THE DEVASTATIONS OF PARIS.

The following is the way in which the fires were prepared:—In some

instances a number of men, acting as _avant-courriers_, went first,

telling the inhabitants that the Quarter was about to be delivered to

the flames, and urging them to fly for their lives; in other oases, the

unfortunate people were told that the whole city would be burnt, and

that they might as well meet death where they were as run to seek it

elsewhere. In some places—in the Rue de Vaugirard, for instance—it is

asserted that sentinels were placed in the streets and ordered to fire

upon everyone who attempted to escape. One incendiary, who was arrested

in the Rue de Poitiers, declared that he received ten francs for each

house which he set on fire. Another system consisted in throwing

through the cellar doors or traps tin cans or bottles filled with

petroleum, phosphorus, nitro-glycerine, or other combustibles, with a

long sulphur match attached to the neck of the vessel, the match being

lighted at the moment of throwing the explosives into the cellar.

Finally, the batteries at Belleville and the cemetery of Père la Chaise

sent destruction into many quarters by means of petroleum shells.

Eudes, a general of the Commune, sent the following order to one of his

officers:—

“Fire on the Bourse, the Bank, the Post Office, the Place des

Victoires, the Place Vendôme, the Garden of the Tuileries, the Babylone

Barracks; leave the Hôtel de Ville to Commandant Pindy and the Delegate

of War, and the Committee of Public Safety and of the Commune will

assemble at the _mairie_ of the eleventh Arrondissement, where you are

established; there we will organize the defence of the popular quarters

of the city. We will send you cannon and ammunitions from the Parc

Basfroi. We will hold out to the last, happen what may.

“(Signed) E. EUDES.”

The insurgents had collected a considerable quantity of powder in the

Pantheon, and when the Versailles troops obtained possession of the

building the officer in command at once searched for the slow match,

and cut it off when it had not more than a yard to burn!

Instructions were given to the firemen not to extinguish the fires, but

to retire to the Champ de Mars with the pumps and other apparatus.

Whenever a man attempted to do anything to arrest the conflagration he

was fired at. The firemen, who had arrived from all parts, even from

Belgium, and honest citizens who joined them, worked to extinguish the

fires amid showers of bullets. At the Treasury the labours of these men

were four times interrupted by the violent cannonading of the

insurgents.

The fire broke out at the TUILERIES on Tuesday evening. When the

battalions at the Arc de Triomphe and at the Corps Législatif had

silenced the guns ranged before the Palace, the insurgents set fire to

it, and threw out men _en tirailleur_ to prevent anyone from

approaching to subdue the flames.

At the same moment an attempt was made to set fire to the MINISTRY OF

MARINE, in obedience to an order given to Commandant Brunel, which was

thus worded:—“In a quarter of an hour the Tuileries will be in flames;

as soon as our wounded are removed, you will cause the explosion of the

Ministry.” It was Admiral Pothuau, the minister himself, who, at the

head of a handful of sailors, set the incendiaries to flight, Brunel

along with them. They also arrived in time to prevent any damage being

done to the BIBLIOTHÈQUE NATIONALE.

The struggle was terrific during the night; the insurgents, who had

sought refuge in the Ministry of Finance, after the taking of the

barricade in the Rue Saint-Florentin, increased the fury of the flames

by firing from the windows, and discharging jets of petroleum at the

soldiers.

On Wednesday morning the battle had become fearful. Towards ten o’clock

columns of smoke rose above Paris, forming a thick cloud, which the

sun’s rays could not penetrate. Then, simultaneously, all the fires

burst forth: at the CONSEIL D’ETAT, at the LEGION OF HONOUR, at the

CAISSE DES DÉPÔTS ET CONSIGNATIONS. at the HÔTEL DE VILLE, at the

PALAIS ROYAL, at the MINISTRY OF FINANCE, at the PREFECTURE DE POLICE,

at the PALAIS DE JUSTICE, at the THÉÂTRE LYRIQUE, in the Rue du Bac,

the Rue de Lille, the Rue de la Croix-Rouge, Rue Notre-Dame-des-Champs,

in a great number of houses in the Faubourgs Saint-Germain and

Saint-Honoré, in the Rue Royale, and in the Rue Boissy d’Anglas. Not

many hours later, flames were seen to arise from the Avenue Victoria,

Boulevard Sébastopol, Rue Saint-Martin, at the Château d’Eau, in the

Rue Saint-Antoine, and the Rue de Rivoli.

During the night of Friday, the docks of LA VILLETTE, and the

warehouses of the DOUANE, the GRENIER D’ABONDANCE and the GOBELINS were

all burning! So great was the glare that small print could be read as

far off as Versailles, even on that side of the town towards Meudon and

Ville d’Avray.

THE DOME OF THE INVALIDES.—This was placed in imminent danger. Mines

were laid on all sides, but their positions were discovered, and the

electric wires out which were to have communicated the spark.

THE PLACE DE LA CONCORDE.—When the noise of the fusillade and

cannonading ceased, the Place de la Concorde was a scene of absolute

desolation. On all sides lay broken pieces of candelabra, balustrades,

paving-stones, asphalte, and heaps of earth. The water-nymphs and

Tritons of the fountains were much mutilated, and the statue of the

town of Lille—one of the eight gigantic, seated figures of the

principal towns of France, which form a prominent ornament to the

Place, the work of Pradier, and a likeness of one of the Orleans

princesses-lay shivered on the ground.

THE ARC DE L’ETOILE.—The triumphal arch bears many scars, but none of

them of much importance. On the façade looking towards Courbevoie, the

great bas-relief by Etex, representing “War,” was struck by three

shells; the group of “Peace” received only the fragment of one. Here

and there, in the bas-relief representing the “Passage of the Bridge of

Areole,” and the “Taking of Alexandra,” some traces of balls are

visible. On the whole, no irremediable hum is done here. Rude’s

masterpiece, “The Marseillaise,” is untouched.

THE PALACE OF INDUSTRY.—Rumour says Courbet had, among other projects,

formed an idea of demolishing the Palace of Industry. The painted

windows of the great nave have received no serious injury. The

bas-relief of the main façade, picturing Industry and the Arts offering

their products to the universal exhibitions, has several of its figures

mutilated. The same has happened to the colossal group by

Diebolt—France offering laurel crowns to Art and Industry.

THE TUILERIES.—Felix Pyat, in the _Vengeur_, proposed converting the

Palace of the Tuileries into a school for the children of soldiers. He

says:—“They have taken possession by the work and activity that reign

there; a whole floor is filled with tools and activity, and converted

into workshops for the construction of messenger balloons. King Labour

is enthroned there. I recognised there among the workmen an exile of

the revolutionary Commune of London. The workmen and the proscribed at

the Tuileries! From the prison of London to the palace of the

Tuileries. It is well!” But in the heart of the Commune the soul of the

_Vengeur_ underwent a change, and insisted on the complete destruction

of the “infamous pile.”

The portion of the building overlooking the river was alone preserved.

The roofing is destroyed, but the façade is but little injured, the

only work of art damaged here being a pediment by M. Carrier-Belleuse,

representing “Agriculture.” Fortunately the Government of the Fourth of

September had sent all the most precious things to the Garde-Meuble

(Stores); but how can the magnificent Gobelins tapestry, the fine

ceilings, the works of Charles Lebrun, of Pierre Mignard, of Coypel, of

Francisque Meillet, of Coysevox, of Girardon, and of many others, and

the exquisite Salon des Roses be replaced?

The Tuileries burnt for three days, and ten days afterwards the ruins

blazed forth anew near the Pavillon de Flore. Not only did the

devouring fire threaten to destroy inestimable treasures, but on Monday

a number of men carrying slow matches, and led by a man named

Napias-Piquet, made all their preparations to set fire to several

points of the museum of the Louvre, and two of the guardians were shot.

This Napias-Piquet threatened to make of the whole quarter of the

Louvre one great conflagration. He was taken and shot, and in his

pocket was found a note of his breakfast of the preceding day,

amounting to 57 francs 80 centimes.

THE LOUVRE.—The preservation of the museum was due to the strong

masonry, and the thick walls of the new portion of the building, on

which the raging flames could make no impression. But it ran other

risks: when the troops entered the building, they planted the tricolour

on the clock pavilion, which served as an object for the insurgents’

aim. It was immediately removed, however, when this was perceived. It

was generally believed that the galleries of the Louvre contained all

their art treasures. This was not the case; prior to the first siege

the most precious of the contents had been carefully packed and

conveyed to the arsenal of Brest, where they safely reposed, but many

very admirable works remained.

MINISTRY OF FINANCE (Treasury).—On the 22nd of May, the official

journal of the Commune published a note declaring that the certificates

of stock and the stock books (_grand livre_) would be burnt within

forty-eight hours. The Commune was annoyed at the publicity given to

this note, and a violent debate took place in its council in

consequence. On this occasion Paschal Grousset uttered the following:—

“I blame those who inserted the note in question, but I demand that

measures may be taken for the destruction of all such documents

belonging to those at Versailles, the day that they shall enter Paris.”

[Illustration: Court of the Louvre, from Place Du Carrousel]

The Library is completely destroyed. More than 90,000 volumes are

burnt. Rare editions, Elzevirs, precious MSS., coins, and unique

collections, priceless treasures, are irrevocably lost.

The building forms one of the most striking ruins in Paris. Citizen

Lucas, appointed by Ferré to set the Ministry on fire, did his task

well. The conflagration, which lasted several days, began in the night

of the 23rd of May. Not only was every part soaked with petroleum, but

shells had also been placed about the building, and burst successively

as the fire extended. Scarcely anything remains of the huge pile but

the offices of the Administration of Forest Lands, which are almost

intact. A considerable number of valuable documents were saved, but the

quantity was very small in comparison with the immense collection

accumulated since the beginning of the century. Four times was the work

of salvage interrupted by the insurgents. Not a single book in the

library has escaped; and this library contained almost the whole of the

enormous correspondence of Colbert, the minister, forming no less than

two thousand volumes.

[Illustration: Palais Royal.]

The PALAIS ROYAL.—The palace itself alone is destroyed; the galleries

of the THÉÂTRE FRANÇAIS are preserved. The _Constitutionnel_ published

the following account of the conflagration;—

“It was at three o’clock that this fearful fire burst forth. A

shopkeeper of the PALAIS ROYAL, M. Emile Le Saché, came forward in all

haste to offer his services. A Communist captain, or lieutenant,

threatened to fire on him if he did not retire on the instant; he added

that the whole quarter was going to be blown up and burned. In the

teeth of this threat, however, two fire-engines were brought to the

Place, and were worked by the people of the neighbourhood. It was four

o’clock. No water in the Cour des Fontaines. But some was procured by a

line of people being placed along the passage leading from the Cour

d’Honneur, who passed full buckets of water from hand to hand.

“A ladder was placed against the wall for the purpose of reaching

the terrace of the Rue de Valois. The insurgents proved so true to

their word that the people were forced to renounce the attempt at

saving the entire pavilion. Fire and smoke burst forth from three

windows just above the terrace. In the midst of the balls showered

from the barricade at the corner of the Rue de Rivoli, they

succeeded in extinguishing the fire on that side. At five o’clock

M. O. Sauve, captain in the commercial service, with a handful of

brave workmen, got a fire engine into the Cour d’Honneur, and thus

saved a great quantity of pictures, precious marbles, furniture,

hangings, etc. Here another line of people was formed for the

carrying of buckets, but unfortunately water ran short: the pipes

had been cut, the wretches had planned that the destruction should

be complete. At seven o’clock M. Bessignet, jun., hastened there

with four Paris firemen, but already the Pavilion, where the flames

were first apparent, was entirely consumed.

“On the arrival of the firemen they used every effort to prevent

the fire communicating itself to the apartments of the Princess

Clothilde; it had already reached the façade on the side of the

Place. Here, too, all the fittings and ornaments of the chapel were

saved.

At last, at seven o’clock, the soldiers of the line arrive. ‘Long

live the line!’ is shouted on all sides. ‘Long live France!’

Signals are made with the ambulance flags. Help is come at last!

“Those present now regard their position with more coolness, and

use every effort to combat the fire, pumping from the roofs and

upper storeys of the neighbouring houses. The fire continues,

however, increasing and spreading on the theatre side. Here is the

greatest danger. If the theatre catch light, all the quarter will

most probably be destroyed. They then determine to avail themselves

of the water appliances of the theatre to stay the progress of the

flames. This is. rendered more difficult and dangerous by the

continuous firing from the Communists installed in the upper story

of the Hôtel du Louvre. M. Le Sache mounts on the roofs, with the

principal engineer, to conduct this movement. They are compelled to

hide out of the way of the shower of balls coming from the

Communists.

“At ten o’clock the companies from the quarter of the Banque, the

12th battalion of National Guards, arrive. The Federals are put to

flight. Thereupon thirty _sapeurs-pompiers_ of Paris came at full

speed and succeed in mastering the remaining fire. An hour sooner

and all could have been saved.”

[Illustration: Hôtel de Ville.]

THE HOTEL DE VILLE.—The Hôtel de Ville was set on fire by order of the

Committee of Public Safety at the moment when the entry of the troops

caused them to fly to the Ecole des Chartes, which was thus saved, and

whence they fled to the Mairie of Belleville. Five battalions of

National Guards—the 57th, 156th, 178th, 184th, and the 187th—remained

to prevent any attempt being made to extinguish the fire. Petroleum had

been poured about the _Salle du Trône_, and the _Salle du Zodiaque_,

which were decorated by Jean Goujon and Cogniet; in the _Galerie de

Pierre_, in which were paintings by Lecomte, Baudin, Desgoffes,

Hédouin, and Bellel; in the _Salon des Arcades_, in the _Salon

Napoléon_, in the _Galerie des Fêtes_, and in the _Salon de la Paix_,

which contained works of Schopin, Picot, Vanchelet, Jadin, Girard,

Ingres, Delacroix, Landelle, Riesener, Lehmann, Gosse, Benouville and

Cabanel. It is not only as a fine specimen of architecture that the

Hôtel de Ville is to be regretted, but as the cradle of the municipal

and revolutionary history of Paris, as well as for the vast collection

of archives of the city, duplicates of which were at the same moment a

prey to the flames at the Palais de Justice.

[Illustration: Foreign Office.]

THE PREFECTURE OF POLICE was set fire to by the Communal delegate Ferré

and a band of drunken National Guards.

THE PALAIS DE JUSTICE, thanks to the prompt arrival of the soldiers,

has been partially spared. The damage done, however, is very great. In

the SALLE DES PAS-PERDUS several of the grand arches that support the

roof have fallen in, and many of the columns are lying in ruins on the

pavement. The Cour de Cassation and the Cour d’Assises are entirely

destroyed. The conflagration was stopped, when it reached the Cour

d’Appel and the Tribunal de Première Instance.

PALACE OF THE QUAI D’ORSAY.—This vast building, in which the Conseil

d’État and the Cour des Comptes held their sittings, has suffered

seriously, though the walls are not destroyed; but what is irreparable

is the loss of the many precious documents belonging to the financial

and legislative history of France. The most famous artists of our time

have contributed to the decoration of the interior. Jeanron painted the

twelve allegorical subjects for the vaulted ceiling of the _Salle des

Pas-Perdus_; Isabey, the Port of Marseilles in the Committee-room. The

Death of President de Renty, in the _Salle du Contentieux_, was by Paul

Delaroche; the fine portrait of Napoleon I., as legislator, in the

great Council Chamber, by Flandrin; and in another apartment the

portrait of Justinien by Delacroix. These, and many other treasures,

are lost; for the work of destruction was complete.

MINISTRY OF FOREIGN AFFAIRS.—The façade has been seriously injured. It

was fired upon from the terrace of the Tuileries, and from a gunboat

lying under cover of the Pont-Royal. The Doric and Ionic columns are

partly broken, as well as the fifteen medallions in white marble, which

bore the arms of the principal powers. The apartments in front have

been greatly damaged, and especially the _salon_ of the ambassadors,

where the Congress of Paris was held in 1856.

THE PALACE OF THE LEGION OF HONOUR.—This is a specimen of French

architecture, unique of its kind. Happily, drawings and plans have been

preserved, and the members of the Legion of Honour have offered a

subscription for its re-instatement.

THE GOBELINS.—The public gallery, the school of tapestry, and the

painters’ studios have been destroyed. The incendiaries would have

burned all, works, frames and materials, if the people of the quarter,

with the Gobelins weavers, had not defended them at the peril of their

lives. An irreparable loss is that of a valuable collection of tapestry

dating from the time of Louis XIV.

The military hospital of the VAL DE GRÂCE, the ASYLUM FOR THE DEAF AND

DUMB, the MINT, the façade of the annex of the ÉCOLE-DES-BEAUX-ARTS,

have been riddled with balls. At the LUXEMBOURG the magnificent

camellia-house and conservatories exist no longer, and the graceful

Medici fountain has been injured.

THE BANK had most fortunately been placed in charge of the delegate

Beslay, who, during the whole time he was there, made every effort to

prevent the pillage of the valuables. He was ably seconded by all the

officials and _employés_, who had before been armed and incorporated

into a battalion.

[Illustration: Palace of the Legion D’honneur.]

POST OFFICE.—The Communal delegate, Theiz, prevented the incendiaries

from setting fire to this important establishment.

THE TRIUMPHAL ARCH OF THE PORTE-ST-DENIS.—The bas-relief containing an

emblematical figure of the Rhine resting on a rudder has been

mutilated, a shell having carried the arm and its support entirely

away. The other bas-relief of Holland vanquished and in tears, has been

struck by balls, as have also the figures of Fame in the tympans of the

arcades.

THE TRIUMPHAL ARCH OF THE PORTE-ST-MARTIN.—The sculptures, which

represent the taking of Limbourg and the defeat of the Germans, have

suffered considerably. They are the works of Le Hongre and the elder

Legros.

A tragic incident marked the burning of the THEATRE OF THE PORTE ST.

MARTIN (see sketch). After laving massacred the proprietor and people

of the _restaurant_ Ronceray, the Federals set fire to the house and

the theatre which is adjoining. At eight o’clock in the evening, on

beholding the first flames arise, the inhabitants of the quarter united

in endeavouring to extinguish the fire, notwithstanding that the

projectiles fell thickly in the Boulevard Saint-Martin and in the Rue

de Bondy. The Federals from behind their barricades at the corner of

the Rue Bouchardon, fired upon everyone who attempted to enter the

theatre.

The ARCHIVES (Record Office), the IMPRIMERIE NATIONALE, and the

BIBLIOTHÈQUE MAZARINE were all preserved through the strenuous

endeavours of MM. Alfred Maury, Haureau, and Charles Asselineau, who

had all managed to keep their places in spite of the Commune.

At the DOCKS OF LA VILLETTE, and at the warehouses of the DOUANE, the

destruction of property has been enormous. Many millions’ worth of

goods were consumed there.

In the great buildings belonging to the MAGASINS RÉUNIS (Cooperative

Stores) an ambulance had been established, and this was in the utmost

danger during two days. It was only owing to the wonderful energy of M.

Jahyer that the fire was mastered while the poor wounded men were

transported to a place of safety.

Paris under the Commune The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs) · 第 282 / 295 题