DRAMATIS PERSONÆ.

_Emily Heedless._ By either Miss VESTA TILLEY or Mrs. BERNARD BEERE.

_Peter Paragon._ Mr. FORBES ROBERTSON or Mr. ARTHUR ROBERTS (only he

mustn't sing "_The Good Young Man who Died_").

_First and Second Bridesmaids._ Miss MAUDE MILLETT and Miss ANNIE

HUGHES.

SCENE.--EMILY'S _Boudoir, sumptuously furnished with a

screen and sofa,_ C. _Door,_ R., _leading to_ EMILY'S

_Bed-chamber. Door,_ L. EMILY _discovered in loose

wrapper, and reclining in uncomfortable position on

sofa._

_Emily_ (_dreamily_). This day do I become the envied bride of PETER,

justly surnamed PARAGON; and much I wonder what in me he found (he, who

Perfection so personifies) that he could condescend an eye to cast on

faulty, feather-headed EMILY! How solemn is the stillness all around me!

(_A loud bang is heard behind screen._) Methought I heard the dropping

of a pin!--perhaps I should arise and search for it.... Yet why, on

second thoughts, disturb myself, since I am, by my settlements, to have

a handsome sum allowed for pin-money? Nay, since thou claim'st thy

freedom, little pin, I lack the heart to keep thee prisoner. Go, then,

and join the great majority of fallen, vagrant, unregarded pinhood--my

bliss is too supreme at such an hour to heed such infidelities as thine.

[_Falls into a happy reverie._

_Enter_ First and Second Bridesmaids.

_First and Second Bridesmaids._ What, how now, EMILY--not yet attired?

Nay, haste, for PETER will be here anon!

[_They hurry her off by_ R. _door, just as_ PETER

PARAGON _enters_ L. _in bridal array. N.B.--The

exigences of the Drama are responsible for his making

his appearance here, instead of waiting, as is more

usual, at the church._

_Peter_ (_meditatively_). The golden sands of my celibacy are running

low--soon falls the final grain! Yet, even now, the glass I would not

turn. My EMILY is not without her faults--"_was_ not without them," I

should rather say, for during ten idyllic years of courtship, by precept

and example I have striven to mould her to a helpmate fit for me. Now,

thank the Gods, my labours are complete--she stands redeemed from all

her giddiness! (_Here he steps upon the pin, and utters an

exclamation_). Ha! what is this? I'm wounded ... agony! With what a

darting pain my foot's transfixed! I'll summon help (_with calm

courage_)--yet, stay, I would not dim this nuptial day by any sombre

cloud. I'll bear this stroke alone--and now to probe the full extent of

my calamity. (_Seats himself on sofa in such a position as to be

concealed by the screen from all but the audience, and proceeds to

remove his boot._) Ye powers of Perfidy, it is a pin! I must know more

of this--for it is meet such criminal neglect should be exposed. Severe

shall be that house-maid's punishment who's proved to be responsible for

this!--but soft, I hear a step.

[_Enter_ First _and_ Second Bridesmaids, _who hunt

diligently upon the carpet without observing_ PETER's

_presence._

_Emily's Voice_ (_within_). Oh, search, I pray you. It _must_ be

there--my own ears heard it fall!

[PETER _betrays growing uneasiness._

_The Bridesmaids._ Indeed, we fail to see it anywhere!

_Emily_ (_entering distractedly in bridal costume, with a large rent in

her train_). You have no eyes, I tell you, let me help. It must be

found, or I am all undone! In vain my cushion I have cut in two--'twas

void of all but stuffing.... Gracious Heavens, to think that all my

future bliss depends on the evasive malice of a pin!

[PETER _behind screen, starts violently._

_Peter_ (_aside_). A pin! what dire misgivings wring my heart! (_Hops

forward with a cold dignity, holding one foot in his hand._) You seem in

some excitement, EMILY?

_Emily_ (_wildly_). _You_, PETER!... tell me--have you found a pin?

_Peter_ (_with deadly calm_). Unhappy girl--I _have_! (_To_

Bridesmaids.) Withdraw awhile, and when we need you, we will summon you.

(_Exeunt_ Bridesmaids; EMILY _and_ PETER _stand facing each other for

some moments in dead silence._) The pin is found--for I have trodden on

it, and may, for aught I know, be lamed for life. Speak, EMILY, what is

that maid's desert whose carelessness has led to this mishap?

_Emily_ (_in the desperate hope of shielding herself_). Why, should the

fault be traced to any maid, instant dismissal shall be her reward, with

a month's wages paid in lieu of notice!

_Peter_ (_with a passionless severity_). From your own lips I judge you,

EMILY. Did they not own just now that you had heard the falling of a

pin--yet heeded not? Behold the outcome of your negligence!

[_Extends his injured foot._

_Emily._ Oh, let me kiss the place and make it well!

_Peter_ (_coldly withdrawing foot_). Keep your caresses till I ask for

them. My wound goes deeper than you wot of yet, and by that disregarded

pin is pricked the iridescent bubble of Illusion!

_Emily_ (_slowly_). Indeed, I do not wholly comprehend.

_Peter._ Have patience and I will be plainer yet. Mine is a complex

nature, EMILY; magnanimous, but still methodical. An injury I freely can

forgive, forget it--(_striking his chest_)--never! She who leaves about

pins on the floor to pierce a lover's foot, will surely plant a thorn

within the side of him whose fate it is to be her husband!

_Emily_ (_dragging herself towards him on her knees_). Have pity on me,

PETER; I was mad!

_Peter_ (_with emotion_). How can I choose but pity thee, poor soul,

who, for the sake of temporary ease, hast forfeited the bliss that had

been thine! You could not stoop to pick a pin up. Why? Because,

forsooth, 'twas but a paltry pin! Yet, duly husbanded, that self-same

pin had served you to secure your gaping train, your self-respect--and

Me.

_Emily_ (_wailing_). What have I done?

_Peter._ I will not now reproach you, EMILY, nor would I dwell upon my

wounded sole, the pain of which increases momently. I part from you in

friendship, and in proof, that fated instrument I leave with you

(_presenting her with the pin, which she accepts mechanically_) which

the frail link between us twain has severed. I can dispense with it, for

in my cuff (_shows her his coat-cuff, in which a row of pins'-heads is

perceptible_) I carry others 'gainst a time of need. My poor success in

life I trace to this--that never yet I passed a pin unheeded.

_Emily._ And is that all you have to say to me?

_Peter._ I think so--save that I shall wish you well, and pray that

henceforth you may bear in mind what vast importance lies in seeming

trifles.

_Emily_ (_with a pale smile_). PETER, your lesson is already learned,

for precious has this pin become for me, since by its aid I gain

oblivion--thus!

[_Stabs herself._

_Peter_ (_coldly_). Nay, these are histrionics, EMILY.

[_Assists her to sofa._

_Emily._ I'd skill enough to find a vital spot. Do not withdraw it

yet--my time is short, and I have much to say before I die. (_Faintly._)

Be gentle with my rabbits when I'm gone; give my canary chickweed

now and then.... I think there is no more--ah, one last

word--(_warmly_)--warn them they must not cut our wedding-cake, and then

the pastrycook may take it back!

_Peter_ (_deeply moved_). Would you had shown this thoughtfulness

before!

[_Kneels by the sofa._

_Emily._ 'Tis now too late, and clearly do I see that I was never worthy

of you, PETER.

_Peter_ (_gently_). 'Tis not for me to contradict you now. You did your

best to be so, EMILY!

_Emily._ A blessing on you for those generous words! Now tell me, PETER,

how is your poor foot?

_Peter._ The agony decidedly abates, and I can bear a boot again.

_Emily._ Then I die happy!... Kiss me, PETER ... ah!

[_Dies._

_Peter._ In peace she passed away. I'm glad of that, although that peace

was purchased by a lie. I shall not bear a boot for many days! Thus ends

our wedding morn, and she, poor child, has paid the penalty of

heedlessness!

[_Curtain falls, whereupon, unless Mr. Punch is greatly

mistaken, there will not be a dry eye in the house._

* * * * *

NOTICE.--Rejected Communications or Contributions,

whether MS., Printed Matter, Drawings, or Pictures of

any description, will in no case be returned, not even

when accompanied by a Stamped and Addressed Envelope,

Cover, or Wrapper. To this rule there will be no

exception.

Punch, or the London Charivari, Vol. 98, February 1, 1890 · 第 22 / 22 题