The world seems to me well supplied with what is genuinely ridiculous:

wit and humour may play as harmlessly or beneficently round the changing

facets of egoism, absurdity, and vice, as the sunshine over the rippling

sea or the dewy meadows. Why should we make our delicious sense of the

ludicrous, with its invigorating shocks of laughter and its

irrepressible smiles which are the outglow of an inward radiation as

gentle and cheering as the warmth of morning, flourish like a brigand on

the robbery of our mental wealth?--or let it take its exercise as a

madman might, if allowed a free nightly promenade, by drawing the

populace with bonfires which leave some venerable structure a blackened

ruin or send a scorching smoke across the portraits of the past, at

which we once looked with a loving recognition of fellowship, and

disfigure them into butts of mockery?--nay, worse--use it to degrade the

healthy appetites and affections of our nature as they are seen to be

degraded in insane patients whose system, all out of joint, finds

matter for screaming laughter in mere topsy-turvy, makes every passion

preposterous or obscene, and turns the hard-won order of life into a

second chaos hideous enough to make one wail that the first was ever

thrilled with light?

This is what I call debasing the moral currency: lowering the value of

every inspiring fact and tradition so that it will command less and less

of the spiritual products, the generous motives which sustain the charm

and elevation of our social existence--the something besides bread by

which man saves his soul alive. The bread-winner of the family may

demand more and more coppery shillings, or assignats, or greenbacks for

his day's work, and so get the needful quantum of food; but let that

moral currency be emptied of its value--let a greedy buffoonery debase

all historic beauty, majesty, and pathos, and the more you heap up the

desecrated symbols the greater will be the lack of the ennobling

emotions which subdue the tyranny of suffering, and make ambition one

with social virtue.

And yet, it seems, parents will put into the hands of their children

ridiculous parodies (perhaps with more ridiculous "illustrations") of

the poems which stirred their own tenderness or filial piety, and carry

them to make their first acquaintance with great men, great works, or

solemn crises through the medium of some miscellaneous burlesque which,

with its idiotic puns and farcical attitudes, will remain among their

primary associations, and reduce them throughout their time of studious

preparation for life to the moral imbecility of an inward giggle at what

might have stimulated their high emulation or fed the fountains of

compassion, trust, and constancy. One wonders where these parents have

deposited that stock of morally educating stimuli which is to be

independent of poetic tradition, and to subsist in spite of the finest

images being degraded and the finest words of genius being poisoned as

with some befooling drug.

Will fine wit, will exquisite humour prosper the more through this

turning of all things indiscriminately into food for a gluttonous

laughter, an idle craving without sense of flavours? On the contrary.

That delightful power which La Bruyère points to--"le ridicule qui est

quelque part, il faut l'y voir, l'en tirer avec grâce et d'une manière

qui plaise et qui instruise"--depends on a discrimination only

compatible with the varied sensibilities which give sympathetic insight,

and with the justice of perception which is another name for grave

knowledge. Such a result is no more to be expected from faculties on the

strain to find some small hook by which they may attach the lowest

incongruity to the most momentous subject, than it is to be expected of

a sharper, watching for gulls in a great political assemblage, that he

will notice the blundering logic of partisan speakers, or season his

observation with the salt of historical parallels. But after all our

psychological teaching, and in the midst of our zeal for education, we

are still, most of us, at the stage of believing that mental powers and

habits have somehow, not perhaps in the general statement, but in any

particular case, a kind of spiritual glaze against conditions which we

are continually applying to them. We soak our children in habits of

contempt and exultant gibing, and yet are confident that--as Clarissa

one day said to me--"We can always teach them to be reverent in the

right place, you know." And doubtless if she were to take her boys to

see a burlesque Socrates, with swollen legs, dying in the utterance of

cockney puns, and were to hang up a sketch of this comic scene among

their bedroom prints, she would think this preparation not at all to the

prejudice of their emotions on hearing their tutor read that narrative

of the _Apology_ which has been consecrated by the reverent gratitude of

ages. This is the impoverishment that threatens our posterity:--a new

Famine, a meagre fiend with lewd grin and clumsy hoof, is breathing a

moral mildew over the harvest of our human sentiments. These are the

most delicate elements of our too easily perishable civilisation. And

here again I like to quote a French testimony. Sainte Beuve, referring

to a time of insurrectionary disturbance, says: "Rien de plus prompt à

baisser que la civilisation dans des crises comme celle-ci; on perd en

trois semaines le résultat de plusieurs siècles. La civilisation, la

_vie_ est une chose apprise et inventée, qu'on le sache bien: '_Inventas

aut qui vitam excoluere per artes_.' Les hommes après quelques années de

paix oublient trop cette verité: ils arrivent à croire que la _culture_

est chose innée, qu'elle est la même chose que la _nature_. La

sauvagerie est toujours là à deux pas, et, dès qu'on lâche pied, elle

recommence." We have been severely enough taught (if we were willing to

learn) that our civilisation, considered as a splendid material fabric,

is helplessly in peril without the spiritual police of sentiments or

ideal feelings. And it is this invisible police which we had need, as a

community, strive to maintain in efficient force. How if a dangerous

"Swing" were sometimes disguised in a versatile entertainer devoted to

the amusement of mixed audiences? And I confess that sometimes when I

see a certain style of young lady, who checks our tender admiration with

rouge and henna and all the blazonry of an extravagant expenditure, with

slang and bold _brusquerie_ intended to signify her emancipated view of

things, and with cynical mockery which she mistakes for penetration, I

am sorely tempted to hiss out "_Pétroleuse!_" It is a small matter to

have our palaces set aflame compared with the misery of having our sense

of a noble womanhood, which is the inspiration of a purifying shame, the

promise of life--penetrating affection, stained and blotted out by

images of repulsiveness. These things come--not of higher education,

but--of dull ignorance fostered into pertness by the greedy vulgarity

which reverses Peter's visionary lesson and learns to call all things

common and unclean. It comes of debasing the moral currency.

The Tirynthians, according to an ancient story reported by Athenaeus,

becoming conscious that their trick of laughter at everything and

nothing was making them unfit for the conduct of serious affairs,

appealed to the Delphic oracle for some means of cure. The god

prescribed a peculiar form of sacrifice, which would be effective if

they could carry it through without laughing. They did their best; but

the flimsy joke of a boy upset their unaccustomed gravity, and in this

way the oracle taught them that even the gods could not prescribe a

quick cure for a long vitiation, or give power and dignity to a people

who in a crisis of the public wellbeing were at the mercy of a poor

jest.

XI.

THE WASP CREDITED WITH THE HONEYCOMB

No man, I imagine, would object more strongly than Euphorion to

communistic principles in relation to material property, but with regard

to property in ideas he entertains such principles willingly, and is

disposed to treat the distinction between Mine and Thine in original

authorship as egoistic, narrowing, and low. I have known him, indeed,

insist at some expense of erudition on the prior right of an ancient, a

medieval, or an eighteenth century writer to be credited with a view or

statement lately advanced with some show of originality; and this

championship seems to imply a nicety of conscience towards the dead. He

is evidently unwilling that his neighbours should get more credit than

is due to them, and in this way he appears to recognise a certain

proprietorship even in spiritual production. But perhaps it is no real

inconsistency that, with regard to many instances of modern origination,

it is his habit to talk with a Gallic largeness and refer to the

universe: he expatiates on the diffusive nature of intellectual

products, free and all-embracing as the liberal air; on the

infinitesimal smallness of individual origination compared with the

massive inheritance of thought on which every new generation enters; on

that growing preparation for every epoch through which certain ideas or

modes of view are said to be in the air, and, still more metaphorically

speaking, to be inevitably absorbed, so that every one may be excused

for not knowing how he got them. Above all, he insists on the proper

subordination of the irritable self, the mere vehicle of an idea or

combination which, being produced by the sum total of the human race,

must belong to that multiple entity, from the accomplished lecturer or

populariser who transmits it, to the remotest generation of Fuegians or

Hottentots, however indifferent these may be to the superiority of their

right above that of the eminently perishable dyspeptic author.

One may admit that such considerations carry a profound truth to be

even religiously contemplated, and yet object all the more to the mode

in which Euphorion seems to apply them. I protest against the use of

these majestic conceptions to do the dirty work of unscrupulosity and

justify the non-payment of conscious debts which cannot be defined or

enforced by the law. Especially since it is observable that the large

views as to intellectual property which can apparently reconcile an

able person to the use of lately borrowed ideas as if they were his

own, when this spoliation is favoured by the public darkness, never

hinder him from joining in the zealous tribute of recognition and

applause to those warriors of Truth whose triumphal arches are seen in

the public ways, those conquerors whose battles and "annexations" even

the carpenters and bricklayers know by name. Surely the acknowledgment

of a mental debt which will not be immediately detected, and may never

be asserted, is a case to which the traditional susceptibility to

"debts of honour" would be suitably transferred. There is no massive

public opinion that can be expected to tell on these relations of

thinkers and investigators--relations to be thoroughly understood

and felt only by those who are interested in the life of ideas and

acquainted with their history. To lay false claim to an invention or

discovery which has an immediate market value; to vamp up a

professedly new book of reference by stealing from the pages of one

already produced at the cost of much labour and material; to copy

somebody else's poem and send the manuscript to a magazine, or hand it

about among friends as an original "effusion;" to deliver an elegant

extract from a known writer as a piece of improvised

eloquence:--these are the limits within which the dishonest

pretence of originality is likely to get hissed or hooted and bring

more or less shame on the culprit. It is not necessary to understand

the merit of a performance, or even to spell with any comfortable

confidence, in order to perceive at once that such pretences are not

respectable. But the difference between these vulgar frauds, these

devices of ridiculous jays whose ill-secured plumes are seen falling

off them as they run, and the quiet appropriation of other people's

philosophic or scientific ideas, can hardly be held to lie in their

moral quality unless we take impunity as our criterion. The pitiable

jays had no presumption in their favour and foolishly fronted an alert

incredulity; but Euphorion, the accomplished theorist, has an audience

who expect much of him, and take it as the most natural thing in the

world that every unusual view which he presents anonymously should be

due solely to his ingenuity. His borrowings are no incongruous

feathers awkwardly stuck on; they have an appropriateness which makes

them seem an answer to anticipation, like the return phrases of a

melody. Certainly one cannot help the ignorant conclusions of polite

society, and there are perhaps fashionable persons who, if a speaker

has occasion to explain what the occipat is, will consider that he has

lately discovered that curiously named portion of the animal frame:

one cannot give a genealogical introduction to every long-stored item

of fact or conjecture that may happen to be a revelation for the large

class of persons who are understood to judge soundly on a small basis

of knowledge. But Euphorion would be very sorry to have it supposed

that he is unacquainted with the history of ideas, and sometimes

carries even into minutiae the evidence of his exact registration of

names in connection with quotable phrases or suggestions: I can

therefore only explain the apparent infirmity of his memory in cases

of larger "conveyance" by supposing that he is accustomed by the very

association of largeness to range them at once under those grand laws

of the universe in the light of which Mine and Thine disappear and are

resolved into Everybody's or Nobody's, and one man's particular

obligations to another melt untraceably into the obligations of the

earth to the solar system in general.

Euphorion himself, if a particular omission of acknowledgment were

brought home to him, would probably take a narrower ground of

explanation. It was a lapse of memory; or it did not occur to him as

necessary in this case to mention a name, the source being well

known--or (since this seems usually to act as a strong reason for

mention) he rather abstained from adducing the name because it might

injure the excellent matter advanced, just as an obscure trade-mark

casts discredit on a good commodity, and even on the retailer who has

furnished himself from a quarter not likely to be esteemed first-rate.

No doubt this last is a genuine and frequent reason for the

non-acknowledgment of indebtedness to what one may call impersonal as

well as personal sources: even an American editor of school classics

whose own English could not pass for more than a syntactical shoddy of

the cheapest sort, felt it unfavourable to his reputation for sound

learning that he should be obliged to the Penny Cyclopaedia, and

disguised his references to it under contractions in which _Us. Knowl._

took the place of the low word _Penny_. Works of this convenient stamp,

easily obtained and well nourished with matter, are felt to be like rich

but unfashionable relations who are visited and received in privacy, and

whose capital is used or inherited without any ostentatious insistance

on their names and places of abode. As to memory, it is known that this

frail faculty naturally lets drop the facts which are less flattering to

our self-love--when it does not retain them carefully as subjects not to

be approached, marshy spots with a warning flag over them. But it is

always interesting to bring forward eminent names, such as Patricius or

Scaliger, Euler or Lagrange, Bopp or Humboldt. To know exactly what has

been drawn from them is erudition and heightens our own influence, which

seems advantageous to mankind; whereas to cite an author whose ideas may

pass as higher currency under our own signature can have no object

except the contradictory one of throwing the illumination over his

figure when it is important to be seen oneself. All these reasons must

weigh considerably with those speculative persons who have to ask

themselves whether or not Universal Utilitarianism requires that in the

particular instance before them they should injure a man who has been of

service to them, and rob a fellow-workman of the credit which is due to

him.

After all, however, it must be admitted that hardly any accusation is

more difficult to prove, and more liable to be false, than that of a

plagiarism which is the conscious theft of ideas and deliberate

reproduction of them as original. The arguments on the side of acquittal

are obvious and strong:--the inevitable coincidences of contemporary

thinking; and our continual experience of finding notions turning up in

our minds without any label on them to tell us whence they came; so that

if we are in the habit of expecting much from our own capacity we accept

them at once as a new inspiration. Then, in relation to the elder

authors, there is the difficulty first of learning and then of

remembering exactly what has been wrought into the backward tapestry of

the world's history, together with the fact that ideas acquired long ago

reappear as the sequence of an awakened interest or a line of inquiry

which is really new in us, whence it is conceivable that if we were

ancients some of us might be offering grateful hecatombs by mistake, and

proving our honesty in a ruinously expensive manner. On the other hand,

the evidence on which plagiarism is concluded is often of a kind which,

though much trusted in questions of erudition and historical criticism,

is apt to lead us injuriously astray in our daily judgments, especially

of the resentful, condemnatory sort. How Pythagoras came by his ideas,

whether St Paul was acquainted with all the Greek poets, what Tacitus

must have known by hearsay and systematically ignored, are points on

which a false persuasion of knowledge is less damaging to justice and

charity than an erroneous confidence, supported by reasoning

fundamentally similar, of my neighbour's blameworthy behaviour in a case

where I am personally concerned. No premisses require closer scrutiny

than those which lead to the constantly echoed conclusion, "He must have

known," or "He must have read." I marvel that this facility of belief on

the side of knowledge can subsist under the daily demonstration that the

easiest of all things to the human mind is _not_ to know and _not_ to

read. To praise, to blame, to shout, grin, or hiss, where others shout,

grin, or hiss--these are native tendencies; but to know and to read are

artificial, hard accomplishments, concerning which the only safe

supposition is, that as little of them has been done as the case admits.

An author, keenly conscious of having written, can hardly help imagining

his condition of lively interest to be shared by others, just as we are

all apt to suppose that the chill or heat we are conscious of must be

general, or even to think that our sons and daughters, our pet schemes,

and our quarrelling correspondence, are themes to which intelligent

persons will listen long without weariness. But if the ardent author

happen to be alive to practical teaching he will soon learn to divide

the larger part of the enlightened public into those who have not read

him and think it necessary to tell him so when they meet him in polite

society, and those who have equally abstained from reading him, but wish

to conceal this negation and speak of his "incomparable works" with that

trust in testimony which always has its cheering side.

Hence it is worse than foolish to entertain silent suspicions of

plagiarism, still more to give them voice, when they are founded on a

construction of probabilities which a little more attention to everyday

occurrences as a guide in reasoning would show us to be really

worthless, considered as proof. The length to which one man's memory can

go in letting drop associations that are vital to another can hardly

find a limit. It is not to be supposed that a person desirous to make an

agreeable impression on you would deliberately choose to insist to you,

with some rhetorical sharpness, on an argument which you were the first

to elaborate in public; yet any one who listens may overhear such

instances of obliviousness. You naturally remember your peculiar

connection with your acquaintance's judicious views; but why should

_he_? Your fatherhood, which is an intense feeling to you, is only an

additional fact of meagre interest for him to remember; and a sense of

obligation to the particular living fellow-struggler who has helped us

in our thinking, is not yet a form of memory the want of which is felt

to be disgraceful or derogatory, unless it is taken to be a want of

polite instruction, or causes the missing of a cockade on a day of

celebration. In our suspicions of plagiarism we must recognise as the

first weighty probability, that what we who feel injured remember best

is precisely what is least likely to enter lastingly into the memory of

our neighbours. But it is fair to maintain that the neighbour who

borrows your property, loses it for a while, and when it turns up again

forgets your connection with it and counts it his own, shows himself so

much the feebler in grasp and rectitude of mind. Some absent persons

cannot remember the state of wear in their own hats and umbrellas, and

have no mental check to tell them that they have carried home a

fellow-visitor's more recent purchase: they may be excellent

householders, far removed from the suspicion of low devices, but one

wishes them a more correct perception, and a more wary sense that a

neighbour's umbrella may be newer than their own.

Impressions of Theophrastus Such · 第 7 / 14 段