CHAMBERS OF IMAGERY

'Then said He unto me, Son of man, hast thou seen what the ancients

of the house of Israel do in the dark, every man in the chambers of

his imagery!'--EZEKIEL viii. 12.

This is part of a vision which came to the prophet in his captivity. He

is carried away in imagination from his home amongst the exiles in the

East to the Temple of Jerusalem. There he sees in one dreadful series

representations of all the forms of idolatry to which the handful that

were left in the land were cleaving. There meets him on the threshold of

the court 'the image of jealousy,' the generalised expression for the

aggregate of idolatries which had stirred the anger of the divine

husband of the nation. Then he sees within the Temple three groups

representing the idolatries of three different lands. First, those with

whom my text is concerned, who, in some underground room, vaulted and

windowless, were bowing down before painted animal forms upon the walls.

Probably they were the representatives of Egyptian worship, for the

description of their temple might have been taken out of any book of

travels in Egypt in the present day. It is only an ideal picture that

is represented to Ezekiel, and not a real fact. It is not at all

probable that all these various forms of idolatry were found at any

time within the Temple itself. And the whole cast of the vision

suggests that it is an ideal picture, and not reality, with which

we have to do. Hence the number of these idolaters was seventy--the

successors of the seventy whom Moses led up to Sinai to see the God

of Israel! And now here they are grovelling before brute forms painted

on the walls in a hole in the dark. Their leader bears a name which

might have startled them in their apostasy, and choked their prayers

in their throats, for Jaazan-iah means 'the Lord hears.' Each man has

a censer in his hand--self-consecrated priests of self-chosen deities.

Shrouded in obscurity, they pleased themselves with the ancient lie,

'The Lord sees not; He hath forsaken the earth.' And then, into that

Sanhedrim of apostates there comes, all unknown to them, the light of

God's presence; and the eye of the prophet marks their evil.

I have nothing to do here with the other groups which Ezekiel saw in his

vision. The next set were the representatives of the women of Israel,

who, false at once to their womanhood and to their God, were taking part

in the nameless obscenities and abominations of the worship of the

Syrian Adonis. And the next, who from their numbers seem to be intended

to stand for the representatives of the priesthood, as the former were

of the whole people, represent the worshippers who had fallen under the

fascinations of a widespread Eastern idolatry, and with their backs to

the house of the Lord were bowing before the rising sun.

All these false faiths got on very well together. Their worshippers had

no quarrel with each other. Polytheism, by its very nature and the

necessity of its being, is tolerant. All its rabble of gods have a

mutual understanding, and are banded together against the only One that

says, 'Thou shalt have none other gods beside Me.'

But now, I take this vision in a meaning which the prophet had no

intention to put on it. I do not often do that with my texts, and when I

do I like to confess frankly that I am doing it. So I take the words now

as a kind of symbol which may help to put into a picturesque and more

striking form some very familiar and homely truths. Look at that

dark-painted chamber that we have all of us got in our hearts; at the

idolatries that go on there, and at the flashing of the sudden light of

God who marks, into the midst of the idolatry, 'Hast thou seen what the

ancients of the children of Israel do in the dark, each man in the

chambers of his imagery?'

I. Think of the dark and painted chamber which we all of us carry in our

hearts.

Every man is a mystery to himself as to his fellows. With reverence, we

may say of each other as we say of God--'Clouds and darkness are round

about Him.' After all the manifestations of a life, we remain enigmas to

one another and mysteries to ourselves. For every man is no fixed

somewhat, but a growing personality, with dormant possibilities of good

and evil lying in him, which up to the very last moment of his life may

flame up into altogether unexpected and astonishing developments.

Therefore we have all to feel that after all self-examination there lie

awful depths within us which we have not fathomed; and after all our

knowledge of one another we yet do see but the surface, and each soul

dwells alone.

There is in every heart a dark chamber. Oh, brethren! there are very,

very few of us that dare tell all our thoughts and show our inmost

selves to our dearest ones. The most silvery lake that lies sleeping

amidst beauty, itself the very fairest spot of all, when drained off

shows ugly ooze and filthy mud, and all manner of creeping abominations

in the slime. I wonder what we should see if our hearts were, so to

speak, drained off, and the very bottom layer of every thing brought

into the light. Do you think you could stand it? Well, then, go to God

and ask Him to keep you from unconscious sins. Go to Him and ask Him to

root out of you the mischiefs that you do not know are there, and live

humbly and self-distrustfuliy, and feel that your only strength is:

'Hold Thou me up, and I shall be saved.' 'Hast thou seen what they do in

the _dark_?'

Still further, we may take another part of this description with

possibly permissible violence as a symbol of another characteristic of

our inward nature. The walls of that chamber were all painted with

animal forms, to which these men were bowing down. By our memory, and by

that marvellous faculty that people call the imagination, and by our

desires, we are for ever painting the walls of the inmost chambers of

our hearts with such pictures. That is an awful power which we possess,

and, alas! too often use for foul idolatries.

I do not dwell upon that, but I wish to drop one very earnest caution

and beseeching entreaty, especially to the younger members of my

congregation now. You, young men and women, especially you young men,

mind what you paint upon those mystic walls! Foul things, as my text

says, 'creeping things and abominable beasts,' only too many of you are

tracing there. Take care, for these figures are ineffaceable. No

repentance will obliterate them. I do not know whether even Heaven can

blot them out. What you love, what you desire, what you think about, you

are photographing on the walls of your immortal soul. And just as

to-day, thousands of years after the artists have been gathered to the

dust, we may go into Egyptian temples and see the figures on their

walls, in all the freshness of their first colouring, as if the painter

had but laid down his pencil a moment ago; so, on your hearts, youthful

evils, the sins of your boyhood, the pruriences of your earliest days,

may live in ugly shapes, that no tears and no repentance will ever wipe

out. Nothing can do away with 'the marks of that which once hath been.'

What are you painting on the chambers of imagery in your hearts?

Obscenity, foul things, mean things, low things? Is that mystic shrine

within you painted with such figures as were laid bare in some chambers

in Pompeii, where the excavators had to cover up the pictures because

they were so foul? Or, is it like the cells in the convent of San Marco

at Florence, where Fra Angelico's holy and sweet genius has left on the

bare walls, to be looked at, as he fancied, only by one devout brother

in each cell, angel imaginings, and noble, pure celestial faces that

calm and hallow those who gaze upon them? What are you doing, my

brother, in the dark, in your chambers of imagery?

II. Now look with me briefly at the second thought that I draw from this

symbol,--the idolatries of the dark chamber.

All these seventy grey-bearded elders that were bowing there before the

bestial gods which they had portrayed, had, no doubt, often stood in the

courts of the Temple and there made prayers to the God of Israel, with

broad phylacteries, to be seen of men. Their true worship was their

worship in the dark. The other was conscious or unconscious hypocrisy.

And the very chamber in which they were gathered, according to the ideal

representation of our text, was a chamber in, and therefore partaking of

the consecration of, the Temple. So their worship was doubly criminal,

in that it was sacrilege as well as idolatry. Both things are true about

us.

A man's true worship is not the worship which he performs in the public

temple, but that which he offers down in that little private chapel,

where nobody goes but himself. Worship is the attribution of supreme

excellence to, and the entire dependence of the heart upon, a certain

person. And the people or the things to which a man attributes the

highest excellence, and on which he hangs his happiness and well-being,

these be his gods, no matter what his outward profession is. You can

find out what these are for you, if you will ask yourself, and honestly

answer, one or two questions. What is that I want most? What is it which

makes my ideal of happiness? What is that which I feel that I should be

desperate without? What do I think about most naturally and

spontaneously, when the spring is taken off, and my thoughts are allowed

to go as they will? And if the answer to none of these questions is

'God!' then I do not know why you should call yourself a worshipper of

God. It is of no avail that we pray in the temple, if we have a dark

underground shrine where our true adoration is rendered.

Oh, dear brethren! I am afraid there are a great many of us nominal

Christians, connected with Christian Churches, posing before men as

orthodox religionists, who keep this private chapel where we do our

devotion to an idol and not to God. If our real gods could be made

visible, what a pantheon they would make! All the foul forms painted on

that cell of this vision would be paralleled in the creeping things,

which crawl along the low earth and never soar nor even stand erect, and

in the vile, bestial forms of passion to which some of us really bow

down. Honour, wealth, literary or other distinction, the sweet

sanctities of human love dishonoured and profaned by being exalted to

the place which divine love should hold, ease, family, animal appetites,

lust, drink--these are the gods of some of us. Bear with my poor words

and ask yourselves, not whom do you worship before the eye of men, but

who is the God to whom in your inmost heart you bow down? What do you do

in the dark? That is the question. Whom do you worship there? Your other

worship is not worship at all.

Do not forget that all such diversion of supreme love and dependence

from God alone is like the sin of these men in our text, in that it is

sacrilege. They had taken a chamber in the very Temple, and turned it

into a temple of the false gods. Whom is your heart made to enshrine?

Why! every stone, if I may so say, of the fabric of our being bears

marked upon it that it was laid in order to make a dwelling-place for

God. Whom are you meant to worship, by the witness of the very

constitution of your nature and make of your spirits? Is there anybody

but One who is worthy to receive the priceless gift of human love

absolute and entire? Is there any but One to whom it is aught but

degradation and blasphemy for a man to bow down? Is there any being but

One that can still the tumult of my spirit, and satisfy the immortal

yearnings of my soul? We were made for God, and whensoever we turn the

hopes, the desires, the affections, the obedience, and that which is

the root of them all, the confidence that ought to fix and fasten upon

Him, to other creatures, we are guilty not only of idolatry but of

sacrilege. We commit the sin of which that wild reveller in Babylon was

guilty, when, at his great feast, in the very madness of his presumption

he bade them bring forth the sacred vessels from the Temple at

Jerusalem; 'and the king and his princes and his concubines drank in

them and praised the gods.' So we take the sacred chalice of the human

heart, on which there is marked the sign manual of Heaven, claiming it

for God's, and fill it with the spiced and drugged draught of our own

sensualities and evils, and pour out libations to vain and false gods.

Brethren! Render unto Him that which is His; and see even upon the walls

scrabbled all over with the deformities that we have painted there,

lingering traces, like those of some dropping fresco in a roofless

Italian church, which suggest the serene and perfect beauty of the image

of the One whose likeness was originally traced there, and for whose

worship it was all built.

III. And now, lastly, look at the sudden crashing in upon the cowering

worshippers of the revealing light.

Apparently the picture of my text suggests that these elders knew not

the eyes that were looking upon them. They were hugging themselves in

the conceit, 'the Lord seeth not; the Lord hath forsaken the earth.' And

all the while, all unknown, God and His prophet stand in the doorway and

see it all. Not a finger is lifted, not a sign to the foolish

worshippers of His presence and inspection, but in stern silence He

records and remembers.

And does that need much bending to make it an impressive form of

putting a solemn truth? There are plenty of us--alas! alas! that it

should be so--to whom it is the least welcome of all thoughts that there

in the doorway stand God and His Word. Why should it be, my brother,

that the properly blessed thought of a divine eye resting upon you

should be to you like the thought of a policeman's bull's-eye to a

thief? Why should it not be rather the sweetest and the most calming and

strength-giving of all convictions--'Thou God seest me'? The little

child runs about the lawn perfectly happy as long as she knows that her

mother is watching her from the window. And it ought to be sweet and

blessed to each of us to know that there is no darkness where a Father's

eye comes not. But oh! to the men that stand before bestial idols and

have turned their backs on the beauty of the one true God, the only

possibility of composure is that they shall hug themselves in the vain

delusion:--'The Lord seeth not.'

I beseech you, dear friends, do not think of His eye as the prisoner in

a cell thinks of the pin-hole somewhere in the wall, through which a

jailer's jealous inspection may at any moment be glaring in upon him,

but think of Him your Brother, who 'knew what was in man,' and who knows

each man, and see in Christ the all-knowing Godhood that loves yet

better than it knows, and beholds the hidden evils of men's hearts, in

order that it may cleanse and forgive all which it beholds.

One day a light will flash in upon all the dark cells. We must all be

manifest before the judgment-seat of Christ. Do you like that thought?

Can you stand it? Are you ready for it? My friend! let Jesus Christ

come to you with His light. Let Him come into the dark corners of your

hearts. Cast all your sinfulness, known and unknown, upon Him that died

on the Cross for every soul of man, and He will come; and His light,

streaming into your hearts, like the sunbeam upon foul garments, will

cleanse and bleach them white by its shining upon them. Let Him come

into your hearts by your lowly penitence, by your humble faith, and all

these vile shapes that you have painted on its walls will, like

phosphorescent pictures in the daytime, pale and disappear when the 'Sun

of Righteousness, with healing in His beams, floods your soul, leaving

no part dark, and turning all into a temple of the living God.'

Expositions of Holy Scripture Ezekiel, Daniel, and the Minor Prophets. St. Matthew Chapters I to VIII · 第 18 / 281 题