MISS MADELINE BRAINE

The Llandegraff

----th Street and

the Drive.

"Not the governor's ...?"

"The same."

"What's she doing here?"

For answer the footman merely shrugged his shoulders.

"When did she come?" asked the butler.

"Ten minutes or so ago."

"But I didn't see her come."

"I let her in; you were downstairs."

The butler came as near to a whistle as any butler on duty ever came.

What is more, in his agitation at this new and unexpected crisis, he

quite forgot the presence of Giles Ilingsworth, vice-president of the

largest trust company in the world.

"There'll be the devil to pay if the missus sees her! Did she ask

for----"

"She came to see the governor," interrupted the footman, shaking his

head; "and what's more, she says she's going to wait until he comes."

The butler knitted his brows.

"You were a fool to let her in! Is that her car outside?"

"Don't you know it when you see it?"

The mention of the car forced the butler's thoughts back to

Ilingsworth. He started toward the financier of the Tri-State Company

with abundant apology upon his lips.

"I beg your pardon, sir ..." he began, and then stopped. For as he

passed the door of the reception-room he was able to peer into it, and

by some servant's trick to sweep every corner of it with his glance. It

was a room void of hangings, almost bare in its rich simplicity--one of

those triumphs of interior decoration. The butler's face was pale as he

retraced his steps and once more faced his fellow-servant.

"There's not a soul in there--see for yourself."

The other did see for himself, and he, too, looked bewildered.

"But I put her in there, and I put her there to stay. I didn't leave

her for more than half a second. Where's she gone?"

Instantly the butler took charge of the situation, and in commanding

sotto voce directed the other to look in the library, the music-room,

the Louis XIV. room, even in the grand salon.

The search was conducted quietly and with decorum, and it is only due

to these two past-masters of the art of footmanship to say that this

dialogue had taken an almost infinitesimal space of time, that its

utterance had been practically inaudible, and that Ilingsworth, the

guest to whom these two had owed a very present duty, had not yet

begun to realise that his interests were in any wise neglected.

But the footman came back disgruntled, disturbed, and wailing that she

was not to be found. And then it was that the butler stepped once more

to the side of Giles Ilingsworth and said somewhat contritely:

"Beg your pardon, sir, but would you mind stepping into 'the Den,'" all

the while showing the way. "It's Mr. Wilkinson's favourite place, his

private room, sir, for seeing all his friends--business and otherwise,

sir--yes, sir."

Ilingsworth followed where the butler led. And then, turning sharply

upon him, he repeated:

"I'm waiting to see Leslie Wilkinson. Do you understand?"

"Very good, sir."

Alone in "the Den" Ilingsworth smiled as he looked about him. Fate

was surely favouring him. The Den was a quasi-business office and

smoking-room, a room where anybody might be interviewed by anybody

of the household. It was in this room that Tiffany's man displayed

his biggest, newest jewels to Mrs. Peter V.; it was in this room that

Mrs. Peter V.'s women friends would drop in evenings for a chat with

Peter V. as he smoked a black cigar; it was the comfortable place of

the whole, big house. But to Ilingsworth it was something more: it

was the place best fitted for the arena of events as events had shaped

themselves. "The Den" had but one window--a high window that ran along

one side of the wall just underneath the black-beamed ceiling and

just above a long, comfortable, leather seat that ran along the wall.

The window was above the head of an ordinary man, and was composed of

leaded glass. It gave but little light, and afforded no view at all of

the world without. For the rest, there was a big, flat-topped desk,

heavy, leather-covered lounging-chairs, and heavy, dark red curtains

everywhere about the walls. And but a single door.

"The place I've dreamed about," Ilingsworth thought to himself. For an

instant he stood drinking in all of its details in some sort of gleeful

ecstasy--the ecstasy of a man who feels the end of the journey near.

And then, suddenly, he became all action. He stepped to the desk upon

which stood a desk-telephone upon a standard, and a small mahogany

tablet with two push-buttons on its surface.

"I can't understand why it's all so easy," he told himself; and the

next moment he drew from his left coat-pocket a pair of wire-cutters,

and with two sudden, jerky twists of his right wrist he clipped the

flexible green-covered wires that connected the push-buttons and the

telephone, and twisted the unconnected ends down and out of sight.

It was his first advent in this house of Wilkinson, and yet he had

rehearsed the scene in his waking hours and in his sleep so many, many

times, that he did it without nervousness and without fear. So that

he was not surprised to find himself more than practise-perfect. He

glanced about the room for evidences of other wires, buttons, bells and

speaking tubes, and then swooped down upon the door.

"If only it has a key!" he thought; and the next moment he almost cried

out joyfully, for he found that it had not only a key, but that it

might be bolted from the inside.

"And when it's bolted," he assured himself, "What sound can penetrate

beyond its walls?"

Beyond its walls! The phrase, somehow, kept ringing in his ears; to him

there was music in it. He never thought of the walls themselves; nor

had he ever asked himself whether behind those rich and heavy hanging

curtains there might not be other means of exit.

He took his place behind the open door.

"Now for the crisis," he said calmly to himself.

And plunging his hand once more into his coat-pocket he produced

a gun--a modern, hammerless revolver that he had selected with

considerable care, after consulting the advertisements in the

magazines, and after reading the booklets of their makers. This gun

he had selected, not only on account of its particular efficiency,

but also because of its remarkably repulsive look. It bore the same

formidable appearance compared with the large family of fire-arms as

the bull-dog does to his canine race. It was a weapon of peculiarly

terrifying appearance--and that was what he wanted. For the rest, it

was a .32 calibre, and upon its handle it bore the maker's name and

a number--a number that belonged to this particular weapon and to no

other weapon of this make in the whole wide world.

Suddenly the sound of footsteps in the hall without reached his ears.

Every nerve tingled with his purpose; every muscle became rigid and

alert.

"Now!" he exclaimed.

" ... Wilkinson," said the voice.

It was a mumbled announcement of some sort which came from the butler.

Ilingsworth waited until he had retreated, and only when he was certain

that but one figure had entered the room, was looking about in wonder

at its apparent emptiness, did he slowly, swiftly close the door, lock

it, bolt it, and finally place his back against it. Then, levelling the

weapon, he extended it toward the person who had entered.

"Seat yourself at that desk," he commanded, a dangerous note in his

voice; "and don't make any outcry, or I'll----"

He stopped short and lowered his weapon.

"Why--I----" he stammered, growing red-faced as he spoke.

It was a mere wisp of a girl who confronted him--a girl full-throated

and full-bosomed, and upon whom the gods had conferred that dazzling of

all dazzling charms: light hair and dark brown eyes. Fascinating she

was even to Ilingsworth, bewildering, too, as she gazed upon him in

sudden fear, her eyes widening, her lips parted.

"I--I beg your pardon," he stammered, consternation making it difficult

for him to speak. "I was expecting quite another person--Leslie

Wilkinson."

Too frightened to reply the girl merely stood and gazed at him. For a

moment she remained thus, and then, with the shudder of one who shakes

from her some horrible nightmare, she found her voice and said:

"Why, I'm Miss Wilkinson--Leslie Wilkinson!"

Ilingsworth could hardly believe his ears.

"You--you are Leslie Wilkinson!" he broke out. "Surely there must be

some mistake. Leslie is a man's name, isn't it?"

[Illustration: It was a mere wisp of a girl who confronted him]

The girl struggled to regain her composure. Dumbfounded and confused

though he was, Ilingsworth saw this, and with a hasty movement

thrust the revolver behind his back. And still facing her, he retreated

to a small table at the far corner of the room, and leaned against it,

thus concealing the weapon. In a measure this action of his reassured

the girl. Her countenance broke into a tremulous smile, though her

breast rose and fell tumultuously and her breath came in gasps.

"Yes," she replied in an endeavour to gain time, "Leslie is a man's

name except when it happens to be a girl's name, too. My name is

Leslie--I'm a girl--you see."

But again terror seized her. The man before her was undoubtedly insane,

she thought, and she glanced widely about the room for some avenue of

escape. There was only the door, and like some startled, wild thing,

she broke into a run toward it. But half way across the room she

halted, throwing over her shoulder a glance of fear toward Ilingsworth,

and then slowly retreated to her position at the desk.

"Please don't shoot!" she pleaded. "I promise you I won't try to get

away!"

Slowly, cautiously, Ilingsworth stretched forth his left hand. It was

evident that he did not wish to frighten the girl.

"Don't be afraid," he assured her, and so quietly and courteously now

that it seemed to the girl as if another man was speaking. "I'm not

going to shoot--I shall stay right where I am, don't fear. If you wish

you may go now." But as she started to go he leaned forward and said:

"You're free to go,"--there was a pathetic note in his voice now,--"but

I would like to tell you something--to explain my presence here. I

came here looking for Leslie Wilkinson--the son of Peter V. Wilkinson,

and----"

"But," she interrupted, in a puzzled way, "but my father has no

son--I'm his only child."

Ilingsworth bowed his head.

"I know that now," he answered, "but I didn't know it before. I was

looking for a conspirator of Peter V. Wilkinson's, and I thought I had

run him down. I thought I had, indeed.... You must not be frightened,"

he went on hastily, "and don't think me crazy. I'm only horribly

nervous. I've been desperate for weeks. I wouldn't harm you for the

world--I have a daughter of my own. But you must hear me out--I've got

to tell this to somebody--somebody who believes me, or I'll go mad. No,

no," he pleaded, for she seemed about to leave him. "My name is--why,

here's my card--I'm----"

"Oh, to be sure, Mr. Giles Ilingsworth, Vice-President of the

Tri-State," she said smilingly, giving a hasty look at the card in

his hand. "I remember, now, a quarter of an hour ago I wondered what

you might want with me. You see I dressed all up for you," and she

flashed a glance of coquetry toward him that was meant to captivate

and appease, for she was still under the impression that she was

dealing with an insane man: not for one moment did she believe that the

Vice-President of the Tri-State stood before her.

Ilingsworth turned pale as he watched her. Although apparently

indifferent to her words, her marvellous self-possession and witchery

were by no means lost on him. With something of a pang he realised

that it was easily explainable. She was Wilkinson's daughter; she had

her share of his wonderful steadiness of nerve. He sighed. How many

times had he given thanks that Elinor was all woman, all heart, gentle,

yielding. And yet, how much better for her if she had some of the

qualities that Wilkinson seemed to have infused into his offspring.

Little did he know that Elinor was fashioned in his own mould; that

the dark-eyed, warm-faced girl that he had left at home had inherited

his impulsiveness, for he had been denied the even balance accorded to

other business men. Compared with the caressing tenderness of his girl

Elinor, this girl who faced him seemed, perhaps, too well-balanced. But

though he did not know it, he was mistaken: Leslie Wilkinson, though of

a different type, was fully as feminine.

"Elinor," he groaned half to himself.

"Mr. Ilingsworth," Leslie began, breaking in on his musings, "may I ask

what you want with Leslie Wilkinson?"

Her question roused him. The blood forced itself into his temples until

the veins stood out like whipcords on his skull; desperation furrowed

his brow and lined his face.

"I want nothing of Leslie Wilkinson except my own," he answered

sullenly. "There's a quarter of a million dollars that belongs to

me--a quarter of a million dollars--every dollar that I've got in this

world--every dollar that I ever had."

"But," protested the girl, "I haven't your money."

Ilingsworth raised his eyebrows. It was plain that he doubted her,

though she spoke with every indication of honesty and frankness.

"You haven't any money, any stocks, bonds, deeds, or anything of the

kind?"

"I have what my mother left me," was her quiet answer. "She died some

time ago."

"How much was it?" he persisted.

"Why do you ask?" she returned, annoyed.

Ilingsworth made a gesture of impatience and again he asked:

"How much was it?"

"Less--than a million," the girl faltered. "About three-quarters, I

should say. I have the figures somewheres--but what is it to you?"

The man brushed away her answer as though the three-quarters of a

million were a mere dross.

"Tell me the truth!" he cried. "For heaven's sake don't lie to me! I'm

a broken man! You've got fifty million dollars, possibly a hundred

million standing in your name. What do you suppose I've spent my

last few thousands for but to get information that was reliable and

positive. I know Peter V. Wilkinson--and I'm the only one, I'll wager,

who knows the truth. Next week, next year, the world will say that

Wilkinson is bankrupt--without a dollar in the world. But I know--I've

found out. There is not another man in the world who could do the

thing he's done--strip a million people of their savings and hide it

so successfully. That's Wilkinson! Now whom could he trust--but you?

You've got it all!"

The girl was pale, but there was a new light in her eyes. She began to

perceive that the man who confronted her was not a mere overwrought

specimen of mankind. However much he might be mistaken this time, he

was talking with the force of business habit.

"You know as well as I, Mr. Ilingsworth, that I can't very well

discuss these matters with you," she said frankly. "My father is

ruined--I don't believe he will come out of this with a dollar. Who

is responsible for his ruin, I do not know." Little wrinkles creased

her forehead; she stopped uncertain how to continue. "It's the panic,

I suppose," she went on presently, "and he's gone down under it like

other Wall Street men. Only the blow--he suffered, perhaps, more than

the others."

Ilingsworth's lip curled.

"I know," he began emphatically, "I know that Peter V. Wilkinson is

still worth from fifty to a hundred million dollars--money sucked like

life-blood from the populace. I know that and more--his entire fortune

stands, in a manner and by a method that no one ever will suspect, in

your name. Your name, of course--whom else could he trust? Surely not

his second wife, with all that money? You know that well enough."

"Mr. Ilingsworth, I----"

"And because you had these millions," went on Ilingsworth hurriedly,

excitedly, "among them my quarter of a million, not mine, but

Elinor's,--do you know what that means to her?"

Leslie was strangely affected. She felt her consciousness vacillating

between a sense of danger and a sense of pity. Surreptitiously, during

the first part of the interview, she had pressed the button for

assistance, and had discovered, later, the disconnection of the wires.

Just what to do she did not know. Above all, she realised that she

must propitiate this man--this man with the grievance, real or fancied,

whose statements, if true, gave her the desire to hear more; if untrue,

rendered him all the more a man of danger. Impulsively she held out her

hand, and said softly:

"Do tell me about your daughter--Elinor--Mr. Ilingsworth."

Immediately Ilingsworth dropped his air of aggressiveness. He advanced

slowly toward her, his right hand still in his coat-pocket, but, as

he approached her, he drew forth that hand, and with it, a small

photograph.

"That's Elinor,"--he said, his face lighting up wonderfully,--"as she

was about a year ago--about the time I met your father. If I had known

that you existed, I should have wished that she could know you."

Leslie took the picture from his hand and looked long and intently at

it. To her surprise she saw that this was no ordinary face. The girl

was evidently petite, with an expression on her face that seemed to ask

for the world's fond protection as well as its admiration; a girl with

her soul in her eyes, at any rate, so it seemed to Leslie.

"Oh, she's pretty!" she exclaimed. "But someone must always take care

of her--always, always."

"You've said it, though I never even thought it!" he cried. "And you,

a stranger, see it--that appeal for protection, that wistfulness,

that----" Abruptly he stopped and glanced quickly toward the heavy

hangings on the wall toward the right--a strange, startled glance it

was.

Leslie followed the direction of his gaze wonderingly.

"I had a feeling, somehow," he said, fastening his steely grey eyes

suspiciously on her, "that we were not alone."

And indeed Ilingsworth would have been all the more startled had he

known that his fancy embodied the truth. For behind the dull red

curtains breathed a mortal who had heard, had seen, everything.

The Running Fight · 第 9 / 39 题