THE DESERT

She is a nun, withdrawing behind her veil;

Grey, mysterious, meditative, unapproachable.

Her body is tawny with the eagerness of the Sun

And her eyes are pools which shine in deep canyons.

She is a beautiful swart woman

With opals at her throat,

Rubies at her wrists

And topaz about her ankles.

Her breasts are like the evening and the day stars.

She sits upon her throne of light, proud and silent,

Indifferent to wooers.

The Sun is her servitor, the stars her attendants,

Running before her.

She sings a song unto her own ears,

Solitary but sufficient;

The song of her being.

She is a naked dancer, dancing upon

A pavement of porphyry and pearl,

Dazzling, so that the eyes must be shaded.

She wears the stars upon her bosom

And braids her hair with the constellations.

_Irwin Russell_

Irwin Russell was born, June 3, 1853, at Port Gibson, Mississippi,

where he studied law and was admitted to the bar. His restless

nature and wayward disposition drove him from one place to another,

from dissipation to dissipation, from a not too rugged health to an

utter breakdown. In July, 1879, he was forced to leave New York,

working his way down to New Orleans on a coast steamer, trying to

rehabilitate himself as reporter on the New Orleans _Picayune_. But

illness pursued him and the following December Russell died, cut

off, in the midst of his promise, before he had reached his

twenty-seventh year.

Although Russell did not take his poetry seriously and though the

bulk of it is small, its influence has been large. Thomas Nelson

Page and Joel Chandler Harris have acknowledged their indebtedness

to him; the creator of Uncle Remus writing, “Irwin Russell was

among the first—if not the very first—of Southern writers to

appreciate the literary possibilities of the negro character.” He

entered their life, appreciated their fresh turns of thought, saw

things with that peculiar mixture of reverence and unconscious

humor that is so integral a part of negro songs and spirituals.

“Blessing the Dance” and “The Song of the Banjo” (from Russell’s

operetta _Christmas-Night in the Quarters_, possibly his best

known work) are excellent examples; faithful renderings of the

mind of the old-fashioned, simple and sententious child of the

plantation. In the latter poem the old story of Noah is told, with

delightful additions, from the colorful angle of the darky; local

in its setting, revealing in its quaint psychology.

A collection of his poems appeared, with an introduction by Joel

Chandler Harris, in 1888. In 1917, a more inclusive volume,

beautifully printed, with illustrations by E. W. Kemble, was

published by The Century Co.; it was entitled _Christmas-Night in

the Quarters_.

Russell died, in an obscure boarding house in New Orleans, December

23, 1879.

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