When Paul Morphy plays seven games of chess at once and blindfold, when
young Colburn gives _impromptu_ solution to a mathematical problem
involving fifty-six figures, we are struck with hopeless wonder: such
power is separated by the very extent of it from our mental operations.
But when we further observe that these feats are attended by little or
no fatigue,--that this is the play, not the tension of faculty, we
recognize a new kind, not merely a new degree, of intelligence. These
men seem to leap, not labor step by step, to their results. Colburn sees
the complication of values, Morphy that of moves, as we see the relation
of two and two. What is multiform and puzzling to us is simple to them,
as the universe lies rounded and is one thought in the Original Mind. We
seek in vain for the secret of this mastery. It is private,--as deeply
hidden from those who have as from those who have it not. They cannot
think otherwise than so, and to this exercise have been provoked by
every influence in life. The boy who is an organized arithmetic and
geometry will count all the hills of potatoes and reckon the kernels of
corn in a bushel, and his triangles soon begin to cover the barn-door.
He sees nothing but number and dimension; he feeds on these, another
fellow on apples and nuts. But his brother loves application of force,
builds wheels and mills; his head is full of cogs and levers and
eccentrics; and after he has gone out to his engineering in the great
machine-shop of a modern world, the old corn-chamber at home is lumbered
with his mysterious contrivances, studies for a self-impelling or
gravitating machine and perpetual motion. Another boy is fired with the
mystery of form. He will draw the cat and dog; his chalk and charcoal
are on all our elbows; he carves a ram's head on his bat, an eagle on a
walking-stick, perches a cock on top of the barn, puts an eye and a nose
to every triangle of the geometer, and paints faces on the wheels of his
mechanical brother. In all these boys there is something more than
ability; there is propensity, an attraction irresistible. Their minds
run, we say, in that direction, and they creep or lie still, if turned
in another. The young shepherd will toss eggs, spin platters, and
balance knives, year after year, in solitude, with a patient energy and
endurance able to command any fortune.
What philter is in these faculties? The boy who will be great is always
discontented with his work, ready to rub out and begin again. He follows
a bee, and never quite touches that which drew him on. Plainly, the mere
ability to do is a dry straw, but through it our seeker tastes an
intoxicating, seductive liquor, from which he cannot take away his lips.
It is the liquor of our life. In measure, or form, or tone, he applies
himself to the very breasts of Nature, and draws through these exteriors
a motherly milk which was her blood and hastens to be his own. If the
young cub holds fast to the teat, be sure the stream flows and his veins
swell. Matter is the dry rind of this succulent, nutritious universe:
prick it on any side, and you draw the same juice. Varieties of
endowment are only so many pitchers dipped in one stream. Poet, painter,
musician, mathematician, the gift is an accident of organization, the
result is admission to that by which all things are, and by partaking
which we become what we must be.
Of this experience there can be no adequate report. It is as though one
should attempt to go up in a balloon above the atmosphere and bring down
the ether in his hands. There is a spring on every door in Nature to
close it behind the returning footsteps of her lover, so that he can
lead no man freely into the chamber where she gave him love; it is only
by the confidence, fervency, and reverence of the initiate that we learn
in what presence he has been. Genius is great, but no product of genius
is more than a shadow which points to this sun behind the sun as its
substance, and the power of our inspired men has been merely manifested,
not rightly employed. Genius has availed only to authenticate itself as
the normal activity of man, not yet to do the work of the world.
Sense is a tangle of contradiction. The boy throws wood on water and it
floats; then he throws in his new knife and it sinks. How was he to know
that the same force will lift a stick and swallow a knife? He throws a
feather after his knife, and away it swims on the wind. That is another
brook, then, in which the feather is a stick and the stick a stone. Not
only are results of a single law opposed, but the laws pull one this
way, one that, as gravitation contends with currents of water and air.
If we could be shut in sense and surface, Nature would seem a game of
cross-purposes, every creature devouring another. The beast eats plant
and beast; he dies, and the plant eats him again; fire, water, and
frost, in their old quarrel, destroy whatever they build; the night eats
the day, summer the snow, and winter the green. Change is a revolving
wheel, in which so many spokes rise, so many fall, a motion returning
into itself. Nature is a circle, but man a spiral. No wonder he is
dissatisfied, with his longing to get on. Eating and hunger, labor and
rest, gathering and spending, there is no gain. Life is consumed in
getting a living. After laborious years our money is ready in bank, but
the man who was to enjoy it is gone from enjoyment, shrivelled with
care, every appetite dried up. So learning devastates the scholar, is
another plague of wealth, and our goodness turns out to be a hasty
mistake. Is order disorder, then? Are we fools of fate? Is there only
power enough to prop up this rickety old system, to keep it running and
hold our noses to the grindstone? No man believes it: the madness of
Time has method only half concealed.
See what eagerness is in the eyes of men, curious, hopeful, dimly aware
of beneficence under all these knocks and denials. There are whispers of
a great destiny for man,--that he is dear to the Cause. We suspect
integrity in Nature. Can this canebrake, in which we are tangled with
care, fear, and sin, be after all single and sincere, a piece of
intelligent kindness? Genius is the opening of this suspicion to
certainty. We are like children who recognize the love which gives them
sugar-plums, but not that which shuts the bag and forbids. Insight goes
deep enough to prize all severity and detect the good of evil.
Trade seems contemptible to Wilhelm Meister, but, in its larger aspect,
sublime to Werner, who sees it as an exploration and possession of
Nature with friendly interchange between man and man. Trade is
democracy. Authority is hateful to democrats; but Carlyle can justify
loyalty, and show how obedience to the hero may be fidelity to myself.
Every experience needs its interpreter, one who can show its derivation
from an absolute centre. The mob of the French Revolution is a crowd of
devils till their poet arrives and restores these maniacs to manhood.
They are misguided brothers, doing what we should do in their place.
Genius in every situation takes hold on reality, a tap-root going down
to the source. Equilibrium appears in a staggering as well as a standing
figure, and is perfectly restored in every fall. The landscape seen in
detail is broken and ragged,--here a raw sand-bank, there a crooked
butternut-tree, yonder a stiff black cedar: but look with a larger eye;
the straight is complement to the crooked tree, color balances color,
form corrects form, and the entire effect of every scene is
completeness. The artist restores this harmony broken by our microscopic
view. Music is a shattering and suspension of chords till we ache for
their resolution; and the music of life is desire, a diminished seventh
that melts the past and ruins the present to prepare a future in another
key.
Genius sees that many an exception is fruit of some larger law, is not
imperfection, but uncomprehended perfection. Is there, then, no
imperfection? We are haunted by such a thought. We see first a mixed
beauty in faces, partly life and partly organization; the body is never
symmetrical, deformity is the rule. But beauty will not be measured by
form; the body cannot long occupy good eyes; we begin to look through
that, and encounter some courage, generosity, or tenderness, a dawning
or dominant light in every countenance. This is our morning, and the
physical form only a low shore over which it breaks. Beauty is the rule,
exceptions melt away. There is no face in which Raphael cannot see more
than I see in any face; the dullest landscape is to Turner a fairer
vision than I can find in the world; Byron in his blackguards shows a
kind of magnanimity which refreshes the victims of respectability and
routine. The individuality of men is deformity, a departure from the
human type; yet this fault makes each necessary to each, founds society,
love, and friendship. So wherever a break appears in the plan, we
anticipate a larger purpose, and sound down through the water, certain
to find under that also a continuation of land. Genius first named our
system a universe to mark its consistency, and goes on reconciling,
showing how creatures and men are made of one stuff and that not so bad.
Let the thing be what it may, press on it a little with the mind, and
order begins to ooze. There is nothing on which we cannot feed with good
enough teeth and digestion, for the elements of meat are given also in
brick and bark. Natural objects are explored to their roots in man, and
through him in the Cause: each is what it is in kindness to him, has its
soul in his breast, grows out of him as truly as his hair, and the
out-world is only a larger body shaped by his needs. Each thing is a
passive man, and personification does no more than justice to the
joint-stool and the fence or whatever creature talks and suffers in
verse.
What is the meaning of my day and relations? I suspect an advantage
designed for me, but not yet extracted, in marriage and the family-life,
in books, in politics, in business, in the garden, in music. How much of
each, as I know them, is chaff? how much is life coming in from the deep
by these low doors? What is society? An eating and drinking together? a
bit of gossip? a volley of jokes? Do men meet in these exercises, or in
hope and humanity? We are all superior to amusement. The cowardly host
will entertain with fiddlers and cream; then every guest leaves his
high desire with his hat, leaves himself behind, and descends to
fiddlers and cream. But men rise to associate; in sinking they separate;
and the good host must call us up, not drag us down to his feast. Goethe
knows how to spread the table with portfolios, architecture, music,
drawing, tableaux; but a great love, with its inevitable thought, makes
even these solvents superfluous. Goethe studies the cemetery, the
chapel, the school, the gallery, the burial-service, the
estate,--whatever is nearest. He finds astonishing values in labor,
trade, production, art, science, war. In his boyhood he built an altar
with his playthings and burned incense to Deity on a pile of shells and
stones. That act of worship foreshadowed his whole career; he took every
creature and thing from God's hand with reverent expectation, and never
rested till he had opened to some intent of the Maker therein. Things,
therefore, in his view are no longer empty and hollow like old cast-off
shoes, but pieces of sublime design. A beetle is sustained by earth,
air, fire, and water, needs the sun and the sea, winter and summer,
earth's orbit and parallax, needs whatever has been made, to set him on
his legs. He carries the world in little, and is a creeping black body
of the best.
Much more man is microcosmic and macrocosmic. Natural and supernatural
meet concealedly in the out-world, but openly in him, and his early
desires grow into a future surpassing all desire. The poet sees his
destiny in our wishes,--sees right and wrong, kindness and greediness,
deepening into incalculable grandeurs of heaven and hell. He sees the
man never yet arrived, but now arriving, to inhabit each breast. "Far
off his coming" shines. We have many little gleams of generosity; we
have conviction, and can strike for the right. Nature is a fixed
quantity, a solid; but life is reinforced by life. Truth begets truth,
love kindles love, every end is a new beginning.
Therefore the perception of genius is prophetic,--an anticipation of
manhood for this boy, who is the King's son, child of Eternity, and only
changeling of Time. Wherever any magnanimity is revealed, I lay claim to
it. The courage of heroes, the purity of angels, the generosity of God,
is no more than I need. Only show virtue unmixed at the heart of this
system, and you open my destiny in that. If there be but the least spark
of pure benignity, it is a fire will spread through all and fill the
breast; for Good makes good, and what it is I must become. Man is heir
not to any possession or commodity, though it were a homestead in all
heavens, but to the moral power which we ache to exercise. To-day I am a
poor starveling of Nature, sucking many a dry straw, but so sure as God
I shall stream like the sun. The meanest creature is a promise of such
power, for in each is some radiation as well as suction. Man grows,
indeed, faster than he can be filled, and so is forever empty; but if
power is never a _plenum_, it is never drawn dry, and at least the
mantling foam of it fills the cup. Our expectation is that bead on the
draught of being, and boils over the brim.
Imagination is the spiritual sight, working upward from the fact,
downward from the law. In low experience it divines the tendency of
order, and descends on the other arc of this rainbow to construct the
world, and the man that must be. Imagination is the projection of each
beyond himself. A man shall not lift his meat to his lips without
prophecy and a consulting of this oracle: he shall first extend him to
think the savor and satisfaction of the meat. Shut into the horizon and
the moment, we have this only organ of communication with all that is
beyond; yet having here in rudiments and beginnings all that is beyond,
we laugh at the old limits, and explore the universe through every
dimension, through spaces beyond Space and times beyond Time.
If this old ball on which we are carried be no apple of Sodom, but sound
and sweet to the core, insight must be confidence and satisfaction. In
the beginning of thought we enjoy mere glimpses and guesses, our hopes
are rather wishes than hopes; we mount into flame when they come, we
sink into ashes when they burn out and desert us. The first glimmerings
only beget a noble discontent. Children are tired of matter before they
know where to seek their own power; they seem to be cheated of
themselves, their worthiness is unrecognized and unfed. Companions,
tasks, prospects are insufficient, they are bored and isolated, they
sigh and mope; yet they are proud of this lukewarm longing, which does
not quite avail, and keep diaries to record with protest the dulness of
every day. Sentimentality is initial genius. Its complaint seems to
contradict the cheerfulness of wisdom, yet it enjoys complaining; though
life be not worth having on these conditions, it bottles every tear. A
weak sadness fills great space in literature, stocks the circulating
library, and counts its Werthers by the thousand in every age. Now we
expect this malady, as we look for mumps and measles in the growing
child. It is feminine,--unwilling to be weak, yet not able to stand and
go. The strong quickly leave it behind.
In his first novel Goethe burned out for himself this girlish
green-sickness, and by a more vigorous demand began to take what he
wanted from the world. To the young, life seems splendid but
inaccessible. Its remoteness is the theme of every complaint; but when
these windy wishes grow stern, inexorable, when a man will no longer
beg, but gets on his feet to try a tussle with the world, he throws
resolute arms around the Greatest, and finds in his bosom all that was
so vast and so far.
Then we open paths, renew our society, enlarge our work, make elbow-room
and head-room enough in the world. Criticism is the shadow of the mind.
Insight is not sadness, but invigoration,--is no sob or spasm, but
clearness in the eye and calmness in the breast. We misjudge it from
partial examples: the light of day is confidence, yet sudden bursts of
light distress and blind. The poet is rapt, and follows thought; he
leaves his meat, and by some transubstantiation feeds on the wind; he no
longer sees the pillars of Hercules on a sixpence; he is mad for the
hour, if a majority shall say what is madness. Meanwhile his field is
unploughed; and if he falls from this ecstasy, look to see an harassed,
embittered man. The birds sing as they pick up the corn, but wisdom is
not so quickly convertible into meal, and if he cannot feed always on
it, let him never seek the Muse. Our poor half-genius vibrates miserably
between truth and the dinner-pot, comes back from his apocalypse, and
cries for admiration, gold-lace, hair-powder, and wine. That is no
apocalypse from which a man returns to whine and beg. Burns complains of
Scotland and poverty, Byron of England and respectability, and they are
both so far paupers unfed at home. Wordsworth finds London a wilderness,
and goes more than content to good company in lonely Cumberland, to eat
a crust and drink water with the gods. Socrates is barefooted. He has
one want so pressing that he can have no other want, and has set his
lips to a cup which hides his bare feet from his eyes: with a single
garment for winter and summer, he draws the universe around him a
garment for the mind.
If the first flashes of perception dazzle, they are rays of daylight to
one emerging from the cave of sense. The eye becomes wonted to truth,
and that is now the least of his convictions which yesterday struck Paul
from his horse, and rebuked him as fire from the sky. Truth is breath,
and only for the first uncertain moment of life we use it to cry and
complain. Inspiration is morning, not a flash to deepen the dark.
Popular literature is some description of a state which men think they
might enjoy: it is no record of joy. But the fool's paradise would be
dreary even for the fool; he is his own paradise, and will be. Our
early fancy is no transcript of the divine method, and is sternly
rejected by all who suspect a perfection hidden in the day. A few works
are great which celebrate the charm of actual effort, and the
furtherance of Nature for the brave. Homer, Shakspeare, Goethe, need
never exaggerate or leave the earth behind: in their experience it
carries well the sky. Every vital thought is some pleasure in running,
waking, loving, contending, helping,--is valor dealing gayly with the
homely old forces and needs. The marrow is sweet for him who can crack
it, in the roughest or the smoothest bone. One is born with a key to the
gladness of Nature, and glows with the day's work, the touch of hands,
the prospect of to-morrow,--love's production and husbandry, the old
worn grass and sunshine, the winter wind, the games and squabbles of
children and of men. Why is life for John weariness, for James every
moment fresh fire out of the sky? He who finds what he wants, or makes
what he wants, is a god. I know well the hope of saints and sages, how
they connect this life with endless stages beyond, how they look for the
same dignity in all action, the same motive in every companion; I see
what they have signified by heaven, a state wherein the best loved is
the best: but we must not be scornful, or miss to-day the common delight
of living, the moderate hopes of the healthy multitude. For no
exceptional joy is so wonderful as the universality of joy, the love of
life under every burden and stroke. The beginning of all beatitude and
ground of all is good digestion, good sleep, good-nature, and the cheer
undeniable of an average human day.
But genius hurries on to expand our hope and dread to incalculable
dimensions. Hell is its first sudden down-look from uncertain flight, is
earth and animalty seen from the sky. The bad neither so see nor fear.
Few men ever reach a height from which they can sound such depth, and
the popular talk is repetition without corresponding experience. Hope
and fear rise alike to sublimity before the boundless scope of our
future. Give the hour to folly, and you set back the dial-hand of
destiny, you are so much behind your privilege in every following hour.
Eternity is displaced by the stumbling present as the earth by a falling
pebble, and the act of this low morning is a stone cast in the sea of
universal Being, which shakes and shoulders every drop of the deep. The
immensity of the universe does not dwarf, but magnifies our activity:
man is multiplied into the sum of all. This deed, this breath dilates to
the proportions of Spirit, and upheaves the low roof of Time, which is
no sky for the soul. Life becomes awful by its reaches: its span from
zenith to nadir, by moral parallax. From gods we sound down to beasts
and devils, from sky and fire to ice and mud. Here are the true and
final spaces: in their startling contrast appears the grandeur of the
moral law, like Chimborazo carrying all zones. It offers hell and
heaven, advancing inevitable, and leaves us never a dodge from choice.
Our dodge is a choice. Man overtaken by inexorable need must do or go
under in the tread-mill of Fate. Not a fault, not a lack, but is so far
damnation, with consequences not to be set forth in any prospect of
fire. When you begin to look down, the fear of centuries seems not
exaggerated. The remedy is in looking so vigorously and far as to see,
beyond depth, again the sky and stars. Look through; for toward that
centre which is everywhere, we look. Hell was situated under the earth;
our first voyage teaches that there is no under-the-earth. The widening
of every path gives boundless dimension to sin, till we learn that the
evil impulse alone does not extend. It is soon exhausted both in
attraction and effect,--is no power, but some suspense of life.
The first moral perception is always a shudder. Carlyle sees the lifted
judgment of a lie; his eye is filled, and he sees nothing beyond; but
Nemesis is surgeon with probe and knife. Our poisons are medicines and
homoeopathic, the fumes of fear a remedy of sulphur for cutaneous sin.
The thought in which our terrors arrive is always at last a gospel, is
glad tidings. Dante, Paul, Swedenborg, Edwards have seen the pit. It
opens only in the holiness of such men,--is a thunder out of clear sky,
before which generations of the impure, like brute beasts, tremble and
cower. An equal moral genius will see that the ascension of an immortal
Love has left behind this vacuum, mitigated, not deepened, by the
furniture of devils and their flame. Men strive in vain to be afflicted
by a revelation of the best and worst. The mind is naturally a form of
gladness, and every window in us takes the sun. Our genuine trouble is
not extreme dread, but a perpetual restlessness and discontent.
The delight of contemplation has been in history a height without
sustaining breadth, a needle, not a cube. Genius has been tremulous,
recluse,--has been cherished in solitude with Nature,--has been a
feminine partiality among men, holding for gods its favorites, for dogs
the refuse of mankind. It still counts the practical life an
interruption. It is therefore only melancholy cheer, a forlorn ark with
nine souls on the brine, a refuge from the world, not a delight of the
world. It lives not from God who is, but from a God who should be. The
true creative power is a calm of battle, a trust not for the closet, but
the chariot, a torch that can be carried through the gusty market, a
Ramadhan in the street. It is no miracle to be calm in calm, to be quiet
in bed,--but to rule and lead without anxiety, to tame the beasts and
elements, to build and unbuild cities with a song. The great thought
returns on society, floods out the heaped rubbish of custom, pours the
old grandeurs of Nature through dry channels of Trade, Religion,
Courtesy, and Art. He is great who plays the game of life with decision,
yet is always retired, and holds the life of life in reserve. Such a man
is demiurgic, for he puts down a hand on action through the sky.
From a happy or sufficient genius came the golden maxim, "Think of
living." Strong men love life. The system, so cheery and severe, seems
to them worthy to be continued yonder and without end. This day leading
a better, itself good not leading alone,--this presentiment,--this solid
increment of hard-won power,--of what other stuff should our eternity be
woven? In wisdom first appears the present tense, an hour which is not
mere transition, but something for itself. There are men who live--to
live. He who finds our destiny given beforehand in the nature of things
has the leisure of God: he has not only all the time that is, but spaces
beyond, so that he will not be hurried by the falling-off of Time.
Leisure is a regard fixed not on the nearest trees and fences as we
whirl through this changing scene, but on remoter and larger objects, on
the slow-revolving circle of the far hills, on the quiet stars. Why
should I hasten with my foolish plan? Prosperity is over all, not in my
foolish plan. What is a fortune, a reputation,--what even genuine
influence, if you consider the future of one or of the race? Only little
aims bring care. Why run after success? That is success which follows:
success should be cosmic, a new creation, not any trick or feat. To be
man is the only success. For this we lie back grandly with total
application to the cause. Why run after knowledge? A large mind circles
all the primal facts from its own stand-point, and needs never tread the
curious round of science, history, and art. Where it is, is Nature:
therefore it is calm and free. The wise men of my knowledge were
farmers, drovers, traders, learned beyond the book. You cannot feed but
you put me in communication with all forests, fields, streams, seas.
Give me one companion, and between us two is quickly repeated the
history of the race. In a plant, an animal, a day or year, in elements,
their feuds and fruitful marriages, in a private or public history, the
thinker is admitted to the end of thought. A scholar can add nothing to
my perfect wonder, though he bring Egypt, Assyria, and Greece. I find
myself where I was, in Egypt, Assyria, and Greece: I find the old
earth, the old sky, the old astonishment of man. Cæsar and the
grasshopper, both are alike within my knowledge and beyond. There is
some vague report of a remote divine, at which he will smile who finds
no least escape from the divine. Two points are given in every regard,
man and the world, subject, we say, and object, a creature seen and a
creature seeing, marvelling, knowing, ignorant. Either of these openings
will lead quickly to light too pure for our organs, and launch us on the
sea beyond every shore. The artist studies a fair face; there is no
supplement to his delight. In temples, statues, pictures, poems,
symphonies, and actions, only the same eternal splendor shines. It is
the sun which lights all lands,--"that planet," as Dante sings,
"Which leads men straight on every road."
He is delivered there at home to Beauty, which makes and is the world.
Genius is royal knowledge. In the nearest need it studies all ages and
all worlds. Let me understand my neighbors and my meat; you may have the
libraries and schools. I read here living languages,--the eye, the
attitude and temperament, the wish and will: Hebrew and Greek must wait.
He who knows how to value "Hamlet" will never subscribe for your picture
of "Shakspeare's Study." Great intelligence runs quickly through our
primers, our cities, constitutions, galleries, traditions, cathedrals,
creeds. The long invention of the race is a tortuous, obscure way. Must
I creep all my fresh years in that labyrinth, and postpone youth to the
end of age? What need of so much experience and contrivance, if without
contrivance, if by simplicity, the children surely and beautifully live?
Healthy thought is organic, grows by assimilation, vitalizes all it
takes, and so like a plant puts forth knowledge from the old and from
within. The apple of to-morrow is earth, not apple, till it hangs on the
tree. Our knowing seems rather rejection than acceptance, so much is
husk in bulk. From eight thousand miles of geology the tree takes a few
drops of water and distils from these its own again. Vigor of mind is
judgment, which divides the meat from the shell, that which cumbers from
that which thrills. The act is simple, inevitable; let it be energetic
and final. We say, "This is valuable, it quickens me; the rest is
nonsense." A feeble mind needs now chiefly to be rid of rubbish, of
cheap admirations, an awe before the hair-pins and shoe-ties of society,
before the true church, the scholastic learning, dead languages, the
Fathers and the fashion. To set the savage of civilization free from his
superstition, these idols must be insulted before his face.
A little energy of demand displaces them from regard. The scholars are
busy with punctuation, chronology, and the lives of the little great, so
that their visit is a vastation, and I must turn them out of doors.
Genius will continue unable to spell, to read the German, to count the
Egyptian kings. There is royal ignorance, the preoccupation of gods. For
the wise, if no object is trifling, yet part of every object is foreign
to its best intent. Every nut is inwardly a man and a miracle, but
outwardly a shell. If it be a book, the thought is a shell, though God
be in the thought. The book is another thing, another world of power and
form, and the power will consume the form as a sword eats its sheath,
the soul the body, or fire the pan. The letter drops, for the spirit
must expand and be set free. The positive and negative poles of Nature
reappear in every creature, and the positive element must prevail. When
we have learned to live, we shall--or shall not--learn to spell.
The last refreshment is intercourse with a kingly mind, which has no
need to shift its centre, but lies abroad hemispheric, and sleeps like
sunshine, bathing silently the earth and sky. Such a mind is at home,
not in position, but in a vital relation to Nature, which leaves no
spaces dark and cold for wandering, and knows no change that is worth
the name of change. It is rest to be with one who is at rest, who
cannot go to or go from his happiness, for whom the meaning of Deity is
here and now. What stillness and depth of manner are communicated to all
who sound the deeps of life! what a refuge is their society from wit,
zeal, and gossip, from petty estimates and demands! To these, now first
encountered, we have been always known; in them we meet no private
motive, no accomplishment, reputation, ability, immediate haunting
purpose, but a Sabbath from personal fortunes. We meet the great above
all that can be mine or thine, above gifts and accidents in common
manhood and prosperity. Swedenborg reports no encounter on higher
ground. The seven heavens open to me in a mind which gives rank to its
own facts, and wherever it is housed still finds the universe only a
larger body around the soul.
Genius declares the total or representative value of its own facts
against the neglect or contempt of mankind. Intelligence is centre of
centres, and all things diminish as they recede from the eye. Every
natural law is some hint to us of our commanding position. The good
thought is never a toilsome going abroad, but some settling at home to
new intimacy with the fortune which waits on all. It is no putting out
legs, but a putting down roots to take possession of the earth and the
nether heavens, while we fill the upper sky with climbing shoots.
Intelligence is at one with the system, able to entertain it as a unit,
to refer every particle, dark as a particle, to its shining place in the
transparent whole. How can I afford to drop my errand, to go wonder
after the fore-world, after Plato, Washington, or Paul? These are men
who never dropped their errands to go wonder after the Maker himself.
They found God in the thing lying nearest to be done. As right action in
the remotest corner is a world-victory, so right thought applied to the
lowest circumstance is cosmic thought. In the fortune of the hour we
have a home beyond the fortune of the hour. The least circle of order
now organized and established in our lives is not a poor house frozen to
the ground, but a ship able to outride the currents of time, a charmed
circle of security which will serve us still in every following world.
Our future is to be found, not in multiplication of examples, but in
deeper sympathy with all we have superficially known.
We shall never rightly celebrate the stillness and sweetness of truth in
an open mind. Clear perception is refreshing as sleep. It is a sleep
from blunder, care, and sin. In every thought we are lifted to sit with
the serene rulers, and see how lightly, yet firmly, in their orbits the
worlds are borne. With insight we work freely, for every result is
secure; we rest, for every stream will bear us to the sea. Peace is joy
beyond the perturbation of joy, is entertainment of Omnipotence in the
breast.
A filial relation to the universe is well expressed, not in speech, but
in the attitudes of her children, in their balance, tranquillity,
directness, their firm and quiet grasp, look, step, tone. Confidence and
joy are the only moral agents. Worship is immortal cheer. The Greeks
rebuke us with their sacred festivals and games: why should we not hunt
every evil as we follow gayly the buffalo and bear? Virtue cannot be
wrinkled and sad; Virtue is a joy of the Right added to our earliest
joy,--is refreshment and health, not fever. The Etruscan are right
religious sculptures: the body will be more, not less, when the soul is
most; for the body is created and perfected, not devoured by the soul.
In another Eden the curves of grace and power will reappear; every
wrinkle will be counted sin; goodness will be sap and blood, a growth of
grapes and roses, a sacrament of energy and content.
If there be great wrongs, we cannot distrust the Maker, and postpone the
security of the soul. Impatience is a wrong as great as any. Love and
trust are remedies for wrong. Music is our cure for insanity, and I
remember that incantation of fair reasons which Plato prescribed. What
gain is in scolding and knitting the brows? The blue sky, the bright
cloud, the star of night, the star of day, every creature is in its
smiling place a protest of the universe against our hasty method of
counter-working wrong with wrong. Let loose the Right. Go forward with
martial music; never await or seek, but carry victory and win every
battle in the organization of your band. Hear Beethoven:--"Nor do I fear
for my works. No evil can befall them, and whosoever shall understand
them shall be free from all such misery as burdens mankind."
From this security in the lap of Nature, this nest in the grass, we rise
easily to every height. Gladness becomes uncontainable, a pain of
fulness, for which, after all effort, there is no complete relief; for
language breaks under it in delivery, and Art falls to the ground. The
psalm of David, the statue of Angelo, the chorus of Handel, are
inarticulate cries. These men have not justified to us their confidence.
It will be shared, not justified. They have divined what they cannot
orderly publish, and their meaning will be by the same greatness divined
again. The work of such men remains a haunting, commanding enigma to
following ages. They do but repeat the promise and obscurity of Nature,
for she herself has the same largeness, is such another _raptus_,
proceeding to no end, but to a circle or complexity of ends. Men are
again and again divided over the images of Paul, of Plato, of Dante,
unable to escape from their authority, more unable to give them final
interpretation. They leave Nature, to puzzle over the inexhaustible
book. What does it mean? What does it not mean? The poet will never wait
till he can demonstrate and explain. He must hasten to convey a blessing
greater than explanation, to publish, if it were only by broken hints,
by signs and dumb pointing, his sense of a presence not to be
comprehended or named.
For, if the seer is sustained, he is also commanded by what he sees.
Genius is not religious, but religion, an opening to the conscience of
the universe no less than to the joy. From this original the moral,
intellectual, and æsthetic sense will each derive a conscience, and rule
with equal sovereignty the man. Through an ant or an angel the first
influx of reality is entertained in an attitude of worship, and the
poet, in his vision, cries with Virgil to Dante:--
"Down, down, bend low
Thy knees! behold God's angel! fold thy hands!
Henceforward shalt thou see true ministers!"
Revelation is not more a new light than a new heart and will; revelation
to me is the conquest and renewal of me. What is lovely will not be
encountered without love, the Creator holds the key to the creature,
Order and Right may freely enter to be man. He who can open any object
to its source is touched therein by the finger of God, and insight is
inevitable consecration. Give the coward a suspicion of our human
destiny, and he is no longer coward; he would gladly be cut in pieces
and burned in any flame to shed abroad that light. Life has such an
irresistible tendency to extend, that it makes of the man a mere
vehicle, takes him for hands and feet, wheels and wings: he is glad only
when the truth runs and prevails. Enthusiasm, devotion, earnestness are
names for this possession of the deep thinker by his thought. He lives
in that, and has in it his prosperity, no longer in the flesh. The
inspired man becomes great by absorption in a great design; he is
preoccupied, and trifles, for which other men are bought and sold, shine
before him as beads of glass with which savages are wheedled. We drop
our playthings, our banks and coaches, crowns, swords, colleges, and
sugar-plums in a heap together, when any moment opens to us the scope of
our activity, and carries far forward the curve through which we have
already run.
The divine authority of Genius is given in this descent and superiority
to will. That which in me I must obey, that also above me all men must
obey. Will is the centre of the practical man, of all force, not moral,
but brute or natural, and is identified in the common thought with
myself, as I am a natural cause. Will is the sum of physical forces
necessary for self-preservation, is reagency against the formidable
rivalry of every other organization. In this animal centre the laws are
carried up, as reins are gathered to be put into the hands of a driver,
and being tied in a knot just where the physical touches the celestial
sphere, they seem to be moral, and Will much more than the body is in
popular thought inseparable from man. It is an organ into which he has
thrown himself in reckless neglect of his privilege, a grasping hand
which rules the world as we see it ruled, masters and takes to itself
for extension all laws below its own level, wields Nature as an
instrument, breaks down a weaker will, and carries away the material
mind until some God from above shall deliver it. Will is that living
Fate of which exterior necessity is but the form. From it we are
instantly delivered in conviction, and find it ever after the servant,
not the synonyme of man.
The boy does not choose, neither does the belly choose for him, what
object shall be supremely beautiful in his eyes. He has not resolved to
see only this splendor of color, and neglect sound,--or to give himself
to sound alone, and shut his eyes to sight. If the divine order reaches
any mind, those creatures in which it appears will haunt that mind, will
take lordly their own place, and hang as constellations high overhead in
thought. So long as he can turn the eye hither and thither, or lightly
determine what he will see, the man is conversant with form alone, and
bigots who are on that plane of experience identify him with choice,
hold thought to be altogether voluntary, and burn the thinker, as though
his view were a fruit, not a root, of him. But truth is that which does
not wait for our making, but makes us,--does not lie like water at the
bottom of our wells, but comes like sunshine flooding the air, and
compelling recognition. "To believe your own thought," says a master,
"that is genius"; but is not genius primarily the arrival of a thought
able to authenticate itself, to compel trust, and make its own value
known against the sneers or anger of the world? From my own thought once
reached there is but one appeal,--to my own thought: from Philip sober
to Philip more sober.
The good spirit appears as a spark in our embers, and draws out these
careful hands to ward itself from every gust,--sets our tasks and crowns
them. We know that from first desire to last performance wisdom is
altogether a grace. Wisdom is this wish for wisdom, already given in the
readiness to receive. We have not cared for it, but it has cared for us.
Grown stronger, it is a guide, and needs none. Turner sees what he must
love; there is no rule for such seeing: what he does not love is hid
from him; there is no rule for such omission. It is in the eye, not more
a happy opening than a happy closing. A private ordinance, dividing man
into men, makes the same creature a wall to one, an open door to his
neighbor. The value of man appears to Scott in feudalism, to Wordsworth
in contemplation, to Byron in impatience, to Kant in certainty, to
Calvin in authority, to Calame in landscape, to Newton in measure, to
Carlyle in retribution, to Shakspeare in society, to Dante in the
contrast of right and wrong.
One man by grandeur sees mountains in the coals of his grate; another by
gentleness only sunshine and grasses on Monadnock. You will not say that
he chooses, but that he is chosen so to see. Light opens the eye without
our intention, and we are at no trouble to paint on the retina what must
there appear. Success is fidelity to that which must appear. Weak men
discuss forever the laws of Art, and contrive how to paint, questioning
whether this or that element should have emphasis or be shown. If there
is any question, there will be no Art. The man must feel to do, and
what he does from overmastering feeling will convince and be forever
right. The work is organic which grows so above composition or plan.
After you are engaged by the symphony, there is no escape, no pause;
each note springs out of each as branch from branch of a tree. It could
be no otherwise; it cannot be otherwise conceived. Why could not I have
found this sequence inevitable, as well as another? Plainly, the
symphony was discovered, not made,--was written before man, like
astronomy in the sky.
Only the mastery of one who is mastered by Nature will control and
renovate mankind. It is easy to recognize the habit of conviction,
freedom from within, and personal motive, the man bending himself as for
life or death to show exactly what he sees. The inspired man we know who
appeals to a divine necessity, and says, "I can do no otherwise; God be
my help! amen!"--for whom praise and property and comfortable
continuance on this planet are trifles, so great an object has opened to
him in the inviolable moral law.
Every perception takes hold at last on duty as well as desire, claims
and carries away the man entire, though it were to danger or death. The
system, grown friendly, has grown sacred also; departure from it is
shame and guilt, as well as loss. An artist, therefore, like the Greek,
is busy with portraits of the gods, and every celebration of Beauty is
another Missa Solemnis, Te Deum, and Gloria.
Whatever object becomes transparent to a man will be his medium of
communication with the Maker and with mankind. He hurries to show
therein what he has seen, as children run for their companions and point
their discoveries. These are his unsolicited angels, higher above his
reach than above that of the crowd; for every good thought is more a
surprise to the thinker than to any other. The seer points always from
himself as a telescope to the sky; he is no creator, but a bit of broken
glass in the sun. What is any man in the presence of haunting
Perfection, never to be shown without mutilation and dishonor? Is it
ours? In Him we live and move.
While the Ego is pronounced and fills consciousness, man seems to be and
do somewhat of himself; but when the universal Soul is manifest above
will, his eyes turn away from that old battery; he is absorbed in what
he sees,--forgets himself, his deeds, wants, gains. He is rapt; stands
like Socrates a day and a night in contemplation; sits like Newton for
twelve hours half dressed on the edge of his bed, arrested in rising. He
is that madman to the world who neglects his meat, postpones his private
enterprise, regards honor and comfort as so much interruption to this
commerce with reality. We are all tired of property which is exclusion,
of goods which must be taken from another to serve me. Good should grow
with sharing,--more for me when all is given. In the spirit there are no
fences, boxes, or bags.
Presenting truth, I declare it as freely yours as mine. Every act of
genius proclaims that the highest gift is no monopoly or singularity, no
privilege of one, but the birthright of the race. Shakspeare knows well
that we shall easily see what he sees; he considers it no secret. We are
always feeling beforehand for every right word now about to be spoken in
the world; many men give tokens of the general habit of thought before
he is born who clearly knows what all were dreaming. Wisdom has only
gone before us on our own path, and we overtake our guide in every
perception. Yet we are lifted quite off our feet by any new possibility
revealed in life: every circle drawn round our own astonishes, though it
be drawn from our centre. The poet in his certainty appears a child of
the heavens, and we strike another foolish line through the crowd, as
though every man were not his own poet as truly as he is his own priest
and governor, as though each were not entitled to see whatever is to be
seen. The masters of thought may teach us better. They address their
loftiest power in us, and never sing to oxen or dogs. The painting,
poem, statue, oratorio, calls to me by name; the morning is an eye that
solicits mine. Shall I take only the husks, and leave to another,
contented, always, the life of life?
He is supreme poet who can make me a poet, able to reach the same
supplies after he is gone. We are bits of iron charged by this magnet,
and lose our quality when it is removed; we are not quite made magnets
as we should be by this magnetic planet and the revolutions of the sun;
yet the great polarity of our globe is a sum of little polarities, and
every scrap of metal has its own. We are made musical by the passing
band; we go on humming and marching to the air; but he who wrote it was
made musical by silence and sunshine. Soon our own vibrations will be
more easily induced, as old instruments sound with a touch or breath. We
shall throb with inarticulate rhythms, and understand the bard who
sings,--
"Heard melodies are sweet, but those unheard are sweeter."
The poet is one who has detected this latency of power in every breast.
His delight is a feeling that all doors are open to all, that he is no
favorite, but the rest are late sleepers, and he only earlier awake.
Depth of genius is measured by depth of this conviction. Egotism is
incurable greenness. An artist is one who has more, not less, respect
for the common eye. The seer points always from his own to a public
privilege,--says never, "I, Jesus, have so received," but, "The Son of
Man must so receive"; and Shakspeare cuts himself into fragments till
there is no Shakspeare left behind, as if expressly to testify that this
wonderful wisdom is not his, but ours, is not that of the thinker and
penman in his study, but of priests and kings, ladies and courtiers,
lovers and warriors, knaves and fools. Paul sees that Moses read his law
from tables of the heart. Every wise word is an echo of the wisdom
inarticulate in our neighbors which sends them confident about their
work and play. The faith of healthy men and women is amazing when we
learn how incapable they are of showing grounds for it. In speculation
they hold horrible theories, blackening the day; yet they trust the good
which their lips unwittingly deny.
In discourse we are moved, not by what a man says, but by what he takes
for granted. The undertow of power is something unstated to which all
his facts and laws refer. But our resource seems to be rather a
reversion, is not quite available; we have blood and a beat at the
heart, yet it does not circulate freely, and Nature to every man is a
double of himself, so that the universe seems also cold in extremities,
as though there were too little original life to fill her veins. The
poet is not fire on the hearth to thaw this numbness by foreign heat. He
rubs and rouses us to activity, drags us to the open air, puts us on a
glowing chase, provokes us to race and climb with him till we also are
thoroughly alive. No other gift of his is worth much beside this hope of
reaching his side. The great know well that all men are approaching
their view even in departing from it, as travellers going from one port
turn their backs on each other here and their faces together toward the
antipodal point: they can leave their discoveries and fame to the race.
There is one object of sight. Every piece of wisdom is no less my
thought because another has found it in my mind. It is more mine than
any perception I called my own, for really with that I have
unconsciously been living in deeps below thought. The rest I have known,
that in all these years I am.
No man seriously doubts that he is born to entertain the meaning of the
world. Already we are inclined to reckon genius a mere faculty of
saying, not of knowing, since it opens a common experience in every
example. Minority and obligation to other eyes will cease. We have
outgrown many a Magnus Apollo of childhood; his beauty is no longer
beautiful, his gold is tinsel, we can dig better for ourselves.
Therefore we can draw no line that will stand between poets and
pretenders. That is fire which fires me to-day; to-morrow the same
influence is frost. The standard is my temperature, a sliding scale. My
neighbors are raised to ecstasy by what seems a rattle of pots and pans;
but I remember when heaven opened to me also in Scheffer, Byron,
Bellini. The judge places himself in his judgment,--declares only what
is now above him, what below. If I find Milton prosaic beside
Swedenborg, perhaps I do Milton no wrong; perhaps no man in the company
so admires his impetuous grandeur; but now the impersonality of the
Swede may meet my need more nearly, with his mysteries of
correspondence, spiritual law, enduring Nature, and supremacy of Love.
Discrimination is worth so much, because there are no great gaps between
man and man, between mind and mind: there is no virtuous, no vicious, no
poet, no unpoet, and only dulness lumps one with angels, another with
dogs. There are infinite kinds and infinite degrees of intelligence;
there is genius in every sort and every stage of adulteration, overlaid
by this, by that, by the other grave mistake; and we cannot afford to be
inhospitable to the feeblest protest against our condition and
ourselves.
We pass all but the few great masters, and they are only before us on
the road. Culture is the opening of spontaneous or liberal activity, and
hangs all on the pivotal perception that everything, experience, effort,
element, history, tradition, art, science, is another opening to the
same centre, and that our life. When the pupil is roused, enchanted,
fired, his redemption from sense is begun; he is delivered to the great
God, if it were only in a crystal or a caterpillar; he will never again
be the clod he was. The years are cruel and cold, want and appetite
devour many a day, but the man can never forget what was promised to the
boy. He believes in thought; believes against thought in the mad world,
in foolish man; believes in himself, and wonders what he could do, if he
had yet only half a chance. All that is streams toward the mind, will
stream through it and be known.
God would not be God, if He could fill less than the universe, could
leave cold and empty corners, could remain beyond thought, could be
order around and not also within the brain. Deity is Revelation. Deity
means for each the germ of knowledge and the sum of knowledge. Man is
the guest of wisdom; he will drop for shame his arrogance, and seek
never again to entertain or patronize this architect and master of the
house. The triumph of inspiration is an unsealing of my own and of every
mind, a delivery of the pupil to private inspiration. When the work of a
master is masterly done, he abdicates therein, retires, and becomes
unregarded as a flight of stairs behind. The statue is a failure, unless
it makes me forget the statue,--the book, unless it makes me forget the
book. All the rhyming, painting, singing of sentimental boys and girls
springs from an intuition hardly yet more than instinct: that Nature has
special scripts for each, to be by him, by her, alone, divined and
published. They reach nothing sincere or unique, yet they feel the
individuality and remoteness of experience. They cannot put forth their
conscious power; but who among the gods of fame can put forth his power?
Emerson says Jove cannot get his own thunder; much less can any mortal
get his own thunder, however he may apply to Minerva for the key.
By the cheer of awakening intuition, a dawn which stirs before daylight,
all men are secretly sustained. The common life is a borrowing, not a
creation and giving: imitation is going on all-fours, and man is uneasy
in that animal attitude. The horse comes only as horse: I am here not
merely as man, but as John; I blush and ache till John is something
pronounced and maintained against the mob of centuries, till men must
feel his singularity and solidity, as the ocean is displaced and
readjusted by every drop of rain. More or less, I must at least purely
avail. Erectness is delivery to the private law, and something in each
remains erect, and lifts him above the brute and the crowd. He is, and
feels himself to be: he will advance and give the law of his life.
The brain is itself a nut from the tree Ygdrasil; it carries the world,
and in the first glances we anticipate all knowledge. The joy of life
does not wait for any theory of life, for we have only slept since the
thought in us was embodied in this system; we took part in the making;
we are drowsily at home with ourselves therein; we forget, yet do not
forget, the roundness of design. As in a common experience we are often
close upon some name which we seek to recall,--we feel, but cannot touch
it,--so the secret of Nature lies close to the mind, and sustains us as
if by magnetic communication, while we have yet no faculty to explore
our own being or this apparition of it, the whirl of worlds.
We have rightly held genius to be miracle; but our great hope is
postponed for lack of perception that all life is miracle, that man in
every endowment is a form of the same plastic, incalculable power. Yet
as we are brought to seek goodness, being sinners, so we shall be
brought to seek the last perception, being dolts. The masters have not
been quite masters, and their theory has never respected the natural as
opening to a supernatural mind. We eat and drink and wait to be
arrested, not by sunshine, but lightning. It comes at last, revealing
from heaven the height and depth of our human prospect. The vision is
appalling; the seer is stricken to the ground; he has no organ able to
bear this light; he is blinded; he runs trembling for counsel to Paul,
who was beaten from his horse, to Samuel, who was called in sleep, to
Jesus, who taught the new birth, to John, who saw the white throne. But
after a little we learn that the new experience is native to us as
breath. No degeneracy of any period, no immersion in war, trade,
production, tradition, can quite hide the cardinal fact that this
strength of antiquity, of eternity, waits to descend, and does from time
to time descend, into the private breast. He who prays has made the
discovery, and is put by his own act in lonely communication with all
heavens.
We find the sacred history legible only in the same light by which it
was written: we are referred by it, therefore, to sources of
interpretation above itself. God was hidden in the sky; the book in
another sky; who shall reveal God hidden in the book? After so many
ages, it has become a riddle as difficult of solution as any for which
it offers solution: the last and best puzzle of the exulting old Sphinx,
who will never be cheated of her jest. Our Christianity misses the
highest value of the book, as it indicates the resource of universal
man. We use the cover as some charm against danger, but the secret of
devotion is not reached. At last it is plain that secular, nigh
impenetrable Nature is a door as easily opened as this of the book. We
must read upon our knees, we wait for grace to open the text, God must
descend to light the page. The Quaker names our interpreter an inner
light, the Church a Holy Ghost to purge the heart and eye. A deity who
comes directly, and is no longer to seek when we are ready to read, must
abolish the book. Of all gods offered in our Pantheon, of all persons in
our Trinity, this must be the first.
I cannot fasten on the revelation which needs another to make it
revelation to me; but when the divine aid is given, we seek no farther,
for in this communion we have already all that was sought. The private
illumination converts to gospel every creature on which its ray may
fall; it makes a Bible of the world, a Bible of the heart. The doctors
with dandling have now kept the child from his feet till there is doubt
whether he have any feet. In this cradle of the record he shall spend
his snug and comfortable life. "Here is safety!" Of course, he is
bed-ridden.
But the weakness of man is no impediment to God. Remember who creates,
who renews, who goes abroad in perpetual miracle of building,
inhabiting, becoming. It is not a question of human power, but of
divine.
Spiritual presence, apocalypse of every apocalypse, becomes our primal
fact. It is the root of Protestantism, Democracy, Individualism. The
sanctity of conscience is a rest of man upon undeniable Deity. There is
no room for intervention of Peter or Paul.
The mind is immanence of Being, an original relation to all we have
named reality and worshipped as divine. There are truths which we must
reckon with Swedenborg among the Fundamentals of Humanity. To hold them
is to be Man,--to be admitted to the hopeful council of our kind.
Freedom is such a fundamental of the moral sense. From the thought of
property in man we erect ourselves in God's name with indignant
protestation, wiping it and its apologists together as dirt from our
feet. By an equal necessity we count out from every discourse of reason
those who find in them no organ of ultimate communication, who refer
from common consciousness to saint and sage, as though God could be shut
from presence and supremacy in thought. They are intellectual
non-combatants who so refer. We take them at their own valuation; their
certainty of uncertainty, their confession of remoteness from the centre
we accept; but we must turn from the very angels, if they be not
permitted for themselves to know. There is no outside to the universe
except this embryotic condition, wherein a man may think that there is
no result of thought.
I suppose no individual thinker will ever again have the importance
which attaches to a few names in history. No man will found a religion
with Mahomet, or overlie philosophers like Calvin, or shoulder out the
poets like Shakspeare; still less will any man again be worshipped as a
personal god. Let the newcomer be never so great, there is now a
greatness in public thought to dwarf his proportions. He antedated all
discoveries who first uttered the sacred name. That ray on darkness
tells. Now we have nations of philosophers, thought flies like
thistle-down, and the sublime speculations of the fore-world are
cradle-songs and first spelling-lessons to excite the guesses of every
barefooted boy. In early ages men met face to face with Nature, and
spent their strength directly in questioning her. Now the work of God is
overlaid. Every blunder is a rock in our field, and at last the field is
a stone-heap of blunders, and our giants have work enough to reach any
ground in the unsophisticated facts of life. We set no limit to the
revolutionary power of truth; in happy hour it may sweep away doctrine
and usage, supplant systems by songs, and governments by Love. Yet the
first men were able to cleave the world to its centre, and predict the
last results. We only enlarge their openings. Schools follow schools,
Eclecticism comes with its band into the field to gather every ear; but
Plato stands smiling behind, and holds in his hands that simple divided
line, the image of all we know.
Who can wonder at the authority of the ancients, unbowed by an antiquity
behind? Freedom from authority gave their directness, their simplicity,
their superiority to misgiving and second thought, their confident "Thus
saith the Lord."
We boast our enlightenment, but now the best minds are in question
whether we have not lost as much by the ancients as we have gained.
Plainly, they have not yet done their own work, have not given us to
ourselves and to God. They should have been less or greater; they did
not quite liberate, but became oppressors of the mind. To this
misfortune we begin to find a single exception. Jesus, with his primal
doctrine of a divine humanity, will now at last avail to be understood,
will deliver us from every teacher to a Father in the heavens, and put
us in direct communication with Him through the moral sense. After so
many blind centuries, his truth breaks out, draws us to him from the
misunderstanding of his followers, and refers from himself to the
sources of his incomparable life.
Two men of our time are the primitive Christians,--not known for such,
because their springs open, with those of the Master, not in any
character, but in the Cause. They share his reliance, and accept in
simplicity those brotherly words in which he extends his privilege to
every child.
He will open to us Nature, for his habit is the only natural. He has no
anxiety for immediate results, is never guarded in expression, does
never explain; he makes no record of thought, calls no scholar to be
scribe; he knows no labors, no studies; he walks on the hills, and
frankly interprets the waving grain, the seed in the furrow, the lily,
and the weed. Here is power which takes no thought for the morrow, an
attitude which works endless revolutions without means or care or cost.
We must not dwell on this supreme example, lest we leave the hope of
every reader far behind. Let us rather keep the level of common
experience, and disclose the incursions of spirit which light a humble
life. Love and Providence will appear in every breast; nothing more than
Love and Providence appears to us above.
A supreme genius will fail, rather by under- than over-statement, to
balance the popular exaggeration and repetition of fine phrases for
which we have no corresponding fact. Why should any man be zealous or
impatient? Why press a moral, dissecting it skeleton-like from throbbing
textures of Freedom and Beauty? Why preach, threaten, and drive us with
these bones, when a lover may draw us with kisses on living lips? Nature
offers Duty as a manlier pleasure, leads the will so softly as to set us
free in following, and her last thrill of delight is the steady
heart-beat of heroism, facing danger with level eyes and fatal
determination. Fear may arrest, but never restore. It is an arrest of
fever by freezing, of disease by disease. Let it be understood, once for
all, that this universe is moral, and say no more about that. Every man
loves goodness, and the saint never exhorts to this love, but reinforces
by addressing himself to it as matter of course. All power is a like
repose on the basis of common desires and perceptions in the race. The
didactic method is an insult alike to the pupil and the universe.
Socrates is master and gentleman with his questions, suggestions,
seeking in me and acting as midwife to my thought; but all _illuminati_
and professors, all who talk down or cut our meat into morsels, will
quickly be counted aunties by the vigorous boys at school. Chairs and
pulpits totter to-day with a scholastic dry rot, which is inability to
recognize the equality of unsophisticated man to man. There will soon be
no more chair or desk; the only eminence will be that of one who can
stand with feet on the common level, and still utter over our heads a
regenerating word. We shall learn to address ourselves in an audience,
to utter before millions, as if in joyful soliloquy, the sincerest,
tenderest thought. Speak as if to angels, and you shall speak to angels;
take unhesitating inmost counsel with mankind. The response to every
pure desire is instant and wonderful. Thousands listen to-day for a word
which waits in the air and has never been spoken, a word of courage to
carry forward the purpose of their lives.
Thought points to unity, and the thinker is impatient of squinting and
side-glances while all eyes should be turned together to the same.
Thought is growing agreement, and that in which the race cannot meet me
is some whim or notion, a personal crotchet, not a cosmic and eternal
truth. Genius is freedom from all oddity, is Catholicity,--and departure
from it so much departure in me from Nature and myself. We say a man is
original, if he lives at first, and not at second hand,--if he requires
a new tombstone,--if he takes law, not from the many or the few, but
from the sky,--if he is no subordinate, but an authority,--if he does
not borrow judgment, but is judgment. Such a man is singular in his
attitude only because we have so fallen from purity. He, not the
fashion, is _comme il faut_. By every word and act he declares that as
he is so all men must shortly be.
Plato and Swedenborg are trying to speak the same word, but each can
avail only to turn some syllable. They regret this partiality as a
provincial burr, as greenness and narrowness. Genius sees the white
light and regrets its own impurity, though that be piquancy to the
multitude, and marketable as a splendid blue or gold. Manner, in
thought, speech, behavior, is popularity and falsehood; is the limping
of a king deformity, though it set the fashion of limping. The grandest
thoughts are colorless as water; they savor not of Milton, Socrates, or
Menu; seem not drawn from any private cistern, but rain-drops out of the
pure sky. Whim and conceit are tare and tret. It matters little whether
a man whine with Coleridge, or boast with Ben Jonson, or sneer with
Byron, or grumble with Carlyle, if every thought is one-sided and
warped. The oddity relieves our commonplace, and pricks the dull palate;
but we soon tire of exaggeration, and detest the trick. It is egotism,
self-sickness, jaundice, adulteration of the light. We name it the
subjective habit, personality; while the right illumination is a
transparency, a putting-off of shoes, garments, body, and constitution,
lest these should intercept or stain the ray. Genius is an eye single
and serene. Good speech carries the sound of no man's, of no angel's
voice. Good writing betrays no man's hand, but is as if traced by the
finger of God.
Original will signify, therefore, not peculiar, but universal. The
original is one who lives from the Maker, not from man. He has found and
asserts himself as a piece of primal design: he is somewhat, and his
life therefore significant. He first represents man in purity, man in
God, and is a revelation. No matter what he repeats as approved, he will
not be a repetition, but will give new value to each thing by his
approval. The wisest man in separate propositions repeats only what has
many times been spoken. In my reading of this past week I find
anticipated every item of modern thought. Hooker says of the Bible,--"By
looking in it for that which it is impossible that any book can have, we
lose the benefits which we might reap from its being the best of books."
Milton says,--
"He who reads and to his reading brings not
A spirit and judgment equal or superior,
(And what he brings what needs he elsewhere seek?)
Uncertain and unsettled still remains."
Coleridge gives perfect confidence to paradox as sure of solution above
the term of it; in his "Table-Talk" he antedates Carlyle's doctrine of
dynamics,--puts Faith above belief, as in another region of the
mind,--declares that the conceivable is not to be revered, and says,
before Emerson, that existence is the Fall of Man. But the failure of
Coleridge teaches that no single perceptions, however subtile or deep,
will solve the broad problem of Nature. These separate thoughts the
great hold in new emphasis and relation. Of such sparks they make a
flame, of such timbers a house or ship. The parts may be old, the whole
is not; and Goethe falls into a modest fallacy, when, in acknowledging
his obligation to others, he disclaims originality for himself. All is
new in his use of it: you may say he has taken nothing, for what was
iron or silver where he found it is gold in his transmuting grasp.
When a man authentic speaks, our interest goes through every statement
to himself. The root of that word is not in the market or the street,
but in humanity, and through that in the deep. We study Goethe, not any
opinion of Goethe: he represents for us in his measure the nature, need,
and resource of the race, because what he publishes he knows, lives, and
is. We open the mind largely to take the sense of such a gospel: it will
not appear in details of perception. Plato and Goethe see the same sun,
and seem to the vulgar to follow each other; they have more in common
than any man can have in privacy; yet if you enter to the entire habit
of each, you will justify the making of these two. They are like and
unlike, as apples on one and another tree. The great in any time hold in
common the growing truth of their time, and refer to it in intercourse
as understood, an atmosphere which he must breathe who now lives and
thinks; yet no two will be identically related to the same. We are
radiated as spokes from a centre; we enter to it and work for it from
every side.
There is no danger of repetition, if the thought be deep. Superior
insight will always sufficiently astonish, will always be novel in its
place. The more simple the method, the more wonderful every result. Men
are shut, as if by a wall of adamant, from all that is yet beyond their
sympathy. My neighbor is immersed in planting, building, and the new
road. Beside him, companion only in air and sunshine, walks one who has
no ocular adjustment for these atoms; his thought overleaps them in
starting, and is wholly beyond. The end of vision for a practical eye is
beginning of clairvoyance. To the road-maker, man is a maker of roads;
he cracks his nuts and his jokes unconscious, while the ground opens and
the world heaves with revolutions of thought. Ask him in vain what
Webster means by "Concord, Lexington, and Bunker Hill"; what Channing
sees in the Dignity of Man, or Edwards in the Sweetness of Divine Love;
ask him in vain what is the "Fate" of Aeschylus, the "Compensation" of
Emerson, Carlyle's "Conflux of Eternities," the "Conjunction" of
Swedenborg, the "Newness" of Fox, the "Morning Red" of Behmen, the
"Renunciation" of Goethe, the "Comforter" of Jesus, the "Justification"
of Paul.
For the dull, this mystery of existence is not even a mystery; they are
shut below the firmament of wonder. When the vulgar come with their
definite gain and good, their circle of immediate ends, we feel the
house contract, the sky descend,--we shrivel, our pores close, the skull
hardens on the brain. The positive, who exactly knows, is a skeleton at
the feast; that exactness is numbness, and chills every expansive guest.
Dogma is a stoppage quite short of the nearest beginning; the liberal
habit a beginning of all that has no end. Sense is a wall very near the
eye, and when that is penetrated all lies open beyond; we see only
paths, seas, and vistas. Wisdom explores and never concludes. The
explanations of centuries are idle tales: my explanations are not so to
be forestalled. We forget the shallow answers to shallow questions, when
now we have deeper genuine questions to ask. The great are happy babes
of Beauty and Good. Truth returns in a fresh suspicion, and all are
welcome who wear on the brows that soft commingled light and shadow of
an advancing, sweet, inexplicable Fate. Our hope is no house, but a
wing; no roof can be endured but the blue one. What method have we yet
to serve the spontaneous or spiritual being? what culture, art, society,
worship, in which his need and power are so much as recognized? There is
indefinable certainty of Nature beyond Nature, man beyond man. Genius
opens all doors, the earth-doors, the sky-doors,--throws down the
horizon and the heaven, to come into open air. All paths lead out to the
sea, where a day's voyage may teach that the receding circle bounds our
sight alone, and not the deep. We look out not on chaos and darkness,
but on order too large for the brain, and light, for which as owls we
have yet no capacious eye. We leave every perception neglected to wait
on the future; but every future has its future devouring the past. What
is left but bending of the knee and boundless confidence?
* * * * *