Effectually to protect his friends, St. Amand took up his quarters at

their house; and for two days he was once more under the same roof as

Lucille. He never recurred voluntarily to Julie; he answered Lucille's

timid inquiry after her health briefly, and with coldness, but he spoke

with all the enthusiasm of a long pent and ardent spirit of the new

profession he had embraced. Glory seemed now to be his only mistress,

and the vivid delusion of the first bright dreams of the revolution

filled his mind, broke from his tongue, and lighted up those dark eyes

which Lucille had redeemed to day.

She saw him depart at the head of his troop; she saw his proud crest

glancing in the sun; she saw that his last glance reverted to her,

where she stood at the door; and as he waved his adieu, she fancied

that there was on his face that look of deep and grateful tenderness

which reminded her of the one bright epoch of her life.

She was right; St. Amand had long since in bitterness repented of a

transient infatuation, had long since discovered the true Florimel from

the false, and felt that, in Julie, Lucille's wrongs were avenged. But

in the hurry and heat of war he plunged that regret--the keenest of

all--which imbodies the bitter words, "TOO LATE!"

Years passed away, and in the resumed tranquillity of Lucille's life

the brilliant apparition of St. Amand appeared as something dreamt of,

not seen. The star of Napoleon had risen above the horizon; the romance

of his early career had commenced; and the campaign of Egypt had been

the herald of those brilliant and meteoric successes which flashed

forth from the gloom of the Revolution of France.

You are aware, dear Gertrude, how many in the French as well as the

English troops returned home from Egypt, blinded with the ophthalmia of

that arid soil. Some of the young men in Lucille's town, who had joined

Napoleon's army, came back, darkened by that fearful affliction, and

Lucille's alms, and Lucille's aid, and Lucille's sweet voice were ever

at hand for those poor sufferers, whose common misfortune touched so

thrilling a cord of her heart.

Her father was now dead, and she had only her mother to cheer amid the

ills of age. As one evening they sat at work together, Madame Le

Tisseur said, after a pause--

"I wish, dear Lucille, thou couldst be persuaded to marry Justin; he

loves thee well, and now that thou art yet young, and hast many years

before thee, thou shouldst remember that when I die thou wilt be

alone."

"Ah cease, dearest mother, I never can marry now, and as for love--once

taught in the bitter school in which I have learned the knowledge of

myself--I cannot be deceived again."

"My Lucille, you do not know yourself; never was woman loved, if Justin

does not love you; and never did lover feel with more real warmth how

worthily he loved."

And this was true; and not of Justin alone, for Lucille's modest

virtues, her kindly temper, and a certain undulating and feminine

grace, which accompanied all her movements, had secured her as many

conquests as if she had been beautiful. She had rejected all offers of

marriage with a shudder; without even the throb of a flattered vanity.

One memory, sadder, was also dearer to her than all things; and

something sacred in its recollections made her deem it even a crime to

think of effacing the past by a new affection.

"I believe," continued Madame Le Tisseur, angrily, "that thou still

thinkest fondly of him from whom only in the world thou couldst have

experienced ingratitude."

"Nay mother," said Lucille, with a blush and a slight sigh, "Eugene is

married to another."

While thus conversing, they heard a gentle and timid knock at the

door--the latch was lifted. "This" said the rough voice of a

commissaire of the town--"this, monsieur, is the house of _Madame Le

Tisseur_, and--_voila mademoiselle!_" A tall figure, with a shade over

his eyes, and wrapped in a long military cloak, stood in the room. A

thrill shot across Lucille's heart. He stretched out his arms;

"Lucille," said that melancholy voice, which had made the music of her

first youth--"where art thou, Lucille; alas! she does not recognize St.

Amand."

Thus was it, indeed. By a singular fatality, the burning suns and the

sharp dust of the plains of Egypt had smitten the young soldier, in the

flush of his career, with a second--and this time, with an

irremediable--blindness! He had returned to France to find his hearth

lonely; Julie was no more--a sudden fever had cut her off in the midst

of youth; and he had sought his way to Lucille's house, to see if one

hope yet remained to him in the world!

And when, days afterward, humbly and sadly he re-urged a former suit,

did Lucille shut her heart to its prayer? Did her pride remember its

wound--did she revert to his desertion--did she say to the whisper of

her yearning love--_"thou hast been before forsaken?"_ That voice and

those darkened eyes pleaded to her with a pathos not to be resisted; "I

am once more necessary to him," was all her thought--"if I reject him,

who will tend him?" In that thought was the motive of her conduct; in

that thought gushed back upon her soul all the springs of checked, but

unconquered, unconquerable love! In that thought she stood beside him

at the altar, and pledged, with a yet holier devotion than she might

have felt of yore, the vow of her imperishable truth.

And Lucille found, in the future, a reward which the common world could

never comprehend. With his blindness returned all the feelings she had

first awakened in St. Amand's solitary heart; again he yearned for her

step--again he missed even a moment's absence from his side--again her

voice chased the shadow from his brow--and in her presence was a sense

of shelter and of sunshine. He no longer sighed for the blessing he had

lost; he reconciled himself to fate, and entered into that serenity of

mood which mostly characterizes the blind. Perhaps, after we have seen

the actual world, and experienced its hollow pleasures, we can resign

ourselves the better to its exclusion; and as the cloister which repels

the ardor of our hope is sweet to our remembrance, so the darkness

loses its terror when experience has wearied us with the glare and

travail of the day. It was something, too, as they advanced in life, to

feel the chains that bound him to Lucille strengthening daily, and to

cherish in his overflowing heart the sweetness of increasing gratitude;

it was something that he could not see years wrinkle that open brow, or

dim the tenderness of that touching smile; it was something that to him

she was beyond the reach of time, and preserved to the verge of a grave

(which received them both within a few days of each other,) in all the

bloom of her unwithering affection--in all the freshness of a heart

that never could grow old!

For the Southern Literary Messenger.

SONG--_By the Author of Vyvyan_.

On the brow of the mountain

The grey mists darkle--

On the wave of the fountain

Star images sparkle--

Wild lights o'er the meadow

Are fitfully gleaming--

In the hill's dark shadow

A spirit is dreaming.

The birds and the flowers

With closed eyes are sleeping,

All hushed are the bowers

Where glow-worms are creeping--

There's quiet in heaven,

There's peace to the billow--

A blessing seems given

To all--save my pillow.

Alas! do I wonder

I too cannot sleep,

Like the calm waves yonder,

And dream all as deep?--

There's beauty beside me,

A love-heaving breast--

Ah! my very joys chide me,

And rob me of rest.

For the Southern Literary Messenger.

LINES ON FINDING A BILLET FROM AN EARLY FRIEND AMONG SOME OLD PAPERS.

I gaze on this discolored sheet

Which time has tinged with many a stain,

And sigh to think his course should bring

To nought, that friendship nursed in vain.

Here in your well known hand I see

My name, with terms endearing traced,

And vows of firm fidelity,

Which other objects soon effaced.

Strange does it seem, that in these words

A dead affection I should find,

As if some early buried friend

Resumed his place among his kind.

Yes--after many a chilling year

Of coldness and of alter'd feeling,

This tatter'd messenger is here,

Worlds of forgotten thought revealing.

As once my faith was purely thine,

For thee my blood I would have pour'd

As freely as the rich red wine

We pledged around the jovial board.

It seem'd that thou wert thus to me,

Loyal and true as thou didst swear:

I knew not then, as now I know,

That oaths are but impassion'd air.

And even now, a doubt that they

Were falsehoods all, will cross my brain:

That thought alone I seek to quell,

That thought alone could give me pain.

To be forgotten has no sting--

For friendships every day grow cold;

But 'tis a wounding thought, that I

Have purchased dross, and paid in gold.

Tho' thou hast changed, as worldlings change

Amid the haunts of sordid men,

I cannot bid my feelings range--

But cling to what I deem'd thee _then_.

S.

For the Southern Literary Messenger.

THE CEMETERY.--_From the Russian_.

FIRST VOICE.

How sad, how frightful the abode,

How dread the silence of the tomb!

There all surrounding objects speak

The haunt of terror and of gloom--

And nought but tempests' horrid howl we hear,

And bones together rattling on the bier!

SECOND VOICE.

How peaceful, tranquil is the tomb!

How calm, how deep is its repose!

There flow'rets wild more sweetly bloom,

There zephyr's breath more softly flows;

And there the nightingale and turtle-dove

Their notes pour forth of happiness and love.

FIRST VOICE.

Against that dark sepulchral mound,

Funereal crows their pinions beat;

There dens of ravenous wolves are found,

And there the vulture's foul retreat;

The earth around with greedy claws they tear,

Whilst serpents hiss and poison all the air.

SECOND VOICE.

There, when the shades of evening fall,

The sportive hares their gambols keep;

Or, fearless of the huntsman's call,

Upon the verdant herbage sleep;

While midst the foliage of the o'erhanging boughs

The feathered tribe in slumbers soft repose.

FIRST VOICE.

Around that dank and humid spot

A noisome vapor ever clings,

Exhaled from heaps which there to rot

Death with untiring labor brings;

Devoid of leaves the trees their branches spread,

And every plant seems withering, or dead.

SECOND VOICE.

In what soft accents whispers there

The evening breeze about the tomb,

Diffusing through the balmy air

Of countless flowers the rich perfume,

And speaking of a place of peace and rest,

Where e'er mid breathing fragrance dwell the blessed!

FIRST VOICE.

When to this dismal vale of tears,

The pilgrim comes with weary pace,

O'erpowered by appalling fears,

In vain his steps he would retrace;

Urged onwards by a hand unseen, unknown,

He's headlong in the wreck-strewed torrent thrown.

SECOND VOICE.

Worn out by life's sad pilgrimage,

Man here at length his staff lays down--

Here feels no more the tempest's rage,

Nor dreads the heav'ns impending frown--

Reposes from his toil in slumbers deep,

And sleeps of ages the eternal sleep!

EDITORIAL REMARKS.

We flatter ourselves that our patrons will not be displeased with the

feast which we have set before them in the present number of the

Messenger. We have not commenced with the egg and ended with the apple,

(_ab ovo usque ad malum_,) according to the ancient custom; nor placed

the substantials before the dessert, as in modern entertainments; but

have rather chosen to mingle them without order or arrangement,--that

our guests may partake as their respective tastes and inclinations may

dictate. The scientific reader will be attracted by the communications

of Dr. POWELL, and PETER A. BROWNE, Esq. of Philadelphia. By the former

gentleman, who is now actively engaged in geological and antiquarian

researches in the western country, we are kindly promised occasional

aid; and, to the latter distinguished individual, we owe our thanks for

the warm interest he has evinced in our infant enterprize.

Of Mr. WIRT'S letter, it would be superfluous to speak, more especially

as it is accompanied by some excellent remarks by a highly intelligent

friend,--himself destined to become an ornament to the profession of

which he speaks.

The general reader cannot fail to be pleased with many, if not all the

communications which are inserted. In the article headed "_Example is

better than Precept_," he will recognize an elegant and vigorous

pen;--and, in the "_Recollections of Chotank_," it will not be

difficult to perceive that the hand employed in describing the generous

customs and proverbial hospitality of that ancient portion of our

state,--is one of uncommon skill in the art and beauty of composition.

The article from the Petersburg Intelligencer, entitled an "_Extract

from a Novel that never will be published_," (but which we hope _will_

be published)--though not expressly written for the "Messenger," will

be new to most of our readers. If we mistake not, the writer has

furnished strong evidence of talent in a particular department of

literature, which needs only to be cultivated in order to attain a high

degree of success.

The poetical contributions, which are entirely _original_ in the

present number, whilst they do not need our eulogy, we cannot permit to

pass without some special notice at our hands. The "_Power of Faith_"

will not fail to attract the lover of genuine poetry, especially if his

heart be warmed with christian zeal. It is written by a gentleman whose

modesty is as great as his merit; and whose writings, both in prose and

verse, will do honor to his native state. The sprightly effusion among

the prose articles which is headed "_Sally Singleton_," is from the

same hand. Of "_Death among the Trees_," it would be unnecessary to

speak, as it will be readily recognized and admired, as the production

of a distinguished female writer already known to fame. We take

pleasure in placing in the same company two other charming effusions,

by writers of the same gentle sex, whose assistance in our literary

labors we shall always be proud to receive. We allude to the "_Address

of the Genius of Columbia to her Native Muse_," and the "_Lines to an

Officer of the United States Navy, by E. A. S._" The "_Sonnet, written

on the Blue Ridge_," and the "_Stanzas, composed at the White Sulphur

Springs of Virginia_," are both the productions of the same superior

mind. There is not only decided power, but a most attractive pathos and

bewitching melancholy in the two productions referred to. We hope that

the author will continue to adorn our columns with the offspring of his

gifted muse. The author of "_Lines on a Billet from an Early Friend_,"

will always be a welcome guest at our literary table. We know him as a

gentleman of fine taste and varied endowments. The "_Cemetery_" is from

the pen of a young Philadelphian of fine talents. He need not at any

time apprehend exclusion from our columns.

If we have chosen to speak last of the author of "_Musings_," it is not

because he is least in our estimation. On the contrary, we sincerely

esteem him as among the favored few, to whom it is given,---if they

themselves will it,--to reach the highest honors, and the most enduring

rewards, in the empire of poesy. The beautiful and graceful picture of

Venice, presented in our present number,--of Venice despoiled of her

ancient glory--yet still glorious in ruin,--will command, if we mistake

not, general admiration. Successful as the author always is, in his

light and fugitive pieces, he gives evidence of a power to grasp the

highest themes, and to sport with familiar ease in the least accessible

regions of fancy. Why does he not seize the lyre at once, and pour

forth a song which shall add to his country's honor, and insure for

himself a chaplet of renown? Why does he not at once take rank with the

HALLECKS, the BRYANTS and PERCIVALS, of a colder clime? He is every way

qualified to do it.

To our numerous correspondents and contributors, whose favors have not

yet appeared in print,--we owe our acknowledgments, and in some

instances an apology. Our space is exceedingly disproportioned to the

quantity of matter which we have on hand; and, of course, we are driven

to the painful, and rather invidious task of selection. We have many

articles actually in type, which we are necessarily obliged to exclude

from the present number. Among them may be enumerated "_A Scene in

Genoa, by an American Tourist_," the "_Grave Seekers_," and other fine

specimens of poetry. The "_Reporter's Story, or the Importance of a

Syllable_," "_The Cottage in the Glen_,"--the poems from Louisa and

Pittsylvania, and from various other quarters, shall all receive the

earliest possible attention. The high claims of our correspondents in

Mobile and Tuscaloosa in the state of Alabama, shall also be attended

to; and, we hope that others in distant states, will not deem

themselves slighted if not now particularly enumerated.

The "_Eulogy on Lafayette_," transmitted from France, and handed over

to us by a friend, shall appear in the next number.

We have read with pleasure, the love tale composed by an accomplished

young lady in one of the upper counties; and, whilst we do not hesitate

to render a just tribute to the delicacy of sentiment and glowing fancy

which distinguish her pages, candor compels us to urge one objection,

which we fear is insurmountable. The story is wrought up with materials

derived from English character and manners; and, we have too many

thousands of similar fictions issuing from the British press, to

authorize the belief that another of the same class will be interesting

to an American reader. We should like to see our own writers confine

their efforts to native subjects--to throw aside the trammels of

foreign reading, and to select their themes from the copious materials

which every where abound in our own magnificent country.

For a similar reason, our friend from Caroline must excuse us for

declining to insert his sketches. We have no "_dilapidated castles_,"

nor any "_last heirs of Ardendale_," in our plain republican land.

Neither can we insert in our pages (though we should like to oblige our

Essex correspondent,) any thing which bears the slightest resemblance

to a _fairy tale_. We prefer treading upon earthly ground, and dealing

with mortal personages.

To our highly respected correspondent, who addressed a letter to the

publisher in June last, from Prince Edward, we take this opportunity to

say, that our columns shall be freely open to discussions in behalf of

the interests of education. We conceive that the cause of literature is

intimately connected with it; and we have it in contemplation to

present ere long, to the public, some candid views, in regard to the

policy heretofore pursued in the Councils of our State, on this

interesting subject. We are enemies to every system founded upon

favoritism and monopoly; and we are advocates for the equal application

of those pecuniary resources which the bounty of the state has

dedicated to the cause of education. We have no idea that the Literary

Fund, the common property of us all, ought to be so managed as to

defeat the purposes of its founders; in other words, that it should be

so wrested from the original design of its creation, as to benefit only

two classes of society--the highest and the lowest,--the extremes of

wealth and indigence,--whilst the great mass of the community are

excluded from all advantages to be derived from it. This system may

suit particular individuals, and may subserve particular ends; but it

is at war with the best interests of the state, and ought to be

exposed, so far as the honorable weapons of truth and justice shall be

able to expose it.

The suggestions of our highly intelligent friend from South Carolina,

who we presume is a temporary resident in one of the northern states,

are entitled to much respect and consideration. We quote the following

just sentiments from his letter:

"American literature, although increasing, is still at an immense

distance in rear of that of England, and Germany and France. And why?

It is owing entirely to the _divided attention_ of our literary

characters. However profound and capacious their minds--and however

great their powers of thought, and brilliant and forcible those of

expression, it is impossible for them to succeed, at the same time, in

every department of knowledge. No man can distinguish himself in any

one pursuit, when his mind is applied to a dozen. Let him bend his

faculties upon a single object; and with industry and perseverance, he

will assuredly secure its attainment. Among us, we have no professed

students, whose lives are devoted to the acquisition and development of

learning. All men of talents rush early into the absorbing pursuits of

politics; and together with providing the means of support, continue in

them for life. So long as this is the case, it cannot be expected of us

to present eminent men, in any way calculated to compete with those of

the Old World.

"It would be a useful and an ennobling task for some one, well

qualified to examine the subject in all its bearings, to offer an

expose of the various causes for the low ebb at which our national

literature now stands, and the means by which they might be subverted."

We should be much gratified if some one of our many intelligent

subscribers would furnish us an essay upon this interesting subject.

None would be more likely to present it, in some of its strongest

lights, than the writer of the letter from which we have quoted.

The southern literary messenger, Vol. I., No. 2, October, 1834 · 第 8 / 8 段