POETRY AND MUSIC.

[Transcriber’s Note:

The HTML version of this etext includes all music in MIDI format.

Each piece is a separate file in the /music directory. Filenames are

given here in brackets as [central648] or [eskimo2].

The “killer” in no. I. is a killer whale (_arluk_, gen. _arluup_

or _arlum_).]

Among the arts of the Eskimo poetry and music are by far the most

prominent. The tales which have been related are only a small part of

their stock of traditions. Besides the contents their form also is very

interesting, as most of them have been handed down in unchanged form and

their narration demands a great deal of art. Many traditions are told in

a very abridged form, the substance being supposed to be known.

A specimen of this kind is the Sedna tradition (p. 604). All these tales

must be considered recitatives, many of them beginning with a musical

phrase and continuing as a rhythmic recitation, others being recited in

rhythmic phrases throughout. Other traditions are told in a more

detailed and prosaic manner, songs or recitations, however, being

sometimes included. Ititaujang, for instance, in traveling into the

country looking for his wife, sings the song No. XIII, and in the

Kalopaling tradition the boy, on seeing the two Inuit coming, sings:

[Music [central648]:

Inung-- maqong-- tikitong-- aipa-- kapiteling aipa-- mirqosailing]

[Illustration: BUREAU OF ETHNOLOGY SIXTH ANNUAL REPORT PL. V

_a_, _b_, _c_, _e_ Drawn by Aisē´ang, a native of Nuvujen.

_d_, _f_, _g_ Drawn by Maleki, a native of Imigen.

The Central Eskimo Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 399-670 · 第 75 / 146 题