COLLECTING FOR THE COUNTRY TRADE.

We have, by this time, given historico-biographical notices of

publishers and booksellers, representing very various phases of the

“trade;” but we have still to show how, in the economy of publishing,

and through an ingenious division of labour, the smaller booksellers in

town, and all the booksellers in the country and the colonies, are kept

constantly supplied with books and periodicals.

Before a new book is published, the work is taken round to the larger

houses in the “Row,” and other parts of London, and “subscribed,” that

is the first price to the trade, and the actual selling price to the

public are quoted, and orders at the former price are given, according

to the purchaser’s faith in the expected popularity of the work in

question.

The wholesale houses, in their turn, supply all the country, colonial,

and smaller London orders, reaping, of course, a due advantage from

having the volumes demanded already stowed in their warehouses.

By far the largest business in this branch of the trade is executed

by the old-established firm of Simpkin, Marshall, and Company,

and though they by no means confine their attention solely to the

commission-paying business of middlemen--for they are themselves

publishers of educational and other widely-circulating works--yet their

name has long, throughout the length and breadth of the land, been held

synonymous with this wholesale supply of the requirements of other

houses.

The real founder of this enormous traffic was, Benjamin Crosby. The

son of a Yorkshire grazier, he came to London to seek his fortunes,

and was apprenticed to James Nunn, a bookseller in Great Queen Street.

As soon as his indentures had expired, he obtained a situation under

George Robinson--the “King of the Booksellers”--and, in a few years

after this, succeeded to the business of Mr. Stalker, of Stationers’

Hall Court. Crosby was one of the first London booksellers who

travelled regularly through the country, soliciting orders for the

purpose of effecting sales and extending his connections. In a short

time he acquired a pre-eminence as a supplier of the country houses,

and also as one of the largest purchasers at trade sales, especially

when publishers’ stocks were sold off. The extension of the business

had been very materially assisted by the unremitting exertions of two

assistants--Simpkin and Marshall--and when, in 1814, he was stricken

by a sudden attack of paralysis, he made over a certain portion of

his stock and the whole of his country connection to Robert Baldwin,

and Cradock and Joy, he left the remainder, with the premises and the

London connection, to Simpkin and Marshall. Soon after this, a second

attack deprived him of his speech, and for a time of his reason, and

he died in the following year, 1815.

Under Simpkin and Marshall, which was now, of course, the new title

of the firm, the business soon began again to expand, for they

retained most of their London connections, and following Crosby’s

example, attracted the attention of many country clients, whom

they not only supplied with books, but for whose publications they

became the London agents--a business without speculative risk, and

consequently profitable. For instance, in 1827, an unpretentious little

volume--“Poems by Two Brothers,” having the modest motto, _Hæc nos

novimus esse nihil_, published by J. and J. Jackson, Louth, was also

stamped with the imprimatur of Simpkin and Marshall, and thus they had

the signal honour of being Mr. Tennyson’s first London publishers,

though very probably the honour in this case was greater than the

profit.

In 1828, Simpkin retired, or rather was bought out of the business by

Mr. Miles, who immediately took the financial management of the whole

concern, and the firm adopted the new title of “Simpkin, Marshall and

Co.” Simpkin, however, did not die until the 25th of December, 1854,

and thus enjoyed a long period of peaceful superannuation.

The practice of lending their names to the works published by their

country clients, though free from business venture, was not unattended

by legal risk, for in 1834 they had an action brought against them for

libel, which at the time attracted a very general and lively interest;

though they were indicted solely as the London agents of _Tait’s

Edinburgh Magazine_, in which a series of articles had appeared,

reflecting on the conduct of Richmond, a man notorious as a spy, and

who, as an instrument of the Government, had procured the execution of

Hardie and his companion at Glasgow in the winter of 1819-20. Richmond

laid the damages that his character had sustained at the absurd figure

of five thousand pounds, but Mr. Serjeant Talfourd, to whom the defence

was entrusted, so thoroughly exposed the antecedents and present means

of livelihood of the plaintiff that before the trial was over he was

absolutely fain to withdraw his action and elect to be non-suited.

In 1837 Baldwin and Cradock failed, and handed over the country

connection they had derived from Crosby, to Simpkin, Marshall and

Company. This occurred on the October “Magazine day” of that year; for

three days and three nights the partners and their assistants never

left the establishment at Stationers’ Hall Court, and Baldwin’s country

clients were so pleased that they had been spared so much expected

delay and annoyance that one and all resolved to keep their business

in the hands of their new agents; and with this addition to their

trade, the business relations of Simpkin, Marshall and Company were now

infinitely beyond anything that even Crosby had before experienced.

In 1855, Richard Marshall retired from the business, and consequently,

the management of the concern remained almost entirely in the hands of

Mr. Miles’s two sons. Marshall died at the ripe age of seventy-five, on

the 17th of November, 1863.

In 1859 the premises were rebuilt and enlarged, and every possible

improvement, to save trouble and economise time, was introduced into

the new establishment. Among the gentlemen who had been employed in the

old warehouse was Mr. F. Laurie, a barrister-at-law, who afterwards

served in the printed-book department of the British Museum, and who

was widely known as the author of a “Life of Henry Fielding,” and

as a frequent contributor to periodical literature. As none of the

country booksellers have more than one London agent, by him they are

supplied with the books and periodicals of all the London publishers,

an arrangement that saves an infinity of trouble, expense and delay.

A century ago, in the days of small things, the agent made himself

useful to the provincial bookseller in many other ways than in the mere

supplying of publications. In many cases he was expected to forward

the newspapers, but other and stranger commissions often fell to his

lot. A great wholesale house in London at the present day would be

rather surprised to receive the following orders, which, however, all

occur in a bookseller’s records late in the eighteenth century:--“1

sliding Gunter from some of the instrument makers;” “two-eighth share

of lottery-tickets;” “1 oz. of Maker’s Cobalt, as advertized on the

cover of the _Gentleman’s Magazine_;” or a direction “to please and

send on Saturday, and pay Mr. Barratt, Parliament Place, Palace Yard,

Westminster, £1 0_s._ 6_d._, King’s Rent, due 10th of October last, for

the Vicarage of Holy Cross, Shrewsbury.”

We cannot, perhaps, convey a better idea of the manner in which

business is conducted by these wholesale houses in the “Row,” than by

giving a description of “Magazine day,”--by far the busiest time in

each month. Very quiet is Paternoster Row generally, and its solitude

is broken only by the fitful and fleeting appearance of publishers,

their agents, and literary men--the latter, as a rule, in clerical

costume, with white neckties which betray their avocation as lying

in “the religious publication line of business;” while its silence

is broken by some venturous barrel-organ player, or by an old blind

fiddler, whose music is appreciated and encouraged by the young

shop-boys, lurking behind each alley corner to enjoy the furtive

pipe. But on “Magazine day” all this is changed, the street is now

a struggling scene of bustle and confusion; now every house is in

a thrill of agitation from the garret to the cellar, and now every

business nerve is strained. Owing to the inconvenient innovation of

magazine proprietors, in publishing their periodicals on different

days, “Magazine day” has lost much of its pristine glory, but even now

the work commences on the eve of the chief day of publication, which is

known consequently as “late night,” for the assistants are generally

kept busily engaged till twelve or one o’clock. By the morning’s post

of this preceding day the country orders arrive, and the invoices have

to be made out from the lists received. Every regular customer has

his allotted pigeon-hole, into which the invoices are put as soon as

copied, together with such of the books he has ordered as are on the

premises; for the majority of the smaller country booksellers take

advantage of their monthly parcels, and to save expense of frequent

railway carriage, include also in their orders such recent books as

they may require. Early in the morning, or sometimes on the night

before, the magazines arrive, and it is on this morning that the real

work begins, for though as large a stock of current literature is kept

in each warehouse as is possible, there are still many publishers to

be sent to. While the assistants are busily engaged sorting out the

books, and supplying each order with the works they have in hand,

the “collectors” are furnished with lists of the books required from

other houses. The “collector” is by no means an unimportant person in

a publisher’s establishment; though “seedy” in attire and suspicious

in general appearance, he is entrusted with large sums of money, for

the cheaper publications are all paid for in ready cash. Bag in hand he

rushes in hot haste all over London, and with an impudent tongue and

a pair of brawny shoulders, thrusts himself to the front place before

each publisher’s counter. As we listen for a moment to the reply he

receives as to the price of a cheap periodical, we may gain an insight

into the middleman’s system of profit. “Sixes are fours and twelves

are thirteens!” yells the shop-boy, the which being interpreted means

that the wholesale price of the sixpenny periodical in question is

fourpence, and that thirteen copies go to the dozen.

The bustle at each establishment is, of course, greatly increased by

the fact that each house has to supply the wants of others, as well

as to satisfy its own--all the counters of the wholesale booksellers

being filled with screeching collectors, with greedily-gaping bags.

Early in the afternoon, however, the collectors return, and now the

books, magazines, and invoices are carried into the packing department,

and such works as could not be obtained are written off as “out of

print,” &c. Packing is an art not easily acquired, and necessitates the

patient and skilful use of much brown paper, and, in many houses, of

paper-pulp stereo-moulds, by way of stiffening. The smaller parcels are

finished first, and as soon as all are ready for removal the carriers’

carts and vans arrive; all entering the Row in regular order from the

Ludgate Hill end, and leaving it in the direction of Cheapside. By

the time that peace and quietude are restored to the neighbourhood,

some two and a half millions of volumes and periodicals (Simpkin,

Marshall and Company alone having probably despatched from six to eight

hundred different parcels) are flying from London to all parts of the

kingdom--to be greedily devoured and depreciatingly criticised on the

morrow.

Not the least profitable portion of the business done by Simpkin,

Marshall and Company lies in their Colonial trade, for in this branch,

in common with other houses, they insist upon ready money payments, and

consequently all bad and doubtful debts are avoided.

Besides holding many valuable copyrights in educational works, and

publishing to a large extent upon commission, they, as we have

previously shown, are the London agents for all works published by

their country clients. Nothing, perhaps, is more curious among modern

“literary curiosities” than the sudden and unparalleled popularity of

a small pamphlet entitled “Dame Europa’s School,” written in a style

and manner not unfamiliar to us in Swift’s inimitable “Tale of a Tub;”

witty, certainly, and undeniably apropos to the times, this clever

skit was taken by its author, Mr. Pullen, a minor canon of Salisbury

Cathedral, through the usual round of the London publishers, and,

as usual with pamphlets, they one and all declined even to read the

manuscript. Mr. Pullen, in despair, gave it to Mr. Brown, a bookseller

of Salisbury, to publish on commission--that is, the author undertook

all the risk, and the publisher charged merely a certain percentage on

the sales--and limited the amount that was to be spent in advertising

to two or three pounds. As Simpkin, Marshall and Company were Mr.

Brown’s London agents, the metropolitan sale was entrusted to their

care. Without any further trouble or expenditure, the little venture

was launched, and in something like a week had created such a _furore_

that the printing had to be transferred to London, and Mr. Pullen is

stated to have cleared a handsome sum from the extraordinary sale

of his pamphlet, and the commissions gathered by the London and the

country publishers were certainly unprecedented in connection with a

little venture of this description. The London booksellers to whom it

had been offered now began to bestir themselves, and in a few weeks

there were no less than seven-and-thirty imitations of “Dame Europa’s

School” in the field, more than one of which are said to have been

written by very high dignitaries of the Church. All of these have,

however, already disappeared from circulation, though it seems probable

that the marvellously clever illustrations to the original “Dame

Europa’s School,” by Mr. Nast, one of the few really humorous artists

that America has produced, will preserve it for a time from the usual

fate of ephemeral literature.

[Illustration]

[Illustration]

_CHARLES EDWARD MUDIE_:

A History of Booksellers, the Old and the New · 第 22 / 28 题