FRIDAY NIGHT AT SEA.

"Now round the galley fire the merry crew,

With song and yarn and best of cheer,

Have gathered. And storms may rage, and seas may rise,

And thunders roll; they know not fear."

Anon.

Scene: A ship at sea, south of the Cape of Good Hope. A steamer

evidently from her build, though the funnel has been lowered, and a gale

of wind is roaring through her rigging, bellying out the few sails she

is able to carry till it looks as though the cloth would bust. She is

making heavy weather, dipping the ends of her long yards right into the

water, and plunging so much, that at times neither her jib-boom nor bows

are visible in the foam and spray. She must be shipping tons of water.

Looking at her as we are now doing with the eye of imagination, it would

seem there could be little else save discomfort on board of her. And

the night, too, is closing around her dark and thick. The sea is very

troubled, the waves are racing, brawling, foam-crested billows,

lightning plays around the ship every now and then, and thunders hurtle

in the air, the awful noise appearing to run along over the sea. But

let us go on board of her.

Here are Kenneth and Archie. Neither is on duty. Kenneth's watch will

come on deck at midnight. Archie, who is engineer of this craft, may be

called upon at any moment to stir up the banked fires and get up steam.

This is the ship in which Kenneth has been second mate for eighteen

months, including the time he lay sick or roamed convalescent on the

South American shore, where Archie found him. They have bidden farewell

to that beautiful coast, which in some parts is so enchanting, with its

wealth of vegetation, its grand old woods, its fruit trees, its

flower-trees, its flowers themselves, the life and loveliness that teems

everywhere on the earth, in the air, in the sea, on the little islands,

green and feathery, that peep up here and there out of the blue, on

mountain top, and even in its caves, that I feel sad as well as

sorrowful. I cannot pause to describe it all.

But why should I? My descriptions, after all, would fall flat on the

senses of the reader, even with the aid of the best of illustrations,

for no artist can give colour and movement combined. Go, reader, and

see the world for yourself if you feel so inclined, and if ever you have

the chance, I can tell you from long experience it is a very beautiful

one.

"Well," said Kenneth, "we came up here, Archie, lad, to have a walk, but

I don't see much chance. What a night it is going to be! How black the

sky! How vivid the lightning! How close the horizon is--"

The last part of Kenneth's sentence was lost in a peal of thunder.

"Stand by! Jump, Archie. There is a comber."

They both leapt on the top of the capstan as an immense green sea swept

over the bows and came tearing aft, carrying everything movable before

it.

Kenneth McAlpine: A Tale of Mountain, Moorland and Sea · 第 35 / 59 题