LIII.

Who would think it? They are voting. When I say “they are voting,” I

mean to say “they might vote;” for as for going to the poll, Paris

seems to trouble itself but little about it. The Commune, too, seems

somewhat embarrassed. You remember Victor Hugo’s song of the

Adventurers of the Sea:

“En partant du golfe d’Otrente

Nous étions trente,

Mais en arrivant à Cadix

Nous n’étions que dix.”[59]

The gentlemen of the Hôtel de Ville might sing this song with a few

slight variations. The Gulf of Otranto was not their starting point,

but the Buttes Montmartre; though to make up for it they were eighty in

number. On arriving at C——, no, I mean, the decree of the Colonne

Vendôme, they were a few more than ten, but not many. What charming

stanzas in imitation of Victor Hugo might Théodore de Banville and

Albert Glatigny write on the successive desertions of the members of

the Commune. The first to withdraw were the _maires_ of Paris,

frightened to death at having been sent by the votes of their

fellow-citizens into an assembly which was not at all, it appears,

their ideal of a municipal council. And upon this subject Monsieur

Desmarest, Monsieur Tirard, and their _adjoints_ will perhaps permit me

an unimportant question. What right had they to persuade their electors

and the Friends of Order, to vote for the Commune of Paris if they were

resolved to decline all responsibility when the votes had been given

them? Their presence at the Hôtel de Ville, would it not have

infused—as we hoped—a powerful spirit of moderation even in the midst

of excesses that could even then be foretold? When they have done all

they can to persuade people to vote, have they the right to consider

themselves ineligible? In a word, why did they propose to us to elect

the Commune of Paris if the Commune were a bad thing? and if it were a

good thing, why did they refuse to take their part in it? Whatever the

cause, no sooner were they elected than they sent in their

resignations. Then the hesitating and the timid disappeared one after

another, not having the courage to continue the absurdity to the end.

Add to all this the arrests made in its very bosom by the Assembly of

the Hôtel de Ville itself, and you will then have an idea of the extent

of the dilemma. A few days more and the Commune will come to an end for

want of Communists, and then we shall cry, “Haste to the poll, citizens

of Paris!” And the white official handbills will announce supplementary

elections for Sunday, 16th of April.

But here comes the difficulty; there may be elections, but not the

shadow of an elector. Of candidates there are enough, more than enough,

even to spare; Toting lists where the electors’ names are inscribed;

ballot-urns-no, ballot-boxes this time-to receive the lists; these are

all to be found, but voters to put the lists into the ballot-boxes, to

elect the candidates, we seek them in vain. The voting localities may

be compared to the desert of Sahara viewed at the moment when not a

caravan is to be seen on the whole extent of the horizon, so complete

is the solitude wherever the eager crowd of voters was expected to

hasten to the poll. Are we then so far from the day when the Commune of

Paris, in spite of the numerous absentees, was formed—thanks to the

strenuous efforts of the few electors left to us? Alas! At that time we

had still some illusions left to us, whilst now.... Have you ever been

at the second representation of a piece when the first was a failure?

The first day there was a cram, the second day only the claque

remained. People had found oat the worth of the piece, you see.

Nevertheless, though the place is peopled only with silence and

solitude, the claque continues to do its duty, for it receives its pay.

For the same reason one sees a few battalions marching to the poll, all

together, in step, just as they would march to the fighting at the

Porte Maillot; and as they return they cry, “Oh! citizens, how the

people are voting! Never was such enthusiasm seen!” But behind the

scenes,—I mean in the Hôtel de Ville,—authors and actors whisper to

each other: “There is no doubt about it, it is a failure!”

Paris under the Commune The Seventy-Three Days of the Second Siege; with Numerous Illustrations, Sketches Taken on the Spot, and Portraits (from the Original Photographs) · 第 174 / 295 题