TOLEDO.

When one approaches an unknown city one ought to have near by some one

who has already seen it and is able to indicate the opportune moment to

put one's head out of the window and get the first view. I had the good

fortune to be informed in time. Some one said to me, "There is Toledo!"

and I sprang to the window with an exclamation of wonder.

Toledo rises on a sheer rocky height, at whose foot the Tagus describes

a grand curve. From the plain one sees only the rocks and the walls

of the fortress, and beyond the wall the tips of the belfries and

the towers. The houses are hidden from view; the city seems to be

closed and inaccessible, and presents the appearance of an abandoned

stronghold rather than of a city. From the walls to the river-banks

there is not a single house nor tree; all is bare, parched, craggy,

precipitous; not a soul is in sight; you would say that to make the

ascent it would be necessary to climb, and it seems that at the first

appearance of a man on the face of those rocks a shower of arrows would

fall upon him from the top of the wall.

You leave the train, get into a carriage, and arrive at the entrance

of a bridge. It is the famous bridge Alcantara, which spans the Tagus,

surmounted by a beautiful Moorish gate in the form of a tower, which

gives it a bold, severe appearance. Crossing the bridge, you turn

into a wide roadway which winds up in large serpentine curves until

it reaches the top of the mountain. Here it really seems that you are

under a fortified city of the Middle Ages, and you imagine yourself in

the guise of a Moor or a Goth or a soldier of Alfonso VI. From every

part precipitous rocks hang over your head, crumbling walls, towers,

and the ruins of ancient bastions, and higher up the last wall which

encircles the city, black, crowned with enormous battlements, opened

here and there by great breaches, behind which the imprisoned houses

rear their heads; and as you climb higher and higher the city seems

to draw back and hide itself. Halfway up the ascent you come to the

_Puerto del Sol_, a jewel of Moorish architecture, consisting of two

embattled towers which are joined over a very graceful double-arched

colonnade, under which runs the ancient street; and from that point, if

you look back, you may see at a glance the Tagus, the valley, and the

hills. You go on and find other walls and other ruins, and finally the

first houses of the city.

What a city! At the first moment I caught my breath. The carriage had

turned down a little street, so narrow that the hubs of the wheels

almost touched the walls of the houses.

[Illustration: _Gate of the Sun, Toledo_]

"Why do you turn in here?" I asked the driver.

Spain, v. 2 (of 2) · 第 34 / 84 题