CHAPTER XXI

THE VIOLIN

While Amalia lay recovering from the sprained ankle, which proved to

be a serious hurt, Madam Manovska continued to improve. She took up

the duties which had before occupied Amalia only, and seemed to grow

more cheerful. Still she remained convinced that Larry Kildene would

return with her husband, and her daughter's anxiety as to what might

be the outcome, when the big man should arrive alone, deepened.

Harry King guardedly and tenderly watched over the two women. Every

day he carried Amalia out in the sun to a sheltered place, where she

might sit and work at the fascinating lace with which her fingers

seemed to be only playing, yet which developed into webs of most

intricate design, even while her eyes were not fixed upon it, but were

glancing about at whatever interested her, or up in his face, as she

talked to him impulsively in her fluent, inverted English.

Amalia was not guarded; she was lavish with her interest in all he

said, and in her quick, responsive, and poetic play of fancy--ardent

and glowing--glad to give out from her soul its best to this man who

had befriended her father in their utmost need and who had saved her

own and her mother's life. She knew always when a cloud gathered over

his spirit, and made it her duty to dispel such mists of some

possible sad memory by turning his thoughts to whatever of beauty she

found around them, or in the inspiration of her own rich nature.

To avoid disquieting her by the studied guardedness of his manner,

Harry employed himself as much of the time as possible away from the

cabin, often in providing game for the winter. Larry Kildene had

instructed him how to cure and dry the meat and to store it and also

how to care for the skins, but because of the effect of that sight of

the bloody sheep's pelt on Amalia, he never showed her a poor little

dead creature, or the skin of one. He brought her mother whatever they

required of food, carefully prepared, and that was all.

He constructed a chair for her and threw over it furs from Larry

Kildene's store, making it soft and comfortable thereby. He made also

a footstool for the hurt ankle to rest upon, and found a beautiful

lynx skin with which to cover her feet. The back of the chair he made

high, and hinged it with leather to the seat, arranging it so that by

means of pegs it might be raised or lowered. Without lumber, and with

the most simple tools, he sawed and hewed the logs, and lacking nails

he set it together with pegs, but what matter? It was comfortable, and

in the making of it he eased his heart by expressing his love without

sorrowful betrayal.

Amalia laughed as she sat in it, one day, close to the open door,

because the air was too pinching cold for her to be out. She laughed

as she put her hands in the soft fur and drew her fingers through it,

and looked up in Harry's face.

"You are thinking me so foolish, yes, to have about me the skins of

poor little killed beasts? Yet I weeped all those tears on your coat

because to see the other--yes,--hanging beside the door. It is so we

are--is not?"

"I'm glad enough you're not consistent. It would be a blot on your

character."

"But for why, Mr. 'Arry?"

"Oh, I couldn't stand it."

Again she laughed. "How it is very peculiar--that reason you give. Not

to stand it! Could you then to sit it?" But Harry only laughed and

looked away from her. She laid her face against the soft fur. "Good

little animals--to give me your life. But some time you would

die--perhaps with sorrow of hunger and age, and the life be for

nothing. This is better."

"There you're right. Let me draw you back in the room and close the

door. It will freeze to-night, I'm thinking."

"Oh, not yet, please! I have yet to see the gloryful sky of the west.

Last evening how it was beautiful! To-night it will be more lovely to

look upon for the long line of little cloud there on which the red of

the sun will burn like fire in the heaven over the mountain."

"You must enjoy the beauty, Amalia, and then pray that there may be no

snow. It looks like it, and we want the snow to hold off until Larry

comes back."

"We pray, always, my mamma and I. She that he come back quickly, and

me--I pray that he come back safely--but to be soon--it is such terror

to me."

"Larry will find a way out of the difficulty. He will have an excuse

all thought out for your mother. I am more anxious about the snow with

a sunset sky like that, but I don't know anything about this region."

"Mr. 'Arry, so very clever you are in making things, can you help me

to one more thing? I like very much to have the sticks for lame

walking,--what you call--the crutch? Yes. I have for so long time

spoken only the Polish that I forget me greatly the English. You must

talk to me much, and make me reproof of my mistakes. Do you know for

why I like the crutch? It is that I would go each day--many times to

see the water fall down. Ah, how that is beautiful! In the sun, or

early in the morning, or in the night, always beautiful!"

"You shall have the crutches, Amalia, and until I get them made, I

will carry you to the fall each day. Come, I will take you there now.

I will wrap these furs around you, and you shall see the fall in the

evening light."

"No, 'Arry King. To-morrow I will try to ride on the horse if you will

lift me up on him. I will let you do this. But you may not carry me as

you have done. I am now so strong. You may make me the crutch, yes."

Of all things he wished her to let him carry her to the fall, but her

refusal was final, and he set about making the crutches immediately.

Through the evening he worked on them, and at nightfall the next day

he brought them to her. As he came down from his shed, carrying the

crutches proudly, he heard sweet, quavering tones in the air wafted

intermittently. The wind was still, and through the evening hush the

tones strengthened as he drew nearer the cabin, until they seemed to

wrap him in a net of interwoven cadences and fine-spun threads of

quivering melody--a net of sound, inclosing his spirit in its

intricate mesh of sweetness.

He paused and breathed deeply, and turned this way and that, as if he

would escape but found no way; then he walked slowly on. At the door

of the cabin he paused again. The firelight shone through from

underneath, and a fine thread of golden light sifted through the latch

of the door and fell on the hand that held Amalia's crutches. He

looked down on the spot of light dancing over his hand as if he were

dazed by it. Very gently he laid the crutches across the threshold,

and for a long time stood without, listening, his head bowed as if he

were praying.

It was her father's violin, the one she had wept at leaving behind

her. What was she playing? Strange, old-world melodies they seemed,

tossed into the air, now laughing, now wailing like sorrowing women

voices. Oh, the violin in her hands! Oh, the rapture of hearing it, as

her soul vibrated through it and called to him--called to him!--But he

would not hear the call. He turned sorrowfully and went down again to

the shed and there he lay upon his face and clasped his hands above

his head and whispered her name. It was as if his heart were beating

itself against prison walls and the clasped hands were stained with

blood.

He rose next morning, haggard and pale. The snow was

falling--falling--softly and silently. It fell like lead upon his

heart, so full of anxiety was he for the good friend who might even

then be climbing up the trail. Madam Manovska observed his drawn face,

and thought he suffered only from anxiety and tried to comfort him.

Amalia also attempted to cover her own anxiety by assurances that the

good St. Christopher who watches over travelers would protect Larry

Kildene, because he knew so well how many dangers there were, and that

he, who had carried the Christ with all his burden of sorrows could

surely keep "Sir Kildene" even through the snows of winter. In spite

of an inherent and trained disbelief in all supposed legends,

especially as tenets of faith, Harry felt himself comforted by her

talk, yet he could not forbear questioning her as to her own faith in

them.

"Do you truly believe all that, Amalia?"

"All--that--? Of what--Mr. 'Arry?" She seemed truly mystified.

"I mean those childish legends of the saints you often quote?"

Amalia laughed. "You think I have learn them of the good sisters in my

convent, and is no truth in them?"

"Why--I guess that's about it. Did your father believe them?"

"Maybe no. But my father was 'devoué'--very--but he had a very wide

thought of God and man--a thought reaching far out--to--I find it very

hard to explain. If but you understood the French, I could tell

you--but for me, I have my father's faith and it makes me glad to play

in my heart with these legends--as you call them."

He gave her a quick, appealing glance, then turned his gaze away. "Try

to explain. Your English is beautiful."

"If you eat your breakfast, then will I try."

"Yes, yes, I will. You say he had faith reaching far out--to where--to

what?"

"He said there would never be rest in all the universe until we find

everywhere God,--living--creating--moving forever in the--the--all."

She held out her hands and extended her arms in an encompassing

movement indescribably full of grace.

"You mean he was a pantheist?"

"Oh, no, no. That is to you a horror, I see, but it was not that."

She laughed again, so merrily that Harry laughed, too. But still he

persisted, "Amalia--never mind what your father thought; tell me your

own faith."

Then she grew grave, "My faith is--just--God. In the all.

Seeing--feeling--knowing--with us--for us--never away--in the deep

night of sorrow--understanding. In the far wilderness--hearing. In the

terror and remorse of the heart--when we weep for sin--loving. It is

only one thing in all the world to learn, and that is to learn all

things, just to reach out the mind, and touch God--to find his love in

the heart and so always live in the perfect music of God. That is the

wonderful harmony--and melody--and growth--of each little soul--and of

all peoples, all worlds,--Oh, it is the universe of love God gives to

us."

For a while they were silent, and Madam Manovska began to move about

the cabin, setting the things in order. She did not seem to have taken

any interest in their talk. Harry rose to go, but first he looked in

Amalia's eyes.

"The perfect Music of God?" He said the words slowly and questioningly.

"You understand my meaning?"

"I can't say. Do you?"

She quickly snatched up her violin which lay within reach of her arm.

"I can better show you." She drew a long chord, then from it wandered

into a melody, sweet and delicate; then she drew other chords, and on

into other melodies, all related; then she began to talk again. "It is

only on two strings I am playing--for hear? the others are now souls

out of the music of God--listen--" she drew her bow across the

discordant strings. "How that is terrible! So God creates great and

beautiful laws--" she went back into the harmony and perfect melody,

and played on, now changing to the discordant strain, and back, as she

talked--"and gives to all people power to understand, but not through

weakness--but through longing and searching with big earnestness of

purpose, and much desire. Who has no care and desire for the music of

God, strikes always those wrong notes, and all suffer as our ears

suffer with the bad sounds. So it is, through long desiring, and

living, always a little and a little more perceiving, reaching out the

hand to touch in love our brothers and sisters on the earth,--always

with patience learning to find in our own souls the note that strikes

in harmony with the great thought of God--and thus we understand and

live in the music of God. Ah, it is hard for me to say it--but it is

as if our souls are given wings--wings--that reach--from the gold of

the sun--even to the earth at our feet, and we float upon that great

harmony of love like upon a wonderful upbearing sea, and never can we

sink, and ever all is well--for we live in the thought of God."

"Amalia--Amalia--How about sin, and the one who--kills--and the ones

who hate--and the little children brought into the world in sin--"

Harry's voice trembled, and he bowed his head in his hands.

"Never is anything lost. They are the ones who have not yet

learned--they have not found the key to God's music. Those who find

must quickly help and give and teach the little children--the little

children find so easily the key--but to all the strings making

horrible discord on the earth--we dare not shut our ears and hide--so

do the sweet, good sisters in the convent. They do their little to

teach the little children, but it is always to shut their ears. But

the Christ went out in the world, not with hands over his ears, but

outreached to his brothers and sisters on the earth. But my father--my

father! He turned away from the church, because he saw they had not

found the true key to God's music--or I mean they kept it always hid,

and covered with much--how shall I say--with much drapery--and golden

coverings, that the truth--that is the key--was lost to sight. It was

for this my father quarreled with--all that he thought not the truth.

He believed to set his people free both from the world's oppression

and from their own ignorance, and give to them a truth uncovered. Oh,

it set his old friends in great discord more than ever--for they could

not make thus God's music. And so they rose up and threw him in

prison, and all the terrible things came upon him--of the world. My

mother must have been very able through love to drag him free from

them, even if they did pursue. It was the conflict of discord he felt

all his life, and now he is free."

Suddenly the mother's deep tones sounded through the cabin with a

finality that made them both start. "Yes. Now he is free--and yet will

he bring them to--know. We wait for him here. No more must he go to

Poland. It is not the will of God."

Still Harry was not satisfied. "But if you think all these great

thoughts--and you do--I can't see how you can quote those legends as

if you thought them true."

"I quote them, yes, because I love them, and their poetry. Through all

beauty--all sweetness--all strength--God brings to us his thought.

This I believe. I believe the saints lived and were holy and good,

loving the great brotherhood. Why may not they be given the work of

love still to do? It is all in the music of God, that they live, and

make happy, and why should I believe that it is now taken from them to

do good? Much that I think lies deep in my heart, and I cannot tell it

in words."

"Nor can I. But my thoughts--" For an instant Amalia, looking at him,

saw in his face the same look of inward fear--or rather of despair

that had appalled Larry, but it went as quickly as it appeared, and

she wondered afterward if she had really seen it, or if it was a

strange trick of the firelight in the windowless cabin.

"And your thoughts, Mr. 'Arry?"

"They are not to be told." Again he rose to go, and stood and looked

down on her, smiling. "I see you have already tried the crutches."

"Yes. I found them in the snow, before the door. How I got there? I

did hop. It was as if the good angels had come in the night. I wake

and something make me all glad--and I go to the door to look at the

whiteness, and then I am sorry, because of Sir Kildene, then I see

before me--while that I stand on one foot, and hop--hop--hop--so, I

see the crutch lie in the snow. Oh, Mr. 'Arry, now so pale you are! It

is that you have worked in the night to make them--Is not? That is

sorrowful to me. But now will I do for you pleasant things, because I

can move to do them on these, where before I must always sit

still--still--Ah, how that is hard to do! One good thing comes to me

of this hurt. It makes the old shoes to last longer. How is it never

to wear out shoes? Never to walk in them."

Harry laughed. "We'll have to make you some moccasins."

"And what is moccasins? Ah, yes, the Indian shoe. I like them well, so

soft they must be, and so pretty with the beads. I have seen once such

shoes on one little Indian child. Her mother made them."

Then Harry made her try the crutches to be sure they were quite right,

and, seeing that they were a little too long, he measured them with

care, and carried them back to the shed, and there he shortened them

and polished them with sand and a piece of flint, until he succeeded

in making a very workmanlike job of them.

At noon he brought them back, and stood in the doorway a moment beside

her, looking out through the whiteness upon the transformed world. In

spite of what that snow might mean to Larry Kildene, and through him

to them, of calamity, maybe death, a certain elation possessed Harry.

His body was braced to unusual energy by the keen, pure air, and his

spirit enthralled and lifted to unconscious adoration by the vast

mystery of a beauty, subtle and ethereal in its hushed eloquence. From

the zenith through whiteness to whiteness the flakes sifted from the

sky like a filmy bride's veil thrown over the blue of the farthest and

highest peaks, and swaying soft folds of lucent whiteness upon the

earth--the trees--and upon the cabin, and as they stood there, closing

them in together--the very center of mystery, their own souls. Again

the passion swept through him, to gather her in his arms, and he held

himself sternly and stiffly against it, and would have said something

simple and common to break the spell, but he only faltered and looked

down on his hands spread out before her, and what he said was: "Do you

see blood on them?"

"Ah, no. Did you hurt your hand to cause blood on them, and to make

those crutch for me?" she cried in consternation.

"No, no. It's nothing. I have not hurt my hand. See, there's no blood

on the crutches." He glanced at them as she leaned her weight on them

there at his side, with a feeling of relief. It seemed as if they must

show a stain, yet why should it be blood? "Come in. It's too cold for

you to stand in the door with no shawl. I mean to put enough wood in

here to last you the rest of the day--and go--"

"Mr. 'Arry! Not to leave us? No, it is no need you go--for why?"

Her terror touched him. "No, I would not go again and leave you and

your mother alone--not to save my soul. As you say, there is no

need--as long as it is so still and the clouds are thin the snow will

do little harm. It would be the driving, fine snow and the drifts that

would delay him."

"Yes, snow as we have it in the terrible Russia. I know such snow

well," said Madam Manovska.

They went in and closed the door, and sat down to eat. The meal was

lighted only by the dancing flames from the hearth, and their faces

glowed in the fitful light. Always the meals were conducted with a

certain stately ceremony which made the lack of dishes, other than the

shaped slabs of wood sawn from the ends of logs--odd make-shifts

invented by Harry, seem merely an accident of the moment, while the

bits of lace-edged linen that Amalia provided from their little store

seemed quite in harmony with the air of grace and gentleness that

surrounded the two women. It was as if they were using a service of

silver and Sevres, and to have missed the graciousness of their

ministrations, now that he had lived for a little while with them,

would have been sorrow indeed.

He even forgot that he was clothed in rags, and wore them as if they

were the faultless garments of a prince. It was only when he was alone

that he looked down on them and sighed. One day he had come to the

cabin to ask if he might take for a little while a needle and thread,

but when he got there, the conversation wandered to discussion of the

writers and the tragedies of the various nations and of their poets,

and the needle and thread were forgotten.

To-day, as the snow fell, it reminded Amalia of his need, and she

begged him to stay with them a little to see what the box he had

rescued for them contained. He yielded, and, taking up the violin, he

held it a moment to his chin as if he would play, then laid it down

again without drawing the bow across it.

"Ah, Mr. 'Arry, it is that you play," cried Amalia, in delight. "I

know it. No man takes in his hand the violin thus, if he do not

play."

"I had a friend once who played. No, I can't." He turned away from it

sadly, and she gently laid it back in its box, and caught up a piece

of heavy material.

"Look. It is a little of this left. It is for you. My mother has much

skill to make garments. Let us sew for you the blouse."

"Yes, I'll do that gladly. I have no other way to keep myself decent

before you."

"What would you have? All must serve or we die." Madam Manovska spoke,

"It is well, Sir 'Arry King, you carry your head like one prince, for

I will make of you one peasant in this blouse."

The two women laughed and measured him, and conferred volubly together

in their own tongue, and he went out from their presence feeling that

no prince had ever been so honored. They took also from their store

warm socks of wool and gave him. Sadly he needed them, as he realized

when he stepped out from their door, and the soft snow closed around

his feet, chilling them with the cold.

As he looked up in the sky he saw the clouds were breaking, and the

sun glowed through them like a great pale gold moon, even though the

flakes continued to veil thinly the distance. His heart lightened and

he went back to the cabin to tell them the good news, and to ask them

to pray for clear skies to-morrow. Having been reared in a rigidly

puritanic school of thought, the time was, when first he knew them,

that the freedom with which Amalia spoke of the Deity, and of the

Christ, and the saints, and her prayers, fell strangely upon his

unaccustomed ears. He was reserved religiously, and seemed to think

any mention of such topics should be made with bated breath, and the

utmost solemnity. Often it had been in his mind to ask her concerning

her beliefs, but his shyness on such themes had prevented.

Now that he had asked her he still wondered. He was used to feel that

no one could be really devout, and yet speak so freely. Why--he could

not have told. But now he began to understand, yet it was but a

beginning. Could it be that she belonged to no church? Was it some

sect of which he had never heard to which they belonged? If so, it

must be a true faith, or it never could have upheld them through all

their wanderings and afflictions, and, as he pondered, he found

himself filled with a measure of the same trustful peace. During

their flight across the plains together he had come to rest in them,

and when his heart was too heavy to dare address the Deity in his own

words, it was balm to his hurt spirit to hear them at their devotions

as if thus God were drawn nearer him.

This time, whether he might lay it to their prayers or no, his hopes

were fulfilled. The evening brought a clear sunset, and during the

next day the snow melted and soon was gone, and a breeze sprang up and

the clouds drifted away, and for several days thereafter the weather

continued clear and dry.

Now often he brought his horse to the door, and lifted Amalia to the

saddle and walked at her side, fearing she might rest her foot too

firmly in the stirrup and so lose control of the horse in her pain.

Always their way took them to the falls. And always he listened while

Amalia talked. He allowed himself only the most meager liberty of

expression. Distant and cold his manner often seemed to her, but

intuitively she respected his moods, if moods they might be called:

she suspected not.

The Eye of Dread · 第 21 / 40 章