A GHOST GOING ITS ROUNDS.

It is nearly a month since the day of Clancy's death; still the

excitement caused by it, though to some extent subsided, has not died

out. Curiosity and speculation are kept alive by the fact of the body

not having been found. For it has not. Search has been made everywhere

for miles around. Field and forest, creeks, ponds, swamp, and river,

have all been traversed and interrogated, in vain. All have refused to

surrender up the dead.

That Clancy is dead no one has a doubt. To say nothing of the blood

spilt beside his abandoned hat and gun, with the other circumstances

attendant, there is testimony of a moral nature, to many quite as

convincing.

Alive he would long since have returned home, at thought of what his

mother must be suffering. He was just the man to do that, as all who

knew him are aware. Even wounded and crippled, if able to crawl, it

would be to the side of the only woman at such a crisis he should care

for.

Though it is now known that he cared for another, no one entertains a

thought of his having gone off after _her_. It would not be in keeping

with his character, any more than with the incidents and events that

have conspired to make the mystery. Days pass, and it still remains

one.

The sun rises and sets, without throwing any light upon it. Conjecture

can do nothing to clear it up; and search, over and over unsuccessful,

is at length abandoned.

If people still speculate upon how the body of the murdered man has been

disposed of, there is no speculation as to who was his murderer, or how

the latter made escape.

The treason of the jail-keeper explains this--itself accounted for by

Ephraim Darke having on the previous day paid a visit to his son in the

cell, and left with him a key that ere now has opened many a prison

door. Joe Harkness, a weak-witted fellow, long suspected of

faithlessness, was not the man to resist the temptation with which his

palm had been touched.

Since that day some changes have taken place in the settlement. The

plantation late Armstrong's has passed into the hands of a new

proprietor--Darke having disposed of it--while the cottage of the

Clancys, now ownerless, stays untenanted. Unfurnished too: for the

bailiff has been there, and a bill of sale, which covered its scant

plenishing, farm-stock, implements and utensils, has swept all away.

For a single day there was a stir about the place, with noise

corresponding, when the chattels were being disposed of by public

auction. Then the household gods of the decayed Irish gentleman were

knocked down to the highest bidder, and scattered throughout the

district. Rare books, pictures, and other articles, telling of refined

taste, with some slight remnants of _bijouterie_, were carried off to

log-cabins, there to be esteemed in proportion to the prices paid for

them. In fine, the Clancy cottage, stripped of everything, has been

left untenanted. Lone as to the situation in which it stands, it is yet

lonelier in its desolation. Even the dog, that did such service in

pointing out the criminality of him who caused all the ruin, no longer

guards its enclosures, or cheers them with his familiar bark. The

faithful animal, adopted by Simeon Woodley, has found a home in the

cabin of the hunter.

It is midnight; an hour still and voiceless in Northern climes, but not

so in the Southern. Far from it in the State of Mississippi. There the

sun's excessive heat keeps Nature alert and alive, even at night, and in

days of December.

Though night, it is not December, but a date nearer Spring. February is

written on the heading of letters, and this, a Spring month on the Lower

Mississippi, has commenced making its imprint on the forest trees.

Their buds have already burst, some showing leaves fully expanded,

others of still earlier habit bedecked with blossoms. Birds, too,

awaking from a short winter's silence, pour forth their amorous lays,

filling glade and grove with music, that does not end with the day; for

the mock-bird, taking up the strain, carries it on through the hours of

night; so well counterfeiting the notes of his fellow-songsters, one

might fancy them awake--still singing.

Not so melodious are other voices disturbing the stillness of the

Southern night. Quite the opposite are the croaking of frogs, the

screeching of owls, the jerking call of tree-crickets, and the bellowing

of the alligator. Still, the ear accustomed to such sounds is not

jarred by them. They are but the bass notes, needed to complete the

symphony of Nature's concert.

In the midst of this melange,--the hour, as already stated, midnight--a

man, or something bearing man's semblance, is seen gliding along the

edge of the cypress swamp, not far from the place where Charles Clancy

fell.

After skirting the mud-flat for a time, the figure--whether ghost or

human--turns face toward the tract of lighter woodland, extending

between the thick timber and cleared ground of the plantations.

Having traversed this, the nocturnal wayfarer comes within sight of the

deserted cottage, late occupied by the Clancys.

The moonlight, falling upon his face, shows it to be white. Also, that

his cheeks are pallid, with eyes hollow and sunken, as from sickness--

some malady long-endured, and not yet cured. As he strides over fallen

logs, or climbs fences stretching athwart his course, his tottering step

tells of a frame enfeebled.

When at length clear of the woods, and within sight of the untenanted

dwelling, he stops, and for a time remains contemplating it. That he is

aware of its being unoccupied is evident, from the glance with which he

regards it.

His familiarity with the place is equally evident. On entering the

cottage grounds, which he soon after does, through, some shrubbery at

the back, he takes the path leading up to the house, without appearing

to have any doubt about its being the right one.

For all this he makes approach with caution, looking suspiciously

around--either actually afraid, or not desiring to be observed.

There is little likelihood of his being so. At that hour all in the

settlement should be asleep. The house stands remote, more than a mile

from its nearest neighbour. It is empty; has been stripped of its

furniture, of everything. What should any one be doing there?

What is _he_ doing there? A question which would suggest itself to one

seeing him; with interest added on making note of his movements.

There is no one to do either; and he continues on to the house, making

for its back door, where there is a porch, as also a covered way,

leading to a log-cabin--the kitchen.

Even as within the porch, he tries the handle of the door which at a

touch goes open. There is no lock, or if there was, it has not been

thought worth while to turn the key in it. There are no burglars in the

backwoods. If there were, nothing in that house need tempt them.

Its nocturnal visitor enters under its roof. The ring of his footsteps,

though he still treads cautiously, gives out a sad, solemn sound. It is

in unison with the sighs that come, deep-drawn, from his breast; at

times so sonorous as to be audible all over the house.

He passes from room to room. There are not many--only five of them. In

each he remains a few moments, gazing dismally around. But in one--that

which was the widow's sleeping chamber--he tarries a longer time;

regarding a particular spot--the place formerly occupied by a bed. Then

a sigh, louder than any that has preceded it, succeeded by the words,

low-muttered:--

"There she must have breathed her last!"

After this speech, more sighing, accompanied by still surer signs of

sorrow--sobs and weeping. As the moonbeams, pouring in through the open

window, fall upon his face, their pale silvery light sparkles upon

tears, streaming from hollow eyes, chasing one another down emaciated

cheeks.

After surrendering himself some minutes to what appears a very agony of

grief, he turns out of the sleeping chamber; passes through the narrow

hall-way; and on into the porch. Not now the back one, but that facing

front to the road.

On the other side of this is an open tract of ground, half cleared, half

woodland; the former sterile, the latter scraggy. It seems to belong to

no one, as if not worth claiming, or cultivating. It has been, in fact,

an appanage of Colonel Armstrong's estate, who had granted it to the

public as the site for a schoolhouse, and a common burying-ground--free

to all desiring to be instructed, or needing to be interred. The

schoolhouse has disappeared, but the cemetery is still there--only

distinguishable from the surrounding _terrain_ by some oblong

elevations, having the well-known configuration of graves. There are in

all about a score of them; some having a plain head-board--a piece of

painted plank, with letters rudely limned, recording the name and age of

him or her resting underneath.

Time and the weather have turned most of them greyish, with dates

decayed, and names scarcely legible. But there is one upon which the

paint shows fresh and white; in the clear moonlight gleaming like a

meteor.

He who has explored the deserted dwelling, stands for a while with eyes

directed on this recently erected memorial. Then, stepping down from

the porch, he passes through the wicket-gate; crosses the road; and goes

straight towards it, as though a hand beckoned him thither.

When close up, he sees it to be by a grave upon which the herbage has

not yet grown.

The night is a cold one--chill for that Southern clime. The dew upon

the withered grass of the grave turf is almost congealed into hoar

frost, adding to its ghostly aspect.

The lettering upon the head-board is in shadow, the moon being on the

opposite side.

But stooping forward, so as to bring his eyes close to the slab, he is

enabled to decipher the inscription.

It is the simplest form of memento--only a name, with the date of

death--

"Caroline Clancy,

Died January 18--"

After reading it, a fresh sob bursts from his bosom, new tears start

from his eyes, and he flings himself down upon the grave. Disregarding

the dew, thinking nought of the night's dullness, he stretches his arms

over the cold turf, embracing it as though it were the warm body of one

beloved!

For several minutes he remains in this attitude. Then, suddenly rising

erect, as if impelled by some strong purpose, there comes from his lips,

poured forth in wild passionate accent, the speeches:--

"Mother! dear mother! I am still living! I am here! And you, dead!

No more to know--no more hear me! O God!"

They are the words of one frantic with grief, scarce knowing what he

says.

Presently, sober reason seems to assert itself, and he again resumes

speech; but now with voice, expression of features, attitude, everything

so changed, that no one, seeing him the moment before, would believe it

the same man.

Upon his countenance sternness has replaced sorrow; the soft lines have

become rigid; the melancholy glance is gone, replaced by one that tells

of determination--of vengeance.

Once more he glances down at the grave; then up to the sky, till the

moon, coursing across high heaven, falls full upon his face. With his

body slightly leaning backward, the arms along his sides, stiffly

extended, the hands closed in convulsive clutch, he cries out:--

"By the heavens above--by the shade of my murdered mother, who lies

beneath--I swear not to know rest, never more seek contentment, till

I've punished her murderer! Night and day--through summer and winter--

shall I search for him. Yes; search till I've found and chastised this

man, this monster, who has brought blight on me, death to my mother, and

desolation to our house! Ah! think not you can escape me! Texas,

whither I know you have gone, will not be large enough to hold, nor its

wilderness wide enough to screen you from my vengeance. If not found

there, I shall follow you to the end of the earth--to the end of the

earth, Richard Darke!"

"Charley Clancy!"

He turns as if a shot had struck him. He sees a man standing within six

paces of the spot.

"Sime Woodsy!"

The Death Shot: A Story Retold · 第 90 / 210 题