MISS WIMPLE'S HOOP.

"Believe in God and yourself, and do the best you can."

In Hendrik on the Hudson, fifty miles from New York, there was, winter

before last, a certain "patent seamless."--

But a hooped skirt with a history, touching and teaching, is no theme

for flippancy; so, by your leave, I will unwind my story tenderly, and

with reverential regard for its smooth turns of sequence.

The Wimples, of whom Sally is the last, were among the oldest and most

respectable of Hendrik families. Sally's father, Mr. Paul Wimple, had

been a publisher in good standing, and formerly did a flourishing

business in New York; but seven years ago he failed, and so, quite

penniless, his health sadly broken, his cheerfulness and energy all

gone with his fortunes, without heart for any new beginning, he

returned to Hendrik, his native place.

There, the friends of his youth, steadfast and generous, pitying his

sad plight, and having perfect faith in his unimpeached integrity,

purchased--principally at the sale in bankruptcy of his own effects--a

modest stock of new and second-hand books and magazines, together with

some stationery and a few fancy articles in that line, and

reestablished him in the humble but peaceful calling of a country

bookseller. They called his shop "The Hendrik Athenaeum and Circulating

Library," and all the county subscribed; for, at first, the Wimples

were the fashionable charity, "the Wimples were always so very

respectable, you know," and Sally was such a sweet girl that really it

was quite an interesting case. Mrs. Splurge forthwith began improving

the minds of her girls to the extent of three full annual subscriptions

for Josephine, Adelaide, and Madeline respectively; and that triplet of

fair students, who, separately or conjointly, were at all times

competent to the establishment of a precedent for the graceful

charities of Hendrik good society, handsomely led off with a ten-dollar

investment in "fountain" pens, "cream-laid assembly note,"

motto-wafers, Blessington envelopes "with crest and initial," ivory

tablets, pencil-sharpeners, and ink-erasers.

But all their munificence came to nought. Mr. Paul Wimple's heart was

broken,--as they say of any weary Sysiphus who lies down by his stone

and sleeps forever;--so he died.

Poor little Sally! The first thing she did was to disappoint her

friends, and shock the decencies of Hendrik; for it had been agreed on

all sides that "the poor dear thing would take on dreadfully, or else

fret herself into fits, or perhaps fall into one of them clay-cold,

corpsy swoons, like old Miss Dunks has regular every 'revival.'" But

when they came, with all their tedious commonplaces of a stupid

condolence not wholly innocent of curiosity, Sally thanked them with

dry eyes and prudent lips and quiet nerves, and only said she thought

she should do very well after she had set the house to rights and slept

awhile. The sewing-circle of that week was a coroner's inquest on

Sally's character, and "ungrateful," "cold-blooded," "indecent," "worse

than a hypocrite," were not the hardest epithets in the verdict of the

jury.

But Sally set the place to rights, and bade her father's old friends to

the funeral, and buried him with all the money that was in the house,

neither asking nor accepting aid from any; and with the poor pittance

that her severe conscience could afford her sorrow she procured some

cheap material of the doleful sort and went into the most unbecoming of

"full mourning." When she made her appearance in church,--which she

did, as usual, the very first Sunday after the funeral,--that plainest

of bonnets and straitest of black delaines, unadorned save by the

old-fashioned and dingy lace-cape, descended through many shifts of

saving from her long-ago-dead-and-gone mother, were so manifestly a

condescending concession to the conventionalities or superstitions of

Hendrik, and said so plainly, "This is for your 'decencies,'--it is all

that I can honestly spare, and more than you should demand,--my life is

mourning enough,"--that all the congregation bristled at the affront.

Henceforth Miss Wimple--no longer dear Sally, or even Miss Sally, but

sharp "Miss Wimple"--had that pew to herself.

Now I believe it was not generally known in Hendrik that Miss Wimple

had narrowly escaped being a very pretty girl. She was but just in her

nineteenth year when her father died. Her features were regular, her

expression lovely, her complexion, before trouble nipped the roses of

her cheeks, full of the country's freshness. She had tender eyes,

profoundly overshadowed by long, pensive lashes; in the sweet lines of

her very delicate mouth a trace of quiet pride was prettily blended

with thoughtfulness, and a just-forming smile that was always

melancholy. Her feet were little, and her hands were soft and white;

nor had toil and sorrow, and the weariness, and indifference to self,

that come of them, as yet impaired the symmetry of her well-turned

shape, or the elasticity of her free and graceful carriage. Her

deportment was frank and self-reliant, and her manners, though

reserved, far from awkward; her complete presence, indeed, compelled

consideration and invited confidence.

In her father's lifetime, she had sought, on occasions of unwonted

cheerfulness, to please him with certain charming tricks of attire; and

sometimes, with only a white rose-bud gleaming through the braided

shadows of her hair, lighted herself up as with a star; then, not a

carping churl, not an envious coquette in Hendrik, but confessed to the

prettiness of Sally Wimple.

But now there was no longer a grateful life for her white rose-star to

brighten; so she sat down, in her loneliness and sombre unbecomingness,

between her forlorn counters with their pitiful shows of stock, and let

her good looks go by, entertaining only brave thoughts of duty,--till

she grew pale "and fell into the portion of weeds and outworn faces,"

so that "how anybody could see the least beauty in that distressing

Miss Wimple" began to be with many a sincere and almost reasonable

expression of surprise, instead of a malicious sin against knowledge.

She waited for customers, but they seldom came,--often, from opening to

window-barring, not one; for the unwilting little martyr of the Hendrik

Athenaeum and Circulating Library had made herself a highly

disapproved-of Miss Wimple by her ungrateful and contumacious behavior

at her father's death, even if the hard and sharp black lines of that

scrimped delaine had not sufficed to turn the current of admiration,

interest, and custom. Besides, the attractions of her slender stock

were all exhausted. She had not the means of refreshing it with pretty

novelties and sentimental toys in that line,--with albums and

valentines, fancy portfolios and pocket-secretaries, pearl paper-knives

and tortoise-shell cardcases, Chinese puzzles and _papier-maché_

checker-boards. Nor was the Library replenished "to keep up with the

current literature of the day"; its last new novel was a superannuated

dilapidation; not one of its yearly subscribers but had worked through

the catalogue once and a half.

Since the funeral, and especially since the inauguration of the

delaine, Mrs. Marmaduke Splurge had been less alive to the necessity of

improving the minds of her girls; and that virginal ten-dollar

investment had provided Josephine, Adelaide, and Madeline with supplies

of small arms and ammunition enough for a protracted campaign of

epistolary belligerence, interrupted by hair-strokes of coquettish

diplomacy.

In the flaunting yellow house on the hill the widow and daughters of

the late Marmaduke Splurge, Esq., railroad-director and real-estate

broker, fondled and hated each other. Mrs. Marmaduke was a

well-preserved woman, stylish, worldly-minded, and weak. Miss

Josephine, her eldest, was handsome, patronizing, _passée_, and a

sentimental fool; Miss Adelaide, who came next, was handsome,

eccentric, malicious, and sly; and Miss Madeline, the youngest, was

handsome, distinguished-looking, intellectual, passionate, and proud.

Mrs. Marmaduke's heart was set on marrying her daughters

"advantageously," and she gave all of her narrow mind to that thankless

department. Josephine insisted on a romantic attachment, and pursued a

visionary spouse with all the ardor and obstinacy of first-rate

stupidity. Adelaide had the weakness to hate Josephine, the shrewdness

to fear Madeline, and the viciousness to despise her mother; she

skilfully and diligently devoted herself to the thwarting of the

family. Madeline waited, only waited,--with a fierceness so dangerously

still that it looked like patience,--hated her insulting bondage, but

waited, like Samson between the pillars upon which the house of Dagon

stood, resolved to free herself, though she dragged down the edifice

and were crushed among the wreck.

Mrs. Marmaduke talked tediously of the trials and responsibilities of

conscientious mothers who have grown-up daughters to provide for, was

given to frequent freshets of tears, consumed many "nervous pills" of

the retired-clergyman-whose-sands-of-life-have-nearly-run-out sort, and

netted bead purses for the Select Home for Poor Gentlemen's Daughters.

Josephine let down her back hair dowdily, partook recklessly of poetry

and pickles, read inordinately in bed,--leaning all night on her

elbow,--and was threatened with spinal curvature and spiritualism.

Adelaide set invisible little traps in every nook and cranny, every

cupboard and drawer, from basement to attic, and with a cheerful,

innocent smile sat watching them night and day. Madeline, fiercely

calm, warned off the others, with pale lips and flashing eyes and

bitter tongue, resenting _en famille_ the devilish endearments she so

sweetly suffered in company; but ever as she groped about in her soul's

blindness she felt for the central props of that house of Dagon.

All the good society of Hendrik said the Splurges were a charming

family, a most attached and happy family, lovely in their lives and in

death not to be divided, and that they looked sweetly in hoops. And yet

the Splurges had but few visitors; the young women of the neighborhood,

when they called there, left always an essential part of their true

selves behind them as they entered, and an ornamental part of their

reputations when they took their departure; nor were the young men

partial to the name,--for Josephine bored them, and Adelaide taunted

them, and Madeline snubbed them, and Mrs. Marmaduke pumped them, and

the combined family confounded them. Only Mr. Philip Withers was the

intimate and encouraged _habitué_ of the house.

Mr. Philip Withers was the very man for the looser principles of

Hendrik,--a fine gentleman's fine son, and his only one, who, by the

death of his father, had come, whilst he was yet very young, into a

pretty property in the neighborhood,--a sort of idyllic man of the

world, with considerable cleverness, a neat miscellaneous education,

handsome person, effective clothes, plausible address, mischievous

brilliancy of versatile talk, a deep voice, two or three

accomplishments best adapted to the atmosphere of sentimental women,

graceful self-possession, small feet, nice hands, striking attitudes, a

subduing smile, magnetic whisper, Machiavellian tact, and French

morals. He could sing you into tears, and dance you into love, and talk

you into wonder; when he drew, you begged for his portrait by himself,

and when he wrote, you solicited his autograph.

Mr. Philip Withers had taken his moustache to foreign parts, and done

the Continent sophisticatedly. He was well-read in cities, and had

brought home a budget of light, popular, and profusely illustrated

articles of talk on an equivocal variety of urban life, which he

prettily distributed among clovery pastorals, Wordsworthian ballads, De

Coverly entertainments, Crayon sketches, and Sparrowgrass Papers, for

the benefit of his country subscribers. From all of which you have no

doubt gathered by this time that Mr. Philip Withers was a graceful

scamp, and a friend of the Splurges,--who had money, which Mr. Philip

Withers had not; for he had been a munificent patron of elegant

pleasures abroad, and since his return had erected an addition to his

father's house in the shape of a pair of handsome mortgages, as a

proprietor of romantic tastes in architecture might flank his front

door with mediaeval donjons.

Mrs. Marmaduke made much of that good-looking and delightful Withers.

Though not a pious man, in the formal sense of the term, she felt sure

he was religious according to that stained-glass and fragrant religion

of the tastes which is an essential attribute of every gentleman,--that

is, of every well-born man of cultivated preferences and sensitive

antipathies,--and she had no doubt that gentlemen's souls could be

saved by that arrangement just as satisfactorily, and so much more

gracefully. She only wished, my dear, you could hear Mr. Withers

express himself on those subjects,--his ideas were so delightfully

"your deal, my love"--clear, his illustrations so sweetly pretty, and

his manner so earnest; really, he stirred her like--"hearts, did you

say?--a trump."

Josephine Splurge contented herself with letting down her back hair for

Mr. Withers and making eyes at him.

"Good-morrow to the guileless Genevieve!"--Withers delighted in

dispensing equivocal nothings to the dowdy Muse of the sofa and back

hair.--"Charming weather!"

"There, you bewildering Joseph Surface, you need not go on,--I know

what you are going to say, and I will neither be flattered nor

fascinated. Come, confess now, like a dear candid creature, throw off

your irresistibly bewitching mask, and own that your sentiments are all

rhetoric."

"Josy, dear," Adelaide would insinuate, "what a wonderful memory you

have!--so well managed, too! Now whom _did_ you hear say that?"

Josephine was wont to declare that the Admirable Crichton lived again

in that kaleidoscopic creature; but he was so dazzling, so bewildering,

so dangerous, that to converse with him was like having fireworks in

one's boudoir.

With Madeline Withers was on strange terms, if any terms at all. She

threatened to him in the middle of his best stories, smiled quietly

when he preached, yawned to his poetical recitations, left the room

when he sang, mistook the subjects of his sketches with a

verisimilitude of innocence that often deceived even himself, was

silent and sneered much whenever he was present. And all these

rudenesses she performed with a successful air of genuine abstraction;

they never failed of their intention by being overdone, or by being too

_directly_ directed at him.

Remarks seldom passed between these two; when they did, Withers spoke

always first, and Madeline replied briefly and with politeness. And yet

there were occasions when a sharp-sighted and suspicious observer might

have detected a strange discomposure in Madeline's conduct in the

presence of Withers,--when, indeed, she seemed to be laboring under

irritability, and proneness to singular excitement, which began with

his entrance and disappeared with his departure. At such times she

would break her haughty quiet with fierce sallies upon her sisters; but

Withers stung her back into silence with sharp and telling retorts,--as

you may have seen a practised beast-tamer in a cage flog an angry

tigress, when her eyes flashed, and her ears were set back, and she

unsheathed her horrid claws, and lashed her sides, and growled with all

the appalling fee-faw-fum of the jungle,--flog her back into her

corner, with nought more formidable than a lady's riding-whip, dainty,

slender, and sharp. But Withers administered the chastisement with such

devilish grace that it was unperceived, save by the quick, shrewd

Adelaide perhaps, who perceived everything,--but never _saw_, nor ever

spoke. If you could have beheld the lips and the eyes of Madeline, on

such occasions, you would have cursed this Philip Withers, or beaten

him to her feet.

Between Withers and Adelaide the relations were plainer; indeed, before

the small Splurge set they appeared as avowed lovers. Toward "Addy"

Withers was all elegant devotion and gracious gallantry, knight-like in

his chivalric and debonair devoir.

For Withers Addy was, openly, all deference and tenderly wistful

solicitude, but in secret not all security and exultation. Even while

it seemed high triumph in her heart's camp, her well-drilled eyes and

ears were still on guard, and her hidden thoughts lay upon their arms.

Still it wore the aspect of a lyric match, and the hearts of humbler

Hendrik lovers set it to music.

"For other guests," Withers seemed to say,

"I wile the hours with tale or song,

Or web of fancy, fringed with careless rhyme;

But how to find a fitting lay for thee,

Who hast the harmonies of every time?"

And Addy _looked_,

"Thou art to me most like a royal guest,

Whose travels bring him to some humble roof,

Where simple rustics spread their festal fare,

And, blushing, own it is not good enough.

"Bethink thee, then, whene'er thou com'st to me,

From high emprise and noble toil to rest,

My thoughts are weak and trivial, matched with thine,

But the poor mansion offers thee its best."

So Mrs. Marmaduke exalted her horn and exceedingly magnified her

manoeuvring office. On the strength of it, she treated herself to

profuse felicitations and fished among her neighbors for more.

The Atlantic Monthly, Volume 02, No. 12, October, 1858 A Magazine of Literature, Art, and Politics · 第 9 / 30 题