She looked puzzled. "Why that?"

"Because of the glamour, the mystery, which surrounded your name."

"Even now I don't see."

He looked amused and cried out: "On my life, I believe you don't! Being

at the source of the light, you can't see it, of course. It's like

wearing a crown of electric lamps--others see you as a dazzling thing;

you are in the dark. It is my trade to use words to express my meaning,

but I confess my hesitation in trying to make you see yourself as I saw

you. You were like a baleful, purple star, something monstrous yet

beautiful. Your fame filled the world and fell into my garret chamber

like a lurid sunrise. With your coming, mysterious posters bloomed and

crimson letters blazed on street-walls. Praiseful paragraphs appeared in

the newspapers, gowns and hats (named after you) and belt-buckles and

shoes and cigarettes arranged themselves in the windows, each bearing

your name."

"What a load of tinsel for a poor little woman to carry around! How it

must have shocked you to find me so commonplace! None of us escape the

common fates. It is always a surprise to me to discover how simple the

men of great literary fame are. A friend of mine once spent a whole

evening with a great novelist without discovering who he was. She said

to him when she found him out, 'I couldn't believe that any one I could

meet could be great.' Really, I hope you will forgive me for not being

as superhuman as my posters. It was the mystery of the unknown. If you

knew all about me I would be entirely commonplace." She was more

concerned about his opinion of her than she expressed in words. Her

eagerness appeared in her voice.

"I found you infinitely more womanly than I had supposed, and simpler.

Even yet I don't see how you can carry this oppressive weight of

advertising glory and still be--what you are."

"You seem to hesitate to tell me what I am."

"I do," he gravely answered, and for a moment she sat in silence.

"There's one objection to your assisting at rehearsals," she said,

irrelevantly. "You will lose all the intoxication of seeing your play

freshly bodied forth. It will be a poor, old, ragged story for you at

the end of the three weeks."

"I've thought of that; but there are other compensations."

"You mean the pleasure of having the work go right--"

"Yes, partly that--partly the suggestion that comes from a daily study

of it."

But the greatest compensation of all--the joy in her daily

companionship--he did not have the courage to mention, and though she

divined other and deeper emotions she, too, was silent.

The Light of the Star: A Novel · 第 17 / 39 题