Genung said: "You should write his life."

It seemed to me no more than a pleasant remark, but he came back to it

again and again, trying to encourage me with the word that Munro had

brought back concerning the biography of Nast. However, nothing of what

he said had kindled any spark of hope. I put him off by saying that

certainly some one of longer and closer friendship and larger experience

had been selected for the work. Then the speaking began, and the matter

went out of my mind. Later in the evening, when we had left our seats

and were drifting about the table, I found a chance to say a word to our

guest concerning his "Joan of Arc," which I had recently re-read. To my

happiness, he told me that long-ago incident--the stray leaf from Joan's

life, blown to him by the wind--which had led to his interest in all

literature. Then presently I was with Genung again and he was still

insisting that I write the life of Mark Twain. It may have been his

faithful urging, it may have been the quick sympathy kindled by the name

of "Joan of Arc"; whatever it was, in the instant of bidding good-by to

our guest I was prompted to add:

"May I call to see you, Mr. Clemens, some day?" And something--to this

day I do not know what--prompted him to answer:

"Yes, come soon."

Two days later, by appointment with his secretary, I arrived at 21 Fifth

Avenue, and waited in the library to be summoned to his room. A few

moments later I was ascending the long stairs, wondering why I had come

on so useless an errand, trying to think up an excuse for having come at

all.

He was propped up in bed--a regal bed, from a dismantled Italian palace

--delving through a copy of "Huckleberry Finn," in search of a paragraph

concerning which some unknown correspondent had inquired. He pushed the

cigars toward me, commenting amusingly on this correspondent and on

letter-writing in general. By and by, when there came a lull, I told him

what so many thousands had told him before--what his work had meant to

me, so long ago, and recalled my childish impressions of that large

black-and-gilt book with its wonderful pictures and adventures "The

Innocents Abroad." Very likely he was willing enough to let me change

the subject presently and thank him for the kindly word which David Munro

had brought. I do not remember what was his comment, but I suddenly

found myself saying that out of his encouragement had grown a hope

(though certainly it was less), that I might some day undertake a book

about himself. I expected my errand to end at this point, and his

silence seemed long and ominous.

He said at last that from time to time he had himself written chapters of

his life, but that he had always tired of the work and put it aside. He

added that he hoped his daughters would one day collect his letters, but

that a biography--a detailed story of a man's life and effort--was

another matter. I think he added one or two other remarks, then all at

once, turning upon me those piercing agate-blue eyes, he said:

"When would you like to begin?"

There was a dresser, with a large mirror, at the end of the room. I

happened to catch my reflection in it, and I vividly recollect saying to

it, mentally "This is not true; it is only one of many similar dreams."

But even in a dream one must answer, and I said:

"Whenever you like. I can begin now."

He was always eager in any new undertaking.

"Very good," he said, "the sooner, then, the better. Let's begin while

we are in the humor. The longer you postpone a thing of this kind, the

less likely you are ever to get at it."

This was on Saturday; I asked if Tuesday, January 9, would be too soon

to start. He agreed that Tuesday would do, and inquired as to my plan

of work. I suggested bringing a stenographer to make notes of his

life-story as he could recall it, this record to be supplemented by

other material--letters, journals, and what not. He said:

"I think I should enjoy dictating to a stenographer with some one to

prompt me and act as audience. The room adjoining this was fitted up for

my study. My manuscript and notes and private books and many of my

letters are there, and there are a trunkful or two of such things in the

attic. I seldom use the room myself. I do my writing and reading in

bed. I will turn that room over to you for this work. Whatever you need

will be brought to you. We can have the dictations here in the morning,

and you can put in the rest of the day to suit yourself. You can have a

key and come and go as you please."

That was always his way. He did nothing by halves. He got up and showed

me the warm luxury of the study, with its mass of material--disordered,

but priceless.

I have no distinct recollections of how I came away, but presently, back

at the Players, I was confiding the matter to Charles Harvey Genung, who

said he was not surprised; but I think he was.

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