M. de Combelot, Chamberlain to Napoleon III. She had a passion for the
Emperor, who, however, would not look at her. Son Excellence Eugene
Rougon.
DELEUZE founded, along with his brother, in 1822, the drapers’ shop
in Paris known as _Au Bonheur des Dames_. When he died, his daughter
Caroline, who was married to Hedouin, succeeded to his share in the
business. Pot-Bouille.
The beginning of the business was exceedingly modest; there was only
one window in the shop, and the stock was a small one. At that time the
principal shop in the neighbourhood was the _Vieil Elbeuf_, of which
Baudu afterwards became proprietor. Au Bonheur des Dames.
DELEUZE (UNCLE), one of the founders of the shop known as _Au Bonheur
des Dames_. After the death of his elder brother he continued the
business along with his niece Madame Hedouin. He became much affected
by rheumatism, and left the management in the hands of Hedouin.
Pot-Bouille.
DELEUZE (CAROLINE). See Caroline Hedouin.
DELHOMME was the son-in-law of Pere Fouan, whose daughter Fanny he
married. He was the owner of a small farm, which he managed so well that
he became one of the richest of the peasant proprietors at Rognes.
He was a man of calm, upright nature, and was frequently selected as
arbiter in petty disputes. In his own affairs, however, he allowed
himself to be much influenced by his wife. He was a municipal
councillor, and ultimately became mayor. La Terre.
DELHOMME (MADAME), nee Fanny Fouan, wife of the preceding. At first a
not unamiable woman, she became hardened, and eventually the cleanliness
of her house became a mania with her. She was unkind to her father, with
whose little weaknesses she had no patience, and her persecution of him
was carried to such an extent that he ceased to live with her and her
husband. She was so annoyed at this that she refused to speak to him
again, and her ill-will was not even terminated by his death. When her
husband became mayor her conceit knew no bounds. La Terre.
DELHOMME (ERNEST), known as Nenesse, son of the preceding. From
childhood he had a fancy for dressing himself up and aping the city
lads, and as he had always a horror of the land he went to Chartres to
assist in a restaurant, with which was connected a public dancing-hall.
His parents effected an insurance against him being drawn in the
conscription; but he drew a lucky number, and the loss of the money
caused his mother considerable annoyance. He proposed to take over
the _maison de tolerance_ at Chartres which belonged to his grand-aunt
Madame Badeuil and her husband, and he eventually did so by marrying
their granddaughter Elodie Vaucogne. La Terre.
DELOCHE, a bailiff in needy circumstances who resided at Briquebec. He
treated his son Henri very badly. Au Bonheur des Dames.
DELOCHE (HENRI), a young man who got employment at “The Ladies’
Paradise” at the same time as Denise Baudu. He fell in love with Denise,
but though she refused to marry him, they remained on friendly
terms, and on one occasion he threw a glass of wine at Favier, a
fellow-shopman, who repeated a slander about her. Au Bonheur des Dames.
DELORME, a relation of the Quenus. On the suggestion of Madame Chanteau
he was nominated a member of the family council of Pauline Quenu. He
consented to her emancipation. La Joie de Vivre.
DENEULIN, a cousin of the Gregoires. Like his cousin, he inherited
a denier in the Montsou mines, but being an enterprising engineer,
tormented by the desire for a royal fortune, he had hastened to sell
out when the value of the denier reached a million francs. His wife
possessed through an uncle the little concession of Vandame, on which
were two abandoned pits--Jean-Bart and Gaston-Marie--and he invested all
his money in the reopening of these pits. He was a bad manager, however,
and after his wife’s death he was pillaged by every one. The great
strike at Montsou completed his ruin, and he was ultimately compelled
to sell his pits to the great company which had already acquired all
the neighbouring mines, himself receiving a situation as divisional
engineer. Germinal.
DENEULIN (JEANNE), second daughter of the preceding. Having lost their
mother when very young, she and her sister were brought up alone,
somewhat badly, being spoiled by their father. Jeanne was fond of
painting, and had already had three landscapes refused by the _Salon_.
Her sister and she remained cheerful in the midst of their father’s loss
of fortune, and proved themselves excellent managers. Germinal.
DENEULIN (LUCIE), elder daughter of Deneulin. She was fond of music, and
at one time talked of going on the stage. Like her sister, she showed an
admirable spirit at the time of her father’s downfall. Germinal.
DENIZET, examining magistrate (_juge d’instruction_) at Rouen. The
son of a cattle-breeder, he studied law at Caen, but had entered the
judicial department of the Government late in life; and his peasant
origin, aggravated by his father’s bankruptcy, made his promotion slow.
After being substitute in various places he was sent to Rouen, where he
acted as examining magistrate. He was fond of his profession, and at the
beginning of the inquiry into the murder of President Grandmorin allowed
himself to be carried away by his desire to elicit the facts of the
case. He received, however, a hint from Camy-Lamotte, the secretary to
the Minister of Justice, that caution must be exercised, and his desire
to be decorated and removed to Paris was so great that he sacrificed the
interests of justice, and caused the case to be hushed up. Later, the
murder of Severine Roubaud reopened the Grandmorin inquiry, and Denizet
was allowed a free hand in dealing with the affair. By a masterpiece
of logical deduction he set out to prove the complicity of Cabuche and
Roubaud, a complicity, however, which had no existence in fact, and the
demonstration of which by Denizet produced a gross error of justice. La
Bete Humaine.
DEQUERSONNIERE, an architect with whom Louis Dubuche served his
apprenticeship. He was a former winner of the Grand Prize, and was
architect of the Civil Branch of Public Works, an officer of the Legion
of Honour, and a member of the Institute. His principal production was
the church of Saint-Mathieu, a building which shared the characteristics
of a pastry-cook’s mould and a clock in the style of the First Empire.
L’Oeuvre.
DESBAZEILLES, President of the Assize Court at Rouen on the occasion
of the trial of Roubaud. He was a bachelor, and an old friend of Madame
Bonnehon; a friendship which still continued, notwithstanding his sixty
years. He was the literary glory of the Court, and his cleverly turned
sonnets were well known. La Bete Humaine.
DESFORGES, a stock-broker. The friendship of his wife with Hartmann, the
great financier, had been very useful to him. He died leaving a fortune,
the amount of which was minimized by some and exaggerated by others. Au
Bonheur des Dames.
DESFORGES (MADAME HENRIETTE), daughter of a Councillor of State and
widow of a stock-broker, who left her a small fortune. “Even during her
husband’s lifetime, people said she had shown herself grateful towards
Baron Hartmann, whose financial tips had proved very useful to them;
and later on, after her husband’s death, the acquaintance had probably
continued, but always discreetly.” Octave Mouret, having met her at
the house of a mutual friend, made love to her, chiefly with a view
to gaining Baron Hartmann’s assistance through her influence. Madame
Desforges was extremely jealous when she learned of Mouret’s affection
for Denise Baudu and the probability of his marrying her. In order to
injure him, she introduced Bouthemont to Baron Hartmann, who lent him
money to start an opposition establishment called “The Four Seasons.” Au
Bonheur des Dames.
DESIR (VEUVE), an elderly woman who kept a ball-room known as
Bon-Joyeux. She called all the miners her children, and grew tender
at the thought of the flood of beer which she had poured out for them
during the last thirty years. She gave her ball-room to the miners to
hold a meeting during the strike, and when the police arrived to break
it up she held the door long enough to allow those present to escape.
Germinal.
DESLIGNIERES, a toy-seller in Rue Saint-Roch. Au Bonheur des Dames.
DESMARQUAY, a money-changer in Rue Saint-Lazare. Trublot was employed in
his office. Pot-Bouille.
DESROCHES, a notary at Chene-Populeux. His house there was requisitioned
for the Emperor on 27th August, 1870, during the march of the army of
MacMahon. La Debacle.
DESROCHES (MADAME), mother of the preceding. Their house adjoined the
early home of Maurice Levasseur, and she had been good to him when he
was a child. When the house was requisitioned for the Emperor, she had
to give up her room to him and take refuge in the garret. La Debacle.
DESRUMAUX (BARON), one of the founders of the coal industry in the north
of France. For forty years he struggled without yielding, in the midst
of continual obstacles, and when at last his pits began to yield a small
profit, two neighbouring concessions, that of Cougny, belonging to the
Comte de Cougny, and that of Joiselle, belonging to the Cornille and
Jenard Company, nearly overwhelmed him with their competition. Happily,
on 25th August, 1760, a treaty was made between the three concessions,
uniting them into a single one known as the Montsou Mining Company.
Germinal.
DESVIGNES (ADELE), see Madame Bouchard.
DIDE (AUNT). See Adelaide Fouque.
DIEUDONNE (MADAME), wife of a small farmer at Seguiranne. She brought up
her niece Sophie, who was cured of phthisis by Doctor Pascal. Le Docteur
Pascal.
DOMERGUE was formerly Director of Roads and Bridges at Plassans. He was
the father of Madame Campardon. Pot-Bouille.
DOMERGUE (MADAME), wife of the preceding, lived a retired life at
Plassans with her husband. She introduced Octave Mouret to her daughter,
Madame Campardon, when he came to Paris. Pot-Bouille.
DOMERGUE (ROSE). See Madame Achille Campardon.
DROUARD (MADAME), an old actress at the Theatre des Varietes. She played
the part of Juno in the _Blonde Venus_. Nana.
DUBREUIL, a cousin of the Levasseurs. He was sub-manager of the sugar
refinery at Chene-Populeux at the time Weiss was employed there; then,
in 1868, he retired to a little property near Sedan which had come to
his wife as a legacy. On the evening before the battle, foreseeing the
disaster, he removed his wife and children to Bouillon, and next day the
house was completely destroyed during the struggle. La Debacle.
DUBRUEL, a pork-butcher at Plassans who took part in the attack on the
Town Hall. Three days later he was killed in the ambush arranged by
Pierre Rougon against the Republicans. La Fortune des Rougon.
DUBUCHE (ALICE), daughter of Louis Dubuche and of Regine Margaillan, his
wife. She was so delicate that at six years old she was still unable to
walk. Her father endeavoured to strengthen her muscles by occasionally
making her hold on to the bar of a trapeze for a few moments, but the
exercise only seemed to produce extreme terror in the unfortunate child.
L’Oeuvre.
DUBUCHE (GASTON), the elder child of Louis Dubuche and of Regine
Margaillan, his wife. At the age of ten he had the feeble limbs of a
little child, and though he regularly exercised on a trapeze, he was
unable to raise himself on his wrists, the least exertion producing
profuse perspiration. L’Oeuvre.
DUBUCHE (LOUIS), eldest son of a baker of Plassans, and companion from
childhood of Claude Lantier and Pierre Sandoz. His mother, who was
very ambitious, sent him to Paris, where he studied architecture at the
School of Art. His reverence for established formulas caused him to be
out of sympathy with the advanced school of painting advocated by Claude
Lantier and his friends, though he expressed large ideals regarding his
own profession. In time he became a first-class pupil at the school, and
with infinite trouble gained the regulation “honourable mention.” But
his parents no longer sent him any money; it became necessary for him
to gain his living, and he was already tired of earning a few francs by
assisting an architect incapable of drawing his own plans. By the aid of
his master, Dequersonniere, he gained a medal for a plan of a villa, and
this brought him prominently under the notice of Margaillan, a wealthy
building contractor, whose daughter Regine he married soon afterwards.
The marriage was not a success; his wife was always ailing, and the two
children which were born to them were so delicate as to cause constant
anxiety. His business relations with his father-in-law were a failure,
some of his ventures resulting in heavy loss, and Margaillan soon thrust
him aside. His only satisfaction was that he had been able to repay
to his parents the money they advanced for his education in Paris.
L’Oeuvre.
DUBUCHE (MADAME LOUIS), wife of the preceding. See Regine Margaillan.
L’Oeuvre.
DUCAT, a franc-tireur of the woods at Dieulet. He was formerly a bailiff
at Blainville, but had to leave on account of a criminal charge against
him. He was a friend of Cabasse and of Guillaume Sambuc, and took part
in the murder of Goliath Steinberg. La Debacle.
DUCHESNE (GEORGES), a lover of Madame Bouchard, for whom she asked
the patronage of Eugene Rougon, which he refused on the ground of his
respect for her husband. Son Excellence Eugene Rougon.
DUCLOUX (LA), an old woman who lived in the neighbourhood of Croix de
Maufras, having formerly been servant in an inn. Misard was authorized
to employ her as gatekeeper on the railway after the death of Flore. She
was anxious to marry Misard, and seeing him constantly searching for
the little hoard of money which had been hidden by his deceased wife,
La Ducloux cleverly led him to believe that she knew where the money was
hidden. After she became the second Madame Misard she became infected
with the feverish anxiety of her husband, and joined with him in his
untiring search. La Bete Humaine.
DUMONTEIL, a rich silk manufacturer at Lyons. He supplied to Octave
Mouret a special make of silk with which he achieved great success. Au
Bonheur des Dames.
DU POIZAT PERE, an old bailiff at Coulonges. He was an old miser who
refused any money to his son Leopold, and even threatened him with
a pistol when he tried to borrow from him. He lived alone in an old
ruinous house with a loaded gun behind the door. His son, having become
a prefect, and wishing to dazzle the old man with his fine position,
attempted to force the door; then followed a drama mysterious and
without witness, at the end of which the old man was found lying at the
foot of his staircase, with his head split open. Son Excellence Eugene
Rougon.
DU POIZAT (LEOPOLD), son of a process-server at Coulonges, a little town
in the district of Niort. His father, who had amassed a considerable
fortune by usury, sent him to study law in Paris, giving him an
allowance of only a hundred francs a month. Some months before the
revolution of February, 1848, he became acquainted with Eugene Rougon,
who, like himself, was boarding at that time with Madame Correur at the
Hotel Vanneau. During the Bonapartist intrigues he assisted Rougon in
some risky undertakings, and later on worked energetically to secure his
election to the Legislative Assembly as member for Deux-Sevres. After
the _Coup d’Etat_ Rougon used his influence on behalf of Du Poizat, and
got him appointed sub-prefect at Bressuire. He resigned this appointment
on the advice of Rougon after the resignation of the latter as President
of the State Council. After Rougon’s return to office he was appointed
prefect at Niort. His extreme harshness and overbearing conduct produced
a public scandal, and the sudden death of his father, under peculiar
circumstances, still further increased his unpopularity. He was at
his own request transferred to another prefecture by Delestang, who
succeeded Rougon as Minister of the Interior. Son Excellence Eugene
Rougon.
DURIEU, a wealthy brewer who, carried away by the charm of Caroline
Hamelin, married her. He became an alcoholic maniac, and on one occasion
pursued his wife with a knife. A separation was arranged, and Durieu
ultimately died in an asylum. L’Argent.
DURIEU (MADAME). See Caroline Hamelin.
DURIEU (LE PERE), a messenger at Plassans. He was a taciturn old
Provencal. Le Docteur Pascal.
DUTILLEUL. A flour-miller at Montsou whose mills were stopped by the
strike. Germinal.
DUVEYRIER (ALPHONSE), a counsellor at the Court of Appeal; married
Clotilde, daughter of M. Vabre. He was a man of dissolute habits, to
whom his wife’s cold nature and love of music were repugnant, and he
spent much of his time away from home. He squandered large sums of money
on a woman named Clarisse Bocquet, who afterwards left him. Having found
her again, he fell under her influence so completely as to allow her
to treat him abominably. So unhappy did he become, that he attempted
to commit suicide by shooting himself; the wound was, however, not a
serious one, and he recovered. Pot-Bouille.
DUVEYRIER (MADAME CLOTILDE), wife of the preceding, was the only
daughter of M. Vabre, a notary of Versailles. She did not get on well
with her husband, who found her cold nature irksome, and, perhaps even
more so, her love of piano-playing. Her musical evenings were attended
by Octave Mouret, the Josserands, and others of the same circle.
Pot-Bouille.
DUVEYRIER (GUSTAVE), son of the preceding, a thin, precocious boy of
sixteen, who was being educated at the Lycee Bonaparte. Pot-Bouille.
DUVILLARD, the owner of a large house bought by Octave Mouret for the
enlargement of his shop. Au Bonheur des Dames.
E
ECOSSE (S.A.R. LE PRINCE D’), the son of a queen and heir to a throne.
He was tall and strong, with a fair beard and a fresh complexion. He was
an habitue of the Theatre des Varietes, and an admirer of Nana, whom
he wished to bring to London as a singer. Later, Nana spoke of him with
little respect. Nana.
ECREVISSE (L’), a celebrated _demi-mondaine_ of the Second Empire. La
Curee.
EMPEREUR, one of the dogs of the shepherd Soulas. He was a fierce
animal, and, like his master, hated Jacqueline Cognet. La Terre.
ERNESTINE, a woman who once occupied a room in Bourras’s house, and had
written her name in candle-smoke on the ceiling. Au Bonheur des Dames.
ESCORAILLES (MARQUIS D’), father of Jules d’Escorailles. “The
Escorailles family was one of the oldest in Plassans, where it was
treated with the utmost respect; and Rougon, who in former days had
often dragged his worn-down boots past the old Marquis’s house, took a
pride in protecting and assisting the young man. The family retained an
enthusiastic devotion for Henri V, though it allowed its heir to serve
the Empire.” The Marquis and his wife visited Paris specially to ask
the assistance of Rougon in furthering the interests of their son. After
Rougon’s proceedings against the Sisters of the Holy Family, in the
interest of the Charbonnels, they again visited Paris to insist on their
son retiring from the administration, as they said they could not allow
him to be mixed up in any persecution of the Church. Son Excellence
Eugene Rougon.
ESCORAILLES (MARQUISE D’), wife of the preceding. Son Excellence Eugene
Rougon.
ESCORAILLES (JULES D’), son of the Marquis d’Escorailles, a nobleman of
Plassans, at whose request Rougon got Jules an appointment as auditor
at the Council of State. After Rougon’s return to office he appointed M.
Escorailles his private secretary. He carried on an intrigue with Madame
Bouchard. Son Excellence Eugene Rougon.
ESPANET (MARQUIS D’), husband of the Marquise Adeline. He was made
aide-de-camp to the Emperor, but by his riotous conduct scandalized the
older nobility. He never appeared in society with his wife. La Curee.
ESPANET (MARQUISE D’), one of the most prominent leaders of society
of the Second Empire, was the inseparable companion of Madame Haffner,
whose name was always associated with hers by the public. They were both
schoolfellows and friends of Madame Renee Saccard. La Curee.
EUGENIE, cook for a short time to Madame Theophile Vabre. Pot-Bouille.
EUGENIE, a child buried in the cemetery of Cayenne at Saint-Ouen,
where Bongard and Sandoz read the inscription on a poor cross, without
railing, set up slantingly across a path, “Eugenie, three days.”
L’Oeuvre.
EUGENIE (EMPRESS), referred to in Son Excellence Eugene Rougon, and La
Debacle.
EULALIE, a laundress who lived in Rue Montmartre. Gilquin, when visiting
her, chanced to overhear in an adjoining room a conversation between
some Italians who had come to Paris to assassinate the Emperor. Son
Excellence Eugene Rougon.
EULALIE, a fish-seller, mistress of Bec-Sale, alias Boit-sans-soif.
L’Assommoir.
EULALIE (LA MERE), a vegetable seller at Montmartre. She lodged with
Madame Mechain. L’Argent.
EUSEBE, a choir-boy in the church of Saint-Saturnin at Plassans. He
accompanied Abbe Bourrette to the deathbed of Abbe Compan. La Conquete
de Plassans.
F
FAGEROLLES PERE, a manufacturer of zinc objects of art who lived in
a gloomy old house in Rue Vieille-du-Temple. His workshop was on the
ground floor, above it was a warehouse, and still higher, facing a
courtyard, were the rooms in which he lived with his son Henri. He
intended to bring up Henri as a designer of ornaments for his own trade,
and when the boy showed higher ambitions, taking to painting proper and
talking about the School of Art, there were quarrels, blows, a series of
falling-outs and reconciliations. Even when the young man had achieved
some success, the manufacturer of artistic zincwork, while resigned
to letting him have his will, treated him harshly, like a lad who was
spoiling his career. Later, in the desire of a decoration for himself,
the merchant forgot his former opposition; he held out his son, who
had now arrived at notoriety, as an additional claim for his own
distinction. L’Oeuvre.
FAGEROLLES (HENRI), son of the preceding. In the gloomy house of his
father he grew up like a true child of the Paris pavements. Though his
father desired him to become a designer of ornaments for use in his
trade, the lad had higher ambitions, and desiring to study painting,
became a student at the School of Art. Notwithstanding this orthodox
training, he was a disciple of Claude Lantier and his somewhat
revolutionary band, whom he delighted by sly attacks upon his professors
and praise of themselves. He paid particular court to Claude, under
whose artistic influence he had come, and though he continued to paint
with tricky skill, he no longer talked in anything but the jargon of the
new open-air school. This did not prevent him, however, from elsewhere
making fun of the adepts of that school, whom he accused of doing
their work with a kitchen ladle. He made a success with a picture of an
actress before her glass, which caught the popular taste, and afterwards
appeared as an engraving. Taken up by Naudet, the picture-dealer, he
began to receive large prices for his work, and by doing everything in
his power to make his way in society his position soon became secure.
He was elected a member of the Hanging Committee of the _Salon_, and
secured the admission of Claude Lantier’s picture _L’Enfant Mort_. He
made large sums of money, in the spending of which he was assisted by
Irma Becot. L’Oeuvre.
FANNY (MADEMOISELLE), a work-girl in the neighbourhood of Octave
Mouret’s shop, who was sent there by her employer to match some merinos.
Au Bonheur des Dames.
FAUCHERY (LEON), a journalist and dramatic author, who wrote a piece
for the Theatre des Varietes called _La Petite Duchesse_. After numerous
liaisons he became for a time the lover of Comtesse Sabine Muffat, and
under the pressure of Comte Muffat was forced to give to Nana a leading
part in _La Petite Duchesse_. Fauchery’s liaison with the Comtesse
Muffat merely interrupted for a time one of older standing with Rose
Mignon, whose husband appeared to be content with the position of
major-domo in a _menage a trois_. Nana.
FAUCHEUR (LE PERE) kept at Bennecourt a small country inn much
frequented by artists. In connection with the tavern he carried on a
small business in groceries. After the death of the Faucheurs the inn
was carried on by their niece Melie. L’Oeuvre.
FAUCHEUR (LA MERE), wife of the preceding. She was a daughter of old
Poirette. L’Oeuvre.
FAUCONNIER (MADAME), carried on a laundry business in Paris, and gave
employment to Gervaise Macquart after her desertion by Lantier. She
continued on friendly terms with Gervaise after the latter’s marriage
to Coupeau, at which she was present. When drink had brought about
the Coupeaus’ ruin, Madame Fauconnier again took Gervaise into her
employment, giving her work until her increasing carelessness and
intemperance made her dismissal necessary. L’Assommoir.
FAUCONNIER (VICTOR), the young son of Madame Fauconnier. He was an idle
scamp about four years older than Nana Coupeau, and was her constant
playfellow and companion in all kinds of mischief. L’Assommoir.
Nana, in talking over with Satin the events of her childhood, referred
to Victor as a youth who had always shown vicious tendencies. Nana.
FAUJAS (ABBE), a priest of Besancon who, having got into some trouble
there, was sent to Plassans by the Government with the view of
undermining the political influence of the clergy, who were strongly
Legitimist in their views. At Plassans he took up his residence, along
with his mother, in the house of Francois Mouret. At first he kept
entirely in the background, but assisted by Madame Mouret, who had
fallen in love with him, and by Madame Felicite Rougon, acting under
instructions from her son Eugene, the Minister of State, Faujas soon
began to make himself felt in Plassans. He appeared to take no interest
in politics, but little by little he gained power, until “the conquest
of Plassans” was accomplished and a supporter of the Government was
elected as deputy. Meantime his influence over Madame Mouret had become
complete, and he had practically taken possession of the Mourets’ house,
his sister and her husband, as well as his mother, living there with
him. Thrust aside and neglected, Francois Mouret was wrongfully removed
to the asylum at Les Tulettes, where confinement soon unhinged his
not over-strong intellect. The Abbe now became even more arrogant, and
Madame Mouret was barely tolerated in her own house. Ultimately Francois
Mouret escaped from the asylum, and returning by night to his home,
set fire to it; along with him, the Abbe Faujas and all his relations
perished in the flames. La Conquete de Plassans.
FAUJAS (MADAME), mother of the preceding. She accompanied the Abbe to
Plassans and took up house with him there. Absolutely devoted to her
son, she made herself his slave, and sacrificed everything and every one
to his interests. It was largely through her that the gradual ousting of
the Mourets from their own home became possible; and to accomplish her
ends she stopped short at nothing; seldom speaking, but always watching,
she was ready to grasp each opportunity as it arose. Retribution came
with the escape of Francois Mouret from the asylum, and Madame Faujas
perished along with the other members of her family in the conflagration
raised by him. La Conquete de Plassans.
FAUJAS (OLYMPE). See Madame Olympe Trouche.
FAUQUENOIX, an associate of Baron Desrumaux in the department of the
mines of Montsou. Germinal.
FAUVELLE, a sugar-refinery at Montsou, which suffered on account of the
strike of miners. Germinal.
FAVIER, a salesman in the silk department of “The Ladies’ Paradise.”
He had for some reason an ill-will towards Denise Baudu and spread
scandalous stories about her. Henri Deloche, her friend, hearing him do
so on one occasion, threw a glass of wine in his face. Au Bonheur des
Dames.
FAYEUX, a collector of rents at Vendome. He did business in connection
with Busch, and also with La Mechain, whose cousin he was said to be. He
speculated on the bourse through Mazaud, and after the downfall of
the Universal Bank it was found that he had embezzled large sums from
persons employing him. L’Argent.
FENIL (ABBE), head of the theological seminary at Plassans. He was a
keen ecclesiastic, with strong Legitimist principles, and from the first
took up a position antagonistic to Abbe Faujas. Having great influence
with the Bishop of Plassans, he was for some time able to prevent Faujas
from receiving preferment; a hint from Government, however, caused the
Bishop to change his views, and Abbe Fenil was for the time routed. It
was suspected that he ultimately induced Antoine Macquart to plan the
escape of Francois Mouret from the asylum at Les Tulettes; an escape
which led to the death of Abbe Faujas. La Conquete de Plassans.
FERAUD-GIRAUD FRERES, a firm of ship-owners who joined the great
transport syndicate formed by Aristide Saccard. L’Argent.
FERNAND, a student of chemistry with Combette at Chene Populeux. He
was a cowardly lad, whom fear of the Prussians drove into a fever. La
Debacle.
FERNANDE, a chorus-girl at the Theatre des Varietes. Nana.
FETU (MERE), an old woman whom Helene Grandjean visited at the request
of Abbe Jouve. At her house Helen frequently met Dr. Deberle, who was
attending her professionally at the same time. Below this house was the
flat taken by M. Malignon, who had appointed Mere Fetu caretaker, and
it was through her that Helene came to know of the assignation between
Malignon and Madame Deberle. Une Page d’Amour.
FIFI, the sobriquet of Fanny Menu, q.v. Pot-Bouille.
FINE, the sobriquet of Josephine Gavaudan. La Fortune des Rougon.
FINET (ARISTIDE), the founder of the drapery business known as the
_Vieil Elbeuf_, in Paris. He was the father-in-law and predecessor of
Hauchecorne. Au Bonheur des Dames.
FINET (DESIREE), daughter of the preceding. She married Hauchecorne, her
father’s principal salesman, who carried on the business. Au Bonheur des
Dames.
FINET, a doctor of medicine who resided at Cloyes. He was disgusted by
the brutality of his patients, whom he accused of always sending for him
when it was too late. His indifference became such that he did not make
any inquiries about the death of Rose Fouan, whose end was hastened by
her son Buteau, or that of Pere Fouan, who was burned alive. La Terre.
FIRMIN, chief huntsman to Napoleon III at Compiegne. Son Excellence
Eugene Rougon.
FLAMINIO, the Comtesse Balbi’s man-servant, “with a face like a
brigand’s, and a long black beard.” Son Excellence Eugene Rougon.
FLEUR D’EPINE, a celebrated chief of brigands who preceded
Beau-Francois. La Terre.
FLEURANCE, a putter in the Voreux pit who worked along with the Maheus.
She was found dead in her bed, and the vacancy created in the pit was
filled by Etienne Lantier. Germinal.
FLORE, the elder daughter of Madame Misard (Aunt Phasie). After illness
rendered her mother unfit for work, Flore replaced her as gatekeeper at
the railway crossing at Croix-de-Maufras. She was a tall and strong girl
of eighteen, with a magnificent head of fair hair; disdainful of the
male, she had thrashed at least one would-be lover. When she was quite
little she had loved Jacques Lantier, and now it was to him alone she
would have given herself. Jacques did not care for her, however, and she
came to know that he had a mistress, Severine Roubaud. Convinced of
her own right to be loved, for she was stronger and handsomer than the
other, the girl was tortured by jealousy; and each Friday, as she saw
the express rush past, bearing the two lovers to Paris, was seized
with an imperious desire to end everything, and by causing their death
prevent them from passing any more. She accordingly brought about a
terrible railway accident, in which a large number of persons were
killed; but the crime was useless, for Severine and Jacques escaped with
trifling injuries. The thought that Jacques knew her guilt, and must in
future regard her as a monster, rendered life hateful to Flore, and to
meet death she set out on a walk of heroic determination through the
tunnel of Malaunay, allowing herself to be cut in pieces by an express
train. La Bete Humaine.
FLORENCE, an actress at the variety theatres. Marsy offered her a
valuable house. Son Excellence Eugene Rougon.
Pauline Letellier met her one day on the boulevards accompanied by
Malignon. Juliette Deberle, who was a little jealous, assured her that
Florence was at least forty and very plain-looking. Une Page d’Amour.
FLORENT, elder son of a widow who took as her second husband M. Quenu,
who, however, died three years later, leaving a son. Florent was a
gentle, studious youth, and his mother lavished all her affection on
him, dying in the end from hardships endured in her struggle to keep
him at college in Paris. After her death Florent took young Quenu,
his half-brother, to live with him in Paris, giving up all thought of
continuing to attend the Law School, and taking pupils in order to find
means of sustenance. Years of hardship followed, and Florent became
imbued with Republican ideas. Two days after the _Coup d’Etat_ of 1851,
while the military were firing on the mob in the Boulevard Montmartre,
he was knocked down and stunned. When he recovered, he found that he was
lying beside the body of a young woman, whose blood had oozed from her
wounds on to his hands. He was horrified at the sight, and rushed away
to join a party of men who were throwing up barricades in an adjoining
street. Worn out with fatigue, he fell asleep, and on awakening found
himself in the hands of the police. His hands were still stained with
the blood of the young woman, and the authorities assumed that he was a
dangerous character. The semblance of a trial followed; he was condemned
and transported to Cayenne. After incredible hardships and sufferings,
he escaped and returned to France. Famished and exhausted, he tramped
towards Paris, and had fallen in a faint on the road when he was
overtaken by Madame Francois, who took him the rest of the journey on
her cart. During his long absence his brother Quenu had at first been
taken in by Gradelle, a brother of his mother, to whose business of
pork-butcher he ultimately succeeded. Florent on his return from exile
was warmly received by his brother and Madame Quenu, who told him that
Gradelle, his uncle, had died, leaving a considerable sum, and that as
there was no will he was entitled to a half-share. He refused to accept
this, but agreed to live with the Quenus. This arrangement answered
well at first, but Madame Quenu got tired of seeing him always about the
house, and let him see that he must secure employment. After some time
he got an appointment as deputy inspector at the Fish Market. He was
introduced by Gavard to a small revolutionary circle which met nightly
in a cafe kept by M. Lebigre, and of which he soon became the leader.
Meantime, Mlle. Saget, who from a chance word of Pauline, the little
daughter of Quenu, had learned Florent’s past history, spread the story
in the markets, and a strong feeling was awakened against him. His
sister-in-law, Lisa, alarmed lest her husband should be compromised by
the revolutionary conspiracy, thought it her duty to inform the police.
She learned, however, that Florent’s history had all along been known,
Lebigre being a police spy, and that only a favourable opportunity was
being awaited to arrest the whole gang of conspirators. The blow fell
soon afterwards, and Florent was again sentenced to transportation to
Cayenne. Le Ventre de Paris.
FLORY was born at Saintes, his father being employed in the local
registry office. He came to Paris and entered the office of Mazaud, the
stockbroker. At first he did his duties well, but was soon led astray
and got into debt. Having started speculation on his own account, he
became deeply involved in the Universal bank, and on the failure of that
concern was left with a liability of a hundred thousand francs, to
meet which he had not a single sou. Subsequently he was arrested
and imprisoned for embezzling a large sum from Mazaud, his employer.
L’Argent.
FONTAN (ACHILLE), an actor at the Theatre des Varietes who played parts
in _La Blonde Venus_ and _La Petite Duchesse_. He became for a time the
lover of Nana, but treated her so abominably that she left him. Nana.
FONTENAILLES (MLLE. DE), was descended from an aristocratic family, but
was in great poverty when a situation was found for her in “The
Ladies’ Paradise” through the influence of Madame Desforges. She proved
incapable of anything but the most menial work, and ultimately married
Joseph, one of the porters in the establishment. Au Bonheur des Dames.
FOUAN, alias BUTEAU. See Buteau.
FOUAN (FANNY). See Madame Delhomme.
FOUAN (HYACINTHE), the elder son of Pere Fouan and Rose Maliverne, his
wife. He was an idler and drunkard, who, when he had left the army,
after having seen service in Africa, had taken to tramp the fields,
refusing to do any regular work, but living by theft and poaching, as
though he were still looting a trembling nation of Bedouins. Withal
there looked out of his fine, sunken eyes a merriment that was not
altogether evil, the open heart of good-humoured drunkenness. He lived
with his daughter in a ruined hut amongst some rocks near Rognes. After
the division of land by his father, Hyacinthe soon mortgaged his share
and drank the proceeds, never paying to his parents any part of the
rent which had been agreed upon. For a time he sheltered his father,
but frightened the old man by searching for some bonds which he had
concealed. He had, however, neither the cold rapacity of his sister
Fanny nor the murderous instincts of his brother Buteau. La Terre.
FOUAN (JOSEPH CASIMIR), the father of Marianne, Louis, Michel, and
Laure. Born in 1766, he belonged to a family of peasant proprietors
which for centuries had owned land, in varying quantities, in
the neighbourhood of Rognes. They were originally serfs of the
Roques-Bouqueval family. Bit by bit they acquired their land, until,
when the Revolution of 1789 arrived, the Fouan of that day, Joseph
Casimir, was the owner of twenty-one acres--the conquest of four
centuries from the seigneurial territory. When, in 1793, the rest of the
estate was declared national property and sold in lots by auction,
he was too timid to purchase any, and had the mortification to see La
Borderie sold to Isidore Hourdequin, a citizen of Chateaudun, for a
fifth of its value. When he became old he divided his twenty-one acres
between three of his family, Marianne, Louis, and Michel, and gave a
corresponding sum of money to his younger daughter Laure, who had been
brought up as a sempstress and was in service at Chateaudun. La Terre.
FOUAN (LAURE), younger daughter of the preceding. See Madame Charles
Badeuil.
FOUAN (LOUIS), known as Pere Fouan. He was the son of Joseph Casimir
Fouan, and married Rose Maliverne, by whom he had three children,
Hyacinthe, Buteau, and Fanny. He received seven acres of land from
his father, and his wife brought him twelve acres more. This land
he cultivated well, and with a passion for the soil, as such, which
amounted to frenzy. It alone had his love, and his wife and children
trembled before him under a rude despotism. At seventy years of age
he was still healthy, but his limbs were failing, and he reluctantly
decided to divide his land between his children. He retained his
house and garden, which had come to him with his wife, and his family
undertook to pay him a rent for the land handed over to them. Upon this,
along with a nest-egg of three hundred francs per annum, known to no
one, the old people would be able to live comfortably. The division
made, the family soon became rapacious; Hyacinthe never paid anything,
Buteau only a part, and Delhomme, Fanny’s husband, alone fulfilled his
obligation. Mere Fouan died, and the old man lived alone for a year;
after that he went to his daughter Fanny Delhomme, but her unkindness
made his life miserable, and he accepted in turn the hospitality of his
two sons, Buteau and Hyacinthe, both of whom had come to suspect the
existence of his nest-egg and were anxious to secure it. In this sordid
aim Buteau was eventually successful, and his subsequent treatment of
the old man was even more infamous than it had been before. From this
time Pere Fouan lived in isolation; he spoke to none and looked at none;
as far as appearances went, he might have been blind and dumb. But even
worse was to follow. He had seen the assault on Francoise Mouche which
resulted in her death, and to ensure his silence he was murdered by
Buteau and Lise, his son and daughter-in-law, who attempted to suffocate
him, and subsequently burned him alive in his bed. La Terre.
FOUAN (MADAME ROSE), wife of the preceding, nee Maliverne. She worked on
the farm like a man, rising first and going to bed last, her only reward
being that she had lived. Stupid, and reduced by labour to the level of
an animal, she had always trembled before the despotic authority of her
husband. She brought up her family without love, and as if she resented
their requiring even the simple necessaries of life. She did not
long survive the division of land by her husband. Her favouritism for
Hyacinthe, her elder son, excited the jealousy of Buteau, who in the
course of a quarrel threw her to the ground, when she received such
injuries that she died a few hours afterwards. La Terre.
FOUAN (MARIANNE). See La Grande.
FOUAN (MICHEL). See Pere Mouche.
FOUAN (OLYMPE), daughter of Hyacinthe. Her mother, who was a tramp, ran
off when the child was three years old, leaving her to grow up as best
she could. She was passionately fond of geese, of which she had a large
flock. When little more than a child, she had as her lovers Delphin Becu
and Nenesse Delhomme. La Terre.
FOUCARMONT, a naval officer who in ten years saved some money which he
proposed to invest in the United States. He fell into the hands of Nana,
however, and was soon completely ruined. When she turned him out of
doors penniless, she merely advised him to go back to his ship. He was
drowned later in the China seas. Nana.
FOUCART, the owner of a cheap restaurant frequented by Jory, Mahoudeau,
and their band. L’Oeuvre.
FOUCART (MADAME), the nurse who attended Sidonie Rougon at the birth
of Angelique and left the child at the foundling hospital. She assisted
Sidonie both by taking her into her house and lending her money, but
when Madame Foucart herself fell into difficulties Sidonie did nothing
for her, not even paying back what she owed. It was from Madame Foucart
that Hubert subsequently got information regarding the parentage of
Angelique. Le Reve.
FOUCHARD, father of Honore Fouchard, and uncle, on the mother’s side, of
Henriette and Maurice Levasseur. He was a small farmer at Remilly, who
to make money more quickly took up the trade of butcher also. Avaricious
to the last degree, and with a nature of unpitying hardness, he opposed
the marriage of Honore with his servant Silvine Morange. At the end of
two years of waiting Honore went off, after a terrible scene with his
father, though the old man still kept the girl, with whom he was
well pleased. When the French troops were marching to Sedan, Fouchard
concealed all the animals on his farm, burying even his supply of bread
and wine, in the hope of being able to sell to better advantage later
on. The death of his son, who was killed in the battle, cost him a few
tears, but he was quickly consoled by some good purchases of horses
stolen from the battlefield. He took Prosper Sambuc as farm-worker,
because the soldier, being liable to imprisonment by the Prussians,
could not ask him for any wages. He began to do a considerable trade
in butcher-meat with the conquering army, selling them all the diseased
animals that he could secure. A suspicion of being concerned in the
death of Goliath Steinberg led to his arrest, but he was released soon
afterwards, thanks to the intervention of Captain von Gartlauben, a
friend of the Delaherches. La Debacle.
FOUCHARD (HONORE), only son of the preceding. At twenty years of age, in
1867, he drew a good number for the conscription, but on account of
the opposition of his father to his marriage with Silvine Morange, he
enlisted, and was sent to Africa, in the artillery. When he heard that
Silvine had become the mistress of Goliath Steinberg he became so
ill that he had to remain in hospital for three months. He afterwards
received a letter from Silvine saying that she had never loved any one
but him, and when passing through Remilly on his way to the front, he
saw her and forgave everything. His battery was among those which on 1st
September, 1870, defended the Calvary d’Illy, but was cut to pieces by
the terrible fire of the Prussians. Honore was killed, and fell
across his gun, firmly grasping the letter from Silvine, which in his
death-struggle he had drawn from his bosom. La Debacle.
FOUGERAY (MADEMOISELLE DE), eldest daughter of the Baronne de Fougeray.
She entered a convent, because it was said, a young man with whom she
was in love had died. The event created much talk in all classes of
society in Paris. Nana.
FOUQUE (ADELAIDE), generally known as Aunt Dide, the common ancestress
of the Rougon-Macquarts, born at Plassans in 1768, was the last
representative of a family who had owned a market-garden there for
several generations. “This girl, whose father died insane, was a long,
lank, pale creature, with a scared look and strange gait.” In 1786,
six months after the death of her father, she married one of her own
workmen, named Rougon, “a rough-hewn peasant from the Basses Alpes.”
Rougon died fifteen months after his marriage, leaving a son named
Pierre. Scarcely a year had elapsed before the widow took as her lover a
man named Macquart, who lived in a hovel adjoining her own property, and
two children were born. The legitimate son, Pierre Rougon, was brought
up along with his half brother and sister, Antoine and Ursule, with
whom, however, he was not on good terms. From her eighteenth year
Adelaide was subject to nervous fits, which brought on convulsions, and
though she was not yet insane, these repeated shocks produced cerebral
disorders. “She lived from day to day like a child; like a fawning
animal yielding to its instincts.” These conditions continued for about
twenty years, till the death of Macquart, and the children grew up as
best they could. By this time Pierre realized the situation, and playing
upon his mother’s mental weakness, he brought her completely under
his sway. On the death of Macquart, Adelaide went to live in the
hovel bequeathed to her by him, and Pierre sold the family property,
appropriating the price. Living at first entirely alone, her intellect
became more and more affected by the recurring convulsive fits.
Subsequently her grandson Silvere Mouret lived with her, but after
his execution, of which she was a witness, she became quite insane. La
Fortune des Rougon.
She was always under restraint, and remained a living sore to the
family. The little property which belonged to her son Antoine Macquart
was close to the asylum where she was confined, and Pierre Rougon seemed
to have placed him there to look after her. Adelaide seldom spoke,
and for twelve years had never moved from her chair. La Conquete de
Plassans.
At 104 years old she was still living in the asylum at Les Tulettes.
She was little better than a skeleton, and in her long, thin face it
was only in the eyes that there was any sign of life. Immovable in her
chair, she remained from year to year like a spectre, calling up the
horrors of her family history. A sudden accident, the death of little
Charles Saccard from nasal hemorrhage, wakened in her sleeping brain
recollections of years before; she saw again the murder of Silvere,
killed by a pistol-shot, and she saw also her lover Macquart, the
smuggler, killed like a dog by the gendarmes. The shock proved too much
for her feeble strength, and she died the following day (in 1873), aged
105 years, three months, and seven days. Le Docteur Pascal.
FOUSSET (LE PERE), tenant of the farm of Millouard, in the Canton
of Orgeres. He was a victim of the band of brigands commanded by
Beau-Francois. La Terre.
FRANCHOMME (LOUIS), a cousin of Francoise Hamelin and her brother, with
whom he went to reside for a time when recovering from a fever. His
wife having become fond of Angelique Marie, who lived at that time with
Francoise Hamelin, he obtained permission to take her to Paris, where
she could be taught the trade of making flowers. Unfortunately, however,
he died three months later. Le Reve.
FRANCHOMME (THERESE), wife of the preceding. After the death of her
husband, she, being in delicate health, was obliged to leave the city
and go to live with her brother Rabier, a tanner, who was settled at
Beaumont. She died a few months afterwards, leaving to the care of the
Rabiers the child Angelique, whom she had brought with her from Paris.
Le Reve.
FRANCIS, the hairdresser of Nana. He was in the habit of lending money
to his customers, and on one occasion he found, with the assistance of
Labordette, a hundred thousand francs for Comte Muffat, who required the
money for Nana. Nana.
FRANCIS, coachman to the Gregoires. He also did the heavy work of the
household. Germinal.
FRANCOIS, a wine-merchant whose shop was situated at the corner of Rue
des Poissonniers and of Rue de la Goutte d’Or. Coupeau frequently spent
whole days there. L’Assommoir.
FRANCOIS, concierge and footman in Nana’s establishment. He was the
husband of Victorine, the cook. He received visitors in the hall,
wearing a gorgeous livery. Nana.
FRANCOIS (MADAME), a market-gardener of Nanterre. She drove regularly
to Paris in the early morning with her vegetables, and on one occasion
found Florent lying on the road from want and exhaustion. She took him
to town in her cart, and subsequently showed kindness to him and Claude
Lantier. Le Ventre de Paris.
FRANCOISE, housemaid to Madame Theophile Vabre. Pot-Bouille.
FRANCOISE, the servant of M. and Madame Sandoz in their little house in
Rue Nollet. L’Oeuvre.
FRANGIPANE, a horse which belonged to Baron Verdier and ran in the Grand
Prix de Paris. Nana.
FREDERICK (MADAME), a widow who held the position of “second hand” in
the dress department of “The Ladies’ Paradise.” Au Bonheur des Dames.
FIRMAT, an old peasant of Rognes who was a neighbour of Mouche. He
became paralysed. La Terre.
FIRMAT (LA), wife of the preceding. She was well known in the village
for her knowledge of animals, and was frequently consulted when it
would otherwise have been necessary to call in a veterinary surgeon. She
worked hard to support her invalid husband, to whom she was devoted, and
wept at the thought that he was soon to die. La Terre.
G
GABET (MERE), an old woman who assisted the Huberts with their washing.
She became ill, and being in great poverty, was assisted by Angelique,
and later by Felicien. Le Reve.
GAGA, an elderly _demi-mondaine_ who had flourished in the reign of
Louis Philippe, and was still notorious in the Second Empire. She had
a daughter named Lili, who became the mistress of the Marquis Chouard.
Nana.
GAGEBOIS, glass-works at Montsou. The strike of miners led to the fires
being extinguished. Germinal.
GAGNIERE, an artist, one of the band of Claude Lantier. He belonged to
Melun, where his well-to-do parents, who were both dead, had left him
two houses; and he had learned painting, unassisted, in the forest
of Fontainebleau. His landscapes were conscientious and excellent in
intent, but his real passion was music. Becoming more and more engrossed
in this, he took lessons in playing the piano from a middle-aged lady
whom he married soon afterwards. He established himself at Melun in one
of his two houses, going to Paris two or three times a month to attend a
concert, and he continued to exhibit each year at the _Salon_ one of his
little studies of the banks of the Seine. L’Oeuvre.
GALISSARD, a haberdasher of Plassans, whose daughter married Professor
Lalubie. She was a pretty girl to whom Claude Lantier and Sandoz used to
sing serenades.
GARCONNET, a Legitimist who was Mayor of Plassans at the time of the
_Coup d’Etat_. He was taken prisoner by the insurgents. La Fortune des
Rougon.
GARTLAUBEN (VON), captain in the Prussian Army. During the occupation of
Sedan he was billeted on Delaherche. He was a person of some importance,
as his uncle had been made Governor-General at Rheims, and exercised
sovereign power over the district. Fascinated by Gilberte Delaherche,
his chief wish was to be taken for a man of refinement, and not for
a barbarous soldier. He was able to render some services to the
Delaherches, and to make the Prussian occupation easier for them. La
Debacle.
GASC, proprietor of a racing-stable. One of his horses, named Boum, ran
in the Grand Prix de Paris. Nana.
GASPARINE, a tall, handsome girl of Plassans, with whom Achille
Campardon fell in love. She had no money, however, and he married her
cousin Rose Domergue, who had a dowry of thirty thousand francs. Tears
and recriminations followed, and Gasparine went to Paris, where for some
time she had a situation in the shop of Madame Hedouin. Madame Campardon
having fallen into ill-health, her husband returned to his first love,
and a liaison existed between him and Gasparine for a considerable
time. Ultimately she went to live with the Campardons, and managed their
household affairs. Pot-Bouille.
GASTON was the son of a general, and was the same age as the Prince
Imperial, though much stronger than he. The Emperor frequently made
inquiries regarding the child. Son Excellence Eugene Rougon.
GAUDE, bugler in the 106th regiment of the line. “He was a big, skinny,
sorrowful, taciturn man, without a hair on his chin, and blew his
instrument with the lungs of a whirlwind.” On the 1st September, during
the defence of the Hermitage, he became seized with the madness of
heroism, and continued to blow after his comrades had been slain and
until he himself was shot down. La Debacle.
GAUDIBERT (ISIDORE), Mayor of Barbeville since 1850, wrote some poetry
on political subjects, and was decorated by the Minister of State,
Eugene Rougon. Son Excellence Eugene Rougon.
GAUDRON, husband of Madame Gaudron. He was described as having the
sluggishness of a beast. L’Assommoir.
GAUDRON (MADAME), a wool-carder who lived with her husband and their
large family in the same tenement-house as the Coupeaus and the
Lorilleux. She was one of the guests at the Coupeaus’ wedding.
L’Assommoir.
GAUDRON FILS, the eldest child of the Gaudrons, was a journeyman
carpenter. L’Assommoir.
GAUJEAN (M.), a silk manufacturer of Lyons who was dissatisfied with
the monopoly created by the large establishments, such as that of Octave
Mouret, and thought it could be broken by the creation of special shops
in the neighbourhood, where the public could find a large and varied
choice of articles. With this object he assisted Robineau to purchase
Vincard’s business by giving him credit to a large amount; the scheme
was not successful, and he lost heavily. Au Bonheur des Dames.
GAUTIER, a wine-grower at Saint-Eutrope, with whom Francois Mouret had
dealings at one time. La Conquete de Plassans.
GAVARD, originally kept a rotisserie or poultry-roasting establishment
in the Rue Saint-Jacques, at which time he became acquainted with
Florent and Quenu. In 1856 he retired from this business, and to amuse
himself took a stall in the poultry-market. “Thenceforth he lived amidst
ceaseless tittle-tattle, acquainted with every little scandal in the
neighbourhood.” Gavard was a leading spirit in the revolutionary circle
which met in Lebigre’s wine-shop, and was the means of bringing Florent
to attend the meetings there. He was arrested at the same time as
Florent and was transported. Le Ventre de Paris.
GAVAUDAN (JOSEPHINE), a market-woman of Plassans who married Antoine
Macquart in 1826. She was much addicted to drink, but worked in order to
keep her husband in idleness. She died in 1850. La Fortune des Rougon.
GEDEON, an ass which belonged to Mouche. It was very mischievous, and
on one occasion got access to a vat of new wine, with the result that it
became extremely drunk. La Terre.
GEORGES, a young man whose acquaintance Renee Saccard made by chance
while walking one day on the Quai Saint-Paul. Her fancy for him passed
without her ever having asked his family name. La Curee.
GERALDINE, a character in _La Petite Duchesse_, played by Clarisse
Besnus at the Theatre des Varietes. It was originally intended that the
part should be played by Nana. Nana.
GILQUIN (THEODORE), a lodger at Madame Correur’s hotel at the same
time as Eugene Rougon and Du Poizat. A man of shady character, he was
frequently employed by Rougon, and by a fortunate accident was able to
give him warning of the Orsini plot against the life of the Emperor. He
was rewarded with the appointment of Commissary of Police at Niort. On
the order of Rougon, he arrested Martineau, Madame Correur’s brother. He
was removed from his position on account of having compromised himself
by taking a bribe to procure a conscript exemption from service. Son
Excellence Eugene Rougon.
GIRAUD (TATA) kept at Plassans a boarding-school for children, where the
sculptor Mahoudeau had known Pierre Sandoz and other comrades who met
later in Paris. L’Oeuvre.
GODARD (ABBE), cure of Bazoches-le-Doyen. The authorities of Rognes,
which was in his parish, refused to provide for a priest of their own,
and Abbe Godard, in order to perform Mass, had to walk each Sunday the
three kilometres which separated the two communes. He was a short,
stout man of hasty temper, who was disgusted with the indifference and
irreligion of his parishioners, and his services were the shortest and
baldest possible. In spite of his temper, he had, however, a passion for
the miserable, and to these he gave everything--his money, his linen,
almost the clothes off his back. La Terre.
GODEBOEUF, a seller of herbs who occupied the shop in Rue Pirouette
which formerly belonged to Gradelle, the pork-butcher. Le Ventre de
Paris.
GODEMARD, a pupil of Dequersonniere, the architect. See Gorju. L’Oeuvre.
GOMARD, the keeper of a working-man’s cafe in Rue de la Femme-sans-Tete,
under the sign _Au Chien de Montargis_. Claude Lantier occasionally took
his meals there. L’Oeuvre.
GONIN, a family of fisher-folks who lived at Bonneville. It consisted of
Gonin, his wife, and one little girl. A cousin of the wife, named Cuche,
came to live with them after his house had been washed away by the sea.
Gonin soon after fell into bad health, and his wife and Cuche treated
him so badly that the police talked of an inquiry. Pauline Quenu tried
to reform the little girl, who had been allowed to grow up wild. La Joie
de Vivre.
GORJU, a pupil of Dequersonniere, and himself a future architect. On one
of the walls of the studio one could read this brief statement: “The 7th
June, Gorju has said that he cared nothing for Rome. Signed, Godemard.”
L’Oeuvre.
GOUJET, a blacksmith from the Departement du Nord, who came to Paris and
got employment in a manufactory of bolts. “Behind the silent quietude
of his life lay buried a great sorrow: his father in a moment of drunken
madness had killed a fellow-workman with a crowbar, and after arrest had
hanged himself in his cell with a pocket-handkerchief.” Goujet and his
mother, who lived with him, always seemed to feel this horror weighing
upon them, and did their best to redeem it by strict uprightness. “He
was a giant of twenty-three, with rosy cheeks and blue eyes, and the
strength of a Hercules. In the workshop he was known as Gueule d’Or,
on account of his yellow beard. With his square head, his heavy frame,
torpid after the hard work at the anvil, he was like a great animal,
dull of intellect and good of heart.” For a time the Coupeaus were
his neighbours, and he came to love Gervaise with a perfectly innocent
affection, which survived all disillusionments, and subsisted up to the
time of her death. It was he who lent her money to start a laundry, and
afterwards repeatedly assisted her when in difficulties. L’Assommoir.
GOUJET (MADAME), mother of the preceding, was a lace-mender, and lived
with her son in part of the house first occupied by the Coupeaus. She
showed much kindness to them, though she was distressed by her son’s
infatuation for Gervaise, and did not altogether approve of his lending
her money to start a laundry. Notwithstanding this, she continued to
assist Gervaise until neglect of work entrusted made it impossible to do
so longer. She died in October, 1868, of acute rheumatism. L’Assommoir.
GOURAUD (BARON), was made a Baron by Napoleon I, and was a Senator under
Napoleon III. “With his vast bulk, his bovine face, his elephantine
movements, he boasted a delightful rascality; he sold himself
majestically, and committed the greatest infamies in the name of duty
and conscience.” La Curee.
GOURD (M.), at one time valet to the Duc de Vaugelade, and afterwards
doorkeeper in the tenement-house in Rue de Choiseul which belonged to M.
Vabre, and was occupied by the Campardons, the Josserands, and others.
He spent much of his time spying on the tenants, and posed as guardian
of the morals of the establishment. Pot-Bouille.
GOURD (MADAME), wife of the preceding. She was the widow of a bailiff at
Mort-la-Ville, and she and her present husband owned a house there. She
was exceedingly stout, and suffered from an affection of the legs which
prevented her from walking. Pot-Bouille.
GRADELLE, brother of Madame Quenu, senr., and uncle of Florent and
Quenu. He was a prosperous pork-butcher in Paris, and after Florent’s
arrest he took young Quenu into his business. He died suddenly,
without leaving a will, and Quenu succeeded to the business, and to
a considerable sum of money which was found hidden at the bottom of a
salting-tub. Le Ventre de Paris.
GRAND-DRAGON (LE), one of the band of brigands led by Beau-Francois. La
Terre.
GRANDE (LA), elder daughter of Joseph Casimir Fouan, and sister of Pere
Fouan, Michel Mouche, and Laure Badeuil. Married to a neighbour, Antoine
Pechard, she brought to him seven acres of land against eighteen which
he had of his own. Early left a widow, she turned out her only daughter,
who, against her mother’s will, wished to marry a poor lad named Vincent
Bouteroue. The girl and her husband died of want, leaving two children,
Palmyre and Hilarion, whom their grandmother refused to assist. At
eighty years of age, respected and feared by the Fouan family, not for
her age but for her fortune, she exacted the obedience of all, and still
directed the management of her land. She bitterly reproached her brother
Louis for dividing his property between his children, and warned him
that he need not come to her when they had turned him into the street, a
threat which she carried into effect. She took delight in the squabbles
of the Fouan family, exciting their cupidity by promising them a share
of her property at her death. Meantime she made a will which was so
complicated that she hoped it would lead to endless lawsuits amongst her
heirs. La Terre.
GRANDGUILLOT, a notary at Plassans. He embezzled large sums belonging
to his clients, among whom was Dr. Pascal Rougon, and thereafter fled to
Switzerland. Le Docteur Pascal.
GRANDJEAN (M.), son of a sugar-refiner of Marseilles. He fell in love
with Helene Mouret, a young girl of great beauty, but without fortune;
his friends bitterly opposed the match, and a secret marriage followed,
the young couple finding it difficult to make ends meet, till the
death of an uncle brought them ten thousand francs a year. By this time
Grandjean had taken an intense dislike for Marseilles, and decided to
remove to Paris. The day after his arrival there he was seized with
illness, and eight days later he died, leaving his wife with one
daughter, a young girl of ten. Une Page d’Amour.
GRANDJEAN (MADAME HELENE), wife of the preceding. See Helene Mouret.
GRANDJEAN (JEANNE), born 1842, was the daughter of M. Grandjean and
Helene Mouret, his wife. She inherited much of the neurosis of her
mother’s family along with a consumptive tendency derived from her
father, and from an early age had been subject to fits and other nervous
attacks. One of these illnesses, more sudden and severe than usual,
caused her mother to summon Doctor Deberle, and thus led to an intimacy
which had disastrous results. Jeanne’s jealous affection for her mother
amounted almost to a mania, and when she came to suspect that Dr.
Deberle had become in a sense her rival, she worked herself into such
a nervous state that she exposed herself to a chill, and having become
seriously ill, died in a few days, at the age of thirteen. Une Page
d’Amour.
GRANDMORIN (LE PRESIDENT), one of the directors of the Western Railway
Company. “Born in 1804, substitute at Digne on the morrow of the events
in 1830, then at Fontainebleau, then at Paris, he had afterwards filled
the posts of procurator at Troyes, advocate-general at Rennes, and
finally first president at Rouen. A multi-millionaire, he had been
member of the County Council since 1855, and on the day he retired he
had been made Commander of the Legion of Honour.” He owned a mansion
at Paris in Rue du Rocher, and often resided with his sister, Madame
Bonnehon, at Doinville. His private life was not unattended by scandal,
and his relations with Louisette, the younger daughter of Madame Misard,
led to her death. A somewhat similar connection with Severine Aubry,
a ward of his own, had less immediately serious consequences, as
he arranged for her marriage to Roubaud, an employee of the railway
company, whom he took under his protection. Three years later Roubaud
learned the truth by chance, and murdered Grandmorin in the Havre
express between Malaunay and Barentin. The President left a fortune of
over three and a half million francs, among other legacies being one
to Severine Roubaud of the mansion-house of Croix-de-Maufras. La Bete
Humaine.
GRANDMORIN (BERTHE), daughter of the preceding, was the wife of a
magistrate, M. de Lachesnaye. She was a narrow-minded and avaricious
woman, who affected ignorance of her father’s real character, and the
influence of her husband tended to increase her meanness. After the
murder of President Grandmorin, when vague suspicions fell on Roubaud,
Berthe took up a position antagonistic to her old play-fellow Severine
Roubaud, in the hope that a legacy left by Grandmorin to her would be
cut down. La Bete Humaine.
GRANDSIRE (M.), the justice of peace who assisted the Huberts in making
the necessary arrangements for their adoption of Angelique. Le Reve.
GRANOUX (ISIDORE), one of the group of conservatives who met in Pierre
Rougon’s yellow room to declaim against the Republic. La Fortune des
Rougon.
GRAS (MADAME), an old lady living in the Rue des Orties, who boarded and
lodged young children for a small sum. When Denise Baudu got a situation
in “The Ladies’ Paradise,” she put her young brother Pepe under the
charge of Madame Gras for a time. Au Bonheur des Dames.
GREGOIRE (CECILE), daughter of Leon Gregoire. Her parents were devoted
to her, and brought her up in happy ignorance, allowing her to do much
as she liked. They taught her to be charitable, and made her dispense
their little gifts to the poor; these were always in kind, as they held
that money was likely to be misused. When the great strike broke out at
Montsou, Cecile could comprehend nothing of the revolt of the poor, or
the fury with which they regarded those better off than themselves,
and when she fell into the hands of a fierce crowd was almost paralysed
under the attack of La Brule and of Pere Bonnemort, from which she
escaped with difficulty. A little later she chanced to call on a
charitable errand at Maheu’s house, and unfortunately was left alone for
a few moments with Bonnemort, who was now supposed to be helpless. The
sight of her seemed, however, to waken memories in the old man, for in
an accession of madness he found strength to throw himself upon the poor
girl and strangle her. Germinal.
GREGOIRE (EUGENE), grandfather of Leon Gregoire. He inherited the share
in the Montsou mine bought by his father, but the dividends at that
time were small, and as he had foolishly invested the remainder of
the paternal fortune in a company that came to grief, he lived meanly
enough. The share passed to his son Felicien. Germinal.
GREGOIRE (FELICIEN), son of the preceding and father of Leon Gregoire.
The family fortune began with him, for the value of the share in
the Montsou mine had greatly increased, and he was able to buy the
dismembered estate of Piolaine, which he acquired as national property
for a ludicrous sum. However, bad years followed; it was necessary to
await the conclusion of the revolutionary catastrophes, and afterwards
Napoleon’s bloody fall. The little fortune of Felicien Gregoire passed
to his son Leon. Germinal.
GREGOIRE (HONORE), great-grandfather of Leon Gregoire. He was in 1760
steward on the estate of Piolaine, a property which belonged to Baron
Desrumaux. When the Montsou treaty was made, Honore, who had laid up
savings to the amount of some fifty thousand francs, yielded tremblingly
to his master’s unshakable faith. He gave up ten thousand francs, and
took a share in the Montsou Company, though with the fear of robbing his
children of that sum. When he died his share passed to his son Eugene.
Germinal.
GREGOIRE (LEON), great-grandson of Honore Gregoire. It was he who
profited at a stupefying rate of progress by the timid investment of his
ancestor. Those poor ten thousand francs grew and multiplied with the
company’s prosperity. Since 1820 they had brought in cent for cent ten
thousand francs. In 1844 they had produced twenty thousand; in 1850,
forty. During two years the dividend had reached the prodigious figure
of fifty thousand francs; the value of the share, quoted at the Lille
Bourse at a million, had centrupled in a century. Six months later an
industrial crisis broke out; the share fell to six hundred thousand
francs. But Leon refused to be alarmed, for he maintained an obstinate
faith in the mine. When the great strike broke out he would not be
persuaded of its seriousness, and refused to admit any danger, until he
saw his daughter struck by a stone and savagely assaulted by the crowd.
Afterwards he desired to show the largeness of his views, and spoke of
forgetting and forgiving everything. With his wife and daughter Cecile
he went to carry assistance to the Maheus, a family who had suffered
sadly in the strike. Cecile was unfortunately left alone with old
Bonnemort, Maheu’s father, who in a sudden frenzy attacked the girl
and strangled her. This terrible blow entirely shadowed the lives of
Gregoire and his wife. Germinal.
GREGOIRE (MADAME LEON), wife of the preceding, was the daughter of
a druggist at Marchiennes. She was a plain, penniless girl, whom he
adored, and who repaid him with happiness. She shut herself up in her
household, having no other will but her husband’s. No difference
of tastes separated them, their desires were mingled in one idea of
comfort; and they had thus lived for forty years, in affection and
little mutual services. Germinal.
GRESHAM, a jockey who, it was said, had always bad luck. He rode
Lusignan in the Grand Prix de Paris. Nana.
GROGNET, a perfumer in Rue de Grammont, whose business was ruined by the
growth of Octave Mouret’s great establishment. Au Bonheur des Dames.
GROSBOIS, a Government surveyor who had also a small farm at Magnolles,
a little village near Rognes. Liable to be summoned from Orgeres to
Beaugency for purposes of survey, he left the management of his own land
to his wife, and in the course of these constant excursions he acquired
such a habit of drinking that he was never seen sober. That mattered
little, however; the more drunk he was the better he seemed to see;
he never made a wrong measurement or an error in calculation. People
listened to him with respect, for he had the reputation of being a sly,
acute man. La Terre.
GUENDE (MADAME DE), a friend of the Saccards. She was a woman well known
in the society of the Second Empire. La Curee.
GUEULE-D’OR, the sobriquet of Goujet. L’Assommoir.
GUEULIN, nephew of Narcisse Bachelard, was a clerk in an insurance
office. Directly after office hours he used to meet his uncle, and never
left him, going the round of all the cafes in his wake. “Behind the
huge, ungainly figure of the one you were sure to see the pale, wizened
features of the other.” He said that he avoided all love affairs, as
they invariably led to trouble and complications, but he was ultimately
caught by his uncle in compromising circumstances with Mademoiselle
Fifi, who was a protegee of the old man. Bachelard insisted on their
marriage, and gave the girl a handsome dowry. Pot-Bouille.
GUIBAL (MADAME), wife of a barrister well known at the Palais de
Justice, who led, it was said, a somewhat free life. The husband and
wife were never seen together, and Madame Guibal consoled herself with
M. De Boves, from whom she derived such large sums of money that he
found difficulty in carrying on his own establishment. She was a tall,
thin woman, with red hair, and a somewhat cold, selfish expression. Au
Bonheur des Dames.
GUICHON (MADEMOISELLE), the office-keeper at the railway station at
Havre. She was a slim, fair woman about thirty years of age, who owed
her post to M. Dabadie, the chief station-master, with whom it was
generally believed she was on intimate terms. Nevertheless Madame
Lebleu, who lived on the same corridor and kept perpetual watch, had
never been able to discover anything. La Bete Humaine.
GUIGNARD, a peasant who belonged to the same village as Zephyrin Lacour.
He desired to sell his house, and Zephyrin and Rosalie, his sweetheart,
looked forward to buying it. Une Page d’Amour.
GUILLAUME, a peasant of Rognes. He owned a piece of land beside the
hovel of Hyacinthe Fouan. La Terre.
GUILLAUME, a young swineherd at La Borderie. He afterwards became a
soldier. La Terre.
GUIRAUD (M. DE), a magistrate of Paris, who was a friend of Doctor
Deberle and visited at his house. Une Page d’Amour.
GUIRAUD (MADAME DE), wife of the preceding. She was on intimate terms
with Madame Deberle, and took part in the amateur theatricals arranged
by that lady. Une Page d’Amour.
GUIRAUDE (MADAME), mother of Sophie and Valentin, patients of Dr.
Pascal. Her husband died of phthisis, and she herself suffered from a
slow decomposition of the blood. She died soon after her son Valentin.
Le Docteur Pascal.
GUNDERMANN, the great Jew banker, master of the Bourse and of the
financial world. He was a man of over sixty years of age, who had long
suffered from ill-health. Constantly engaged in business of the
greatest magnitude, he never went to the Bourse himself; indeed, he even
pretended that he sent no official representatives there. He was not on
friendly terms with Saccard, and when the Universal Bank was started
he placed himself in antagonism towards it. The wild speculation in the
shares of the bank gave him his chance; his principle was that when
a share rose above its true value a reaction was bound to follow.
Accordingly, when the bank shares rose to two thousand francs he began
to sell, and though Saccard by steady buying forced them to over three
thousand francs, he continued to sell. His losses meantime were, of
course, enormous, but having got information through Baroness Sandorff
that Saccard’s resources were at an end, he made a final effort, with
the result that a panic ensued, the price of the shares broke, and
Saccard, along with the bank, was ruined. L’Argent.
GUNTHER (OTTO), captain in the Prussian Guard. He was a cousin of Weiss
on the mother’s side. His feelings were strongly anti-French, and he
refused to give any assistance to Henriette Weiss after the death of her
husband, when she was searching for his body. La Debacle.
GUSTAVE, Maxime Saccard’s hairdresser. La Curee.
GUTMANN, a soldier in the Prussian Army, who took part in the attack
on Bazeilles. It was he who tore Henriette Weiss from the arms of her
husband, who, being a civilian, was about to be executed for firing
upon the Prussian troops. Henriette found him later in the ambulance
at Remilly. He was unable to speak, a ball having carried away half his
tongue, and they could only guess from the sounds he made that his name
was Gutmann. Henriette, moved by pity, remained with him to the end, and
she alone followed him to the place of burial. La Debacle.
GUYOT (ABBE), a priest of Saint-Eutrope. He took duty temporarily at
Artaud while Abbe Mouret was ill. La Faute de l’Abbe Mouret.
GUYOT-LAPLANCHE, a man of considerable importance in the Second Empire,
whom Clorinde Balbi gained to the cause of Eugene Rougon. Son Excellence
Eugene Rougon.
H
HAFFNER, a well-known manufacturer, at Colmar. He was a
multi-millionaire, and became a politician during the time of the Second
Empire. He was the husband of Suzanne Haffner. La Curee.
HAFFNER (MADAME SUZANNE), wife of a celebrated manufacturer of Colmar,
a millionaire twenty times over, whom the Empire was transforming into a
politician. She was the inseparable companion of the Marquise d’Espanet,
and had been a schoolfellow of Madame Renee Saccard. La Curee.
HALLEGRAIN (CAPTAIN JACQUES), the father of Christine. He was a Gascon
from Montauban. A stroke of paralysis in the legs caused his retirement
from the army, and he settled at Clermont with his wife and daughter.
One day, when they were at church, he died of a second attack of
paralysis. L’Oeuvre.
HALLEGRAIN (MADAME), wife of the preceding. She survived him for five
years, remaining at Clermont, managing as well as she could on her
scanty pension, which she eked out by painting fans, in order to bring
up her daughter as a lady. During these five years Madame Hallegrain
became each day paler and thinner, until she was only a shadow; one
morning she could not rise, and she died, looking sadly at Christine,
with her eyes full of great tears. L’Oeuvre.
HALLEGRAIN (CHRISTINE), daughter of the preceding, was born at
Strasburg. Her father died when she was twelve years old, and her
mother, who had a severe struggle to make a living for herself and her
child, only survived him five years. Christine was left penniless
and unprotected, without a friend, save La Mere des Saints-Anges, the
Superior of the Sisters of the Visitation, who kept her in the convent
until she got a situation as reader and companion to Madame Vanzade, an
old lady who lived in Paris. Chance led to a meeting between Christine
and Claude Lantier on the evening of her arrival in the city, and the
acquaintanceship ripened into love. Ultimately she ran off with him, and
they took up house at Bennecourt, where they lived happily for several
years, a son being born to them in 1860. She was devoted to Claude,
who was engrossed in his art, and when she saw that he was becoming
discontented in the country she urged his return to Paris. There he
became obsessed by the idea of a masterpiece, by means of which he
was to revolutionize the world of art, and Christine allowed him to
sacrifice their child and herself to his hopes of fame. They began to
encroach on the principal of their small fortune, and while this lasted
were not unhappy, though Claude’s increasing mental disturbance already
gave cause for anxiety. Their marriage had taken place some time
previously, and this had tended to make her position more comfortable.
The exhaustion of their means was followed by great hardships, but
Christine continued to sacrifice everything to her husband. The death of
their child drew him away from his task for a time, but he again took
it up, his mind becoming more and more unhinged. Christine made a last
effort to detach him, but the call of his masterpiece was too strong,
and one morning she found him hanging in front of the picture, dead. She
fell on the floor in a faint, and lay there to all appearance as dead as
her husband, both of them crushed by the sovereignty of art. L’Oeuvre.
HAMELIN (CAROLINE), sister of Georges Hamelin, accompanied him to Paris
after the death of their father. She took a situation as governess, and
soon after married a millionaire brewer in whose house she was employed.
After a few years of married life, she was obliged to apply for a
separation in order to avoid being killed by her husband, a drunkard
who pursued her with a knife in fits of insane jealousy. Living with
her brother, in the flat of the Orviedo mansion above that occupied by
Saccard, she made the acquaintance of the latter, becoming after a time
his housekeeper and subsequently his mistress. During the absence of her
brother in the East, after the foundation of the Universal Bank, she
did everything she could to protect his interests, and tried to persuade
Saccard to discontinue the gambling in the shares of the bank which
ultimately led to its ruin. Like her brother, she sold all her shares in
the bank, and after the final crash divested herself of all her means in
the assistance of ruined shareholders. She followed her brother in his
flight to Rome. L’Argent.
HAMELIN (GEORGES), son of a Montpellier physician, a remarkable savant,
an enthusiastic Catholic, who had died poor. After his father’s death
he came to Paris, along with his sister Caroline, and entered the
Polytechnic school. He became an engineer, and having received
an appointment in connection with the Suez Canal, went to Egypt.
Subsequently he went to Syria, where he remained some years, laying out
a carriage road from Beyrout to Damascus. He was an enthusiast, and
his portfolio was full of schemes of far-reaching magnitude. Having met
Saccard in Paris, he joined with him in the formation of the Universal
Bank, which was intended to furnish the means of carrying out some at
least of his schemes. Against his wish, Hamelin was made chairman of the
bank, and he thus became liable for the actions of the other directors,
though he was himself absent in the East forming the companies in which
the bank was interested. He was a man of high honour, and when the
gamble in the shares of the bank reached an excessive point, he did all
he could to restrain it, even selling his own shares. The money received
for these was subsequently used in relieving other shareholders who lost
their all. When the crash came, Hamelin was arrested along with Saccard,
and, after trial, was sentenced to five years’ imprisonment and a fine
of three thousand francs. By a technicality of law they were allowed a
month to appeal, during which they were at liberty. With the connivance
of Eugene Rougon, they fled the country, Hamelin going to Rome, where he
secured a situation as an engineer. L’Argent.
HAMELIN (FRANCOISE), sister of M. Hamelin, a farmer, who lived at
Soulanges. She brought up Angelique Marie, who was handed over to her by
the Foundling Hospital when only a few days old. Angelique remained with
her until she went to Paris with Madame Franchomme, some years later. Le
Reve.
HARDY, tax-collector at Cloyes. La Terre.
HARTMANN (BARON), Director of the Credit Immobilier, a concern which
had large interests in property immediately adjoining “The Ladies’
Paradise.” The Baron had been a lover of Madame Desforges, and through
her influence he agreed to give financial support to Octave Mouret,
thereby enabling him to carry out the large schemes of extension to
which he had long looked forward. Au Bonheur des Dames.
HAUCHECORNE, principal assistant in the draper’s shop known as _Vieil
Elbeuf_. He married Desiree, the daughter of his employer, and succeeded
to the business, which he ultimately handed over to Baudu, his own
son-in-law. Au Bonheur des Dames.
HAUCHECORNE (MADAME), wife of the preceding. See Desiree Finet.
HAUCHECORNE (ELIZABETH), daughter of the preceding. See Madame Baudu.
HAUTECOEUR (MONSEIGNEUR JEAN D’) was a member of one of the oldest and
proudest families in France. He was for some time in the army, and
until he was forty years of age he led an adventurous life, travelling
everywhere and having many strange experiences. At last he chanced
to meet Mademoiselle Pauline, daughter of the Comte de Valencay, very
wealthy, marvellously beautiful, and scarcely nineteen years of age.
They were married, but at the end of a year Pauline had a son and died.
A fortnight later M. d’Hautecoeur entered into Holy Orders, and soon
became a priest; twenty years afterwards he was made a bishop. During
all that time he refused to see Felicien, his son, who had been brought
up by an old abbot, a relation of his wife. He intended to have his son
brought up as a priest, but the lad having no vocation, he gave up the
idea and brought him to live at Beaumont. There Felicien met and fell
in love with Angelique, but the Bishop sternly forbade any thought of
marriage between them, and even went the length of arranging a marriage
between his son and Claire de Voincourt. A touching personal appeal
by Angelique had no effect in gaining the Bishop’s consent, but he was
secretly much moved, and when she fell into ill-health he himself came
to administer the last rites of the Church. Her semi-miraculous recovery
led to the Bishop consenting to his son’s marriage, which was celebrated
a few months later in the cathedral of Beaumont. Le Reve.
HAUTECOEUR (MARQUISE JEAN XII DE). See Paule de Valencay.
HAUTECOEUR (ANGELIQUE DE). See Angelique Marie.
HAUTECOEUR (FELICIEN D’), only child of Jean d’Hautecoeur, who was
afterwards Bishop of Beaumont. Felicien’s mother having died at his
birth, his father took Holy Orders, and refused to see him for over
twenty years. Having ultimately come to live with his father at
Beaumont, Felicien met and fell in love with Angelique, the adopted
daughter of Hubert, the chasuble-maker. The Bishop having absolutely
refused to consent to the marriage, the Huberts endeavoured to separate
the lovers by persuading Angelique that Felicien no longer cared for
her. They were aided in this by a rumour that Felicien was to marry
Claire de Voincourt. A meeting between Angelique and Felicien cleared
away the mists, but by this time the girl had fallen into ill-health and
appeared to be dying. The Bishop, who had formerly been secretly moved
by an appeal made to him by Angelique, came to administer to her the
last rites of the Church. A semi-miraculous recovery followed, and,
the Bishop having consented, Felicien was married to Angelique in the
cathedral of Beaumont. The recovery had, however, been a mere spark of
an expiring fire, for as Felicien led his new-made wife to the cathedral
porch, she slipped from his arm, and in a few moments was dead. Le Reve.
HAZARD, a horse in the Mechain stable. It ran in the Grand Prix de
Paris. Nana.
HEDOUIN (CHARLES), originally a salesman in the draper’s shop known
as _Au Bonheur des Dames_, he became a partner by marrying Caroline
Deleuze, a daughter of one of the proprietors. He fell into ill-health,
but when he died the business was left in a flourishing condition.
Pot-Bouille.
HEDOUIN (MADAME CAROLINE), wife of M. Hedouin, the proprietor of a
draper’s shop in Paris known as “The Ladies’ Paradise.” She was a
handsome woman with strong commercial capabilities, and during the
frequent absences of her husband she undertook the management of the
business. When Octave Mouret came to Paris, he first got employment at
“The Ladies’ Paradise,” and with a view to establishing his position he
conceived the idea of becoming Madame Hedouin’s lover. She discouraged
his advances, however, and he gave up his situation. M. Hedouin died
soon afterwards, and his widow, finding the responsibilities of business
too heavy, invited Octave Mouret to return; a few months afterwards they
were married. Pot-Bouille.
After her marriage with Octave Mouret the business extended rapidly, and
an enlargement of the shop soon became necessary. While the work was in
progress she met with an accident which resulted in her death three days
later. Au Bonheur des Dames.
HELENE (DUCHESSE), the principal character in _La Petite Duchesse_,
a piece by Fauchery played at the Theatre des Varietes. The part was
originally given to Rose Mignon, but was played by Nana, who was a
complete failure in it. Nana.
HELOISE, an actress at the Folies. She was plain-looking, but very
amusing. Au Bonheur des Dames.
HENNEBEAU, general manager of the Montsou Mining Company, was born in
the Ardennes. In his early life he had undergone the hardships of a poor
boy thrown as an orphan on the Paris streets. After having followed
the courses of the Ecole des Mines, at the age of twenty-four he became
engineer to the Sainte-Barbe mine, and three years later he became
divisional engineer in the Pas-de-Calais, at the Marles mines. When
there he married the daughter of the rich owner of a spinning factory at
Arras. For fifteen years they lived in the same small provincial town,
and no event broke the monotony of existence, not even the birth of
a child. An increasing irritation detached Madame Hennebeau, who
was disdainful of this husband who gained a small salary with such
difficulty. The misunderstandings between them became more pronounced,
but with the view of pleasing his wife Hennebeau accepted a situation in
an office in Paris. But Paris only completed their separation, for she
immediately threw herself into all the luxurious follies of the period.
During the ten years spent there she carried on an open intrigue with
a man whose desertion nearly killed her. It was then that her husband
accepted the management of the Montsou mines, still hoping that his wife
might be changed down there in that desolate black country. When the
great strike of miners broke out he at first minimized its seriousness,
thinking that it would not last a week. By his lack of decided action
he forfeited to some extent the confidence of his directors, but he
regained this by the subsequent measures taken by him for bringing the
strike to an end, and ultimately received the decoration of an officer
of the Legion of Honour. His domestic life was, however, once more
embittered by the discovery of a liaison between his wife and his
nephew, Paul Negrel. Germinal.
HENNEBEAU (MADAME), wife of the preceding, was the daughter of a rich
spinner at Arras. She did not get on well with her husband, whom she
despised for his small success, and after she accompanied him to
Paris she entered into a notorious liaison with a man whose subsequent
desertion nearly killed her. For a time after their removal to
Montsou she seemed more contented, but this did not last long, and she
ultimately consoled herself with her husband’s nephew, Paul Negrel.
She was angry at the strikers, as they interfered with the arrival
of provisions for a dinner-party which she was giving; but she was
incapable of understanding the sufferings of the miners and their
families in the hardships they were forced to undergo. Germinal.
HEQUET (CAROLINE), a well-known _demi-mondaine_ in Paris. Her father,
who was a clerk in Bordeaux, was long since dead, and her mother,
accepting the situation, looked after Caroline’s financial affairs with
the strictest regularity. She bought the estate known as _La Mignotte_
after Nana tired of it. Nana.
HEQUET (MADAME), mother of the preceding. She was a model of
orderliness, who kept her daughter’s accounts with severe precision. She
managed the whole household from some small lodgings two stories above
her daughter’s, where, moreover, she had established a work-room for
dressmaking and plain sewing. Nana.
HERBELIN, a great chemist whose discoveries revolutionized that
science. Lazare Chanteau, who was for some time in his laboratory as an
assistant, got from him the idea of extracting chemicals from seaweed by
a new process. La Joie de Vivre.
HERMELINE, a student of rhetoric at the college of Plassans. He was in
love with Sister Angele, and once went the length of cutting his hands
with his penknife to get an opportunity of seeing and speaking to her
while she dressed his self-inflicted hurts. In the end the student and
the Sister ran off together. L’Oeuvre.
HIPPOLYTE, valet to Duveyrier. Pot-Bouille.
HIPPOLYTE, valet to Hennebeau, the manager of the Montsou Mining
Company. Germinal.
HOMME NOIR (L’), an apparition said to haunt the Voreux pit. It was said
to take the form of an old miner who twisted the necks of bad girls.
Germinal.
HONORINE, a maid-servant with the Gregoires. She was a girl of some
twenty years, who had been taken in as a child and brought up in the
house. Germinal.
HONORINE, a servant in the employment of the Badeuils. When dismissed
for misconduct she became insolent.
HORN (LEA DE), a Parisian _demi-mondaine_ whose drawing-room was
frequented by some of the old ministers of Louis Philippe. Nana.
HORTEUR (ABBE), parish priest of Bonneville, was a thick-set man of
peasant-like build whose red hair was still unsilvered by his fifty
years. Much of his time was spent in cultivating a small plot of ground
in the churchyard, which he had enclosed as a vegetable garden. With
regard to religion, he had come to be contented with the observance of
outward ceremonies, and his tolerance had degenerated into a state of
indifference as to the spiritual condition of his flock. He was on good
terms with Chanteau, with whom it was his custom to play draughts every
Saturday. La Joie de Vivre.
HOTON, a sugar-refinery at Montsou. Its prosperity was greatly affected
by the strike of miners. Germinal.
HOURDEQUIN (ALEXANDRE), born 1804, was the only son of Isidore
Hourdequin. He studied at the college of Chateaudun, but made little
progress, as his only interest was in farming, for which he had an
absolute passion. On the death of his father he became master of La
Borderie, which he cultivated on the latest principles of agriculture,
spending large sums upon it. He married a sister of Baillehache, the
notary, who brought him a considerable sum, which also went into the
land. His wife died in a few years, leaving him with two children, a
son named Leon, who to his great disappointment became a soldier, and a
daughter who died young. In spite of these misfortunes he retained all
his passion for the land, and in it he gradually sunk all his fortune,
getting little from it in return. A liaison with Jacqueline Cognet,
followed, and she gradually acquired complete influence over him. He
died as the result of an accident brought about by Tron, one of his own
servants, who was also a lover of Jacqueline. La Terre.
HOURDEQUIN (MADAME), wife of the preceding. See Mademoiselle
Baillehache. La Terre.
HOURDEQUIN (ISIDORE), born 1767, was the descendant of an old peasant
family of Cloyes, which had educated and elevated itself into a
middle-class position in the sixteenth century. They had all been
employed in the administration of the salt monopoly, and Isidore,
who had been left an orphan, was worth sixty thousand francs, when at
twenty-six, the Revolution cost him his post. As a speculation he bought
the farm of La Borderie for a fifth of its value, but the depreciation
of real estate continued, and he was unable to resell it at the profit
of which he had dreamed. He therefore determined to farm it himself, and
about this time he married the daughter of a neighbour, who brought
him an additional hundred and twenty acres of land. He had one son,
Alexandre, and died in 1831. La Terre.
HOURDEQUIN (LEON), son of Alexandre Hourdequin. He had an intense
hatred of the soil and became a soldier, being promoted Captain after
Solferino. He did not visit his home more than once a year, and was
much annoyed to discover the liaison between his father and Jacqueline
Cognet. He endeavoured to get the latter into disgrace, but the only
effect was to make a complete breach between his father and himself. La
Terre.
HOURDEQUIN (MADEMOISELLE), the second child of Alexandre Hourdequin. She
was a delicate and charming girl, tenderly loved by her father. She died
young, a short time after her mother. La Terre.
HOUTELARD, a fisherman of Bonneville, whose house was washed away after
the destruction by the sea of the barricade erected by Lazare Chanteau.
La Joie de Vivre.
HUBERT, a chasuble-maker who lived in a house immediately adjoining
the cathedral of Beaumont. “For four hundred years the line of Huberts,
embroiderers from father to son, had lived in this house.” At twenty
years of age he fell in love with a young girl of sixteen, Hubertine,
and as her mother refused to give her consent to their union they ran
away and were married. On the morning after Christmas, 1860, he found
the child Angelique lying in a fainting condition in the snow outside
the cathedral door. Having taken her into his house, he and his wife
soon became attached to her, and as they had no children, ultimately
adopted her as their daughter. Le Reve.
HUBERTINE, wife of the preceding. At the age of sixteen she fell in
love with Hubert, the chasuble-maker, and as her mother, widow of a
magistrate, would not give her consent, they ran away and were married.
A year later she went to the deathbed of her mother, who, however,
disinherited her and gave her her curse. “So affected was she by the
terrible scene that her infant, born soon after, died.” The Huberts had
no other children, and after twenty-four years they still mourned the
little one they had lost. She warmly approved of the adoption by her
husband and herself of the foundling child Angelique, whom she treated
with the greatest kindness. From the bitterness of her own experience
she had a horror of disobedience to parents, and when she found that the
consent of Monseigneur d’Hautecoeur could not be obtained to a marriage
between his son Felicien and Angelique, she did all she could to sever
the lovers. In this she was successful for a time, until the illness of
Angelique, and her miraculous recovery, induced the Bishop to give his
consent. Le Reve.
HUE (M.) a retired Government official, who was a sincere lover of art.
He was unfortunately not rich enough to be always buying pictures, and
could only bewail the blindness of the public which allowed a genius
to die of starvation; for he himself, convinced, had selected Claude
Lantier’s crudest works, which he hung by the side of his Delacroix,
predicting an equal fortune for them. L’Oeuvre.
HUGON (MADAME), mother of Philippe and Georges Hugon. She was the widow
of a notary, and lived quietly at Fondettes, an old family property near
Orleans, but had retained a house in Paris in Rue de Richelieu. She had
been an old friend of the Marquise de Chouard, and was on intimate terms
with her daughter, the Comtesse Sabine. A woman of high principles, she
believed that one should overlook much in others in order that something
might be pardoned in oneself. In this she contrasted strongly with
her old friend the Marquis de Chouard, who professed the most rigorous
virtue while he secretly lived a shameful life. She was, however, unable
to bear with equanimity the eccentricities of Nana, her neighbour in the
country, who led Philippe Hugon into dishonour, and his brother Georges
to suicide. Nana.
HUGON (GEORGES), the younger son of Madame Hugon. At seventeen years of
age he became infatuated with Nana, and a liaison with her followed. His
mother, having discovered the state of affairs, interfered, and kept him
at Fondettes for some months after Nana had returned to Paris, but
he ultimately followed her there. Though he was not affected by the
knowledge that Nana had other lovers, he was driven to frenzy when
he learned that his brother Philippe had become one of the number.
He implored Nana to marry him, and when she refused to take his offer
seriously he plunged a pair of her scissors into his breast. The injury
was not immediately fatal, but he died a few months afterwards; some
said as the result of the wound reopening, while others spoke of a
second and successful attempt at suicide. Nana.
HUGON (PHILIPPE), the elder son of Madame Hugon. A tall, handsome
youth, he quickly attained the rank of lieutenant in the army, and was
stationed first in the garrison at Bourges, and afterwards at Vincennes.
His mother imprudently sent him to endeavour to release Georges from
the toils of Nana, with the result that he was himself ensnared. He had
little money of his own, and, as the demands of Nana were unceasing,
he began to take small sums from the regimental funds, of which he
was treasurer. The thefts went on for a considerable time, and when
discovery was made they amounted to twelve thousand francs. Philippe was
arrested, and when he was released from prison some months afterwards,
dishonoured for ever, he was only in time to join his mother at the
death-bed of her other son, who was also a victim to Nana’s unhappy
influence. Nana.
HUGUENIN, held a sinecure worth six thousand francs at the Ministry of
the Interior. When he died Eugene Rougon, the Minister, gave the post to
Leon Bejuin. Son Excellence Eugene Rougon.
HUPEL DE LA NOUE (M.), _prefet_ of the district for which M. Mareuil was
member. He arranged the _tableaux vivants_ at the great party given by
Aristide Saccard. La Curee.
HURET, a member of the Chamber of Deputies who obtained his election
through the influence of Eugene Rougon. His very existence depended on
the favour of the Minister of State, towards whom he conducted himself
as a sort of general servant. “By following this calling for a couple
of years he had, thanks to bribes and pickings, prudently realized, been
able to increase his estates.” Having ascertained that Rougon would not
oppose the foundation of the Universal Bank, Huret became a director;
later on, when the shares had risen to their highest point, he sold out
in the knowledge that Rougon had decided to abandon his brother and that
a catastrophe would be inevitable. L’Argent.
HUTIN, a salesman in the silk department of “The Ladies’ Paradise.”
“He had managed after eighteen months’ service to become one of the
principal salesmen, thanks to a natural flexibility of character, a
continual flow of caressing flattery under which was concealed a furious
rage for business.” Having conspired against Robineau, the “second hand”
in his department, he succeeded him, only to be conspired against in
turn by his own subordinates. When Denise Baudu first came to “The
Ladies’ Paradise” Hutin showed her some kindness, for which she was
grateful, but ultimately he made statements about her which were
entirely without foundation. Au Bonheur des Dames.
HUTIN (MADAME), a woman who lived in the vicinity of the _Halles
Centrales_, and was spied on by Mademoiselle Saget, whose penetrating
eyes allowed none of her neighbours to escape notice. Le Ventre de
Paris.
I
ISABELLE, a character in _La Petite Duchesse_ a piece by Fauchery,
played at the Theatre des Varietes. The part was taken by Simonne
Cabiroche. Nana.
J
JABOUILLE, an herbalist, whose shop was situated in Rue de Cherche-Midi.
He was a widower, and married for the second time a woman named
Mathilde. His shop was at one time prosperous, but business fell away
until what was left was only that of an equivocal character. He died of
syncope induced by phthisis. L’Oeuvre.
JABOUILLE (MADAME MATHILDE), wife of the preceding. She was a woman of
about thirty, plain-looking, and exceedingly thin. From the time of
her marriage to Jabouille, his business began to decrease, and this,
it would appear, was due to her reputation, which alarmed the more
respectable customers. Her liaisons were numerous, and included
Mahoudeau, Chaine, and Jory, but after the death of her husband she
married the last named, settling down into respectability and ruling him
with a rod of iron. L’Oeuvre.
JACOBY, a Jew from Bordeaux, between whom and Mazaud there was keen
rivalry. “Though of great experience and shrewdness, he was sorely
handicapped by his passion for speculation, and in spite of considerable
profits always seemed on the eve of a catastrophe. His money melted
away on settling days.” He acted as broker for Daigremont, and also
for Gundermann. The great gamble in the shares of the Universal Bank
resolved itself into a duel between Jacoby and Mazaud, the one selling
on behalf of Gundermann, and the other buying on behalf of Saccard;
and the final catastrophe was hastened by Jacoby warning Daigremont of
Gundermann’s determination to crush out the bank. L’Argent.
JALAGUIER (MADAME), a protegee of Madame Correur, who induced Eugene
Rougon, the Minister, to increase the old lady’s pension considerably.
Son Excellence Eugene Rougon.
JALAGUIER FILS, son of the preceding. Madame Correur took an interest
in him, and asked Eugene Rougon to secure a scholarship for him. Son
Excellence Eugene Rougon.
JANTROU, an ex-professor of the University of Bordeaux, who in
consequence of some misconduct was obliged to leave for Paris, without
caste or position. At the age of twenty-eight, he landed at the Bourse,
where for ten years he dragged out existence as a _remisier_ or broker’s
tout. At the time of the foundation of the Universal Bank he suggested
to Saccard the purchase of a newspaper to be employed in the interest
of the company. The purchase was carried out, and Jantrou was appointed
editor. Subsequently other papers were acquired, which he manipulated so
as to keep the bank continually before the public. He gave information
to Baroness Sandorff which she repeated to Gundermann, who was induced
thereby to continue his attack on the bank. L’Argent.
JEANBERNAT, the caretaker of the deserted estate of Paradou in Provence.
He lived by himself with his niece Albine in an old house on the border
of the demesne. In an attic he had found a large number of books which
had been saved from a fire in the old mansion, and these he studied
for twenty years, imbibing from them the rationalistic theories of the
eighteenth century. He had no respect for religion, and particularly
disliked Brother Archangias, who insulted both him and his niece. After
the death of Albine he attacked Archangias, and cut off his right ear
with a pocket-knife. La Faute de l’Abbe Mouret.
JENARD, a partner in the firm of Cornille and Jenard, which developed in
the eighteenth century the mineral concession of Joiselle. Germinal.
JESUS CHRIST, the sobriquet of Hyacinthe Fouan. La Terre.
JEUMONT (M. AND MADAME), were well known in society during the Second
Empire. The Emperor admired Madame Jeumont, and her husband was
decorated by him. L’Argent.
JOBELIN (AUGUSTE), son of Colonel Jobelin. Contrary to regulations,
Eugene Rougon took him into the office of the Minister of the Interior
without the necessary bachelor’s degree. Son Excellence Eugene Rougon.
JOBELIN (COLONEL), a friend of Eugene Rougon, through whose aid he hoped
to secure a nomination as commander of the Legion of Honour, and an
appointment for his son. He was a cousin of M. Bouchard. After
Rougon’s return to office he received the appointment as commander. Son
Excellence Eugene Rougon.
JOIRE (ABBE), Cure of Montsou. He pretended not to interest himself in
anything, so as not to vex either the workers or the masters. During
the strike he took his walks at night, to prevent himself from being
compromised by the miners. He obtained promotion, and was replaced by
Abbe Ranvier. Germinal.
JONCQUIER, a lover of Rose Mignon, who deserted her for a time in favour
of Laure. Nana.
JONCQUOY (MADAME DU), an old friend of the Muffats. Years ago she had
met Bismarck, who struck her as stupid; she was unable to understand his
later success. Nana.
JORDAN (PAUL), a journalist, whose father, a Marseilles banker, had
committed suicide in consequence of some disastrous speculations. He
married a daughter of M. Maugendre, to whom he had been betrothed in
more prosperous days. His wife brought him no dowry, as her parents were
against the marriage on the ground of Jordan’s occupation and want
of means. Having made the acquaintance of Saccard, he received an
appointment on the staff of the newspaper purchased to support the
policy of the Universal Bank. He did not speculate, however, and
remained in comparative poverty, until the success of a novel which he
had written put him in more comfortable circumstances, and even enabled
him to give assistance to his wife’s parents after they were ruined by
the failure of the bank. L’Argent.
JORDAN (MADAME MARCELLE), wife of the preceding. She was the only child
of M. Maugendre, who was ruined by the failure of the Universal Bank.
L’Argent.
JORY (EDOUARD), was the son of a magistrate of Plassans, whom he drove
crazy by his profligate conduct. In the end he ran off with a music-hall
singer under the pretext of going to Paris to follow the literary
profession. Notwithstanding the fact that his profligacy went to even
greater lengths in the city, he was successful in journalism, and soon
earned between seven and eight thousand francs a year as a leader-writer
and art critic. His first success was gained in a series of articles
in a little newspaper called _Le Tambour_, in which he fell foul of the
accepted canons of art, and hailed Claude Lantier and his companions as
the founders of a new school. Later he claimed to have made Fagerolles
by his articles, in the same manner as he formerly took credit for
making Lantier. He gradually dropped his old friends, however, finding
that the public only laughed at their productions, and in excuse pleaded
that he had not a journal in which he could support their cause;
but when, still later, he became director of a great Art review, he
preserved the same silence. After innumerable love affairs, he ended by
marrying Mathilde Jabouille. L’Oeuvre.
JORY (MADAME), wife of the preceding. See Mathilde Jabouille.
JOSEPH, a butler in the employment of Nana at La Mignotte. Nana.
JOSEPH, an old soldier who secured a situation in “The Ladies’ Paradise”
through the influence of Lhomme, whose foster brother he was. He married
Mlle. de Fontenailles, a shop-girl in the establishment. Au Bonheur des
Dames.
JOSEPH (MADAME), the concierge of the house on Quay Bourbon where Claude
Lantier lived. L’Oeuvre.
JOSSE (MADEMOISELLE) kept a little school for young children in Rue
Polonceau. Anna Coupeau was her pupil, and made herself such a nuisance
that twice Mademoiselle Josse sent her away, taking her back each time
in order not to lose the small fees. L’Assommoir.
Nana in later years exchanged reminiscences with Satin, who, like
herself, had been a pupil at Mademoiselle Josse’s school. Nana.
JOSSERAND PERE, the father of Josserand, the cashier at the Saint-Joseph
glass-works. He was originally a solicitor at Clermont. Pot-Bouille.
JOSSERAND, cashier at the St. Joseph glass-works. His salary was not a
large one, and in consequence of the determination of his wife to keep
up a greater style than they could afford, he was engaged in a continual
struggle to make ends meet; to gain a few extra francs he frequently
spent much of the night addressing circulars for a firm of publishers.
Worn out by hard work and by the continual bickerings of his wife
and daughters, he was not in a condition to stand the disgrace of his
daughter Berthe’s liaison with Octave Mouret, and he was struck down by
paralysis, which soon after resulted in his death. Pot-Bouille.
JOSSERAND (MADAME ELEANORE), wife of the preceding. Her two objects
in life were to appear better off than she really was, and to
secure husbands for her daughters. In the latter quest she had many
disappointments, and her temper, never good, correspondingly suffered,
her unfortunate husband bearing the brunt. A marriage having ultimately
been arranged between Berthe Josserand and Auguste Vabre, Madame
Josserand made a strong effort to induce her brother, Narcisse
Bachelard, to pay the dowry which he had long ago promised to his niece.
As he refused to do so, Madame Josserand overcame the difficulty by a
subterfuge of doubtful honesty. Pot-Bouille.
JOSSERAND (BERTHE), second daughter of M. Josserand. After several
ineffectual efforts to secure a husband she became engaged to Auguste
Vabre, the elder son of her father’s landlord. Difficulties as to a
dowry followed, but these were surmounted by somewhat shady means, and
the marriage took place. Vabre’s health was not good, and Berthe soon
became discontented, a state of mind largely induced by the bad advice
of her mother. About this time Octave Mouret came to be assistant in
Vabre’s shop, and Berthe, carried away by his attentions, entered upon
an unfortunate liaison with him. Discovery by Vabre led to Berthe’s
return to her parents’ home, and it was only after a considerable time
that a reconciliation was brought about by the efforts of Abbe Mauduit.
Pot-Bouille.
JOSSERAND (HORTENSE), elder daughter of M. Josserand. Her mother
endeavoured to secure a husband for her, but she made her own choice,
selecting one Verdier, a lawyer. The marriage was put off from time
to time as Verdier had got entangled with a woman from whom he found
separation difficult. Pot-Bouille.
JOSSERAND (LEON), elder son of M. Josserand. He was a young man of
ambition, who hoped to rise through the influence of Madame Dambreville,
whose lover he became. Ultimately she arranged a marriage between him
and her niece Raymonde, who brought him a large dowry. Soon afterwards
by the same means he was appointed _Maitre des Requetes_. Pot-Bouille.
JOSSERAND (MADAME LEON), wife of the preceding. See Raymonde.
Pot-Bouille.
JOSSERAND (SATURNIN), younger son of M. Josserand. He was a powerful
young man of twenty-five, whose mind had been seriously affected by an
attack of brain fever; though not actually insane, he was subject to
fits of blind fury whenever anybody annoyed him. When his sister Berthe
was a little girl, he nursed her through a long illness, and since
he saved her life he adored her with a deep, passionate devotion. The
preparations for her marriage to Auguste Vabre affected him so seriously
that his removal to an asylum became necessary, and he remained there
for some time. On his release he went to live with his sister and her
husband, but domestic trouble having arisen, his mind again became so
unhinged that he made an attempt on the life of his brother-in-law and
had again to be taken to an asylum. Pot-Bouille.
JOUVE (ABBE), an officiating priest at Notre Dame de Grace, the parish
church of Passy. He had known M. Grandjean at Marseilles, and showed
much kindness to Helene after the death of her husband, assisting her in
settling up her affairs. Along with M. Rambaud, his half-brother, he was
a regular visitor at Helene’s house, and later endeavoured to arrange
a marriage between her and his brother. He was devoted to Jeanne
Grandjean, and helped to nurse her during her fatal illness. An amiable,
kind-hearted man, he was greatly beloved by his parishioners. Une Page
d’Amour.
JOUVE, a retired captain in the army, and afterwards one of the four
inspectors at “The Ladies’ Paradise.” In addition to acting as spy on
the staff he watched the customers, and it was he who detected Madame de
Boves in the act of stealing some fine lace. He made certain advances to
Denis Baudu which she resented, and in consequence he afterwards showed
considerable ill-will towards her. Au Bonheur des Dames.
JUILLERAT (DOCTOR), an old physician who attended most of the
inhabitants of the Rue de Choiseul. He was a man of only average
abilities who had built up a large practice by hard work. His views were
somewhat advanced, and he had many arguments with Abbe Mauduit, with
whom he frequently came in contact at the bedsides of his patients.
Pot-Bouille.
JULES, the lover of La Sarriette. He lived on her earnings as a
fruit-dealer. Le Ventre de Paris.
JULES, one of the soldiers sent to Montsou during the strike. He was
born at Plogof, where his mother and sister still resided. One night
while he was on guard at the Voreux mine he was murdered by Jeanlin
Maheu, who with the assistance of Etienne Lantier carried the body to
a gallery of the mine, where they buried it under a fall of rock.
Germinal.
JULES (MADAME), Nana’s dresser at the Theatre des Varietes. Nana.
JULIE, cook in the employment of the Duveyriers. Pot-Bouille.
JULIEN, butler in the employment of Nana in the Avenue de Villiers. He
left the house with a large sum, as Comte Muffat, being jealous, wished
to be freed from his presence. Nana.
JUSSELIN (PIERRE-FRANCOIS), a protege of M. de Marsy. Eugene Rougon
refused to nominate him as an officer of the Legion of Honour, and gave
the decoration which had been intended for him to Bejuin. Son Excellence
Eugene Rougon.
JEZEUR (MADAME), a neighbour of the Josserands in the Rue de Choiseul.
Her husband had left her after ten days of married life, and thenceforth
she lived alone in quiet lodgings. Very little was known of her
circumstances or mode of life. Pot-Bouille.
K
KAHN (M.), son of a Jewish banker at Bordeaux; a deputy who was engaged
in a scheme for the construction of a railway from Niort to Angers. He
was chiefly anxious for this, as the proposed line would pass through
Bressure, where he had some blast-furnaces, the value of which it would
considerably increase. Rougon supported him energetically, and had
almost secured the grant when his retirement from office delayed the
scheme for some years. Soon after Rougon’s appointment as Minister of
the Interior the grant was obtained, and he accompanied Kahn to Niort to
attend the inauguration of the scheme. Son Excellence Eugene Rougon.
KAHN (MADAME), wife of the preceding. She lived a very retired life at
Paris. Son Excellence Eugene Rougon.
KELLER (LES), well-known leaders of society in Paris. It was at their
house that Baroness Sandorff first met Gundermann. L’Argent.
KOLB (M.), a banker whose business consisted to a large extent in gold
arbitrage, buying foreign coins, and melting them into gold bars. He
was a man of Jewish origin, and having heard that Daigremont was to
be connected with the Universal Bank, he readily agreed to become a
director. Being a cautious man, however, he sold all his shares before
the final collapse. L’Argent.
L
LABORDETTE, a young man who was well known in racing circles, and was
specially popular with women, as he was always ready to render them
little services. Through his relations with the world of trainers
and jockeys he had always the latest information as to races. He made
himself very useful to Nana when she was setting up a stable of her own,
and assisted her in the selection of servants. Nana.
LACAILLE, a customer of Madame Francois, the market gardener. He
attended the Revolutionary meetings in Lebrigre’s cafe. Le Ventre de
Paris.
LACAMP. See Puech and Lacamp.
LACASSAGNE, a dealer in feathers and artificial flowers, whose business
was ruined by the competition of Octave Mouret’s establishment. Au
Bonheur des Dames.