III

Then came the Marne, and suddenly the foreigners caught in Paris by the

German advance became heroes--or mostly heroines--who had stayed to

reassure their beloved city in her hour of need.

"We all owe so much to Paris," murmured Mrs. Belknap, in lovely

convalescent clothes, from her sofa-corner. "I'm sure we can none of us

ever cease to be thankful for this chance of showing it...."

She had sold her staterooms to a compatriot who happened to be in

England, and was now cabling home to suggest to Mr. Belknap that she

should spend the winter in France and take a job on a war charity. She

was not strong enough for nursing, but she thought it would be

delightful to take convalescent officers for drives in the Bois in the

noiseless motor. "Troy would love it too," she cabled.

Mr. Belknap, however, was unmoved by these arguments. "Future too

doubtful," he cabled back. "Insist on your sailing. Staterooms November

tenth paid for. Troy must return to school."

"Future too doubtful" impressed Mrs. Belknap more than "Insist," though

she made a larger use of the latter word in explaining to her friends

why, after all, she was obliged to give up her projected war work.

Meanwhile, having quite recovered, she rose from her cushions, donned a

nurse's garb, poured tea once or twice at a fashionable hospital, and,

on the strength of this effort, obtained permission to carry supplies

(in her own motor) to the devastated regions. Troy of course went with

her, and thus had his first glimpse of war.

Fresh in his mind was a delicious July day at Rheims with his tutor, and

the memory of every detail noted on the way, along the green windings of

the Marne, by Meaux, Montmirail and Epernay. Now, traversing the same

towns, he seemed to be looking into murdered faces, vacant and stony.

Where he had seen the sociable gossiping life of the narrow streets,

young men lounging at the blacksmith's, blue-sleeved carters sitting in

the wine-shops while their horses shook off the flies in the hot

sunshine of the village square, black-pinafored children coming home

from school, the fat curé stopping to talk to little old ladies under

the church porch, girls with sleek hair calling to each other from the

doorways of the shops, and women in sunburnt gingham bending over the

village wash-trough or leaning on their rakes among the hayricks--where

all this had been, now only a few incalculably old people sat in the

doorways and looked with bewildered eyes at strange soldiers fulfilling

the familiar tasks.

This was what war did! It emptied towns of their inhabitants as it

emptied veins of their blood; it killed houses and lands as well as men.

Out there, a few miles beyond the sunny vineyards and the low hills, men

were dying at that very moment by hundreds, by thousands--and their

motionless young bodies must have the same unnatural look as these wan

ruins, these gutted houses and sterile fields.... War meant Death,

Death, Death--Death everywhere and to everything.

By a special favour, the staff-officer who accompanied them managed to

extend their trip to the ruined château of Mondement, the pivot on which

the battle had turned. He had himself been in the thick of the fight,

and standing before the shattered walls of the old house he explained

the struggle for the spur of Mondement: the advance of the grey masses

across the plain, their capture of the ridge that barred the road to

Paris; then the impetuous rush of General Humbert's infantry, repulsed,

returning, repulsed again, and again attacking; the hand-to-hand

fighting in court and gardens; the French infantry's last irresistible

dash, the batteries rattling up, getting into place on the ridge, and

flinging back the grey battalions from the hillside into the marshes.

Mrs. Belknap smiled and exclaimed, with vague comments and a wandering

glance (for the officer, carried away by his subject, had forgotten her

and become technical); while Troy, his map spread on the top of a

shot-riddled wall, followed every word and gesture with eyes that

absorbed at the same time all the details of the immortal landscape.

The Marne--this was the actual setting of the battle of the Marne! This

happy temperate landscape, with its sheltering woods, its friendly

fields and downs flowing away to a mild sky, had looked on at the most

awful conflict in history. Scenes of anguish and heroism that ought to

have had some Titanic background of cliff and chasm had unrolled

themselves among harmless fields, and along wood-roads where wild

strawberries grew and children cut hazel-switches to drive home their

geese. A name of glory and woe was attached to every copse and hollow,

and to each grey steeple above the village roofs....

Troy listened, his heart beating higher at each exploit, till he forgot

the horror of war, and thought only of its splendours. Oh, to have been

there too! To have had even the smallest share in those great hours! To

be able to say, as this young man could say: "Yes, I was in the battle

of the Marne"; to be able to break off, and step back a yard or two,

correcting one's self critically: "No ... it was _here_ the General

stood when I told him our batteries had got through ..." or: "This is

the very spot where the first seventy-five was trained on the valley. I

can see the swathes it cut in the Bavarians as they swarmed up at us a

third and fourth time...."

Troy suddenly remembered a bit of _Henry V._ that M. Gantier had been

fond of quoting:

And gentlemen in England now abed

Shall think themselves accurst they were not here,

And hold their manhood cheap, when any speaks

That fought with us....

Ah, yes--ah, yes--to have been in the battle of the Marne!

* * * * *

On the way back, below the crest of the hill, the motor stopped at the

village church and the officer jumped down. "Some of our men are buried

here," he said.

Mrs. Belknap, with a murmur of sympathy, caught up the bunch of roses

she had gathered in the ravaged garden of the château, and they picked

their way among the smashed and slanting stones of the cemetery to a

corner behind the church where wooden crosses marked a row of fresh

graves. Half-faded flowers in bottles were thrust into the loose earth,

and a few tin wreaths hung on the arms of the crosses.

Some of the graves bore only the date of the battle, with "Pour la

France," or "Priez pour lui"; but on others names and numbers had been

roughly burnt into the crosses.

Suddenly Troy stopped short with a cry.

"What is it?" his mother asked. She had walked ahead of him to the

parapet overhanging the valley, and forgetting her roses she leaned

against the low cemetery wall while the officer took up his story.

Troy made no answer. Mrs. Belknap stood with her back to him, and he did

not ask her to turn. He did not want her, or any one else, to read the

name he had just read; of a sudden there had been revealed to him the

deep secretiveness of sorrow. But he stole up to her and drew the

flowers from her hand, while she continued, with vague inattentive

murmurs, to follow the officer's explanations. She took no notice of

Troy, and he went back to the grave and laid the roses on it.

On the cross he had read: "September 12, 1914. Paul Gantier, --th

Chasseurs à pied."

"Oh, poor fellows ... poor fellows. Yes, that's right, Troy; put the

roses on their graves," Mrs. Belknap assented approvingly, as she picked

her way back to the motor.

The Marne: A Tale of the War · 第 7 / 16 题