CHAPTER I

NOBODY'S BOY

(_Sans Famille_)

BY HECTOR MALOT

TRANSLATED BY FLORENCE CREWE-JONES

_ILLUSTRATED IN COLOR BY_ JOHN B. GRUELLE

NEW YORK MDCCCCXVI

CUPPLES & LEON COMPANY

_Copyright, 1916, by_ CUPPLES & LEON COMPANY

Printed in U. S. A.

[Illustration: "THE FIRST APPEARANCE OF REMI'S COMPANY."

(_See page 230_)]

CONTENTS

CHAPTER PAGE

I MY VILLAGE HOME 1

II MY ADOPTED FATHER 10

III SIGNOR VITALIS' COMPANY 21

IV THE MATERNAL HOUSE 35

V EN ROUTE 43

VI MY DÉBUT 49

VII CHILD AND ANIMAL LEARNING 61

VIII ONE WHO HAD KNOWN A KING 67

IX ARRESTED 74

X HOMELESS 85

XI ANOTHER BOY'S MOTHER 109

XII THE MASTER'S CONSENT 120

XIII WEARY DREARY DAYS 128

XIV THE DEATH OF PRETTY-HEART 148

XV FAITHFUL FRIENDS 163

XVI THE PADRONE 169

XVII POOR VITALIS 184

XVIII NEW FRIENDS 194

XIX DISASTER 205

XX MATTIA 220

XXI MEETING OLD FRIENDS 236

XXII IMPRISONED IN A MINE 244

XXIII ONCE MORE UPON THE WAY 262

XXIV FRIENDSHIP THAT IS TRUE 270

XXV MOTHER, BROTHERS AND SISTERS 294

XXVI BITTER DISAPPOINTMENT 304

XXVII A DISTRESSING DISCOVERY 312

XXVIII A MYSTERIOUS STRANGER 330

XXIX IN PRISON 335

XXX ESCAPE 345

XXXI HUNTING FOR THE SWAN 353

XXXII FINDING A REAL MOTHER 359

XXXIII THE DREAM COME TRUE 368

LIST OF ILLUSTRATIONS

"THE FIRST APPEARANCE OF REMI'S COMPANY" (_See Page 230_)

_Frontispiece_

PAGE

"I'LL GIVE YOU THIRTY FRANCS FOR HIM" 33

"FOR EACH CRY YOU WILL RECEIVE ANOTHER SLASH" 181

"LET US NOW PLAY FOR THOSE WE LOVE" 371

INTRODUCTION

"Nobody's Boy," published in France under the title "Sans Famille," has

become justly famous as one of the supreme juvenile stories of the

world. In the midst of its early popularity, it was crowned by the

Academy as one of the masterpieces of French literature. A few years

later, it was followed by "En Famille," which is published by us as a

companion story under the title "Nobody's Girl."

"Nobody's Boy" is a human document of child experiences that is

fascinating reading for young and old. Parents, teachers and others, who

are careful to have children read inspiring books, will welcome this

beautiful story of Hector Malot, as among the best for them to

recommend.

Such digressions in the original, as do not belong to the heart of the

story, have been eliminated, so that the lost boy's experiences continue

as the undisturbed interest, on through to the happy conclusion.

Loyal friendship and honest conduct are the vital ideals of this story,

and the heart interest is eloquent with noble character.

THE PUBLISHERS.

NOBODY'S BOY

CHAPTER I

MY VILLAGE HOME

I was a foundling. But until I was eight years of age I thought I had a

mother like other children, for when I cried a woman held me tightly in

her arms and rocked me gently until my tears stopped falling. I never

got into bed without her coming to kiss me, and when the December winds

blew the icy snow against the window panes, she would take my feet

between her hands and warm them, while she sang to me. Even now I can

remember the song she used to sing. If a storm came on while I was out

minding our cow, she would run down the lane to meet me, and cover my

head and shoulders with her cotton skirt so that I should not get wet.

When I had a quarrel with one of the village boys she made me tell her

all about it, and she would talk kindly to me when I was wrong and

praise me when I was in the right. By these and many other things, by

the way she spoke to me and looked at me, and the gentle way she scolded

me, I believed that she was my mother.

My village, or, to be more exact, the village where I was brought up,

for I did not have a village of my own, no birthplace, any more than I

had a father or mother--the village where I spent my childhood was

called Chavanon; it is one of the poorest in France. Only sections of

the land could be cultivated, for the great stretch of moors was covered

with heather and broom. We lived in a little house down by the brook.

Until I was eight years of age I had never seen a man in our house; yet

my adopted mother was not a widow, but her husband, who was a

stone-cutter, worked in Paris, and he had not been back to the village

since I was of an age to notice what was going on around me.

Occasionally he sent news by some companion who returned to the village,

for there were many of the peasants who were employed as stone-cutters

in the city.

"Mother Barberin," the man would say, "your husband is quite well, and

he told me to tell you that he's still working, and to give you this

money. Will you count it?"

That was all. Mother Barberin was satisfied, her husband was well and he

had work.

Because Barberin was away from home it must not be thought that he was

not on good terms with his wife. He stayed in Paris because his work

kept him there. When he was old he would come back and live with his

wife on the money that he had saved.

One November evening a man stopped at our gate. I was standing on the

doorstep breaking sticks. He looked over the top bar of the gate and

called to me to know if Mother Barberin lived there. I shouted yes and

told him to come in. He pushed open the old gate and came slowly up to

the house. I had never seen such a dirty man. He was covered with mud

from head to foot. It was easy to see that he had come a distance on bad

roads. Upon hearing our voices Mother Barberin ran out.

"I've brought some news from Paris," said the man.

Something in the man's tone alarmed Mother Barberin.

"Oh, dear," she cried, wringing her hands, "something has happened to

Jerome!"

"Yes, there is, but don't get scared. He's been hurt, but he ain't dead,

but maybe he'll be deformed. I used to share a room with him, and as I

was coming back home he asked me to give you the message. I can't stop

as I've got several miles to go, and it's getting late."

But Mother Barberin wanted to know more; she begged him to stay to

supper. The roads were so bad! and they did say that wolves had been

seen on the outskirts of the wood. He could go early in the morning.

Wouldn't he stay?

Yes, he would. He sat down by the corner of the fire and while eating

his supper told us how the accident had occurred. Barberin had been

terribly hurt by a falling scaffold, and as he had had no business to

be in that particular spot, the builder had refused to pay an indemnity.

"Poor Barberin," said the man as he dried the legs of his trousers,

which were now quite stiff under the coating of mud, "he's got no luck,

no luck! Some chaps would get a mint o' money out of an affair like

this, but your man won't get nothing!"

"No luck!" he said again in such a sympathetic tone, which showed

plainly that he for one would willingly have the life half crushed out

of his body if he could get a pension. "As I tell him, he ought to sue

that builder."

"A lawsuit," exclaimed Mother Barberin, "that costs a lot of money."

"Yes, but if you win!"

Mother Barberin wanted to start off to Paris, only it was such a

terrible affair ... the journey was so long, and cost so much!

The next morning we went into the village and consulted the priest. He

advised her not to go without first finding out if she could be of any

use. He wrote to the hospital where they had taken Barberin, and a few

days later received a reply saying that Barberin's wife was not to go,

but that she could send a certain sum of money to her husband, because

he was going to sue the builder upon whose works he had met with the

accident.

Days and weeks passed, and from time to time letters came asking for

more money. The last, more insistent than the previous ones, said that

if there was no more money the cow must be sold to procure the sum.

Only those who have lived in the country with the peasants know what

distress there is in these three words, "Sell the cow." As long as they

have their cow in the shed they know that they will not suffer from

hunger. We got butter from ours to put in the soup, and milk to moisten

the potatoes. We lived so well from ours that until the time of which I

write I had hardly ever tasted meat. But our cow not only gave us

nourishment, she was our friend. Some people imagine that a cow is a

stupid animal. It is not so, a cow is most intelligent. When we spoke to

ours and stroked her and kissed her, she understood us, and with her big

round eyes which looked so soft, she knew well enough how to make us

know what she wanted and what she did not want. In fact, she loved us

and we loved her, and that is all there is to say. However, we had to

part with her, for it was only by the sale of the cow that Barberin's

husband would be satisfied.

A cattle dealer came to our house, and after thoroughly examining

Rousette,--all the time shaking his head and saying that she would not

suit him at all, he could never sell her again, she had no milk, she

made bad butter,--he ended by saying that he would take her, but only

out of kindness because Mother Barberin was an honest good woman.

Poor Rousette, as though she knew what was happening, refused to come

out of the barn and began to bellow.

"Go in at the back of her and chase her out," the man said to me,

holding out a whip which he had carried hanging round his neck.

"No, that he won't," cried mother. Taking poor Rousette by the loins,

she spoke to her softly: "There, my beauty, come ... come along then."

Rousette could not resist her, and then, when she got to the road, the

man tied her up behind his cart and his horse trotted off and she had to

follow.

We went back to the house, but for a long time we could hear her

bellowing. No more milk, no butter! In the morning a piece of bread, at

night some potatoes with salt.

Shrove Tuesday happened to be a few days after we had sold the cow. The

year before Mother Barberin had made a feast for me with pancakes and

apple fritters, and I had eaten so many that she had beamed and laughed

with pleasure. But now we had no Rousette to give us milk or butter, so

there would be no Shrove Tuesday, I said to myself sadly.

But Mother Barberin had a surprise for me. Although she was not in the

habit of borrowing, she had asked for a cup of milk from one of the

neighbors, a piece of butter from another, and when I got home about

midday she was emptying the flour into a big earthenware bowl.

"Oh," I said, going up to her, "flour?"

"Why, yes," she said, smiling, "it's flour, my little Remi, beautiful

flour. See what lovely flakes it makes."

Just because I was so anxious to know what the flour was for I did not

dare ask. And besides I did not want her to know that I remembered that

it was Shrove Tuesday for fear she might feel unhappy.

"What does one make with flour?" she asked, smiling at me.

"Bread."

"What else?"

"Pap."

"And what else?"

"Why, I don't know."

"Yes, you know, only as you are a good little boy, you don't dare say.

You know that to-day is Pancake day, and because you think we haven't

any butter and milk you don't dare speak. Isn't that so, eh?

"Oh, Mother."

"I didn't mean that Pancake day should be so bad after all for my little

Remi. Look in that bin."

I lifted up the lid quickly and saw some milk, butter, eggs, and three

apples.

"Give me the eggs," she said; "while I break them, you peel the apples."

While I cut the apples into slices, she broke the eggs into the flour

and began to beat the mixture, adding a little milk from time to time.

When the paste was well beaten she placed the big earthenware bowl on

the warm cinders, for it was not until supper time that we were to have

the pancakes and fritters. I must say frankly that it was a very long

day, and more than once I lifted up the cloth that she had thrown over

the bowl.

"You'll make the paste cold," she cried; "and it won't rise well."

But it was rising well, little bubbles were coming up on the top. And

the eggs and milk were beginning to smell good.

"Go and chop some wood," Mother Barberin said; "we need a good clear

fire."

At last the candle was lit.

"Put the wood on the fire!"

She did not have to say this twice; I had been waiting impatiently to

hear these words. Soon a bright flame leaped up the chimney and the

light from the fire lit up all the kitchen. Then Mother Barberin took

down the frying pan from its hook and placed it on the fire.

"Give me the butter!"

With the end of her knife she slipped a piece as large as a nut into the

pan, where it melted and spluttered. It was a long time since we had

smelled that odor. How good that butter smelled! I was listening to it

fizzing when I heard footsteps out in our yard.

Whoever could be coming to disturb us at this hour? A neighbor perhaps

to ask for some firewood. I couldn't think, for just at that moment

Mother Barberin put her big wooden spoon into the bowl and was pouring

a spoonful of the paste into the pan, and it was not the moment to let

one's thoughts wander. Somebody knocked on the door with a stick, then

it was flung open.

"Who's there?" asked Mother Barberin, without turning round.

A man had come in. By the bright flame which lit him up I could see that

he carried a big stick in his hand.

"So, you're having a feast here, don't disturb yourselves," he said

roughly.

"Oh, Lord!" cried Mother Barberin, putting the frying pan quickly on the

floor, "is it you, Jerome."

Then, taking me by the arm she dragged me towards the man who had

stopped in the doorway.

"Here's your father."

Nobody's boy (Sans famille) · 第 1 / 33 章