XXII

‘Better not think now, really,’ Litvinov repeated, as he strode along

the street, feeling that the inward riot was rising up again in him.

‘The thing’s decided. She will keep her promise, and it only remains for

me to take all necessary steps.... Yet she hesitates, it seems.’... He

shook his head. His own designs struck even his own imagination in a

strange light; there was a smack of artificiality, of unreality about

them. One cannot dwell long upon the same thoughts; they gradually shift

like the bits of glass in a kaleidoscope ... one peeps in, and already

the shapes before one’s eyes are utterly different. A sensation of

intense weariness overcame Litvinov.... If he could for one short hour

but rest!... But Tanya? He started, and, without reflecting even, turned

submissively homewards, merely struck by the idea, that this day was

tossing him like a ball from one to the other.... No matter; he must

make an end. He went back to his hotel, and with the same

submissiveness, insensibility, numbness, without hesitation or delay, he

went to see Tatyana.

He was met by Kapitolina Markovna. From the first glance at her, he knew

that she knew about it all; the poor maiden lady’s eyes were swollen

with weeping, and her flushed face, fringed with her dishevelled white

locks, expressed dismay and an agony of indignation, sorrow, and

boundless amazement. She was on the point of rushing up to Litvinov, but

she stopped short, and, biting her quivering lip, she looked at him as

though she would supplicate him, and kill him, and assure herself that

it was a dream, a senseless, impossible thing, wasn’t it?

‘Here you ... you are come,’ she began.... The door from the next room

opened instantaneously, and with a light tread Tatyana came in; she was

of a transparent pallor, but she was quite calm.

She gently put one arm round her aunt and made her sit down beside her.

‘You sit down too, Grigory Mihalitch,’ she said to Litvinov, who was

standing like one distraught at the door. ‘I am very glad to see you

once more. I have informed auntie of your decision, our common decision;

she fully shares it and approves of it.... Without mutual love there

can be no happiness, mutual esteem alone is not enough’ (at the word

‘esteem’ Litvinov involuntarily looked down) ‘and better to separate

now, than to repent later. Isn’t it, aunt?’

‘Yes, of course,’ began Kapitolina Markovna, ‘of course, Tanya darling,

the man who does not know how to appreciate you ... who could bring

himself----’

‘Aunt, aunt,’ Tatyana interrupted, ‘remember what you promised me. You

always told me yourself: truth, Tatyana, truth before everything--and

independence. Well, truth’s not always sweet, nor independence either;

or else where would be the virtue of it?’

She kissed Kapitolina Markovna on her white hair, and turning to

Litvinov, she went on:

‘We propose, aunt and I, leaving Baden.... I think it will be more

comfortable so for all of us.’

‘When do you think of going?’ Litvinov said thickly. He remembered that

Irina had said the very same words to him not long before.

Kapitolina Markovna was darting forward, but Tatyana held her back, with

a caressing touch on her shoulder.

‘Probably soon, very soon.’

‘And will you allow me to ask where you intend going?’ Litvinov said in

the same voice.

‘First to Dresden, then probably to Russia.’

‘But what can you want to know that for now, Grigory Mihalitch?’ ...

cried Kapitolina Markovna.

‘Aunt, aunt,’ Tatyana interposed again. A brief silence followed.

‘Tatyana Petrovna,’ began Litvinov, ‘you know how agonisingly painful

and bitter my feelings must be at this instant.’

Tatyana got up.

‘Grigory Mihalitch,’ she said, ‘we will not talk about that ... if you

please, I beg you for my sake, if not for your own. I have known you

long enough, and I can very well imagine what you must be feeling now.

But what’s the use of talking, of touching a sore’ (she stopped; it was

clear she wanted to stem the emotion rushing upon her, to swallow the

rising tears; she succeeded)--‘why fret a sore we cannot heal? Leave

that to time. And now I have to ask a service of you, Grigory Mihalitch;

if you will be so good, I will give you a letter directly: take it to

the post yourself, it is rather important, but aunt and I have no time

now.... I shall be much obliged to you. Wait a minute.... I will bring

it directly....’

In the doorway Tatyana glanced uneasily at Kapitolina Markovna; but she

was sitting with such dignity and decorum, with such a severe expression

on her knitted brows and tightly compressed lips, that Tatyana merely

gave her a significant nod and went out.

But scarcely had the door closed behind her, when every trace of dignity

and severity instantaneously vanished from Kapitolina Markovna’s face;

she got up, ran on tiptoe up to Litvinov, and all hunched together and

trying to look him in the face, she began in a quaking tearful whisper:

‘Good God,’ she said, ‘Grigory Mihalitch, what does it mean? is it a

dream or what? _You_ give up Tanya, you tired of her, you breaking your

word! You doing this, Grigory Mihalitch, you on whom we all counted as

if you were a stone wall! You? you? you, Grisha?’... Kapitolina Markovna

stopped. ‘Why, you will kill her, Grigory Mihalitch,’ she went on,

without waiting for an answer, while her tears fairly coursed in fine

drops over her cheeks. ‘You mustn’t judge by her bearing up now, you

know her character! She never complains; she does not think of herself,

so others must think of her! She keeps saying to me, “Aunt, we must save

our dignity!” but what’s dignity, when I foresee death, death before

us?’... Tatyana’s chair creaked in the next room. ‘Yes, I foresee

death,’ the old lady went on still more softly. ‘And how can such a

thing have come about? Is it witchcraft, or what? It’s not long since

you were writing her the tenderest letters. And in fact can an honest

man act like this? I’m a woman, free, as you know, from prejudice of any

sort, _esprit fort_, and I have given Tanya too the same sort of

education, she too has a free mind....’

‘Aunt!’ came Tatyana’s voice from the next room.

‘But one’s word of honour is a duty, Grigory Mihalitch, especially for

people of your, of my principles! If we’re not going to recognise duty,

what is left us? This cannot be broken off in this way, at your whim,

without regard to what may happen to another! It’s unprincipled ... yes,

it’s a crime; a strange sort of freedom!’

‘Aunt, come here please,’ was heard again.

‘I’m coming, my love, I’m coming....’ Kapitolina Markovna clutched at

Litvinov’s hand.--‘I see you are angry, Grigory Mihalitch.’... (‘Me! me

angry?’ he wanted to exclaim, but his tongue was dumb.) ‘I don’t want to

make you angry--oh, really, quite the contrary! I’ve come even to

entreat you; think again while there is time; don’t destroy her, don’t

destroy your own happiness, she will still trust you, Grisha, she will

believe in you, nothing is lost yet; why, she loves you as no one will

ever love you! Leave this hateful Baden-Baden, let us go away together,

only throw off this enchantment, and, above all, have pity, have

pity----’

‘Aunt!’ called Tatyana, with a shade of impatience in her voice.

But Kapitolina Markovna did not hear her.

‘Only say “yes,”’ she repeated to Litvinov; ‘and I will still make

everything smooth.... You need only nod your head to me, just one little

nod like this.’

Litvinov would gladly, he felt, have died at that instant; but the word

‘yes’ he did not utter, and he did not nod his head.

Tatyana reappeared with a letter in her hand. Kapitolina Markovna at

once darted away from Litvinov, and, averting her face, bent low over

the table, as though she were looking over the bills and papers that lay

on it.

Tatyana went up to Litvinov.

‘Here,’ she said, ‘is the letter I spoke of.... You will go to the post

at once with it, won’t you?’

Litvinov raised his eyes.... Before him, really, stood his judge.

Tatyana struck him as taller, slenderer; her face, shining with unwonted

beauty, had the stony grandeur of a statue’s; her bosom did not heave,

and her gown, of one colour and straight as a Greek chiton, fell in the

long, unbroken folds of marble drapery to her feet, which were hidden by

it. Tatyana was looking straight before her, only at Litvinov; her cold,

calm gaze, too, was the gaze of a statue. He read his sentence in it; he

bowed, took a letter from the hand held out so immovably to him, and

silently withdrew.

Kapitolina Markovna ran to Tatyana; but the latter turned off her

embraces and dropped her eyes; a flush of colour spread over her face,

and with the words, ‘and now, the sooner the better,’ she went into the

bedroom. Kapitolina Markovna followed her with hanging head.

The letter, entrusted to Litvinov by Tatyana, was addressed to one of

her Dresden friends--a German lady--who let small furnished apartments.

Litvinov dropped the letter into the post-box, and it seemed to him as

though with that tiny scrap of paper he was dropping all his past, all

his life into the tomb. He went out of the town, and strolled a long

time by narrow paths between vineyards; he could not shake off the

persistent sensation of contempt for himself, like the importunate

buzzing of flies in summer: an unenviable part, indeed, he had played in

the last interview.... And when he went back to his hotel, and after a

little time inquired about the ladies, he was told that immediately

after he had gone out, they had given orders to be driven to the

railway station, and had departed by the mail train--to what destination

was not known. Their things had been packed and their bills paid ever

since the morning. Tatyana had asked Litvinov to take her letter to the

post, obviously with the object of getting him out of the way. He

ventured to ask the hall-porter whether the ladies had left any letters

for him, but the porter replied in the negative, and looked amazed even;

it was clear that this sudden exit from rooms taken for a week struck

him too as strange and dubious. Litvinov turned his back on him, and

locked himself up in his room.

He did not leave it till the following day: the greater part of the

night he was sitting at the table, writing, and tearing what he had

written.... The dawn was already beginning when he finished his task--it

was a letter to Irina.

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