Folk-Lore Record_, 1881, p. 157. The driver hears

the devils talking on the top of the cave, where he shelters, and by

means of which he obtains riches and honour. In this case, the gouging

out of the eyes is omitted, and the whole story modified, and, if one

may so say, Christianised.

THE HUNTING PRINCES. Kriza, iii.

Steel, flint, and tinder, form to this day the "Smoker's companion" in

the rural districts of Hungary, although matches were invented more than

half a century ago by a Hungarian.

_Page 39_. The youngest son in the Finnish story, "Ihmeellinen Sauwa,"

(The Wonderful Stick,) _S. ja T._ i. p. 158, is told to shoot at an oak,

and if he hits it (which he does) he would find his mother who had been

carried off one day whilst walking in the garden years before.

For other versions see "A Year Hence" in Gaal, vol. ii.; also "The Three

Princes" in the present vol. p. 110, and "The Prince who tied the Dawn"

in another collection of Erdélyi, entitled "_Magyar Népmesék_."

Dragons[14] appear at every turn in folk-lore, and therefore we can give

but a short selection of comparisons out of the countless hosts of

legends and tales. "At Lueska there is a dark cavern called the

Dragon's Den, which was the terror of the country, and its legend is an

interesting example of how old folk-tales are modified, as time rolls

on; in this case, the burghers of the town can't tell what to do, and a

little dwarf tinker declares he can kill the monster, but that he will

claim as his reward the hand of the burgomaster's daughter. The

burgomaster is mightily indignant, but is obliged to give way to the

force of popular opinion; and is surprised to find his daughter quite

willing to make the sacrifice for the sake of her neighbours. The tinker

confesses and communicates. He then sets off and gathers a herb called

dragon's bane--a powerful narcotic--and makes a strong infusion of it.

With this he sets out, driving two calves before him, and taking some of

his tools, and his fire-pan full of hot embers. The dragon soon scents

the cattle, and rushing out devours them. Meanwhile, the tinker views

all from a tree. Soon the dragon rolls over and falls asleep. The tinker

then pours a goatskin full of his infusion over the monster's head, who

falls into a deep sleep. Down comes the tinker and settles him, cuts off

his head, and carries it in triumph to the town, where the joyous crowd

carry him shoulder-high to the burgomaster's. There the tinker declares

that he will not accept the maiden's hand unless she accepts him freely

and willingly. The young girl, won by his magnanimous conduct, declares

he has won her heart. Whereat he flings off his disguise, and lo! the

lord of Csicso, who confesses that he has long loved the beautiful maid.

General happiness and joy. Curtain!" _Pictures of Hungarian Life_, p.

28.

Cf. "Grendel" in the "Lay of Beowulf"; "The Lambton Worm," in Surtees'

_History of Durham_, ii. p. 173; Hardwick's _Traditions_, p. 40, and

Henderson's _Folk-Lore of Northern Counties_, F.L.S., under "Worms."

Nork, _Mythologie der Volksagen_, says, the dragon was sacred to Wodin,

and that its image was placed over houses, &c. to keep away evil

influences.

In _Tales from Hofer's Land_, "The Three Black Dogs," p. 214, the dogs

kill the dragon, and Jössl marries the princess; in "Zovanin Senza

Paura," p. 348, fearless Johnny kills the dragon that has taken

possession of the fountains.

Baring Gould's _Curious Myths_. "St. George," and Brady's _Clavis

Calendaria_, vol. i. p. 310.

In Denton's _Serbian Folk-Lore_, "True-steel," p. 146, an alligator

replaces the dragon; the incidents are very like those in the Magyar

tale, but the tale is longer, beginning with three sisters, as well as

the brothers. The sisters are carried off, much the same as in the

Russian story "Marya-Morevna" (_Ralston_, p. 85); and, in seeking for

the sisters, the Magyar incidents come in. The story continues to tell

of the youngest son's entering the forbidden chamber, and letting loose

a man, True-steel, who was confined there (cf. Payne's _Arabian Nights_,

vol. i. p. 141, "Story of the Third Calender"), who runs away with his

wife. His labours to regain her occupy the rest of the tale. True-steel

is killed in the end, by the secret of his strength being destroyed, as

in "Punchkin."

The tying up of Midnight and Dawn is a piece of primitive science that

in one shape or other is to be found in many stories. Cf. Lapp stories,

where "Evening Red," and the "Sun's Sister" are girls; _Friis_, No. 44;

and in No. 45 Ashiepattle goes for a golden lasso, and has to go till

the sunlight ceases; and then till the moonlight ceases; and then till

starlight ceases. When he arrives in the regions of darkness he finds

the golden lasso. The tale appears to be imperfect, and no use is made

of the lasso. Guns and cannons appear beyond the land of the moonlight!

The Finnish "Leppäpölkky" tells how Alder Block goes to a castle, and is

told "that a wicked one cursed the sunlight, and so a snake with nine

heads has taken it; and when the snake goes to the sea, he takes the sun

with him. When he is in the country it is day, when he is in the sea it

is night. A wicked one has cursed the moonshine, and a snake with six

heads has taken the moonshine. When he is on the land, it is light; but

when he is in the sea, it is dark. The wicked one has also cursed the

dawn, because it began to shine too soon, and he could not sleep; so the

snake with three heads has taken the dawn. When he is on the land we

have dawn, but when he is at sea we have no dawn." The heroes in turn

destroy the snakes; and dawn, the moon, and the sun escape; and as each

shines over the land, the people pray for blessings on the man's head,

who has delivered the dawn, moon, and sun. This appears to be pretty

clearly an attempt of early man to describe natural phenomena. The story

goes on to tell how the king offered his daughters to the heroes, but

they declined them, only asking for a little corn.

There is a most interesting myth of Dawn and Twilight, well worthy of

notice, in the Esthonian "Koit ja Ämarik" (Dawn and Twilight). In old

times a mother had two daughters named Videvik (twilight) and Ämarik

(evening twilight). Both were charming and beautiful in appearance, and

in behaviour just as the song says:

"Pea valge, pôsld punased

Sitik mustad silmakulmud."

"Eyes white, cheeks red,

Eyebrows black as a dung beetle."

The Folk-Tales of the Magyars Collected by Kriza, Erdélyi, Pap, and Others · 第 30 / 41 段