COPYRIGHT, 1911, REVIEW OF REVIEWS CO.]

On this page of unwritten history McPherson and Oliver, the New Orleans

war-time photographers, have caught the crew of the staunch old "Hartford"

as they relaxed after their fiery test. In unconscious picturesqueness

grouped about the spar-deck, the men are gossiping or telling over again

their versions of the great deeds done aboard the flagship. Some have

seized the opportunity for a little plain sewing, while all are interested

in the new and unfamiliar process of "having their pictures taken." The

notable thing about the picture is the number of young faces. Only a few

of the old salts whose bearded and weather-beaten faces give evidence of

service in the old navy still remain. After the great triumph in Mobile

Bay, Farragut said of these men: "I have never seen a crew come up like

ours. They are ahead of the old set in small arms, and fully equal to them

at the great guns. They arrived here a mere lot of boys and young men, and

have now fattened up and knocked the nine-inch guns about like twenty-four

pounders, to the astonishment of everybody. There was but one man who

showed fear and he was allowed to resign. This was the most desperate

battle I ever fought since the days of the old 'Essex.'" "It was the

anxious night of my life," wrote Farragut later. The spar-deck shown below

recalls another speech. "Don't flinch from that fire, boys! There is a

hotter fire for those who don't do their duty!" So shouted Farragut with

his ship fast aground and a huge fire-raft held hard against her wooden

side by the little Confederate tug "Mosher." The ship seemed all ablaze

and the men, "breathing fire," were driven from their guns. Farragut,

calmly pacing the poop deck, called out his orders, caring nothing for the

rain of shot from Fort St. Philip. The men, inspired by such coolness,

leaped to their stations again and soon a shot pierced the boiler of the

plucky "Mosher" and sank her.

[Illustration: SPAR-DECK OF THE "HARTFORD"]

The Civil War Through the Camera · 第 46 / 341 题