CHAPTER XV.

TWO LETTERS.

“DEAR MOTHER [wrote Nora O'Shanaghgan later on that same morning]: I

arrived safely yesterday. Uncle George met me at Holyhead, and was very

kind indeed. I had a comfortable journey up to town, and Uncle George

saw that I wanted for nothing. When we got to London we drove across the

town to another station, called Waterloo, and took a train on here. A

carriage met us at the station with a pair of beautiful gray horses.

They were not as handsome as Black Bess, but they were very beautiful;

and we arrived here between eight and nine o'clock. This is just the

sort of place you would like, mother; such thick carpets on the stairs,

and such large, spacious, splendidly furnished rooms; and Aunt Grace

has meals to the minute; and they have lots and lots of servants; and my

bedroom--oh, mother! I think you would revel in my bedroom. It has such

a terribly thick carpet on the floor--I mean it has a thick carpet on

the floor; and there is a view from the window, the sort you have so

often described to me--great big trees, and a lawn like velvet, and four

or five tennis-courts, and a shrubbery with all the trees cut so exact

and round and proper, and a peep of the River Thames just beyond. My

cousins keep a boat on the river, and they often go out in the summer

evenings. They are going to take me for a row on Saturday, when the

girls have a holiday.

“I saw Terence almost immediately after I arrived. He looked just as you

would like to see him, so handsome in his evening dress. He was a little

stiff--at least, I mean he was very correct in his manner. We had supper

when we arrived. I was awfully hungry, but I did not like to eat too

much, for Terence seemed so correct--nice in his manner, I mean--and

everything was just as you have described things when you were young.

There are two girls, my cousins--Linda, a very pretty girl, fair, and

so very neatly dressed; and Molly, who is not the least like the others.

You would not like Molly; she is rather rough; but of course I must not

complain of her. I have been sitting with Aunt Grace all the morning,

until I could bear it no longer--I mean, until I got a little stiff

in my legs, and then I had a run in the garden. Now I am writing this

letter in Aunt Grace's morning-room, and if I look round I shall see her

back.

“Good-by, dear mother. I will write again in a day or two.--Your

affectionate daughter,

“NORA O'SHANAGHGAN.”

“There,” said Nora, under her breath, “that's done. Now for daddy.”

She took out another sheet of paper, and began to scribble rapidly.

“Darling, darling, love of my heart! Daddy, daddy, oh! but it's I that

miss you. I am writing to you here in this could, could country. Oh,

daddy, if I could run to you now, wouldn't I? What are you doing without

your Light o' the Morning? I am pent up, daddy, and I don't think I can

stand it much longer. It's but a tiny visit I'll pay, and then I'll come

back again to the mountains and the sea, and the old, old house, and the

dear, darling dad. Keep up your heart, daddy; you'll soon have Light o'

the Morning home. Oh! it's so proper, and I'm wrapped up in silk chains;

they are surrounding me everywhere, and I can't quite bear it. Aunt

Grace is sitting here; I am writing in her morning-room. Oh! if I could,

wouldn't I scream, or shout, or do something awfully wicked; but I must

not, for it is the English way. They have got the wild bird Nora into

the English cage; and, darling dad asthore, it's her heart that will be

broke if she stays here long. There's one comfort I have--or, bedad! I

don't think I could bear it--and that's Molly. She's a bit of a romp and

a bit of a scamp, and she has a daring spirit of her own, and she hates

the conventionalities, and she would like to be Irish too. She can't,

poor colleen; but she is nice and worth knowing, and she'll just keep my

heart from being broke entirely.

“How are they all at home? Give them lashins and lavins of love from

Nora. Tell them it's soon I'll be back with them. You go round and give

a message to each and all; and don't forget Hannah Croneen, and little

Mike, and Bridget Murphy, and Squire Murphy, and the rest--all and

every one who remembers Nora O'Shanaghgan. Tell them it's her heart is

imprisoned till she gets back to them; and she would rather have one

bit of her own native soil than all the gold in the whole of England.

I declare it's rough and wild I am getting, and my heart is bleeding. I

have written a correct letter to mother, and given her the news; but I

am telling you a bit of my true, true heart. Send for me if you miss me

too much, and I'll fly back to you. Oh! it's chains wouldn't keep me,

for go I must if this state of things continues much longer.--Your

“LIGHT O' THE MORNING.”

The two letters were written, the last one relieving Nora's feelings not

a little. She put them into separate envelopes and stamped them.

Mrs. Hartrick rose, went over to her desk, and saw Nora's letters.

“Oh, you have written to your parents,” she said. “Quite right, my dear.

But why put them into separate envelopes? They could go nicely in one.

That, really, is willful waste, Nora, which we in England never permit.”

“Oh, please, don't change them, Aunt Grace,” said Nora, as Mrs. Hartrick

took the two letters up and paused before opening one of the envelopes.

“Please, please, let them go as they are. It's my own stamp,” she

continued, losing all sense of grammar in her excitement.

“Well, my dear, just as you please. There, don't excite yourself, Nora.

I only suggested that, when one stamp would do, it was rather wasteful

to spend two.”

“Oh, daddy does like to get his own letters to his own self,” said Nora.

“Your father, you mean. You don't, surely, call him by the vulgar word

daddy?”

“Bedad! but I do,” answered Nora.

Mrs. Hartrick turned and gave her niece a frozen glance. Presently she

laid her hand on the girl's shoulder.

“I don't want to complain or to lecture you,” she said; “but that

expression must not pass your lips again while you are here.”

“It shan't. I am ever so sorry,” said the girl.

“I think you are, dear; and how flushed your cheeks are! You seem quite

tired. Now, go upstairs and wash your hands; the luncheon-gong will ring

in five minutes, and we must be punctual at meals.”

Nora slowly left the room.

“Oh! but it's like lead my heart is,” she said to herself.

The day passed very dismally for the wild Irish girl. After lunch she

and her aunt had a long and proper drive. They drove through lovely

country; but Nora was feeling even a little bit cross, and could not see

the beauties of the perfectly tilled landscape, of the orderly fields,

of the lovely hedgerows.

“It is too tidy,” she said once in a choking sort of voice.

“Tidy!” answered Mrs. Hartrick. She looked at Nora, tittered a sigh, and

did not speak of the beauties of the country again.

When they got back from their drive things were a little better, for

Linda and Molly had returned from school; and, for a wonder, Molly was

not in disgrace. She looked quite excited, and darting out of the house,

took Nora's hand and pulled it inside her arm.

“Come and have a talk,” she said. “I am hungering for a chat with you.”

“Tea will be ready in fifteen minutes, Molly,” called out Mrs. Hartrick,

then entered the house accompanied by Linda.

Meanwhile Molly and Nora went round to the shrubbery at the back of the

house.

“What is the matter with you?” said Molly. She turned and faced her

companion.

Nora's eyes filled with sudden tears.

“It is only that I am keeping in so much,” she said; “and--and, oh! I

do wish you were not all quite so tidy. I am just mad for somebody to be

wild and unkempt. I feel that I could take down my hair, or tear a

rent in my dress--anything rather than the neatness. Oh! I hate your

landscapes, and your trim hedges, and your trim house, and your--”

“Go on,” said Molly; “let it out; let it out. I'll never repeat it. You

must come in, in about a quarter of an hour, to a stiff meal. You will

have to sit upright, let me tell you, and not lounge; and you will have

to eat your bread and butter very nicely, and sip your tea, and not eat

overmuch. Mother does not approve of it. Then when tea is over you will

have to leave the room and go upstairs and get things out for dinner.”

“My things out for dinner?” gasped Nora. “What do you mean?”

“Your evening-dress. Do you suppose you will be allowed to dine in your

morning-dress?”

“Oh, to be sure,” said Nora, brightening; “now I understand. Mother did

get me a white frock, and she had it cut square in the neck, and the

sleeves are a little short.”

“You will look sweet in that,” said Molly, gazing at her critically;

“and I will bring you in a bunch of sweet-peas to put in your belt, and

you can have a little bunch in your hair, too, if you like. You know you

are awfully pretty. I am sure Linda is just mad with jealousy about

it; I can see it, although she does not say anything. She is rather

disparaging about you, is Linda; that is one of her dear little ways.

She runs people down with faint praise. She was talking a lot about

you as we were going to school this morning. She began: 'You know, I do

think Nora is a pretty girl; but it is such a pity that--'”

“Oh, don't,” said Nora, suddenly putting out her hand and closing

Molly's lips.

“What in the world are you doing that for?” said Molly.

“Because I don't want to hear; she did not mean me to know that she said

these things.”

“What a curiosity you are!” said Molly. “So wild, so defiant, and

yet--oh, of course, I like you awfully. Do you know that the vision of

your face kept me good all day? Isn't that something to be proud of? I

didn't answer one of my teachers back, and I did have a scolding, let me

tell you. Oh, my music; you don't know what I suffer over it. I have not

a single particle of taste. I have not the faintest ghost of an ear; but

mother insists on my learning. I could draw; I could sketch; I can

do anything with my pencil; but that does not suit mother. It must be

music. I must play; I must play well at sight; I must play all sorts of

difficult accompaniments for songs, because gentlemen like to have

their songs accompanied for them; and I must be able to do this the very

moment the music is put before me. And I must not play too loud; I must

play just right, in perfect time; and I must be ready, when there is

nothing else being done, to play long pieces, those smart kind of things

people do play in the present day; and I must never play a wrong note.

Oh, dear! oh, dear! and I simply cannot do these things. I don't know

wrong notes from right. I really don't.”

“Oh, Molly!” cried Nora.

“There you are; I can see that you are musical.”

“I think I am, very. I mean I think I should always know a wrong note

from a right one; but I have not had many opportunities of learning.”

“Oh, good gracious me! what next?” exclaimed Molly.

“I don't understand what you mean,” said Nora.

“My dear, I am relieving my feelings, just as you relieved yours a short

time ago. Oh, dear! my music. I know I played atrociously; but that

dreadful Mrs. Elford was so cross; she did thump so herself on the

piano, and told me that my fingers were like sticks. And what could I

do? I longed to let out some of my expressions at her. You must know

that I am feared on account of my expressions--my slang, I call them.

They do shock people so, and it is simply irresistible to see them

shudder, and close their eyes, and draw themselves together, and then

majestically walk out of the room. The headmistress is summoned then,

and I--I am doomed. I get my pieces to do out of school; and when I

come home mother lectures me, and sends me to my bedroom. But I am free

to-night. I have been good all day; and it is on account of you, Nora;

just because you are a little Irish witch; and I sympathize with you to

the bottom of my soul.”

“Molly! Molly!” here called out Linda's voice; “mother says it's time

for you and Nora to come in to wash your hands for tea.”

“Oh, go to Jericho!” called out Molly.

Linda turned immediately and went into the house.

“She is a tell-tale-tit,” said Molly. “She will be sure to repeat that

to mother; and do you think I shall be allowed any cake? There is a very

nice kind of rice-cake which cook makes, and I am particularly fond

of it. You'll see I am not to have any, just because I said 'Go to

Jericho!' I am sure I wish Linda would go.”

“But those kind of things are rather vulgar, aren't they?” said Nora.

“Father wouldn't like them. We say all kinds of funny things at home,

but not things like that. I wish you would not.”

“You wish I would not what?”

“Use words like 'Go to Jericho!' Father would not like to hear you.”

“You are a very audacious kind of girl, let me tell you, Nora,” said

Molly. She colored, and looked annoyed for a moment, then burst into a

laugh. “But I like you all the better for not being afraid of me,” she

continued. “Come, let's go into the house; we can relieve our feelings

somehow to-night; we'll have a lark somehow; you mark my words. In the

meantime mum's the word.”

Light O' the Morning: The Story of an Irish Girl · 第 15 / 36 章