OR, MISS BOWDLER AT THE MUSIC HALLS.

"A nod is as good as a wink to a blind horse," says the old saw, and

a wink is no doubt as good as a smile to a purblind ass. But the wink

is indeed one of the worst uses to which the human eye can he put. It

signifies usually the vulgarisation of humour, and the degradation of

mirth. It is the favourite eye-language of the cynical cad, the coarse

jester, the crapulous clown, and--above all--the chuckling cheat.

[Illustration]

It must be admitted, that the Muse of the Music Hall--in her Momus

mood--has a strong leaning towards the glorification of cynical

'cuteness of the _Autolycus_ sort. It is a weakness which she seems

to share with party scribes and Colonial politicians. If she had any

classic leanings, which she has not, her favourite deity would be

Mercury, the "winking Cyllenian Argophont" of the Homeric Hymn, the

"little cradled rogue," the Apollo-cheating babe, "the lord of those

who swindle, house-break, sheep-steal and shop-lift," under whom

_Autolycus_ prided himself upon having been "littered." _Autolycus's_

complacent self-gratulation, "How bless'd are we that are not simple

men!" would appeal to the heart of the Music-hall votary. "Ha, ha!

what a fool Honesty is! and Trust his sworn brother, a very simple

gentleman" is, virtually, the burthen of dozens of the most favourite

of the Music-hall ditties.

Sly-scheming Hermes "winked" knowingly at Jupiter when he was

"pitching his yarn" about the stolen oxen, and Jupiter "according to

his wont,"

"Laughed heartily to hear the subtle witted

Infant give such a plausible account,

And every word a lie."

So the Music-hall Muse "winks" knowingly, and knavishly, at her

audience, and her audience "laugh heartily," in Jovian guffaws, at her

winks. What wonder then that she should lyrically apostrophise "The

Wink" in laudatory numbers?

"Say, boys, now is it quite the thing?"

she cries in sham deprecation, but all the while she "winks the other

eye" in a way her hearers quite understand. "Cabby knows his fare,"

and the Music-hall Muse knows her clients. What, we wonder, would

be her reception did she really carry out her ironically pretended

protest and sing to the chuckling cads who applaud her, the following

version of her favourite lay?

Punch, or the London Charivari, Volume 101, October 24, 1891 · 第 27 / 31 题