THE DOT AND LINE ALPHABET.

Just in the triumph week of that Great Telegraph which takes its name

from the ATLANTIC MONTHLY, I read in the September number of that

journal the revelations of an observer who was surprised to find that

he had the power of reading, as they run, the revelations of the wire.

I had the hope that he was about to explain to the public the more

general use of this instrument,--which, with a stupid fatuity, the

public has, as yet, failed to grasp. Because its signals have been

first applied by means of electro-magnetism, and afterwards by means of

the chemical power of electricity, the many-headed people refuses to

avail itself, as it might do very easily, of the same signals, for the

simpler transmission of intelligence,--whatever the power employed.

The great invention of Mr. Morse is his register and alphabet. He

himself eagerly disclaims any pretension to the original conception of

the use of electricity as an errand-boy. Hundreds of people had thought

of that and suggested it; but Morse was the first to give the

errand-boy such a written message, that he could not lose it on the

way, nor mistake it when he arrived. The public, eager to thank Morse,

as he deserves, thanks him for something he did not invent. For this he

probably cares very little. Nor do I care more. But the public does not

thank him for what he did originate,--this invaluable and simple

alphabet. Now, as I use it myself in every detail of life, and see

every hour how the public might use it, if it chose, I am really sorry

for this negligence,--both on the score of his fame, and of general

convenience.

Please to understand, then, ignorant Reader, that this curious alphabet

reduces all the complex machinery of Cadmus and the rest of the

writing-masters to characters as simple as can be made by a dot, a

space, and a line, variously combined. Thus, the marks [Morse code:

.-.] designate the letter A. The marks [Morse code: -...] designate the

letter B. All the other letters are designated in as simple a manner.

Now I am stripping myself of one of the private comforts of my life,

(but what will one not do for mankind?) when I explain that this simple

alphabet need not be confined to electrical signals. _Long_ and _short_

make it all,--and wherever long and short can be combined, be it in

marks, sounds, sneezes, fainting-fits, canes, or children, ideas can be

conveyed by this arrangement of the long and short together. Only last

night I was talking scandal with Mrs. Wilberforce at a summer party at

the Hammersmiths. To my amazement, my wife, who scarcely can play "The

Fisher's Hornpipe," interrupted us by asking Mrs. Wilberforce if she

could give her the idea of an air in "The Butcher of Turin."

Mrs. Wilberforce had never heard that opera,--indeed, had never heard

of it. My angel-wife was surprised,--stood thrumming at the

piano,--wondered she could not catch this very odd bit of discordant

accord at all,--but checked herself in her effort, as soon as I

observed that her long notes and short notes, in their tum-tee,

tee,--tee-tee, tee-tum tum, meant, "He's her brother." The conversation

on her side turned from "The Butcher of Turin," and I had just time, on

the hint thus given me by Mrs. I., to pass a grateful eulogium on the

distinguished statesman whom Mrs. Wilberforce, with all a sister's

care, had rocked in his baby-cradle,--whom, but for my wife's long and

short notes, I should have clumsily abused among the other statesmen of

the day.

You will see, in an instant, awakening Reader, that it is not the

business simply of "operators" in telegraphic dens to know this Morse

alphabet, but your business, and that of every man and woman. If our

school-committees understood the times, it would be taught, even before

phonography or physiology, at school. I believe both these sciences now

precede the old English alphabet.

As I write these words, the bell of the South Congregational strikes

dong, dong, dong;--dong, dong, dong, dong,--dong,--dong. Nobody has

unlocked the church-door. The old tin sign, "In case of fire, the key

will be found at the opposite house," has long since been taken down,

and made into the nose of a water-pot. Yet there is no Goody Two-Shoes

locked in. No! But, thanks to Dr. Channing's Fire-Alarm, the bell is

informing the South End that there is a fire in District

Dong-dong-dong,--that is to say, District No. 3. Before I have

explained to you so far, the "Eagle" engine, with a good deal of noise,

has passed the house on its way to that fated district. An immense

improvement this on the old system, when the engines radiated from

their houses in every possible direction, and the fire was extinguished

by the few machines whose lines of quest happened to cross each other

at the particular place where the child had been building cob-houses

out of lucifer-matches in a paper-warehouse. Yes, it is a very great

improvement. All those persons, like you and me, who have no property

in District Dong-dong-dong, can now sit at home at ease,--and little

need we think upon the mud above the knees of those who have property

in that district and are running to look after it. But for them the

improvement only brings misery. You arrive wet, hot or cold, or both,

at the large District No. 3, to find that the lucifer-matches were half

a mile from your store,--and that your own private watchman, even, had

not been waked by the working of the distant engines. Wet

property-holder, as you walk home, consider this. When you are next in

the Common Council, vote an appropriation for applying Morse's alphabet

of long and short to the bells. Then they can be made to sound

intelligibly. Daung ding ding,--ding,--ding daung,--daung daung daung,

and so on, will tell you, as you wake in the night, that it is Mr. B.'s

store which is on fire, and not yours, or that it is yours, and not

his. This is not only a convenience to you and a relief to your wife

and family, who will thus be spared your excursions to unavailable and

unsatisfactory fires, and your somewhat irritated return,--it will be a

great relief to the Fire Department. How placid the operations of a

fire where none attend except on business! The various engines arrive,

but no throng of distant citizens, men and boys, fearful of the

destruction of their all. They have all roused on their pillows to

learn that it is No. 530 Pearl Street which is in flames. All but the

owner of No. 530 Pearl Street have dropped back to sleep. He alone has

rapidly repaired to the scene. That is he, who stands in the uncrowded

street with the Chief Engineer, on the deck of No. 18, as she plays

away. His property destroyed, the engines retire,--he mentions the

amount of his insurance to those persons who represent the daily press,

they all retire to their homes,--and the whole is finished as simply,

almost, as was his private entry in his day-book the afternoon before.

This is what might be, if the magnetic alarm only struck _long_ and

_short_, and we had all learned Morse's alphabet. Indeed, there is

nothing the bells could not tell, if you would only give them time

enough. We have only one chime, for musical purposes, in the town. But,

without attempting tunes, only give the bells the Morse alphabet, and

every bell in Boston might chant in monotone the words of "Hail

Columbia" at length, every Fourth of July. Indeed, if Mr. Barnard

should report any day that a discouraged 'prentice-boy had left town

for his country home, all the bells could instantly be set to work to

speak articulately, in language regarding which the dullest imagination

need not be at loss,

"Turn again, Higginbottom,

Lord Mayor of Boston!"

I have suggested the propriety of introducing this alphabet into the

primary schools. I need not say I have taught it to my own

children,--and I have been gratified to see how rapidly it made head,

against the more complex alphabet, in the grammar schools. Of course it

does;--an alphabet of two characters matched against one of

twenty-six,--or of forty-odd, as the very odd one of the phono-typists

employs! On the Franklin-medal-day I went to the Johnson-School

examination. One of the committee asked a nice girl, what was the

capital of Brazil. The child looked tired and pale, and, for an

instant, hesitated. But, before she had time to commit herself, all

answering was rendered impossible by an awful turn of whooping-cough

which one of my own sons was seized with,--who had gone to the

examination with me. Hawm, hem hem;--hem hem hem;--hem, hem;--hawm, hem

hem;--hem hem hem;--hem, hem,--barked the poor child, who was at the

opposite extreme of the school-room. The spectators and the committee

looked to see him fall dead with a broken blood-vessel. I confess that

I felt no alarm, after I observed that some of his gasps were long and

some very staccato;--nor did pretty little Mabel Warren. She recovered

her color,--and, as soon as silence was in the least restored,

answered, "_Rio_ is the capital of Brazil,"--as modestly and properly

as if she had been taught it in her cradle. They are nothing but

children, any of them,--but that afternoon, after they had done all the

singing the city needed for its annual entertainment of the singers, I

saw Bob and Mabel start for a long expedition into West Roxbury,--and

when he came back, I know it was a long featherfew, from her prize

school-bouquet, that he pressed in his Greene's "Analysis," with a

short frond of maiden's hair.

I hope nobody will write a letter to "The Atlantic," to say that these

are very trifling uses. The communication of useful information is

never trifling. It is as important to save a nice child from

mortification on examination-day, as it is to tell Mr. Fremont that he

is not elected President. If, however, the reader is distressed,

because these illustrations do not seem to his more benighted

observation to belong to the big bow-wow strain of human life, let him

consider the arrangement which ought to have been made years since, for

lee shores, railroad collisions, and that curious class of maritime

accidents where one steamer runs into another under the impression that

she is a light-house. Imagine the Morse alphabet applied to a

steam-whistle, which is often heard five miles. It needs only _long_

and _short_ again. "_Stop Comet_," for instance, when you send it down

the railroad line, by the wire, is expressed thus: ... - .. .... .. .

.. -- . - Very good message, if Comet happens to be at the telegraph

station when it comes! But what if Comet has gone by? Much good will

your trumpery message do then! If, however, you have the wit to sound

your long and short on an engine-whistle, thus:--Scre scre, scre;

screeee; scre scre; scre scre scre scre; scre scre--scre, scre scre,

screeeee scrceeee; scre; screeeee;--why, then the whole neighborhood,

for five miles round, will know that Comet must stop, if only they

understand spoken language,--and, among others, the engineman of Comet

will understand it; and Comet will not run into that wreck of worlds

which gives the order,--with his nucleus of hot iron and his tail of

five hundred tons of coal.--So, of the signals which fog-bells

can give, attached to light-houses. How excellent to have them

proclaim through the darkness, "I am Wall"! Or of signals for

steamship-engineers. When our friends were on board the "Arabia" the

other day, and she and the "Europa" pitched into each other,--as if, on

that happy week, all the continents were to kiss and join hands all

round,--how great the relief to the passengers on each, if, through

every night of their passage, collision had been prevented by this

simple expedient! One boat would have screamed, "Europa, Europa,

Europa," from night to morning,--and the other, "Arabia, Arabia,

Arabia,"--and neither would have been mistaken, as one unfortunately

was, for a light-house.

The long and short of it is, that whoever can mark distinctions of time

can use this alphabet of long-and-short, however he may mark them. It

is, therefore, within the compass of all intelligent beings, except

those who are no longer conscious of the passage of time, having

exchanged its limitations for the wider sweep of eternity. The

illimitable range of this alphabet, however, is not half disclosed when

this has been said. Most articulate language addresses itself to one

sense, or at most to two, sight and sound. I see, as I write, that the

particular illustrations I have given are all of them confined to

signals seen or signals heard. But the dot-and-line alphabet, in the

few years of its history, has already shown that it is not restricted

to these two senses, but makes itself intelligible to all. Its message,

of course, is heard as well as read. Any good operator understands the

sounds of its ticks upon the flowing strip of paper, as well as when he

sees it. As he lies in his cot at midnight, he will expound the passing

message without striking a light to see it. But this is only what may

be said of any written language. You can read this article to your

wife, or she can read it, as she prefers; that is, she chooses whether

it shall address her eye or her ear. But the long-and-short alphabet of

Morse and his imitators despises such narrow range. It addresses

whichever of the five senses the listener chooses. This fact is

illustrated by a curious set of anecdotes--never yet put in print, I

think--of that critical dispatch which in one night announced General

Taylor's death to this whole land. Most of the readers of these lines

probably read that dispatch in the morning's paper. The compositors and

editors had read it. To them it was a dispatch to the eye. But half the

operators at the stations _heard_ it ticked out, by the register

stroke, and knew it before they wrote it down for the press. To them it

was a dispatch to the ear. My good friend Langenzunge had not that

resource. He had just been promised, by the General himself, (under

whom he served at Palo Alto,) the office of Superintendent of the

Rocky-Mountain Lines. He was returning from Washington over the

Baltimore and Ohio Railroad, on a freight-train, when he heard of the

President's danger. Langenzunge loved Old Rough and Ready,--and he felt

badly about his own office, too. But his extempore train chose to stop

at a forsaken shanty-village on the Potomac, for four mortal hours, at

midnight. What does he do, but walk down the line into the darkness,

climb a telegraph-post, cut a wire, and apply the two ends to his

tongue, to _taste_, at the fatal moment, the words, "Died at half past

ten." Poor Langenzunge! he hardly had nerve to solder the wire again.

Cogs told me that they had just fitted up the Naguadavick stations with

Bain's chemical revolving disc. This disc is charged with a salt of

potash, which, when the electric spark passes through it, is changed to

Prussian blue. Your dispatch is noiselessly written in dark blue dots

and lines.

Just as the disc started on that fatal dispatch, and Cogs bent over it

to read, his spirit-lamp blew up,--as the dear things will. They were

beside themselves in the lonely, dark office; but, while the men were

fumbling for matches, which would not go, Cogs's sister, Nydia, a sweet

blind girl, who had learned Bain's alphabet from Dr. Howe at South

Boston, bent over the chemical paper, and _smelt_ out the prussiate of

potash, as it formed itself in lines and dots to tell the sad story.

Almost anybody used to reading the blind books can read the embossed

Morse messages with the finger,--and so this message was read at all

the midnight way-stations where no night-work is expected, and where

the companies do not supply fluid or oil. Within my narrow circle of

acquaintance, therefore, there were these simultaneous instances, where

the same message was seen, heard, smelled, tasted, and felt. So

universal is the dot-and-line alphabet,--for Bain's is on the same

principle as Morse's.

The reader sees, therefore, first, that the dot-and-line alphabet can

be employed by any being who has command of any long and short

symbols,--be they long and short notches, such as Robinson Crusoe kept

his accounts with, or long and short waves of electricity, such as

these which Valentia is sending across to the Newfoundland Bay, so

prophetically and appropriately named "The Bay of Bulls." Also, I hope

the reader sees that the alphabet can be understood by any intelligent

being who has any one of the five senses left him,--by all rational

men, that is, excepting the few eyeless deaf persons who have lost both

taste and smell in some complete paralysis. The use of Morse's

telegraph is by no means confined to the small clique who possess or

who understand electrical batteries. It is not only the torpedo or the

_Gymnotus electricus_ that can send us messages from the ocean. Whales

in the sea can telegraph as well as senators on land, if they will only

note the difference between long spoutings and short ones. And they can

listen, too. If they will only note the difference between long and

short, the eel of Ocean's bottom may feel on his slippery skin the

smooth messages of our Presidents, and the catfish, in his darkness,

look fearless on the secrets of a Queen. Any beast, bird, fish, or

insect, which can discriminate between long and short, may use the

telegraphic alphabet, if he have sense enough. Any creature, which can

hear, smell, taste, feel, or see, may take note of its signals, if he

can understand them. A tired listener at church, by properly varying

his long yawns and his short ones, may express his opinion of the

sermon to the opposite gallery before the sermon is done. A dumb

tobacconist may trade with his customers in an alphabet of short-sixes

and long-nines. A beleaguered Sebastopol may explain its wants to the

relieving army beyond the line of the Chernaya, by the lispings of its

short Paixhans and its long twenty-fours.

* * * * *

The Atlantic Monthly, Volume 02, No. 12, October, 1858 A Magazine of Literature, Art, and Politics · 第 29 / 30 题