CHAPTER IV.

RAGNAROK

THERE is in the legends of the Scandinavians a marvelous record of

the coming of the Comet. It has been repeated generation after

generation, translated into all languages, commented on, criticised,

but never understood. It has been regarded as a wild, unmeaning

rhapsody of words, or as a premonition of some future earth

catastrophe.

But look at it!

The very name is significant. According to Professor Anderson's

etymology of the word, it means "the darkness of the gods"; from

_regin_, gods, and _rökr_, darkness; but it may, more properly, be

derived from the Icelandic, Danish, and Swedish _regn_, a rain, and

_rök_, smoke, or dust; and it may mean the rain of dust, for the clay

came first as dust; it is described in some Indian legends as ashes.

First, there is, as in the tradition of the Druids, page 135, _ante_,

the story of an age of crime.

The Vala looks upon the world, and, as the "Elder Edda" tells us--

There saw she wade

In the heavy streams,

Men--foul murderers

And perjurers,

And them who others' wives

Seduce to sin.

Brothers slay brothers

Sisters' children

Shed each other's blood. {p. 142}

Hard is the world!

Sensual sin grows huge.

There are sword-ages, axe-ages;

Shields are cleft in twain;

Storm-ages, murder ages;

Till the world falls dead,

And men no longer spare

Or pity one another."[1]

The world has ripened for destruction; and "Ragnarok," the darkness

of the gods, or the rain of dust and ashes, comes to complete the

work.

The whole story is told with the utmost detail, and we shall see that

it agrees, in almost every particular, with what reason assures us

must have happened.

"There are three winters," or years, "during which great wars rage

over the world." Mankind has reached a climax of wickedness.

Doubtless it is, as now, highly civilized in some regions, while

still barbarian in others.

"Then happens that which will seem a great miracle: that _the wolf

devours the sun_, and this will seem a great loss."

That is, the Comet strikes the sun, or approaches so close to it that

it seems to do so.

"The other wolf devours the moon, and this, too, will cause great

mischief."

We have seen that the comets often come in couples or triplets.

"The stars shall be hurled from heaven."

This refers to the blazing _débris_ of the Comet falling to the earth.

"Then it shall come to pass that the earth will shake so violently

that trees will be torn up by the roots, the

[1. Anderson, "Norse Mythology," p. 416.]

{p. 143}

mountains will topple down, and all bonds and fetters will be broken

and snapped."

Chaos has come again. How closely does all this agree with Hesiod's

description of the shaking earth and the universal conflict of nature?

"The Fenris-wolf gets loose."

This, we shall see, is the name of one of the comets.

"_The sea rushes over the earth_, for the Midgard-serpent writhes in

giant rage, and seeks to gain the land."

The Midgard-serpent is the name of another comet; it strives to reach

the earth; its proximity disturbs the oceans. And then follows an

inexplicable piece of mythology:

"The ship that is called Naglfar also becomes loose. It is made of

the nails of dead men; wherefore it is worth warning that, when a man

dies with unpared nails, he supplies a large amount of materials for

the building of this ship, which both gods and men wish may be

finished as late as possible. But in this flood Naglfar gets afloat.

The giant Hrym is its steersman.

"The Fenris-wolf advances with wide-open mouth; _the upper jaw

reaches to heaven and the lower jaw is on the earth_."

That is to say, the comet extends from the earth to the sun.

"He would open it still wider had he room."

That is to say, the space between the sun and earth is not great

enough; the tail of the comet reaches even beyond the earth.

"_Fire flashes from his eyes and nostrils_."

A recent writer says:

"When bright comets happen to come very near to the sun, and are

subjected to close observation under the

{p. 144}

advantages which the fine telescopes of the present day afford, a

series of remarkable changes is found to take place in their luminous

configuration. First, _jets of bright light start out from the

nucleus_, and move through the fainter haze of the coma toward the

sun; and then these jets are turned backward round the edge of the

coma, and stream from it, behind the comet, until they are fashioned

into a tail."[1]

"The Midgard-serpent vomits forth _venom_, defiling all the air and

the sea; he is very terrible, and places himself _side by side with

the wolf_."

The two comets move together, like Biela's two fragments; and they

give out poison--the carbureted-hydrogen gas revealed by the

spectroscope.

"In the midst of this clash and din the heavens are rent in twain,

and the sons of Muspelheim come riding through the opening."

Muspelheim, according to Professor Anderson,[2] means the day of

judgment." _Muspel_ signifies an abode of fire, peopled by fiends. So

that this passage means, that the heavens are split open, or appear

to be, by the great shining comet, or comets, striking the earth; it

is a world of fire; it is the Day of Judgment.

"Surt rides first, and before him and after _him flames burning

fire_."

Surt is a demon associated with the comet;[3] he is the same as the

destructive god of the Egyptian mythology, Set, who destroys the sun.

It may mean the blazing nucleus of the comet.

"He has a very good sword that shines brighter than the sun. As they

ride over Bifrost it breaks to pieces, as has before been stated."

[1. "Edinburgh Review," October, 1874, p. 207.

2. "Norse Mythology," p. 454.

3. Ibid., p. 458.]

{p. 145}

Bifrost, we shall have reason to see hereafter, was a prolongation of

land westward from Europe, which connected the British Islands with

the island-home of the gods, or the godlike race of men.

There are geological proofs that such a land once existed. A writer,

Thomas Butler Gunn, in a recent number of an English publication,[1]

says:

"Tennyson's 'Voyage of Maeldune' is a magnificent allegorical

expansion of this idea; and the laureate has also finely commemorated

the old belief in the country of Lyonnesse, _extending beyond the

bounds_ of Cornwall:

'A land of old upheaven from the abyss

By fire, _to sink into the abyss again_;

Where fragments of forgotten peoples dwelt,

And the long mountains ended in a coast

Of ever-shifting sands, and far away

The phantom circle of a moaning sea.'

"Cornishmen of the last generation used to tell stories of strange

household relics picked up at the very low tides, nay, even of the

quaint habitations seen fathoms deep in the water."

There are those who believe that these Scandinavian Eddas came, in

the first instance, from Druidical Briton sources.

The Edda may be interpreted to mean that the Comet strikes the planet

west of Europe, and crushes down some land in that quarter, called

"the bridge of Bifrost."

Then follows a mighty battle between the gods and the Comet. It can

have, of course, but one termination; but it will recur again and

again in the legends of different nations. It was necessary that the

gods, the protectors of mankind, should struggle to defend them

against these strange and terrible enemies. But their very

helplessness

[1. "All the Year Round."]

{p. 146}

and their deaths show how immense was the calamity which had befallen

the world.

The Edda continues:

"The sons of Muspel direct their course to the plain which is called

Vigrid. Thither repair also the Fenris-wolf and the Midgard-serpent."

Both the comets have fallen on the earth.

"To this place have also come Loke" (the evil genius of the Norse

mythology) "and Hrym, and with him all the Frost giants. In Loke's

company are all the friends of Hel" (the goddess of death). "The sons

of Muspel have then their efficient bands alone by themselves. The

plain Vigrid is one hundred miles (rasts) on each side."

That is to say, all these evil forces, the comets, the fire, the

devil, and death, have taken possession of the great plain, the heart

of the civilized land. The scene is located in this spot, because

probably it was from this spot the legends were afterward dispersed

to all the world.

It is necessary for the defenders of mankind to rouse themselves.

There is no time to be lost, and, accordingly, we learn--

"While these things are happening, Heimdal" (he was the guardian of

the Bifrost-bridge) "stands up, blows with all his might in the

Gjallar-horn and _awakens all the gods_, who thereupon hold counsel.

Odin rides to Mimer's well to ask advice of Mimer for himself and his

folk.

"Then quivers the ash Ygdrasil, and all things in heaven and earth

tremble."

The ash Ygdrasil is the tree-of-life; the tree of the ancient

tree-worship; the tree which stands on the top of the pyramid in the

island-birth place of the Aztec race; the tree referred to in the

Hindoo legends.

"The asas" (the godlike men) "and the einherjes" (the heroes) "arm

themselves and speed forth to the battlefield. Odin rides first; with

his golden helmet, resplendent

{p. 147}

byrnie, and his spear Gungner, he advances against the Fenris-wolf"

(the first comet). "Thor stands by his side, but can give him no

assistance, for he has his hands full in his struggle with the

Midgard-serpent" (the second comet). "Frey encounters Surt, and heavy

blows are exchanged ere Frey falls. The cause of his death is that he

has not that good sword which he gave to Skirner. Even the dog Garm,"

(another comet), "that was bound before the Gnipa-cave, gets loose.

He is the greatest plague. He contends with Tyr, and they kill each

other. Thor gets great renown by slaying the Midgard-serpent, but

retreats only nine paces when he falls to the earth dead, _poisoned

by the venom that the serpent blows upon him_."

He has breathed the carbureted-hydrogen gas!

"The wolf swallows Odin, and thus causes his death; but Vidar

immediately turns and rushes at the wolf, placing one foot on his

nether jaw.

["On this foot he has the shoe, for which materials have been

gathering through all ages, namely, the strips of leather which men

cut off from the toes and heels of shoes; wherefore he who wishes to

render assistance to the asas must cast these strips away."]

This last paragraph, like that concerning the ship Naglfar, is

probably the interpolation of some later age. The narrative continues:

"With one hand Vidar seizes the upper jaw of the wolf, and thus rends

asunder his mouth. Thus the wolf perishes. Loke fights with Heimdal,

and they kill each other. _Thereupon Surt flings fire over the earth,

and burns up all the world_."

This narrative is from the Younger Edda. The Elder Edda is to the

same purpose, but there are more allusions to the effect of the

catastrophe on the earth

The eagle screams,

_And with pale beak tears corpses_. . . .

Mountains dash together, {p. 148}

Heroes go the way to Hel,

And heaven is rent in twain. . . .

_All men abandon their homesteads_

When the warder of Midgard

In wrath slays the serpent.

_The sun grows dark,

The earth sinks into the sea_,

The bright stars

From heaven vanish;

_Fire rages,

Heat blazes,

And high flames play

'Gainst heaven itself_"

And what follow then? Ice and cold and winter. For although these

things come first in the narrative of the Edda, yet we are told that

"_before these_" things, to wit, the cold winters, there occurred the

wickedness of the world, and the wolves and the serpent made their

appearance. So that the events transpired in the order in which I

have given them.

"First there is a winter called the Fimbul winter,"

"The mighty, the great, the iron winter,"[1]

"'_When snow drives from. all quarters_, the frosts are so severe,

the winds so keen, there is no joy in the sun. _There are three such

winters in succession, without any intervening summer_."

Here we have the Glacial period which followed the Drift. Three years

of incessant wind, and snow, and intense cold.

The Elder Edda says, speaking of the Fenris-wolf:

"It feeds on the bodies

Of men, when they die

The seats of the gods

_It stains with red blood_."

[1. "Norse Mythology," p. 444.]

{p. 149}

This probably refers to the iron-stained red clay cast down by the

Comet over a large part of the earth; the "seats of the gods" means

the home of the god-like race, which was doubtless covered, like

Europe and America, with red clay; the waters which ran from it must

have been the color of blood.

"_The Sunshine blackens_

In the summers thereafter,

And the weather grows bad."

In the Younger Edda (p. 57) we are given a still more precise

description of the Ice age:

"Replied Har, explaining, that as soon as the streams, that are

called Elivogs" (the rivers from under ice), "had came so far that

the venomous yeast" (the clay?) "which flowed with them hardened, as

does dross that runs from the fire, then it turned" (as) "into ice.

And when this ice stopped and flowed no more, then gathered over it

the drizzling rain that arose from the venom" (the clay), "and froze

into rime" (ice), "_and one layer of ice was laid upon another clear

into the Ginungagap_."

Ginungagap, we are told,[1] was the name applied in the eleventh

century by the Northmen to the ocean between Greenland and Vinland,

or America. It doubtless meant originally the whole of the Atlantic

Ocean. The clay, when it first fell, was probably full of chemical

elements, which rendered it, and the waters which filtered through

it, unfit for human use; clay waters are, to this day, the worst in

the world.

"Then said Jafnhar: 'All that part of Ginungagap that turns to the

north' (the north Atlantic) 'was filled with thick and heavy ice and

rime, and everywhere within were drizzling rains and gusts. But the

south part of Ginungagap was lighted up by the glowing sparks that

flew out of Muspelheim.'"

[1. "Norse Mythology," p. 447.]

{p. 150}

The ice and rime to the north represent the age of ice and snow.

Muspelheim was the torrid country of the south, over which the clouds

could not yet form in consequence of the heat--Africa.

But it can not last forever. The clouds disappear; the floods find

their way back to the ocean; nature begins to decorate once more the

scarred and crushed face of the world. But where is the human race?

The "Younger Edda" tells us:

"During the conflagration caused by Surt's fire, a woman by the name

of Lif and a man named Lifthraser lie concealed in Hodmimer's hold,

or forest. The dew of the dawn serves them for food, and so great a

race shall spring from them, that their descendants shall soon spread

over the whole earth."[1]

The "Elder Edda" says:

"Lif and Lifthraser

Will lie hid

In Hodmimer's-holt;

The morning dew

They have for food.

From them are the races descended."

Holt is a grove, or forest, or hold; it was probably a cave. We shall

see that nearly all the legends refer to the caves in which mankind

escaped from destruction.

This statement,

"From them are the races descended,"

shows that this is not prophecy, but history; it refers to the past,

not to the future; it describes not a Day of Judgment to come, but

one that has already fallen on the human family.

Two others, of the godlike race, also escaped in some

[1. "Norse Mythology" p. 429.]

{p. 151}

way not indicated; Vidar and Vale are their names. They, too, had

probably taken refuge in some cavern.

"Neither the sea nor Surt's fire had harmed them, and they dwell on

the plains of Ida, where Asgard _was before_. Thither come also the

sons of Thor, Mode, and Magne, and they have Mjolner. _Then come

Balder and Hoder from Hel_.

Mode and Magne are children of Thor; they belong to the godlike race.

They, too, have escaped. Mjolner is Thor's hammer. Balder is the Sun;

he has returned from the abode of death, to which the comet consigned

him. Hoder is the Night.

All this means that the fragments and remnants of humanity reassemble

on the plain of Ida--the plain of Vigrid--where the battle was

fought. They possess the works of the old civilization, represented

by Thor's hammer; and the day and night once more return after the

long midnight blackness.

And the Vala looks again upon a renewed and rejuvenated world:

"She sees arise

The second time.

From the sea, the earth,

_Completely green_.

The cascades fall,

The eagle soars,

From lofty mounts

Pursues its prey."

It is once more the glorious, the sun-lighted world the world of

flashing seas, dancing streams, and green leaves; with the eagle,

high above it all,

"Batting the sunny ceiling of the globe

With his dark wings;"

while

"The wild cataracts leap in glory."

{p. 152}

What history, what poetry, what beauty, what inestimable pictures of

an infinite past have lain hidden away in these Sagas--the despised

heritage of all the blue-eyed, light-haired races of the world!

Rome and Greece can not parallel this marvelous story:

The gods convene

On Ida's plains,

And talk of the powerful

Midgard-serpent;

They call to mind

The Fenris-wolf

And the ancient runes

Of the mighty Odin."

What else can mankind think of, or dream of, or talk of for the next

thousand years but this awful, this unparalleled calamity through

which the race has passed?

A long-subsequent but most ancient and cultivated people, whose

memory has, for us, almost faded from the earth, will thereafter

embalm the great drama in legends, myths, prayers, poems, and sagas;

fragments of which are found to-day dispersed through all literatures

in all lands; some of them, as we shall see, having found their way

even into the very Bible revered alike of Jew and Christian:

The Edda continues,

"Then again

The wonderful Golden tablets

Are found in the grass

In time's morning,

The leader of the gods

And Odin's race

Possessed them."

And what a find was that! This poor remnant of humanity discovers

"the golden tablets" of the former

{p. 153}

civilization. Doubtless, the inscribed tablets, by which the art of

writing survived to the race; for what would tablets be without

inscriptions? For they talk of "the ancient runes of mighty Odin,"

that is, of the runic letters, the alphabetical writing. And we shall

see hereafter that this view is confirmed from other sources.

There follows a happy age:

"The fields unsown

Yield their growth;

All ills cease.

Balder comes.

Hoder and Balder,

Those heavenly gods,

Dwell together in Odin's halls."

The great catastrophe is past. Man is saved, The world is once more

fair. The sun shines again in heaven. Night and day follow each other

in endless revolution around the happy globe. Ragnarok is past.

{p. 154}

Ragnarok : the Age of Fire and Gravel · 第 4 / 14 章