The men stayed to dinner, and I said to Abel, out to one side,—

“Abel, that monument is a-goin’ to cost a sight.”

“Wall,” says he, “we can’t raise too high a one. Harrison deserved it

all.”

Says I, “Won’t that, and all these funeral expenses, take about all the

money he left?”

“Oh, no,” says he. “He had insured his life for a large amount, and it

all goes to his wife and children. He deserves a monument, if a man ever

did.”

“But,” says I, “don’t you believe that Harrison would rather have S.

Annie and the children settled down in a good little home, with sunthin’

left to take care of ’em, than to have all this money spent in perfectly

useless things?”

“_Useless!_” says Abel, turnin’ red. “Why,” says he, “if you wuzn’t a

near relation I should resent that speech bitterly.”

“Wall,” says I, “what do all these flowers, and empty carriages, and

silver-plated nails, and crape, and so forth,—what does it all amount

to?”

“Respect and honor to his memory,” says Abel, proudly.

Says I, “Such a life as Harrison’s had them; nobody could take ’em away,

nor demenish ’em. Such a brave, honest life is crowned with honor and

respect anyway. It don’t need no crape, nor flowers, nor monuments, to

win ’em. And at the same time,” says I, dreamily, “if a man is mean, no

amount of crape, or flower-pieces, or flowery sermons, or obituries, is

a-goin’ to cover up that meanness. A life has to be lived out-doors, as

it were: it can’t be hid. A string of mournin’ carriages, no matter how

long, hain’t a-goin’ to carry a dishonorable life into honor, and no

grave, no matter how low and humble it is, is a-goin’ to cover up a

honorable life.

“Such a life as Harrison’s don’t need no monument to carry up the story

of his virtues into the heavens: it is known there already. And them

that mourn his loss don’t need cold marble words to recall his goodness

and faithfulness. The heart where the shadow of his eternal absence has

fell, don’t need crape to make it darker.

“Harrison wouldn’t be forgot if S. Annie wore pure white from day to

day. No, nobody that knew Harrison, from all I have hearn of him, needs

crape to remind ’em that he wuz once here and now is gone.

“Howsomever, as far as that is concerned, I always feel that mourners

must do as they are a mind to about crape, with fear and tremblin’,—that

is, if they are well off, and _can_ do as they are a mind to; and the

same with monuments, flowers, empty coaches, etc. But in this case, Abel

Perry, I wouldn’t be a-doin’ my duty if I didn’t speak my mind. When I

look at these little helpless souls that are left in a cold world with

nothin’ to stand between them and want but the small means their pa

worked so hard for and left for the express purpose of takin’ care of

’em, it seems to me a foolish thing, and a cruel thing, to spend all

that money on what is entirely onnecessary.”

“Onnecessary!” says Abel, angrily. “Ag’in I say, Josiah Allen’s wife,

that if it wuzn’t for our close relationship I should turn on you. A

worm will turn,” says he, “if it is too hardly trampled on.”

“I hain’t trampled on you,” says I, “nor hain’t had no idea on’t. I wuz

only statin’ the solemn facts and truth of the matter. And you will see

it some time, Abel Perry, if you don’t now.”

Says Abel, “The worm has turned, Josiah Allen’s wife! Yes, I feel that I

have got to look now to more distant relations for comfort. Yes, the

worm has been stepped on too heavy.”

He looked cold, cold as a iceickle, almost. And I see that jest the few

words I had spoke, jest the slight hints I had gin, hadn’t been took as

they should have been took. So I said no more. For ag’in the remark of

that little bad boy came up in my mind, and restrained me from sayin’

any more.

Truly, as the young male child observed, “it wuzn’t my funeral.”

We went home almost immejiately afterwards, my heart nearly a-bleedin’

for the little children, poor little creeters, and Abel actin’ cold and

distant to the last.

And we hain’t seen ’em sense. But news has come from them, and come

straight. Josiah heerd to Jonesville, all about it.

The miller at Loontown wuz down to the Jonesville mill to get the loan

of some bags, and Josiah happened to be there to mill that day, and

heerd all about it.

Abel had got the monument. And the ornaments on it cost far more than he

expected. There wuz a wreath a-runnin’ round it clear from the bottom to

the top, and verses a kinder runnin’ up it at the same time. And it cost

fearful. Poetry a-runnin’ up, they say, costs far more than it duz on a

level.

Anyway, the two thousand dollars that wuz insured on Harrison’s life

wuzn’t quite enough to pay for it. But the sale of his law library and

the best of the housen stuff paid it. The nine hundred he left went,

every mite of it, to pay the funeral expenses, and mournin’ for the

family.

And, as bad luck always follers on in a procession, them mortgages of

Abel’ses all run out sort o’ together. His creditors sold him out, and

when his property was all disposed of it left him over fourteen hundred

dollars in debt.

The creditors acted perfectly greedy, so they say,—took everything they

could; and one of the meanest ones took that insane bedquilt that I

finished. That _wuz_ mean. They say Sally Ann crumpled right down when

that wuz took. Some say that they got holt of that tall weed of

Abel’ses, and some dispute it; some say that he wore it on the last ride

he took in Loontown.

But, howsomever, Abel wuz took sick, Sally Ann wuzn’t able to do

anything for their support, S. Annie wuz took down with the typus, and

so it happened the very day the monument wuz brought to the Loontown

Cemetery, Abel Perry’ses folks was carried to the county house for the

winter, S. Annie, the children, and all.

[Illustration: “It lay there by the side of the road, a great white

shape.”]

And it happened dretful cur’us, but the town hired that very team that

drawed the monument there, to take the family back.

It wuz a good team.

The monument wuzn’t set up, for they lacked money to pay for the

underpinnin’. (Wuzn’t it cur’us, Abel Perry never would think of the

underpinnin’ to anything?) But it lay there by the side of the road, a

great white shape.

And they say the children wuz skairt, and cried, when they went by

it,—cried and wept.

But I believe it wuz because they wuz cold and hungry that made ’em cry.

I don’t believe it wuz the monument.

------------------------------------------------------------------------

● Transcriber’s Notes:

○ Missing or obscured punctuation was silently corrected.

○ Inconsistent spelling and hyphenation were made consistent only

when a predominant form was found in this book.

○ Text that was in italics is enclosed by underscores (_italics_).

Josiah's Alarm, and Abel Perry's Funeral · 第 18 / 18 题