In the last canto the aged priest of Balder exclaims:--

"Thou hatest Bele's sons! but wherefore hate them?

Forsooth, because that to a yeoman's child

They would not give their sister,--she, descended

From Seming's blood, th' illustrious Odin's offspring!

Yes, sprung from Valhal's throne is Bele's race,--

Bright genealogy, just source of pride!

But birth is chance, is fortune, thou observest,

And cannot be a merit. Know, my son,

That man still boasts of fortune, not of merit.

Say! is't not gen'rous gods who were the givers,

Should any noble quality adorn us?

With haughty pride thou art thyself inflamed

At all thy hero exploits, all thy fierce-nerv'd

Resistless strength; but did'st thou give thyself

This force?'"[10]

The speech on Oscar's wedding-day, and the final chord in "Fridthjof's

Saga," mark an epoch in the career of the poet, when his political

views of life had found repose in a fitful harmony, for which he had

struggled with unwearied persistence. A few years earlier and the

Revolutionary fermentation was seething with passionate impatience

within his breast; a few years later and his displeasure at the early

stages of Swedish liberalism drove him to the opposite extreme; but

on the dividing line that separated these two currents, there was

vouchsafed to him a bright and inspired moment, with a free poetic

horizon on either side.

Eminent Authors of the Nineteenth Century: Literary Portraits · 第 48 / 91 题