THE NEW FOLK-POETRY

In a country that has not been mellowed by antiquity, that has not

possessed songs for its peasantry or traditions for its singers, one

cannot look for a wealth of folk-stuff. In such a country—the United

States, to be specific—what folk-poetry there is, has followed the path

of the pioneer. At first these homely songs were merely adaptations and

localized versions of English ballads and border minstrelsy, of which

the “Lonesome Tunes” discovered in the Kentucky mountains by Howard

Brockway and Loraine Wyman are excellent examples. But later, a more

definitely native spirit found expression in the various sections of

these states. In the West (during the seventies) Bret Harte and John Hay

celebrated, in their own accents, the rough, big-hearted miners,

ranchers, steamboat pilots, the supposed descendants of the emigrants

from Pike County, Missouri. In the Middle West the desire for local

color and music led to the popularity of James Whitcomb Riley’s Hoosier

ballads and the spirited jingles of Eugene Field. In the South the

inspiration of the negro spirituals and ante-bellum songs was utilized

to excellent effect by Irwin Russell, Joel Chandler Harris and, later,

by Paul Laurence Dunbar. The Indian, a more genuine primitive, has been

as difficult to transplant poetically as he has been to assimilate

ethnically. But, in spite of the racial differences in sentiment,

religion and philosophy, brave attempts to bring the spirit of the

Indian originals into our poetry have been made by Mary Austin,

Constance Lindsay Skinner, Natalie Curtis Burlin, Lew Sarett and Alice

Corbin Henderson.

In the West today there is a revival of interest in backwoods melodies

and folk-created verse. John A. Lomax has published two volumes of

cowboy songs—most of them anonymous—full of tang, wild fancy and robust

humor. The tradition of Harte and Hay is being carried on by such racy

interpreters as Harry Herbert Knibbs, Badger Clark and Edwin Ford Piper.

But, of all contemporaries who approximate the spirit of folk-poetry,

none has made more striking or more indubitably American contributions

than Vachel Lindsay of Springfield, Illinois.

Modern American Poetry · 第 20 / 421 题