THEY WENT FORTH TO BATTLE, BUT THEY ALWAYS FELL

They went forth to battle, but they always fell;

Their eyes were fixed above the sullen shields;

Nobly they fought and bravely, but not well,

And sank heart-wounded by a subtle spell.

They knew not fear that to the foeman yields,

They were not weak, as one who vainly wields

A futile weapon; yet the sad scrolls tell

How on the hard-fought field they always fell.

It was a secret music that they heard,

A sad sweet plea for pity and for peace;

And that which pierced the heart was but a word,

Though the white breast was red-lipped where the sword

Pressed a fierce cruel kiss, to put surcease

On its hot thirst, but drank a hot increase.

Ah, they by some strange troubling doubt were stirred,

And died for hearing what no foeman heard.

They went forth to battle, but they always fell;

Their might was not the might of lifted spears;

Over the battle-clamor came a spell

Of troubling music, and they fought not well.

Their wreaths are willows and their tribute, tears;

Their names are old sad stories in men’s ears;

Yet they will scatter the red hordes of Hell,

Who went to battle forth and always fell.

_Roy Helton_

Roy Helton was born at Washington, D. C., in 1886. He graduated from

the University of Pennsylvania in 1908. He studied art—and found he

was color-blind. He spent two years at inventions—and found he had

no business sense. After a few more experiments, he became a

schoolmaster in West Philadelphia.

Helton’s first volume, _Youth’s Pilgrimage_ (1915), is a strange,

mystical affair, full of vague symbolism with a few purple patches.

_Outcasts in Beulah Land_ (1918) is entirely different in theme and

treatment. This is a much starker verse; a poetry of city streets,

direct and sharp.

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