Section XXII.

[a] The words _sententia_ and _sensus_ were technical terms with the

critics of antiquity. Quintilian gives the distinct meaning of each,

with his usual precision. According to the established usage, the

word _sensus_ signified our ideas or conceptions, as they rise in the

mind: by _sententia_ was intended, a proposition, in the close of a

period, so expressed, as to dart a sudden brilliancy, for that reason

called _lumen orationis_. He says, these artificial ornaments, which

the ancients used but sparingly, were the constant practice of the

modern orators. _Consuetudo jam tenuit, ut mente concepta_, SENSUS

_vocaremus; lumina autem, præcipuèque in clausulis posita_,

SENTENTIAS. _Quæ minus crebra apud antiquos, nostris temporibus modo

carent._ Lib. viii. cap. 5. These luminous sentences, Quintilian says,

may be called the eyes of an oration; but eyes are not to be placed in

every part, lest the other members should lose their function. _Ego

vero hæc lumina orationis velut oculos quosdam esse eloquentiæ credo:

sed neque oculos esse toto corpore velim, ne cætera membra suum

officium perdant._ Lib. viii, cap. 5. As Cowley says,

Jewels at nose and lips but ill appear;

Rather than all things, wit let none be there.

[b] In order to form a good style, the sentence should always be

closed with variety, strength, and harmony. The ancient rhetoricians

held this to be so essentially requisite, that Quintilian has given it

a full discussion. That, he says, which offends the ear, will not

easily gain admission to the mind. Words should be fitted to their

places, so that they may aptly coalesce with one another. In building,

the most ill shapen stones may be conveniently fixed; and in like

manner, a good style must have proper words in proper places, all

arranged in order, and closing the sentence with grace and harmony.

_Nihil intrare potest in affectum, quod in aure, velut quodam

vestibulo, statim offendit. Non enim ad pedes verba dimensa sunt;

ideoque ex loco transferuntur in locum, ut jungantur quo congruunt

maximè; sicut in structurâ saxorum rudium etiam ipsa enormitas invenit

cui applicari, et in quo possit insistere. Felicissimus tamen sermo

est, cui et rectus ordo, et apta junctura, et cum his numerus

opportunè cadens contingit._ Quintil. lib. ix. cap. 4.

A Dialogue Concerning Oratory, or the Causes of Corrupt Eloquence The Works of Cornelius Tacitus, Volume 8 (of 8); With an Essay on His Life and Genius, Notes, Supplements · 第 21 / 33 章